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Page 37 text:
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NIL SOUX IE Phys1cal Culture ONE TWO THREE EOUR Not unhke a typeyyrltxng class awartxng the muslcal chords of 1 phonograph record to make the keys and rhythm harmonxle rn cheerful clrckrng the gym nasts rn stralght files stand as rf posmg unanrmously on the mlert for the must cal dxmrnuendo and at a gryen srgnal start Sedately but surely legs and arms are alternately lowered and rarsed out stretched to the rxght outstretched to the left At trmes as rf all were concord ant on the same questron we see the heads nod ln unrson Now we see them ltfted so hrgh xt seems that the grrls are drsputlng brtterly an rmportant ques tlon Trme and agam the trunks are bent forvy ard sldeways frontways and backwards Here rt IS eyrdent that nerther muscle nor lrgament remalns rdle or xnactlve Each md1v1dual llmb must contrlbute IIS share toward 1ts own devel opment even the toe xs submltted to th1s rugged task Well what now Where are the D feet 7 s and 6 feet 2 s Thrs phase of physrcal culture has certamly reduced those human skyscrapers to bungalows Tlred the foot balls have dellvered therr burden to the knees Wnth unlform sprlghtltness rhythmlcal movements are repeated by the knees Yes there go the arms and the head once more sttll rn rhythm fmmd youj but rn mdefatlgable rlgrdrty and determrnatton look at them novs down on the rxght hand wlth the left firm on the hrp as they stretch themselyes sldeways returning novy on thelr both hands and toes and repeatmg thrs exerclse from three to srx trmes Wonderful And everythlng rs done to perfectton No room for dlstractnon only serlous and assrduous concentratmon 'I hese physlcal tYLI'Cl5LS are follovy ed by typrcal Greek and Egypttan dances yyrth therr specral charaeterlstrcs some of them requrre brtsk and lrvely steps vyhrle others demand sloyy cadeneed steps eombrned thls offers a cheerful varlety Erom begxnnlng to end you stare and gaze at the beauty of the performance You cannot but notlce the vrsrble composure of the gymnasts and the rnterest whxch commands thelr eyery motxon Gymnastrcs rs not merely rnterestrng to look at lf rs real fun to th p r formers Try nt sometlmes rf you yylsh to keep healthy graeeful and yy 1se 11 emu lfwmxct 4 -1+ -I7 1- J E . 1 I NS . , I 1 V I 4 I I 1 . - 1 1 1v v If 1 A 1 ' ' v - I I 1 A I I Y 1 '- 1 y 1 . 1 1 1 y 1 ' 1 - 1 1 I 1 1 1 1 ' 1 ' 1 1 W 5 1 1 l ' V1 11 1 C I I 4 V1 11 1 ' I 4 1 1 I I I A 1 I 1 - I I . 1 V I 7 l 1 F 1 l ' 7 ' 1 , . yyh ' , , ' , ' ' Y ,U k f ' fy e B at mterestmg gymnastrcs. ou neyer novy just vy mat to expect. ut V 1 I I 1 3 I 1 V1 . 1 I Y 1' 1 1 I I 1 1 Q 1 11 1' I 1 1 ' 1 l I 1 1 1 I D I 1 I . . I 1 ' Q 1 1 Y I 1 1 '11 1 y1 7 v . 11 I 1 V' 1. 1 I - 1 I I - 1 1 1 I 1 . A 1 1 v I 1 1 1 Y 1 -1 1 ' ' 4 1 l 11 -1 v 1 I I 1 v 1 S ' 1 1 1 1 I 1 1 I I 1 A 1 l 1 1 I 1 1 . - 1' 171 A I 4' 1 1 v . 1 1 I V I ' 1g . C C - A Y . 1 I 1 I. 7 rl 11 1 v -11 L Y. 1 C . . . 3 i. ' O c ' T I' , - r
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Page 36 text:
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The School Orchestra Extraf Extraf Musicians wanted. Dust off your saxophones. clarinets and trumpets-they're soon to be in use. St. Clare's is forming an orchestra. That was what stared the students straight in the face in the second edition of FAC, the school paper. No sooner had the paper been distributed than a flock of musical A'geniuses presented themselves for tryouts. Soon, all over the house could be heard the rumbling drums. the squeaking of clarinets, the screeching of trumpets-in fact, it was the best combination of noises anyone had ever heard. Yet the young hopefuls carried on like real artists, despite the skeptical glances thrown at them every so often. The main topic of conversation centered about this new adventure. Rehearsals went on daily for three long and arduous months. Day by day, a slight mark of improvement was noticed. Finally, the squeaks. rumbles and screeches developed into rich. wholesome tunes. Yes. they had fought a great fight, and they had won the victory. St. Clares orchestra has now been in existence nine months. lt has sere- naded audiences at school plays and has accompanied singers at school meetings. 'l'he school is rather proud of its musicians: yet. no one but those same musicians know what a major part courage and perseverance had to play in the formation of the club. We must give them credit for having reached such heights despite strong criticism and much derision, RIENA Si't.v1Qs'1'Rti. '40 -if fc--
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Page 38 text:
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N SOUVIIQ Lets Bulld An Igloo' I Quppost thtrt tm ht no doubt vxhtttvtr that vxt yxtll ntxtr haxt th plttsurt oi gomg to Alaska but ltt us ust our rmagmatton md maltt tht btst I XII sorts of thoughts tomt to our mmd tt tht stght of a frtsh lmmacu lttt hlmktt of Snoxx I Inxt m tdtt ltt us mtltt 1 htg Snoyy tort and pop snovxbllls tt ont an othtr txclnmtd GIOI11 Ptrron Oh no Itt us bulld a fort rtplrtd Iatly Ptntl xxtth Iaughttr thtn we can tmtgmt xxt rrt rtally ttlttng part m tht xxar I 1Iy has rtlattxes m Frmct and wht xx ould loxt toh1tH1tItr tn tht ty t XVhy not trttt an tgloo thtn vxt wrll all bt ablt to tnjoyf ourstlves to Qtthtr xx ts Irtnc Goultt s bright rdta What do you say Comt on gtrls I tt us btgxn our tonstruttton No soontr satd than dont Lvtn our most dtgnlitd Stntors art setn gotng tn txtrx dtrtctlon rn st 1rch of buxldmg blotks some roll hugt snowballs others rtach for shoxtls btttuet thty art wfratd to wtt thelr Itttlt hands The excava tton ht: bttn dont md tht trtttron of the hut IS now begmnmg Fxve hugt 1nothtrI1ytr1s plactd oxtr thls ont thtn a thlrd and finally a fourth and last Our probltm of COIIQIFIICIIOI1 has bttn solytd our burldmg rs now up I nxt ntxtr bttn IDIO an Igloo Iam so tagcr I just cannot xxatt to go tn xx as I rlx Ptntl Q rt But xxt must not go tn ytt vxt must put the ftmsh mg touth httort At last yxt hut timshtd our masttrptttt Isn t xt a beautyj It Ioolw yust ltltt 1 rtal Psktmo Igloo up rn Alailta I.tt us all go tn noxx XVhat I you an Irtnt H ou go IH hrst stnct you had tht brtght Idea Ircnt was so thrtlltd to bt m tn Igloo that tht tompltttly forgot hoyy tall sht w1s and xtood tr tt h r land tommg out through tht roof of tht hut votlntss xx nt tmt s I S x s xt rdta Irt Hou got your oot H supvoet n xx ut xxrll htlp xou gtl xouritlf out of your homtm t lfli u tx ,xv Vlxltll T 36 I' .IIi .Ili .I QNSN I . ., , , .L , y L t m yt yI -.vu rv C H. I I I L. . I I I I I 1 I I I o it. I' x , f ' ' I - X X ' II t I' t I 'tf ' .I t ' t I . I I -I I 1 t 4 I ' , - I 'I ft It I v t 1' rI s ' 1 ' L ' , ,, L , ,K . L I I 1 y 'II AI v 5 t I v I 6 s 'A 1 1 y- I X 75 I J 'S I I 'I . 1 rx k m-K K x uv L , K I w I I y . , snowhalls art- placcd in a scmiacirclc to form the foundation of the hut: soon 1 I it yi 4 I I I I ' HI XII L, 'm gy- I- X m Ia-1' 4' I I , to I' it ' 'f I I I H ' - I I X . 4- I m x I I I 5 - t - x y 1 I v t K ' 1 U 't . L' M ' I ' - , HCR 'l. I III ri va: V' nur I Q, 'nc. I ' I mtt itil ' I x tx ' f- V - V N Y It f 1 mi- tl' t I .Jl4x.'.' 2-I ,L a Cjmuoul-'11 '40 .1 -i..
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