St Marys Academy - Troubadour Yearbook (Milwaukee, WI)

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Refinement Through Music Bali Hai may call you. These words fill the hearts of the Senior Ensemble as they practice for their next performance: Cstand- ingl Kathleen Gumpert, Paula Koszuth, Patricia McCabe, Donna Wright, Valerie Balistreri, Priscilla Florek, Susan Olsen, Janet Kotarski, Lorrayne Bukowski, Grace Barts, Mary Frohna, Geraldine Schulz, Claudia Simek, lseatedl Annette Kircher, Kathleen Rush, and Camille Koepnick. Radowski, Carol Genetske, Elaine Nielsen, Mary Ellen Hickey, Mary Just, Carol Mruz, Anita Jachim, Marilyn Surges, Mary Poborsky, Carol Raclemacher, Mary Frederick, Ruth Ann Zarek. Row 4: Charlotte Schultz, Betty Lambert, Joanne Zak, Mary Ellen Graby, Patricia Woiciechowski, Eileen Kowalski, Joan Harrington, Janet Ryczek, Mary Wentland, Diane Kosmoski, Barbara Zakrzewski, Jacqueline Oman, Joan Cerzan, Judith Arntz, Joy Tracey, Carole Hardy. Row 5: Carole Koch, Joann Grimm, Camille Woida, Susan Lucci, Eileen Kaczmarek, Eileen Waizinger, Michelle Rygielski, Susan Szy- manski, Susan Buckley, Barbara Vick, Cherry Choate, Phyllis Gehl, Shirley Syzmanski, Adele Aken, Linda Woiciechowski, Gloria LaBerge. -.41-in-1 1- :mei

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Glee Club Sought Cultural The glorification of God and per- sonal enioyment through cultural re- finement are the primary aims of the Glee Club. Comprised of 'lOO St. Maryans, the Glee Club played an important role in the Living Rosary, Thirteen Hours Devotions, and May Crowning. Among its awards, the Glee Club received a one-rating in Class A for the past lO years in contests spon- sored by the Wisconsin School Music Association. Highlighting the year were the first Christmas Concert, Teen Show Time, fren? a musical review, and finally the long 9 awaited Spring Concert. Through Sister Mary Noreen's un- ceasing efforts and its members' co- operation, the Glee Club maintained Sandra Redman, senior historian, Barbara Schulz, secretary, Joan Miller, G Standard of Wl'1lCl'l S-M-A- is proud. junior historian, Patricia Niggemann, treasurer, tfront rowt Paula Koszuth, vice-president, Sister Mary Noreen, moderator, and Kathleen Gumpert, president. Looking over music for the Spring Concert are Glee Club officers: lback rowl Row l: Judith Waiciechowski, Mary Frahna, Claudia Simek, Grace Barts, Marlene Kubicki, Geraldine Schulz, Alexa Fendryk, Sandra Redman, Genevieve Barbian, Susan Attermeier, Paula Koszuth, Janet Kotarski, Danna Wright, Annette Kircher, Valerie Balistreri, Veronica Nagel, Joyce Franke, Carol Landowski, Judith Mayzik, Kathleen Gumpert, Camille Koepnick. Row 2: Kathleen Rush, Lorraine Zmania, Claudia Gorecki, Lorraine Bukowski, Jacquelynn Hebert, Joan Miller, Judith Raymond, Andrea Schwellinger, Kathleen Hickey, Patricia Niggemann, Darlene Esser, Shirley Przybylski, Barbara Schulz, Adrienne Waszak, Kathleen O'Rourke, Susan Olsen, Collette Jankowski, Patricia McCabe, Janet Hardy. Row 3: Elaine Szablewski, Susan Spielbauer, Mary Simson, Penny Fabinski, Dorothy Miller, Diane Slawny, Sheila Dunn, Cynthia

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Fifties Program Recalled The SMA Orchestra might be called a clock, the ancient, half-forgotten grandfather type that if left unwound and uncared for runs down, be- comes full of dust, rusty and decrepit until the watchmaker dusts away the cobwebs, oils the joints to remove the squeaks, winds it up and keeps it running smoothly by constant care. So it is with an Orchestra where squeaky instruments and rusty players abound in September when the clock strikes twelve, the beginning of the year. Auditions are held, positions secured, a Concert Mistress is selected and new members initiated in a mad tea party hosted by the Madhatter him- self. The clock chimes three as the first Orchestra program is given in November. The theme, The Fabulous Fifties, a resume of the last ten years of events through music, showed the clock's ap- preciation of time and the perseverence of the watchmaker for the squeaks and rust are hardly apparent. On the clock ticks through the Christmas pro- gram, the school play, various assemblies, the Spring Contest and, at last, when all parts run smoothly, the climaxing Spring Concert. Working together as a precise unit the Orchestra members proudly display the watchmaker's skill and their own ability. F a Selected as Concert Mistress tor the 59-60 season is iunior Kathleen McGill. Busily adding finishing touches to the cherry tree tray favors for the Sisters at St. Ann's Infirmary are Orchestra otticers Janice Polacheck, president, Marion Schullo, secretary, Sister Mary Andree, conductor, Kathleen Kramer, treasurer, and Patricia Shackton, historian. it H wr