St Genevieves Academy - Le Flambeau Yearbook (Asheville, NC)

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M5 .XJ E lx SPEARE GROUP 0.3 S MAQBETH A vw' . v I . CHARACTERS IN MARIE STUART Y. Q, i 6

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.5 1.-. V A , -f - PK.,-J.-,wk r-fxsf' - in . --ff If f DN: 'N W ,ZN- ' i ,.f.'Qf?gffM6'f'.f 1, V I lllfaw jv x I ... VI! I , , , 1 ', V,- -f v. ,- V. j ,. ,,,, ,, ,xl yy fm-., f 1, fl I ' ,,g.4,p:,2'?',..:A.f3kf,'fff'lfif42,'A!5'f-:Z'!Mf4'H!ffA'f?., 42113117-,',',1 ,.f DAY! ' ffM4f'ff! , ff,', 'W 'f1 b4,'jfff ,f 'ff Mff'f ' n ' , the program. It was a delightful musi- cal comedy and lent itself charmingly to the youthful voices of the performers. In the title-role Juliet Meriwether, now Mrs. Le Wright Browning, won the hearts of all by her sweet voice and sim- ple, unaffected manner. ' In December, 1911, the Club again chose a Shakespearean drama. When people heard that Macbeth was to be given and saw the Draniatis Personae headed by familiar names, expectation ran high. Nor was it disappointed. Gwendolyn Macartney, all the way from Merrie England, took the part of Banquo, and Miss Beatrice Macartney delighted the audience by the recitation, as an entr'acte, of a selection from Innocents Abroad in her English ac- cent. And here we appeared for the last time at Battery Park. Henceforward our performances were given in the au- ditorium of our beloved new Saint Gene- vieve's. Doubtless the dear nuns sighed with relief, but surely even they must have enjoyed the humor of those ter- rible times behind the scenes, among which suit-cases with the essentials missing might be reckoned minor de- tails. By this time the younger set had grown up and its members were ready to fill in the older one which was fast thinning. In June, 1912, Fabiola was presented. Isabel Cooke as the Roman lady Fabiola played her part with great dignity, grace and feeling. Mary Ham- ilton as Fluvius proved her dramatic talent and gave promise of great things, while Ruth Grey, making an ideal Syra, acted for the last time on the St. Gene- vieve's stage. Frances Hill as Afra, the black slave, gave a comic element to the otherwise serious play, and when she appeared later to receive her prizes, her dusky hue still unchanged, the audience laughed and cheered with delight. The following June Henri Bornier's La Fille de Roland spirited us away to La Belle France in the days of Charlemagne when knights really and truly lived and did brave deeds for their Uladyes faire. Those taking part splen- didly interpreted the French sentiments, although the play had been translated into our own less musical if equally ex- pressive English. THE DAUGHTER OF ROLAND DRAMATIS PERSONXE The Emperor Charlemagne ...... Miss I. Cooke Gerald ................... Miss M. C. Cawood The Count Amaury ......... Miss M. Hamilton Ragenhart QA Saxon! ........ Miss G. Guerard The Duke Nayme ............ Miss B. Johnson Radbert QA Monkl ............. Miss H. Kelly Geoffrey 1 Miss F. Artz Hardre Young Lords Miss L. James Berthe fDaughter of Rolandl ........... Miss N. Zimmerman Theobald fPageJ ............ Miss M. Meehan Saracen Knights, Soldiers, Servants, Ladies-in-waiting It may be well to speak here of one or two of the many minor French come- dies which have been given. No one seeing Le chat de mere Michel will ever forget the excitement Mere Michel fFrances Hilll, caused over her lost cat and how, with the aid of Hen- rietta Kelly, who made an ideal police- man, peace and order were finally re- stored. Le Parapluie de Don Quixote, another musical comedy, was equally amusing. As space is limited we shall but men-

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J F? WW 1V'y?7m,, W'ff7W' f 1 1 JXIWZ4 f ff WA! f 1 fAfff ffff W' ff ff!f4Q!ZMfQfff mf 7 PM I l gxkr 0 ,ll i I f X, N! , ,f 'f , , -I. -, ,gf--. .Y 11,7 V 1' -,wtf fyyfr iffy' , Q , , I 1 ff,1,y,'Qf, 1 f ,Vu f . ' Y' ,Q , , -:I ff! ,V I 7M f lg, fffxf fy ,K I ' , 17 ZW xi fl iff? A?f7'r-.. 1 VI 17,17 f,0ir fafHUW'ii ff I ' 'fhuf f, ' , 'ff ,f'f ,, an , 4 -11.-':'1f'v,4W4f4M'f WAHI'-WJ' , f' 'f7'fi fhlifffifwf W! 'ffifff l 'f f -ff... W f f if f 512 f,zT2kiI ,, 174' 1,1.Q,,,.,z1,i6fc.f9.,11' 1 A .15 'i- ff' ?Jf,f,.f1+ff,.irfif 7 tion the German plays, all of which have been given with great success, though Wilhelm Tell is still considered the best. We can but allude also to the numer- ous scenes and sections prepared at the request of the Literary Club, those from Hamlet and l'Harpagon fMoliereJ seem to call for special mention. St. Patrick's Day is always cele- brated at Saint Genevieve's with loving enthusiasm and the Dramatic Club aids in the festivities by giving a play of gay character in keeping with the spirit of the feast. Our beloved Mother Deplanck passed away January, 1915, so there was no big English play the following June, al- though the usual French play was given. Le Cid was chosen, and was played very successfully. As a tribute to our dear departed one a number of the girls who knew and loved her best, clothed in flowing white robes, sang and acted Nearer, My God, to Thee. Acted? No, from their faces it was clear how far from mere acting they were. The au- dience was visibly touched, and when In Memoriam, composed to Mother Deplanck, was recited by Madeline Loughran, more than one listener's eyes were wet. The Absent-minded Professor, giv- en Christmas, 1915, was a delightful comedy. Isabel Cooke, as the Profes- sor, kept the audience laughing at the ludicrous blunders caused by her exas- perating forgetfulness. H La Pluie des Fleurs was a dainty 'compliment in the form of a pretty op- eretta given our dear Mother Lorin on her feast day by the College, including the Lycee. They took this opportunity of telling her of their Hamour, recon- naissance et souvenir, typified by the red, white and pink roses which they offered as a mark of their love and grat- itude and as an assurance that she would be always fondly cherished in their memory. The Battle of Books, given by the Academy on the same oc- casion, was both instructive and enter- taining. As You Like It, the Commence- ment play, June, 1916, was one of the biggest and most successful dramas ever given by the Club. The players put their hearts and souls into their parts. Frances Stanton, in the heroine's role, combined simplicity, sweetness and modest grace. She, as Rosalind, and Willye Stuart as Celia, made two charming brides, and Isabel Cooke and Norma Stewart as Orlando and Oliver respectively, were fitting partners for them. Isabel Amorous, as the banished Duke, completed the family picture, while Dorothy Moran gave an admir- able interpretation of the difficult role of Jaques. Nobody who saw the play will ever forget that irresistible pair, Frances Artz, Touchstone, and Anne Williams, Audrey. Peggy Dickerman made a charming Phebe and Margaret Mitchell did her part of Silvius to perfection. In- deed, if we gave every player her due, we should exhaust the reader's patience, to say nothing of the dictionary. AS YOU LIKE IT DRAMATIS PERSONZE Duke, living in banishment---Miss I. Amorous Frederick, his brother, and usurper of his dominions .................. Miss A. Perry