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Page 98 text:
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Page 97 text:
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, N ' . ffl? !1?f?fkE - gig ' Kf . ...rec Sf an-if J Er . 1 . ug. -ily., I 96:5 ' T, 'af' 3 3 . N Ts' 43, ,A-lcgea I T ,-I ' -I -rs 'ew ' 'F' Irs. .A 1 'N' be sal ff-QFNN 1 A A , I 'R' 'f'f.-NN'-M - 1 'ff . eww . Ga' -J W . Fogb :vale I ' ,A 1. - I' SF . 'W t ,SAA Hlumnr Staff R55 - 15.1 g V EM 91' . Front Row-Sitting left to right: he mg ,Q JAMES F. O'CONNELL - - Associate,Editor 'gj'E,g-Y-1 AUSTIN B. HANNA Q- Business Manager j A9 OERARD W. Rows - Editor-in-Chief ,iggg X' ' - - r P ' 911 ALBERT L. SIMONETTI - - - Assistant Editor .,':Xx.. . ft ?'p9' A F' 'fran 'f ' 'I w Second Row---Standing left to right: . E3 fig I, gjllf-Agn, JOHN M.,MERKLINGER - - - Assistant Business Manager ' ' hi 5' We JAMES I-IANRATTM - - - ' Associate Editor ,Qgab .1 .. ELMER W. HEINDL - - Associate ,Editor Ons' X ' f 'qw EMMETT L. DAVIS Humor Editor ,ff ' ' FRANCIS F. VOGT - u- Humor Editor FREDERICK C. AMBROSE y - . Associate Editor '. 1 A .ni WILLIAM V. GIOSEFFI - - - - Associate Editor me t -I-if I f A-3151+ Third Rowfsiauatug left to right: fe ,FR 55 . ' ' 5 35' - ARTHUR E. RATIGAN - - - - - Sports ,Editor 1 'Ql'5',J JOHN T. CALLAHAN - Associate Editor jim! R153 PATRICK J. FLYNN' 4. - Associate Editor JOHN S. MALONEY - Associate Editor 6, JOHN M. QBEIRNE ' ' - Poetry Editor f' 'S' -A .V I A .1 '69 I' . ' ,.wft -, ca 'X 25? ' . ' it ' .ff . A4 - L . These erring feet go, vagrant, on their way, 5g.g,ims'f And stam thru all the ardens 0 ' their God, , -' 1,55 X .- U g t r,u.. 'B A, V, To crush His lovely flowers beneath the sod, w,g:,,'f2'i iz! ' And smash His carved statues to the cla ,' - gh X - iv .s Rx 'lm nf' 4301 I conoclastic feet, that sporthand play 1' - Where many another one had feared to trod, , 1' QQ at Audacious feet that dare ignore His nod,-- And swift to flee in terror from the fray. ' Forebxearant Love! how patient and how kind, X :Wk ,H To bear, with grace, the gross ajffronts of men-,- - What mercy bids You bear with us so long? 'si-: ? . You punish, but Your punishment we find f 3 . ' Is but excess of love beyond our ken, 'NXQU 'W That still ersists, in s ite o all our wron . A I' ' l K X . g Qi, fx, ' John M. O'Beirne, '31. A ' 43y 'R. . ,X W I 9. ' 'E ,R ' .4 Iforfnw ' I A 45 we w A Vw , W f rr' I ,xg ,IQQW A ue! 'X vw, ws Yff frll XJVDN w l' I' 5 X fflfm lq XX 73' I. I ,f'1'A':'- 4 .- fm' f ' ' w- ' A . .A 1-W A ' I ' ' 1 g.g2?,'1t If ,-L7 2 f 'v ff ol? I Q. A 'bf . Q 1- 'X ' ' 1153 A 'QXQE ,E I ,lv ., 7fH,Z.1f,,. gmail, . - ,f . .3 .. , ve ,s 2, 1 Y -r7.XL xx, -5 .Q-. ' wfw ff-2 Y A -t f f R QAA N. VS 'f,f,.. ,,A:- L , 14x Ff f If 5' -2 fu J , ,vu -. . . g-S .ezyrr MH. E A. X . . R w . ff A -' ,ff--f .. 75 . ' fo' - Q R X 5- u, 3 fs? ' fx , - ' fggwv ' 'X Sfmt-7 ' A 'iw 1' ' ' :JSSETS x In Ui' l A , eighty three
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Page 99 text:
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4 's l i i613E5: 2.-Q xl, c as-fe Q: Mfflfs! e g:-fa 'VG-as , iiffep ' il, ,..-. Y 'ix N Q x Xue-K l'-If. K . ig ., 'EEO' ff -22'-FEP 1 if' 435, 14559: QQSQPQQ, r-QFQ,-Q9 ,, I5 xl QQQSQQT .' 'az' , x .,2.sf - 1,-Q .fa-2.g,.. . xg Wet -9 iE'u'b ae? 1,34 .aef -Y ' ' . . . sifggyt fl Gbur Qllqmr Y .3 . . Wi 9 K 'qihfly ., R ' ' . ' lf, f A. - U own generation has seena notable advance toward 1. - that reform in Church Music, which Pope Pius X .'i5 'h' fi QQ?iwf 5Q so cons icuousl inau uratedfatwent -live ears a o. 7 !'ffSi?i- Y lx. aa., y- P Y .g .Y Y . 8. j It was the motto of h1s re1gn.,f'to Miiestore all things in my 179373. 6 MNC' Christ. Ecclesiastical art had fallen on bad days, ,nl -gg, and, perhaps worst of all, sacred music. But,,. since his Motu 'i 3i5YV-I ff' Ilggl Proprio, there has been a trend upward, slow indeed,-' but neverthe- Z! gag In less unmistakable. Much has depended, and must depend, on the knowledge and effort of the clergy, and the Holy Father, realiz- ff Q' . 9. ing this, has been solicitous that the Seminaries of the Catholic M Church should include in their courses a discipline in the tradi- Y tional music of the sanctuary. -, Bishop McQuaid, first Bishop of Rochester, showed himself ' 515, an eager advocates of the new reform, and, in his careful pro- , sag 'J visions for both his Seminaries, he set an outstanding example Qflbf of zeal for ecclesiastical chant by instituting classes both at St. QQVQ Bernard's and at St. Andrew's. As far as the latter was con- , cerned, the Bishop's policy was mainly abetted by Professor XL Eugene F. Bonn, in whom he found a ready and capable ally. i - f For many years the Professor labored untiringly and at great f fm y sacrifice in the interests of sacred music at St. Andrew'sj but, A if in 1927, he felt compelled to relinquish this field of his endeavors. .gf WN' megs: For two years the students were without a teacher or guide in .- the rather devious paths of musical culture. Finally in June, 1 1929, Bishop O'Hern appointed the Reverend Benedict Ehmann ' 'SY V' to take over the neglected work, and bring Gregorian Chant back 35, rn to the respectable estate it once held in the Preparatory Seminary. H 'Q I Much had to be done, and at least a fraction hasubeen done, grfifggyx . .Q towards the fulfilment of the Bishop's wishes. Not the least - RZ:-5 '-hi' 'Z element in this new line of action was the formation of a special Choir of about fifty voices. When one considers that this repref MXX.' W, sents a little less than one-third of the student body, and that fifij' moreover the boys are of high-school age when voices are notori- r ously unsatisfactory, this will seem no small achievement. But Qgkgbf creditable work has been done, not alone during Divine Worship I the Cathedral, but also for religious broadcasts over the radio. 152 I -,ff Favorable comments have been generously proferred, as well as Y?-f' healthy criticism, all of which betokens an interest and vitality y f SX that augur well for the infant Choir. The future of this musical , .X F group will doubtless win for it some minor laurels. Wag. , :irr- .i'f'f,' J- , AQ'-r X .ini , R g I X Amex? ig-ii-va If Amy will: I A I Ii , 1 A ,,1Y'3,j':,j.. ,,. ,apr-gp'-I WVU, V . , . -E - .I wg , 1- X x Jqxl Q Av': 0 I . !5?.q3g5gg,.: I G. gg! i ' 4. ig -.N Q, ,Q -an A ,, , sgiigisx A b C . -:QV ff eight t y- five
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