St Joseph and St Louis High School - Eagle Yearbook (Biddeford, ME)

Page 82 text:

S.ISTER ST. GABRIEL de MARIE Vocalizing helps, so open your mouth, urges Sister GM Club sf. cabfieiro, 1SfRow,J. core, P. Lemieux, D. Modcmtor Auger, M. St. Ours, C. Landry, 2nd ROW, L. Hubert, Marguerite Cote accompanies C. Gendron, L. Cote, I. Houle and A. M. Lemire as they sing Rodgers' Maine from the musical play No Strings. 1, Landry, S. Trottier and C. LaCourse. GLEE CL UB Every Wednesday afternoon a regular class session of freshmen and sopho- mores is dedicated to the glee club. Under the enthusiastic direction of Sister St. Gabriel de Marie and the friendly help of Sister Regina-Marie, the one hundred ten choral group was able to master Exodus, Maine, and many another favorite piece both in English and in French. The culture gained, the joy shared and the relaxation derived from the glee club prove it a worthy enterprise. Singing is enjoyable but sorting out sheets is no fun yet, Sister Regina- Marie easily finds volunteers in N. l Danis. L. Poirier, KI. LaBrecque and l L. Bourgeault. '

Page 81 text:

.,mv'M Brother Damian, Moderator. Carl Paquctte, liditor. FLYER Brother Damian, Moderator, and C. Paquette, Editor, control an abundant coverage of the news of both schools, One side of the paper is set aside for each school. Artist, Donna Ryan, and typists, Diane Bosse and klanice Lelmirun will- ingly cooperate to make the flyer an attractive and informative paper. D. Girouard and G. Roy select and trace whatever will help the student body to read the entire page while to R. Chretien and QI. Baillargeon rests the responsi- bility of typing all the material. Everyone looks forward to reading about the latest achievements. Volunteer class reporters keep their eyes and ears open for any fresh news. D. Ryan, D. Bossc and J. LeBrun. D. Girouard and G. Roy. R. Chretien and J. Baillar gcon. S i E a,5,,Y

Page 83 text:

DRAMA TI CS In dramatics, we learn the funda- mentals of acting, the rules an actor must obey on the stage. The setting of the stage, the position ofthe hands and feet, the loudness and clearness of an actor's voice are a few ofthe points to be mastered. Most important are the lines every actor must know to per- fection. ln rehearsing, plays can be fun, but tiresome. But all the hard work put into a play is rewarded when the play has been a success. All in all, practice brings out the best qualities of every actor in every play. We'll be right with you mother, says D. Dauphin Dauphin, and I. LeBr'un to S. St. Amand as they rc h earse Around the clock with Clare. In this one-act play, The Ladies of the Mops Y. Martin, producer, helps I. Ross act out her lines This rose belongs to thee, Celina fC. Lebelj as C. Pomerleau and C. Lavoie The One'aCt playf, Hin the Sudsli features A listen On. Boucher, E. Dubois and P. Cyr in the major roles. 77