St Clare High School - Je Me Souviens Yearbook (Woonsocket, RI)

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elk VIE SOUNIIQNS Students as They Come and Go For elght short months I haye occup1ed the pos1t1on of ass1stant l1brar1an a pos1t1on vs h1ch proxed to be a po1nt of yantage for me 1n the study of student react1ons and yyhlch has enlarged my exper1ence 1n the field of human psy chology I have learnt to catalogue people accord1ng to type and too I have developed a w1der sympathy for my schoolmates fo1bles and cr1nkles Would you l1ke to look through my file vs 1th me The first on the l1st IS the t1m1d g1rl who calls for IVIrs Vyhggs of the Garbage Can lmstead of Mrs WlggS of the Cabbage Patch J I'oor th1ng See vxhat shyness does to a person Next comes the l1terary type Deeply engrossed 111 her work she earnestly asks for the lOth yolume of somethmg or other When she IS told vshere to find If the look of sat1sf1ct1on whxch l1ghts her countenance IS to me somethmg ed1fy1ng Another ample of student var1ety IS the h1ghly mdlgnant 1nd1v1dual veho protests because her oyerdues amount to 4Oc What do vye thlnk she IS anyve ay a m1ll1onna1re She lost her card and that lb our fault dont you know Il o m ke up for th1s protest1ng MISS vue next meet the happy go lueky SIJLCIIULH yy ho eomes 1n PBIICHCQ Where art thou We haye our Johnny on the spot also the student who IS alvt ays dy1ng to read the neve est book out Let s see novs vsas lt Dudley s Tremay nes or Kenneth Robert s Ol1ver XVIQVK ell But the test of a good l1brar1an s nerves 15 complete when she faces an onslaught of a whole class rushlng down for the good book that the teacher has recom mended II he com1cal th1ng about It 1S that most of the t1me there are only 2 or 3 cop1es of the book IH demand The class bell fortunately puts an end to my quandary Each hurr1es on her mer1y vsay and I close my record of human reactxons 1 vuser and happ1er 1r B1 111111131 Ill Boumu AL 41 CHEIVIICO I INGUISTIC FEAT One day en classe sc1ent1ae To str1ke an allumette had I Je prends the match donc rust1ce And try and try to la craquer One two fI'O1SfO1S nondum a flamme To l1ght 1t JKSSJIL rursus 121111 I cce I break the match en deux Nunc t1meo un pet1t peu To str1ke un Sl p t1t fragmentum Sed ut I need 1gn1culum .I essa1e les ocul1s claus1s Enfin Succes I haye a spark The Bunsen Burner u1ck It just went out Ju out LINI P1 Nl 1 41 -v4 6-I +1- , A . , . , , A 1 -- 1I ' Y! I1 H I I ,','I I I ' ' I 7 I v I 1 1 I 1 1 1 I v I 1 v 1 I1 1 I 1 1 '- , 7 1 1 I 1 1 1 I 3 I 1 7 I I I 3 1 ' 1' ? 1 , , 1 7 , , ' 1 , , 11 1 1 3 I H 7 3 ' V 7 I 1 . 1 1 I V 1 1 ' V 1 In C I I I 1 1 1 I 1 I 1 I I - q 1 I1 I1 1 I v I I I I I 7 1 1 1 1 1 YS 3 Yl I 3 I Y V V I I I 1, I I YY 7 D7 3 AI , . ' VII 1 I H Y ' 3 I to pay her dues very w1ll1ngly. but has left the overdue book at home. Oh. dear I I 'II Y V- - 1 3 I 1 V YI Y 1 I 15 Y y ' 1 44 Y 3 11 1 .1 ' 3 ' V, V13 T E I I I I 1 I X 3 3 1 7 L 7 L 7 I3 I I v 1 II 3 I xv I II Im 2 v : 1 ' ' - L ' 4 . S V I I 3 3 3 I 3 V V 1 'S 7 I I 1 i 1 . 1 1 , ,' N I X I I I i 5 I! I I Il I! 7 I I V X Y Y Y 1 1 Q ' 1 A 1 I 1 1 1 4,

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MI SOUX IE Flfth Nocturne Musrc could be called the paradtse of lmagrnatton Wlaen lrstentng to a plano selectron do you ever weaxe a tale around tt accordtng to tts theme and mood' Do you ever try to dlscoyer just what tnsplred the arttst to vyrtte the composrtron Well Ido espectally yy hen I play Flfth Nocturne by l eybaeh my one p1ece repertotre as my brothers say The opentng chords tntroduce the dusk of eventng when Nature grad ually garbs herself rn her sleeping togs as the sun gently earesses her and plays htde and seek wrth the lofttest and most toyyertng peaks before rt tucks her to bed The nocturne a ntght song unfurls a rusttc lane along a peaceful country stde covered wlth mossy carpets and p1ne needle mats T he lmgerxng rays of llght catch a glrmpse of a lad and a lassle merrxly treadmg thetr veay dovsn the path scooptng asxde graceful ltmbs of trees tn bloom as they sway rhythmt cally with the measured pulse of the dreamy mustcal refratn A rayrshtng double note passage follous suggesttye of a eonyersatron between the youths The v1v1d contrasttng sectrons can be easlly adapted to therr oral rnterchange of sentiments and observattons As eyery questton de serves an answer the sub theme scrupulously repltes wtth delxghtful ammatton to each narve 1nqu1ry Strongly rmpressrve voluminous chords of deep and substanttal harmony reach a glortous cllmax rnytttng the mam theme ID an agreeable relteratton that endows the l1stener wlth a more comprehensrve per ceptton of the underlytng current of an tmagmattve eptsode But what IS thts A trrpplng brook a jolly stream a yerrtable Mrnne haha How refreshtng In thetr bltssful mood the young parr pause a moment to drtnk tn the rmpresstye beauty of the scenery for the lrttle stream rs not alone Of course not For whom do you thmk rt rs performmg such pretty stunts? Dodgtng the mmnows and stumbllng oyer grggltng pebbles? None other than the quamt cottage rtght aslde an Engllsh style house wlth a thatched roof trrmmed yytth newly pamted vemdow boxes and surrounded by a plcket fence The lusctous and melodte phrase rtses then falls rn a rushlng stream of chromatrc sequence What next' An enchanttng reverre glrdes ln upon the wrngs of exqutslte octaves echolng the mam theme Once more after haymg mastered hls senst ttveness and perturbatron the lad renews the dralogue betvteen hrmself and hrs companton A mutual understandtng retgns optrmtsttc hopes reach out for the wrnktng stars aboye because by now the ueen of Ntght has entered her celestral palace followed by a sutte of ladtes ln wattrng T1s htgh trme to retrace one s steps At the malden s gate the last goodbyes partxng moments a last glrmpse and the young felloyy hurrles towards hrs own home 46? JE X ' NS K4 ll I II 1 1 1 1 1 1 1 1 1 11 1 1 1 1 1 1 11 1 1 1 1 ' 'I 'I Y 3 A' 3 Y DY ' It l 1 1 1 1 1 1 1 - 1 7 B! 3 3 ' i 3' 3 V 1, , 1 1 11 1 1 1 1 1 1 1 1 - 1 1 1 1 1, 11 1 1 1 1 - 1 1 1 1 1 1 1 1 1 1 11 1 1 11 1 1 1 1 1 1 1, 1 1- 1 1- 1 11 11 1 11 - .1 1 1 11 1 1 1 1 11- 1 1 1 1 1 1 111 1 1 1, 1 1 1 1 , 1 1 1 1 1 1 1 1 1 1 1 1 1 . 1 1 1 1 1 1 1 1 1 1 , 1 1 1 1 1 N .. HP V X I ' 3 I Y 'I 1 1 11 1 1 1 1 1 1 1 'I 1 V 4 1 'p 1 11 1 1 ! 3 5 D 5' A V I i I 11 . . 1 1 1 1 1 1 1 1 1 .. 1 1 1 1 1 - 1 - 1 1 1 1 . . 1 1 . . 1 1 1 1 1 1 1 11 1 1 1 1 1 1 1 1 1 1 1 1 -11 1 1 . . . 1 1 1 1 1 1 1 1 1 1 111 1 3 I Y I - 1 1 1 1 1 11 1 1 1 1 1 3 7 7 P V- - 3 1 1 I D I YI I 4 3 1 . ., 1 1 1 1 1 1 1 A-rj 6 1+-