St Andrews Seminary - Mapav Yearbook (Rochester, NY)

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A , X f T K'-'fl h.4kg2 . gg:.,1!P A . if lYY,,figll,s' 'Kiera n ..?.:-it i,g,ii,1 'ii i l xg' f' M3217 'Tit -' 1-,ffllfg -li e livf, .M , ' , l ie' , , S ' , -- p 5741, 933-.J -ii -Xu F Q A K iixglfg-, , 7 .J 6 Aff ' ' ,. 356, K 'fr' ' 'J X ,L Alvlyf KTM W T' 'Q is K ff ' WF t 5255? . EEE' 'agiwffi . h .,W4,,. ll igigxyf' einem rants T 4- ,f f 3 A tznkhng tune for bow and stately tread, Uma sax I That will live on, though all who danced are dead. - Will HAT an elusive quality has remembrance-that living 7 If '?l'2Qi1 on in other's minds when your own short span is 3 ME? Q ended. Yet to have some share in it seems to be a 'ii'-ll' Q trait peculiar to human nature. We seek to perpetuate ', fi X 1 We D our memory in an effort to combat oblivion-the wziajj sfmxf -- world' oldest story. MA? 'NX . . - is However, remembrance 1S not obtained by any set formula, If M Nb the advancing ages create new standards for .thei homage of ,gt posterity. The desire for this worldly immortality is more pro- '. MF? ,1 1' l . . . . -, ' X gg., nounced in some men than it is in others. In one rou the s ark ,.,2Sl, it - -nv . . . .g . P P . .2g,- his 'Lf 'Q' never attains fire, and gains no attention, while in others, lt 'Qs' g g, Elfcf' bursts forth into a conflagration' that is impossible to be over- T 'l Jwgmvff looked. him, The actual number of names capitalizing events in history is A l 6?'3Qx,'Ei paltry. few outstanding men represent epochs century-lon - , an inconsiderable number, compared with the great upheav ls ,f ' 3'a:T,,5 the world has known. Hundreds of famous men, illustrious in ' V 'QQ their life times, are forgotten' after death. In all walks of 'fe iE'f 4 ' fame is but a day in length-few persons indeed stand forth or ,gg Q, future generations. rig? fx . 3 351. Centuries back, we find an inconspicuous carpenter living in a If remote part of Palestine. For three years he was in the pu lic ffsgvxfii eye going about preaching and performing miracles. He gai ed I 'P 'T Y. the envy and ojealously of the jewish high priests, and as conse- , quence of which, he was put to death. The night before he was SW., , crucified, while celebrating the feast of the Pasch with twelve com- l panions, he took bread and distributed it saying, Do this in remembrance of Me. . . l ilk, , The world took not cognizance of this supper, for to an ordi- - . ,Sit it nary observer the affair was no different from countless other VM,f'f'. , Paschal feasts. No details attracted undue attention. It was of X held in a prominent banquet hall, .there were no celebrat d . guests present, no sumptuous delicacies weighed down the bo rd. ifgw-if ? ' Yet this simple story of an unknown man, incredibly insignifi ,ant fi? ' mf as it seems, is remembered to-day. It, alone, has been chosen for Wig immortality by a deathless memory. 1. SX!!-' DONALD I. MURPHY, '31. -Qfffmgi ffi'Piajf9 ,nik-'.,. xl, pa, - if .4 .. , , 2 gg: f-fl' ,551 1 , ,evo ' fl YL A.,,-, Ay 1' 'F.?.r,. 'i Q' A ,. fe'i:ff:2f'- Q will 2: 'lf ii-like ' if 15,1 igyvu f f. . 4. a I, x y , v.., ' ,g:Q2 4:?'7 i:Qfr Qfg' .229 V' Q 1' 5 fydfax Ns, N '--l :S iff -ai' use-1'-P 4 f'+w,a-Q.. ' ' .-iss. 'iff f MQ.-eff' it,-1 w- X ,galz .512 ,R N51 ,f,v'X,, . ,X ,Ambien X 331- 4 .rfiwqubl . IflH!,l':,f1., . U 1 rggfxgwgi EI! L at ,' ba Wi: 3? 1 l . We 0 1 thirty-eight

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4 A r' lj'-'Y ego 1 so.. ' Q 'x Jr? ' 1-5 if ' f-fikf . X i qi ww, ' , r eg. I7-, l X .vigh l p1,, ,' xg. ,gf ' . . Hd ,Q G I ' p 1 ., ... as , , J i Q IQ ff , ,,- . '-JN' Wh Y .5 fm? ,- ',4,ggQ,' gk , Mfffi.. fillltgs-5: .gr M61 f' rra f - cel? f r 26,22 Q .Els ffil' 3.1-,HS '-Leis Wg-, .41 'gg fl.g'1 f Church music is a universal language. I If one were to read WMM It l 155, the original works of St. Thomas Aquinas, of Dante, or of Fillion, Wig, sgxvglf it would necessitate the knowledge of Latin, Italian, or French. ifl f asked? In music, the original works of Palestrina, of D1 Lasso, or of ,,,,,5y,, 'Q5j',,,:5i Haller were all written in the same language! We all can hear f ' 'lp and distinguish Church music, yet, be it universal as it is, how Egg! few of us understand, or appreciate it. How few of us realize J that itibears a history of over nineteen centuries. It carries us, in Xml - 'J-If 2 memory, back to the early days of the Church when heresy and ' '- We heretics were bulfeting her steadfast truths. It brings to our ears hymns, which echoed and re-echoed throughout the stagnant 'gs' dungeons of the catacombs, and which possess, in the very veins ,g M of their notes, the pains and pangs of persecutions. It may also '45o!4. be, that when we hear the Chant ofa High Mass, we hear a faint - rf .Wigs melody of that far-off Mass said by our Lord on the eve of tlng 'if 'Eg' His passion, that hymn which St. Matthew and St. Mark men- fs, . tion in their Gospels. Indeed! this is music of an age gone by. , l gfliejte is lpisgoryl in every phase of it. It is the most inspiring and J 3, v iona o a music. 45,40 This music, which so beautifully paints the scenes of our - religion, and which the Church calls her own, was born of the it U, Church and bred up by the choir schools of the Middle Ages. 0 fir: It is the Gregorian Chant, named after Pope St. Gregory, the 'xy x Great, who labored so zealously to codify and to enrich it. He Ti ga Q' collected the -themes and chants, winged translations, which if? ', :jd monks had written in the cloisters in the early centuries, and 'xiii arranged them for the Liturgy of the Church. For Pope St. ..- Gregory realized that, while poetry and painting were great arts, 'T Nl, music was greater. He knew that music alone could express ,,i:,,4' ya 2 thoughts that are above the longest reaches of words or picturesf, , He knew that no one could translate Church music into words or 'W '35 works of art, for its impressions upon a conscious soul are so - X .4 infinite and so elevating that no words or signs can express them. So, all the portions of holy Liturgy, that are to be sung, have been set to the humble magnificence, the solemn splendor of the Ag 'Q Gregorian Chant. It is the Church's own song. She nourishes WPS and watches over it from age to age. wg? u The Church's music is the noblest form of prayer, it is the highest tribute which the human voice can offer Almighty God. mpg? It is the whisperings of angels,- the most spiritual of the arts Q i. x - the handmaid of Liturgy. Q., 5, ' ALBERT L. SIMONETTI, '30. - flf l'Nt1 self, A ivifif Jr 5 ' S 7145. K - fi' flfniitififgv ' ,wifi-54' ' f -Idsf 'iff 7' ibmfgm' We ffffaSvNS. , guage v-qyfggxh, ,uh , W, I ,bg . Rug., am ' Xsstgifg-5, , U ,lj 2,391 I X . P -. fhuffy-seven

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f 3 63: ' Din f Ai fig.. af fmi' , . '-Li:-je, A 4' my A -'fs' . f . '- - mv: ,iw lin.. Q., I 5: w i are U ffffa F' rim iifvftiwi f 53.5 L, gr , Q., A A I, ,D 2 xg.t5gg,g mam, gg., , 3' ' ff ffw 0,33 ',j,,w,,, egg . ,gr - !rollll5!5'Sf N, A, S 7 'M ' S ' 'iipvf-La ':.::h'y 'A ,xx V 1 XVNLX. .i N3i'?Q:fi M 19 5 Sf W W 4 .1 ' 5, w . aggb XX I I rl T h ' fl' nut Qaaterwzi . Bi i, QJQVW' . . . . .155-x M4 'iff' 'fir I-IE frequent 1nd1scr1m1nate use of a word almost Ay- .Q-fiig-r7 Ygsl invariabl results in the loss of its individualit . Once 'Wk' S-2 as ENN . y . . . Y . -'-rggiigs ti this has happened, a Cl1S111tCgI'3.t11'1g process sets in that ' ff' iasf soon leaves it limp and lifeless, Ht only for the limbo W, kg? N ' of letters. But even this law of language spares a 'P .Ng few of the more hardy, which keep the vitality of a perennial ,f5 X-I 'asf , youth, never failing. to excite curiosity, drawing all eys to them- gfgx I selves. Mystery is at the head of this class of words. 9020 U , I 'I Men love mystery. The popularity of the murder mystery, If ' ' and of its sequel, the mystery movie, is one proof of this. Writers ggi, have simply capitalized the drawing power of mystery, almost ', to the limit. One author especially, has gained a kind' of fame W Cnot to say fortunej through his ability to mingle the morbid N '15 with the mysterious in the proportions that produce a best-seller. v' if 'J The ink dribbling for, judging by the time between books, flow- 567, Q1 ing j from his proliflc pen has formed a black pool whose murky depths allure only because Men love mystery. As literature, E, they are terrible. As allies to insomnia, they are eminently lyk! . vf , successful. W' , Psp? The mysterious thing about all this is that men seek in fiction it 9:52 - - vie, ,Q a poor substitute for fact. Why do we revel in the dark alleys, 'mi T 'Q N' dim-lit rooms, and morgues of mystery stories, when we could 7 ' V ff read God's Mystery Story P-the Story that begins in a cold cave Q51 V and ends on a colder Calvary-colder because the hearts of men el ,N 2, had put out the Furnace of charity, the Sacred Heart of Jesusg if colder because the Light of the World had been momentarily 7,gaLfg . F' ' extinguished Q 'l1s.'4 ' 15 3 ' , A -.ziaiiiv . - - But to suggest to the modern devourer of mystery stories that 'fgffika 'ff he read about the murder on Calvar would cause his sus icious ' N0 iU ... . . P S3319 is mind to classify us as religious maniacs with a complex of some i :is 'N . kind or other. S WALTER V. SULLIVAN, '30. . i ' 'ut' Qgiiai ,pigs tg? . , gf if' 'if ' - , nffiipfhj . .Q ' -'Vi Qing., l, gf iv' A ,l , , ' f, . 2 ,,Sr7 -R5 5 :ii-L ffiw 1 Q il!! . J. . fl' fzs dll 'ifxfi 92 if f iilpw ' V - , B - Q af Q ti . 1. 1.5,- ,f ,, uri , , ' . , ev 'i if f +7 48050 , W.. ,Q mfs? : J-Gwgsq 9 3 0 gg-fl. A g5 AA iimis' 1 ' gl ,I 'Mid ilrirty-nine