St Mary of Redford High School - Rustic Yearbook (Detroit, MI)

Page 9 text:

The REVEREND JOHN GILMARY C0oK, LL.D. Pastor, St. Mary of Redford P 0470

Page 8 text:

Q .J -ie N 5 f ,fl P la. 's Q! af, W 'll el If Il C-as W is-if v C 53 qi 12251 ei! Gln gl M 1 3' w il ,X YQ Fi 4 l il' HQ fi N. lx gg Ml W L Aj wi ia IAQ fs ei, po-fsrfsvrwrsfsfofivfs-ffawal if f .a r . l Page Sw Dedication THE GILMARIAN is lovingly dedi- cated to our Pastor and friend, the Reverend Father John Gilmary Cook, LL.D., in honor of the twenty-fifth anniversary of his ordination for the Priesthood. With profound joy we join with him in celebrating this happy Silver Jubilee. It has been our privilege to know and love Father Cook for ten years. And it is our hope that he may be permitted to guide the destinies of St. Mary of Redford for many years to come. We take this opportunity to con- gratulate him and to thank him for all he has done and to Wish for him all the earthly blessings and the Divine favors which his labors have so richly deserved. ' 4 fMfWEQPQNxwwxwwwxwOf

Page 10 text:

Qui' Church With a true feeling of pride and satisfaction we may look upon our new Church which has been dedicated, in a special manner, to our Blessed Mother. We are proud of St. Mary's because it is considered one of the notable structures in the country and because it represents the realization of our Pastor's fondest hopes. The Church was designed by Dr. Ralph Adams Cram. The exterior is of silver-gray granite, the trimmings and interior pillars being of lime- stone, and these, combined with the windows and furnishings, give us beauty materialized in stone, glass and metal. It may be of interest to learn, or to recall, why the particular style of architecture was chosen. A careful study of the early history of St. Mary's discloses that some of the pioneer Priests and a majority of the first Catholic settlers in the territory embraced in this Parish came from France. So it was thought fitting that the style of the new St. Mary Church should be distinctly French and thus be a symbolic monument to them. With this thought in mind, Dr. Cram visited France and found the architectural inspiration for his design in the southern part of the country. He based it upon the shrinebuilt during the Romanesque age, notably that of the Church of Notre Dame du Port, at Clermont-Ferrand, and other famous Churches at Nevers and Avallon. The first impression gained on entering the Church is one of beautiful simplicity. The visitor's attention is in turn attracted to the graceful suc- cession of rounded columns, arches, windows, aisles, and side-Chapels, to center in admiration upon the Sanctuary. The main Altar, intricately de- signed of marble, supports the Tabernacle which is as beautiful as it is possible for human hands to make. Two angels are depicted on the inside doors, with the words inscribed below them: Holy, Holy, Holy, Lord God of Hosts. The outside doors bear the inscription: I am the Bread of Life. Six emblems stand out in relief, each one containing insignia of the Passion of Christ. They are as follows: The hammer and lance, the cross and nails, the ladder, sponge, and spear, the sacred Face, Pilate's court of justice over which are scattered the thirty pieces of silver, and the seam- less garment. Immediately back of the main Altar a beautiful statue of our Blessed Mother stands as guardian. This position is, indeed, a very appropriate one, for She seems to dominate the whole body of the Church. The lofty square campanile, or bell tower, which rises to the right of the sanctuary, is a feature typical of the Romanesque period. It is, as it Page Eight