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Page 25 text:
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REHEARSING FOR THEIR ROLES as mothcr daughtcr sparring partners. Anne Hat- field and Sara Webb argue over the best way to run a hotel. KNOWING THAT THEY CANT DO A THING with the play books still in their hands, Julie Carpenter and Allison James study their lines.
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Page 24 text:
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Behind the lights Practice and hard work come together for a pleasing performance t started early in the afternoon. Make-up was applied to ner- vous actors. The stage crews made their final lighting checks. Actors rushed to their play scripts for one last look. Property crews arranged last minute set changes. But preparation for productions began much earlier than the day of the play. Weeks before, even- ing practices were the scene for a variety of the- atrical activity. Aside from the rehearsal of lines, student crews were busily designing cos- tumes, recording sound effects, and coordinating props. Mrs. Ann Brad- field with assistance from technical director David Snively and student direc- tors, Vicki Lamp and Cathy Pollock, supervised and conducted the pro- duction. On weekends, actors and crews alike, gathered to construct the set. Flats were painted and Fitted together to form the back- ing. The lighting crew planned the lighting to set the proper mood for the play. Later, other props were brought in to com- plete the set. This activity continued, accompanied by ever multiplying pressure, un- til opening night when the practice and hard work came together to produce a crowd-pleasing perfor- mance. BRUSHING UP ON A LIT- TLE FANCY FLATWORK. Barb Long prepares for the pro- duction of “Any Number Can Die . TRYING TO CHOKE back a for Jim Gcssncr, Ken Taylor, laugh at play practice is not easy and Jill Ogdin. MRS. JANIS YOHO designs a 1920's hairstyle for 1980'sgirl, Jennifer Holland. TO SOME age is a paltry thing, but to Andy Clovis age is just a bit of make-up applied by Emma McCullough. 20 Backstage
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Page 26 text:
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SITTING BACK to appreciate the evening ahead arc Jennifer Holland and Mike Dunigan. BILL ENGLE AND LISA HALL laughingly leave the dance floor after some exhaust- ing steps. PROM COUPLES enjoy the four-course banquet before ven- turing out on the dance floor. A FEW OF THE CHAPER- ONS for the evening were (front) Jan Rea, Jody Cunning- ham, Krista Yopp, (back) Bar- bara Reckard, Betsy Putnam, Pam Hamilton, and Phyllis Barnhart. 22 Prom
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