St Paul High School - Paulite Yearbook (Grosse Pointe Farms, MI)

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Paulite time economists invade digital sciences Term paper trauma strikes. Winter Carnival evokes a mad clothing scramble. In the face of life's minor crises, Paulite time Ueconomistsn let their fingers do the working - across typewriter keyboards and sewing machines. Sister Jean Ellen's first year typists evade the monotony of home row with new machines that seem to make the mastery of Hten Hying fingers an attain- able victory. While dictation sessions multiply the squiggles in shorthand notebooks, and perfect type- written letters become frequent occurrences, advanced business education students assume a unique secretarial style: during work, they grit teeth and mutter with any possible enthusiasm: Being a secretary can be funf, Threading in and out of the clothes corner , no- vice neatniks convert colorful yardgoods into custom- made creations-but not without occasional bouts of rip out, resew . An encouraging word of advice from clothing instructor, Miss Ann Eichmann, helps to erase the inevitable defeatist attitudes of crooked hemmers .

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rt, drafting draw creative schemers Arts and drafts designers conjure up crea- tive schemes. Fashioning avant garde media into Paulite- patented prototypes, art classes chart 1969 calendars, draft house plans that potentially threaten to upstage the most unique blueprints in House Beautiful, and design posters just a little bit better . Q-tips and mascara brushes find their way into the artists' collection of useful oddities. The entire school knows that silk screen production is underway when art students begin wearing the colorsl' of their innovational designs on uniforms and hands. Level-headed draftsmen pursue the mas- tery of draft-craft . Drafting classes delineate three dimensional projections and haunt class- rooms with tape measures and note pads to determine if St. Paul measures up architec- turally. When assignments pile up, drafting aces echo their own favorite formula for suc- cess: If you can't make it, fake it. Through every misadventure, quick-draws are hooked on a feeling for artistic schemes. ,.,.1u...., ABOVE: Two heads are better than one , concludes Steve Weitzmann as Sister Cather- ine Philip offers constructive criticism. ABOVE LEFT: Janet Biermann inspects final prospects for the Scholastic Art contest. FAR LEFT: Five-finger finesse proves handy as Joe DeSchryver labors over drafting pro- jections. BELOW LEFT: With a variety of art projects simultaneously underway, Jan Kramer, Nancy Kliber, and Lisa Fisher offer better ideas to an appreciative Lisa Ferrell. LEFT: The usefulness of a T-square is never to be underestimated. Mike Nally grapples with the impulse to show Mike Pendy what drafting is really all about. 37