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Page 12 text:
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he 1 mins Vol. XI. Senior Issue 1926 Published Annually by the Students of St. CathIerine's High School, DuBois, Pennsylvania EDITOR-IN-CHIEF JOHN B. GREENE OOO DEPARTMENT EDITORS OOO ASSOCIATE EDITORS , BLANCHE A. AUGHENEAUGHf-'26 CATHERINE E. DRONEY, 'ZSN AGNES F. MURPHY. '27.,' THOMAS F. HYER. '29N' LITERARY X, DOROTHY C. MCCARTAN, '26 MARGARET M. I-IACKETT, '26 ' EXCHANGE ' X. SUZANNE K. SULLIVAN, '26' IONE M. MOORE, '267 Q I SCHOOL NOTES X 1 LOUIS A. I-IACKETT, '26 TERESA M. VITARELLI, '26 STAFF ARTIST JAMES J. BUTLER, '26 STAFF POETS X. MARGARET M. HACKETT, '26 . ORPIIA M. RAFFERTY, '27 ' A ATHLETICS JOHNB. ROKOSKI, '26' CORNELIUS F. ALLEN, '27 ' JOKES 5 JAMES P. LAMBERT, '27 ALUMNUS KATHRYN W. KELLY, '25 ' BUSINESS MANAGERS THOMAS F. PRICE, '26 XC LEO W. ALLEN, '274 LAWRENCE M. SCHALR, '26 If DAN E. TERRY, '27 .r CIRCULATION BERNARD J. BEEZER, '26f,1 GEORGE J. BADER, '26 Y HUGH E. DOUGHERTY, '26y WALTER T. MCMAHON, '26 If JOSEPH A. RENSEL, '27 GEORGE J. BAUMER, '27 N J I I I
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MENTOR STAFF C
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Page 13 text:
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1.4 ' 4 , N i Q x f ' 2 M? S: Jr- 2 :ee E e--. ' ' Q ,-.-H, ??2?EEfiifi? 3 4 ..n-5:3 eff- 1 g fipi-5 5. - I 2 . . ,.,.. ..,.,, 5... ,Zf, Q A . Q EM, T . EKU- ,:::g-'23,--.t,.q 2 5 1 . 1 5 s s -..-.-t.,.. . ... , Q 2 y . 2 . ..., 1 - N .:..Q. . .Q...z.1r.., . -wg,-5 2 ag::2g1:gf:I,: K wtf 3 gs 5 : 1-5 e,: 1: 1 t r., .,. U- , . . . . ..,,,, Ive, V W tgii' 1, I Qistury ' ' ISTORY never permits real generalizations. It deals always with the particular. Ei ilihe historian talks of heroes, but means Antony or Napoleong he discourses con- cerning nations, but means Rome or England. The generalizations of histories then, depart either on the right hand or on the left from the exact line. It is easy history are either illusions or pretense. At times they are valuable. In such cases. we have philosophy masking as historyg more often we have merely the complicated and ex- tended intuitions of the artist-historian borrowing the airs and phrases of the sciences. This province of literature is a debatable land. Instead of being equally shared between its two rulers, the Reason and the Imagination, it falls alternately under the sole and absolute dominion of each. It is sometimes fiction: it is sometimes theory. Many for an historian to occupy himself merely with the arrangement and publication of arch- ives, and the timidity of such scholars throws much light on the whole matter. Some his- torians lay smaller stress upon the inherently uncertain nature of the data of history, than upon the manner in which such material inevitatbly is transmuted into the written page. Whenever real history, as distinguished from source-books, is written, we are in the field of the intuitions, Out of the variety of possibilities, we get the one that has vividly ap- pealed to the taste of a given historian. This is true of what we ordinarily call the facts of history: and evidently its interpretations are even more deeply colored by simple per- sonal preferences. The facts in history are given to find the principleg and the writer who does not explain the phenomena as well as state them, performs only one-half of his of- fice. Facts are the mere dross of history, and it is from abstract truth which lies latent among them that the mass derives its whole value. A perfect historian must possess an imagination sufficiently powerful to make his narrative affecting and picturesqueg he must be a profound and ingenious reasoner. He is the best historian who can, in his own work, exhibit in miniature the character and spirit of an age. He relates no fact, he attributes no expression to his characters, which is not authenticated by sufficient testimony. The conviction of the perfect historian is the undemonstrable conviction of the juryman, who has heard the witnesses, listened atten- tively to the case, and prayed Heaven to inspire him. Sometimes, without doubt, he is mistaken, but the mistakes are in a negligible minority compared with the occasions when he gets hold of the truth. --FRANCIS A. HABERBERGER, '25 I2
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