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Page 32 text:
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QARL A- MELLBF' NELS BTINNE ROBERT MORTVEDT MARTIN A. NORDGAAHD History, Economics Cheniwtry, Mathenuzzics Public Speaking Mazhemag-ics IMMANUEL KANT MMANUEL KANT was in lnany respects a true product of the Reformation. His parents were pious folks, pietists of a little group in Konigsberg. As a conse- quence Kant never relinquished a deep reverence for the Bible, moral earnestness, and a serious outlook on life. His appreciation of the value of the individual, as he is htted into any world-scheme, is also in harmony with the new ideas of incli- vidualism, as sponsored by the new era. According to Kant, man legislates to Nature. The deepest note in his thinking is concerned with the high importance of the moral law, inscribed in the heart of meng the impulsion of the feeling of nought- nessf' Wllhe starry heavens above and the moral law within has always filled me with awe, says Kant. It is in this domain that Kant finds the best evidence for the exist- ence of Cod. ' EDWARD O. RINGSTAD. OSCAR OVERBY ROY REIERSON EDWARD O. RINGSTAD OLE E. RQLVAAG Theory of Music Economics Philosophy Norwegzan Twenty-Four
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Page 31 text:
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Lnvmuu C JACOBSOIN Tmononr Joncm ox Smut KLAIKXCARD Asus lmnsow lsazslarzt Reglstrul Woruebuzn Lcononucs Hfslury MICHEL AN GELO HE greatest of fxll a1t1QtQ paet and PICQCIH The keenefzt eye and the deftewt hand on recold 0'lOlIfX1ll0' technlque and craftemanshlp by hm mfuvelloue 'llllllty to 1m1tate 1nd to lIllt'llJI6l llle lt elf A great ClEl11lC'1lOl of the human body the mo L perfael the mo-t beautlful anfl the 1110 t expres-we object 111 the ereated UIIIVLISC A thmlxer and L1 plnlowophen A poet lllldlllff 1n materul tlnnffs evelvwhere the symbols that pomt to tl1e sp1r1tu1 1nd the lllllllllfj A plophet, COl1ClPl1lI1lI1g 111 lus cut tl1e u1ls of lns ave and ound mf' a call for nolmlu and finer thlnlxlnv md l1X1Ilg A lheolovlan, glvlnff form and colo1 to tl1e grefat ffmle and movemente of e1eat1on and lCClElllpUOY1 The ereator of 1 new 1dC ll 111 art, elevflted mcere, thought awakenmg, lIlSPll'll1g, far beyond mere ll1E1tCI'12ll and physlcal Cllilllli Llttle appreemted 111 hlS own tlme but 1IlSp1llI1g men through the CCllll1I'lCS past to strne for the VIQIOH beyond the surface ve1l CARL A MELLBY hmm LARSOIN ARTHUR O LF1 OLAV LFP Mmnr WIALXIIN Hzslorv Business Manager Latm Englzsh Twenty Tlu ee A-I, ' ' ' . ' I 1 sw 2': 1, . ua: 1.51 A . ' -, . 1 ' .,, . ' V- .' - : 1 I a 4 3 D .1 'T D o ' 1 L M l . 3 L . a ' ' 1 s . , L ' ' ' ' g s 5 . n S .i:' ' ' ' ' ' P: . . ' ' ' J: ' setting forth in marble and on canvas the aspirations and the struggles of the soul. 7 In .i .CB ,I ll S .P .. cl 11 ' ' ' o C H ' f L1 l tv A C C lug, C 1 1 nf f. Y f 4 ' 2 . C . I . L 7 S. E - . . . . Q I. . Y .g. . . -' ' ' . . 11 .. 1 1 1 . 1
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Page 33 text:
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A M Rovnrsmu Enwmm W Scum DT PAUL G SCIIMIDT E G SCHWIEBERT Latm Bwlogy Manager o Muucal Hzszory Organzzanons ICELANDS PIONEER NOVELISTS N the H111 of Lltelary Fame, the lcelandlc saga wr1te1s have a nlche all tllell own These nameless genluses we know nothmo' of thelr 1clent1ty created OI'lg1l1'll lllerature of endurlng vfllue, lltelature aboundmg ln XlV1d character por scupuon and 1n fmlshecl n'1rral1ve sklll In a form replete Wlllll llfe and color, they depleted the c1v1l1zat1on of our ancestols, and left a reco1d the knowledge of wlnch IS nnperatlve for our understandmg of ourselves, as the fundamentals of ou1 soul hfe, 'ne today much the same as those of our foxefathers These early wrlters dld st1ll more They were hteraxy ploneers, they antlclpated yefl, 1Il a degree developed, one of the most modern of lllerary forms the novel RICHARD BECK Hscron SKIFTER ARTHUR K SOLUM Norm SOLUM GEORGE W Sperm Radzo Mathemazzcs Englzsh Englzsh Twenty Fuse . .' . 4 ' ' . : , - 4 - 7 A C . . 4 . . Q . . 4 1 u '. n u u , D n n o l l I c c ' ' ' ' trayal, in simplicity and power of expression, in dramatic: force, in realism of de- w . , . ' . c ' ' . ' . . 9 L ' ' i . ' 4 . , - I - 1 . .
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