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Page 26 text:
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gpatieifns mul blueprints conceal lzirlclen facets. DRAFTSMAN'S SKILL. The drallsmanis lmzird is the lwirtliplzicx- of the tea-linicail marvels oi' tln- modern world. -loc Knots-lx. who is hard at it. stops to fill his ruling pen, ln the men's department young draftsmen coped with the language of industry, mechan- ical drawing. Their joh consisted in the read- ing of drawings as well as making mind pictures visible. Attention was given to the exact shape of every detail in a given struc- ture, for it is from the draftsman's hoard that all engineering has its heginning. Clothing classes produced needle artists. ln spite of frequent rippings and unnecessary sewings, students showed signs of progress. No longer did the Singer lurch forward into sudden motion. Blouses. skirts. and dresses filled wardrobes. Time and effort offered their reward. when, at the close of winter, pains- taking seamstresses modeled tailored fash- ions in their style show. JUST SEW. ln time- skirts, lilrwusi-s. :incl rlrn--sws l r lllll llt'l lilHll Illi'lll'rlillifl' lllr NQ'llliPr 'l'illllNlr1'NN lioril 111. lim-15: lizirlsarzi liottltzxl. Floral Mus- fliir Ye Cliilivriin- Nlruishainmivr. Sun- Kuypers. -romt livlloxairy. Nic Altn-nhzicli lstzindingl
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Page 25 text:
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1 0 fc ay yze cle fo fze R XPRICNIJ IOHN -X Sf II'NII'I7 R I1 II FRINIJ II'UN I SCHNI-IIII R XI SISI I' R 'XI IXPIIII -X IJ1r11t11r Aw IxIdI'Id Choru C 111' I Un I11 tri Swphrrmorf fhorus SISI I' R 'NI SI R-XPHINI' AIgcI1rf1II fuwmctrx S11pI111m11re Hume mum 303 SISTFR 'NI STANIS S 1 1 SIS I I' R 'NI SX I S H111 A 1 rn C SII If NI S 1 1 II fl 1 1 III 11r1 II 1111 7 I S sl I If NI OIJUSI X 111m1 rx I rf hmm Iumwr Home r 11111 701 NI II l II Il r1 11 1 1 XIII 1n1 IIII II R 11r1r1 1rl XI cr SISII R UIJA 'NIARII ifft S IIII IN I'SII S111111 INITQ 'N IIIIIII It 'X S I S tint S 'XIARII KIIIX Cdztfrli xx t11t X foucz 0 young lan s if Q' fx' qu. T gba ERIC!! fy RE STRAR S 11 r M X IFLIIIIS r1111r1Is aII r Il Xl 111111 s 1111 11I ISSUES our transcript 'and checks our credits Z1 , , 0 S 1 1 1 1 1 1 1 1 ,1 IC 'I - V .' .. ' 1 11211111 .,.RICY. C. ,C. C -Rv' IIQI1111 II. III: .-X1I s11r. IC11r1-11wi1'Q ..,. ' . . SICI.f ' 'h- is11rs1 - is 1: .' 1 ' 1.1111 - 111-1111111 II: II1111 1 11 I Q Fi ' f f 'ff YIC. I'ICR-G1-r JI I. II: 1Ivis1-r. G- 12111 'I11I1. SI. ' C . . 'I'ICRIC.'I'I'.-X - I,:1ti11 I: R11 I1 QYQ I'II'f'iII- A ' 11111 . S 1I1 1 -II1111-r 111 L.I.I . . . ., 'ICHIC ,' 1 -fb 'I,'1 C -Q 1 .1 ' -- 11 L T , . . RIC 'CRICNIJ l'I,IC'I'I'S V. ,HICN X R1-I':1i1m III. IV: AtII't IJi -vi rj A1I 'is-r, . 1111- glrz ' I11 C'11z11'I1, Golf, SIS' C C INI. IYINIICRICIJ- IQI 1 -illll Sz1 stz111: A1I'!- . I,iI1r:1ryf'I11I1,. . .' ' C . C- F1 'Q'I'IZ1. . . IVIRU. C ,IC ' 'ICRO I. ' .ICR-I I I 1 sn 1 X , 1.4.-,. 'r 'X-. ' ' A111 .11111.' 111. 1-'11s'1'1c11- 111' -1111 -1- 111111 , , . ,f 4 MRQ 'AIIIICRINIC IC0. I'ICR-f':1I'11t1-riu Assis-I XX! II 1 1 5 1 1..x1R.'... 11 C..'-'-fl-'1,-XS,-iq9-1.1! ,QV S , - ZI . RU- 1' I g ' ' I 1 x fx A-S J. , x. x 1' hrs' ' H, I I I I -Ast H. f X L -. Z P 0 - ' .J GI . His - . 'I f' hi' I 1111 z11'I1'-'1 - If z I fa urvml
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Page 27 text:
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gplzysicaf mu mental we STRINGING ALONG. Members of the string: en- semble rehearse daily during first period. Front run' fleft to rightj: Kathleen Shimanski. Joan Herrlt. Donna Hanson. Second rozr: Gloria Valukas, Dolores Steinhoff, Mary Ann Bushell. Third rozr: Mary Lou Hilgers, Camille Devine, Mary Mauer. TO CAPTURE A MOOD, Ronald Hugzlu-s puts the artists touch on his painting. the Crucifixion. ll-being aclcl zest to life. -AK WORKOUT, BOYS. lt's one, two, three. Sophomore boys' gym class keep in time and in trim. 23
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