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Page 64 text:
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a SES tay. Siggy eee ? CITT LICIETIL ILE ILL
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Page 63 text:
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; | | Es: the second season of its summer : Good morning, apprentice program St. Edwards’ Mary Moody Northen Theatre featured Frank ® Sutton, the comical Set. Carter of tele- vision’s The Gomer Pyle Show, Mercedes McCambridge, Oscar award-winner for All The King’s Men, and Peter Breck, who The stars are bright deep in’ the heart of Texas during the Northen Theatre Played the son Nick in television's The summer apprentice programs. Big Valley with Barbara Stanwyck. Sutton was featured in the murder mystery Catch Me If You Can that played during the last two weeks of June. Miss McCambridge starred in the July pro- duction of Madwoman of Chaillot, the work of French playwright Jean Giraduoyx and an outstanding success in New York. Breck starred as a roguish character of the West who claims he can make rain in The Rainmaker, the last play of the summer season. Pernell Roberts, who starred in the Northen Theatre’s first apprentice pro- gram production, One Flew Over The Cuckoo’s Nest, in 1972, had been expected back for 1973 until pressing committments forced him to cancel. Besides Roberts, 1972’s inaugural season of the program also featured Julie Adams and Carl Be tz. The apprentice program is designed ass Ss, oC dees s to give young stage aspirants a taste of professional theatre. Edward Mangum, the chairman of St. Edwards’ Department of Fine and Performing Arts and the creator of the program, explained: “The goal of most theatre arts majors in college is to work in professional theatre; the best way to learn to be a professional is, obviously, to work with one.” Courses each summer include per- formance technique, two seminars and projects in stagecraft. All work on the summer productions includes vocal and physical training and special work in acting, oral interpretation, voice and diction, creative movement, dance and pantomime. Apprentices are encouraged to audition for roles in the plays and are involved in all phases of theatre produc- tion, including costuming, props, sound and lighting, publicity and house manage- ment. According to Mangum the program “has proved highly successful. Weve had numerous inquiries from around the country about our ‘star program,’ and, of course, about our marvelous theatre itself.” Be
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