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Page 9 text:
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Jlgnaiian f ' DECEMBER, 1913 No.2 Glnria in- Exrzluin LORY to God in Heaven! The Angel choirs sing, And star-lit hills of Bethlehem 4 With gladsome echoes ring. Glory to God in Heaven! Joseph and Mary pray And kneel beside the manger Where the Infant Savior lay. Glory to God in Heaven! Breathe shepherds who attend, And, wrapped in silent wonder, In adoration bend. Glory to God in Heaven! Murmurs each Eastern King, While Gold and Myrrh and Incense, Tributes of love they bring. Glory to God in Heaven! Sing it on' Christmas-dayg Peace and good-will to mortals Will come in its wake, and stay. STANLEY Bmms.
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Page 10 text:
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linpfa illllenniah ll Ye Nymphs of Solyma! begin the song: To heavenly themes sublimer strains belong. The mossy fountains and the sylvan shades, The dreams of Pindus and the Ionian maids Delight no more g-O, Thou my voice inspire Who touched Isaiah's hallowed lips with tire! r cc my I b N - by HOUGH Pope s Messiah claims our atten- Ygm tion in this paper, a short slcetch of the M yw development of the Pastoral in both ancient and modern times will not be altogether out of place. Theocritus gave birth to this G! ' X ' form of Sicilian poetry from the germs supplied by Epicharmus and developed it into a distinct and finished art. One may safely say that no other poet, Greek, Roman or modern, has quite reached the high standard, which Theocritus has set for posterity. He has perhaps attained his greatest success in The Harvest Feast, a pastoral in which he introduces his friends under fictitious names. Bion, also of Sicily, drew his inspiration from the solitude of country life, and though his poems breathe an exaggerated sentimentality, and show traces of overstrained reflection fre- quently observable in later developments of pastoral poetry, still he is generally recognized as one of the foremost bucolic writers. Moschus, another Sicilian, also wrote some pastorals of merit. These, however, can hardly be classed with the masterpieces of Theocritus and Bion, ' The earlier efforts of Virgil's art, the Eclogues, faithfully reproduce the pastoral fancies of Theocritus. The country was Virgil's home, and .its solitude and grandeur are the sources of many of his noblest themes. Tibullus, in his pas- torals, shrinks from the rough contact of city life, and all his
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