St Patricks Academy - Patrician Yearbook (Binghamton, NY)

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E -:- -:- -:- -:- -:- M Helen Allen Henrietta Carey Francls Casey Rose Mary Costello Mary Costick Rua Curley Edward Dacey Michael Dacey Ruth Devereaux Ruth Ann Fitzpatiick John Gallagher Mildred Geichman Eugene Giblin Richard Golden Margaiet Goodman lllumnr Qllaaz Donald Hickey Joseph Hickey Mary Hogan Agnes Horney Joan Huth Helen Keating Ellen Kilmer Jeremiah Lawloi Elizabeth McCormack Catherlne Mealy Paul Meddleton Mai y Mulrooney Mai cella Mulv1h1ll Elizabeth O Connor Josephine Phalen James Pulchine Helen Quinn Martha Pace Alfred Pose Howard Rose Jerome Pyan Alice Saxe Catherine Shannahan Marion Shannahan James Small Loiin Telfer John Tingley Sauntina Vetrero Maiy Agnes Werth Puth Yea er Q -:- -:- -:- -:- -:- gg Page 32 Rita Evans William McDonald Donald Slimbaugh

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illllumr Aa a Qlnmpzmtun MUSIC IS the unlversal langauge of the human soul a means by Whlch the 1nt1mate emotlons of manklnd can be expressed through the natural forces of rhythm and sound When one hears beautlful mus1c he 1S carr1ed out of hlmself 1nto a 1eg1on of beauty The Frenchman Gelman and Spanlald all consldel lt n 1nd1spensable factol ln human l1fe and as much a necess1ty f01 exlstence as food and drmk And vyhy '7 Because slnce helr cradle days th1s language of beautlful sounds has enhanced the lands of the1r blrth From eally ChlldhO0d they wer t1a1ned to appleclate 1tS com pan1onsh1p and to 1ob them of lt would be to snatch away the pleasure of l1fe 1tself Fable legend h1btOlW and experlence combme o lllustlate the extraordmary effect of mus1cal sounds on mln and beast We can of coulse only guess how thousands and thousands of years ago when savage men roamed the stlange and anc1ent yy orld melody made 1 s first appeal to the human hefut SChOl31S belleve that man s very flrst mus1c was hls huntxng call crylng out as he t1acked beasts through the forests Among the trees alone except fO1 the presence of yv1ld an1 mals qulet save fo1 the occaslonal call of a b11d the Indlan became sub' dued and yearned fO1 champ1onsh1p P1obably he llked the sound of hlS oyvn volce So It happened one day as he rested that he repea ed the hunt 1ng call for h1S oyyn pleasule Th1S was hlS fl1st melody When he and h1S tr1be learned to put th1s cry together Wlth othe1 slgnals the sounds grew to take the form of tone comb1nat1ons Thls recreatlon had become necessary o the savage LlkGW1S6 It IS ssentlal to man IH general as necessaly 1n flct as flesh a1r IS to h1S lungs Throughout l1fe from Ch1ldhO0d to old age mus1c IS an lndlspensable ch1ldren of love An anc1ent legend has lt that the Babe of Bethlehem vyhlle ly 1ng IH the manger heald the song of angels The heavenly chorus had come o proclalm Hls K1n shlp and the syyeet cadences of then hymn caused the HoHly Babe to sm1le 1n Hls sleep We all knoyy that an lnfant IS soothed and quleted by hls mother s lullaby IH the rhythmlc rocklng of the cradle The Rock a bye Baby IS 1ts fil st lesson IH mus1c appreclatlon Rhythm IIOVSQVQI goes V21 h us beyond ou1 cladle days 1n the play song of chlldren Who does not lemember ga1ly t11pp1ng to the happy tune of Farmer 1n the Dell and London Brldffe We not only sang but danced as well Thls danclng was the express1on of an lmpulse to move to the lhythm whlch yye felt even 1n our youth The Chu1ch also has played an 1mpo1tant pa1t 1n the development of mus1c Pope Gregory the Great thought It SLlff1C16I1t1y lmpoltant to collect and publlsh those l1Eil'IT10H10l1S melodles named fox h1m Grevorlan Chant the model fo1 all S3C1 ed mus1c Centur1es ago It vyas the Monk P10 D1retzo who fl1St started the scale Through the lnfluence of the Church schools of Counte1po1nt and Polyphony yy 16 establlshed Thlou hout the ages she has fosteled a love for thls subllme study And lastly the song of the psalmlst Vylll chant by the mouth of the Lhurch vo1c1n the note of hope amld ealthly sepalatlons And as that song dles ayy ay yyc shall be ushe1ed to the accompanlment of mus1c 1nto ou1 leal and evellastlng home yye shall halk unto song and o lute borne aloft as yye hea1 the S91 aph1c chons fo1 mus1c and ltS dellghts yy 1ll be part of heaven f01 US Bs '1t11ce Callan Ll L 935 -:- -:- -:- -:- -e- if 7 Q l .. - I . . , A. , . k , al , , ' 1 Y. , , ' ' , . , ' t ' 4 K u 1 1 u 4 I , . S C u . . ' , 6 ' l 1 '1 Q v ' ' L ' Q .I , y . ' D 2 ' . , . .. Y , 'L , , - v U C . , , I 1 . , b ' ' 1 v '-' . . Y . L - n . u l y - 1 X . A' - 1 n n 9 - 9 9 11 ' y 2 a V I h - ' . . , I c compamon. Rightly, did Francis Thompson tell us that songs are the . . . ,I V . 7- 0 . - 4- ' . c ' L an . n . v I 1 7 . , . 1 1 vu ' U - -L - VH . . ' ' . . .l . , L. ,'4 , . . V ' , , L C ' f as - . ar u ' ' yr o - D . . . i . , D . , . . ' . , L . u A , . C ne. t . g ev? . V. .Y T . . 0. . P i H . v , lj . . - 4 . , , ., . . , . , . . . . ' . . v .- . 4 9 L 1 922 'Q' 'D' - 'GL 4' 'D' Q Page 31

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E35 4- -:- -:- 4- -:- if Mau Acqulvla Plta buckman Pober Buckman Edward Cahlll Mau Callan W1ll1am C0l1Vlt0 Kathleen Cound Wllllam Coural Han Jane Cromn Matthew Cuchlala John Cullen Paul Dacex John Dlllon Jean Duffy Louls Emmons Charles Fostel Jox ce Fre11e Justm G1llen James Goughau Paul Goughary Pobert G1 een Glace Hogan Francls Ivey Delores Kane Helen Kane xId1X Keatmg Anna Koschak John Matthews Maly McCo1 mack I lta McManus Eleanol 'NlcNIe1nex Joseph XICVIHHIC N131 galet Mealy F1 ancls Monahan Thelesa Mokrohajskv Mary Molan Genev1eve O Brlen Glover Puldv George Sheehan James Shute Bernadette Slngleton John Sprlng Helen Sulllvan Chrls opher VN alsh Loretta Walsh FIHHCIS Wllzak Anna Wltkowska John Woods Joseph Zelblus Page 33 Snphnmnrv Qllaaz Kathryn Carmen Mae Henry Evelyn Scott 1 . . 1 . . E 'Q' 4' 'Q' 'O' 'S' J QQ