St Andrews Seminary - Mapav Yearbook (Rochester, NY)

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4 A r' lj'-'Y ego 1 so.. ' Q 'x Jr? ' 1-5 if ' f-fikf . X i qi ww, ' , r eg. I7-, l X .vigh l p1,, ,' xg. ,gf ' . . Hd ,Q G I ' p 1 ., ... as , , J i Q IQ ff , ,,- . '-JN' Wh Y .5 fm? ,- ',4,ggQ,' gk , Mfffi.. fillltgs-5: .gr M61 f' rra f - cel? f r 26,22 Q .Els ffil' 3.1-,HS '-Leis Wg-, .41 'gg fl.g'1 f Church music is a universal language. I If one were to read WMM It l 155, the original works of St. Thomas Aquinas, of Dante, or of Fillion, Wig, sgxvglf it would necessitate the knowledge of Latin, Italian, or French. ifl f asked? In music, the original works of Palestrina, of D1 Lasso, or of ,,,,,5y,, 'Q5j',,,:5i Haller were all written in the same language! We all can hear f ' 'lp and distinguish Church music, yet, be it universal as it is, how Egg! few of us understand, or appreciate it. How few of us realize J that itibears a history of over nineteen centuries. It carries us, in Xml - 'J-If 2 memory, back to the early days of the Church when heresy and ' '- We heretics were bulfeting her steadfast truths. It brings to our ears hymns, which echoed and re-echoed throughout the stagnant 'gs' dungeons of the catacombs, and which possess, in the very veins ,g M of their notes, the pains and pangs of persecutions. It may also '45o!4. be, that when we hear the Chant ofa High Mass, we hear a faint - rf .Wigs melody of that far-off Mass said by our Lord on the eve of tlng 'if 'Eg' His passion, that hymn which St. Matthew and St. Mark men- fs, . tion in their Gospels. Indeed! this is music of an age gone by. , l gfliejte is lpisgoryl in every phase of it. It is the most inspiring and J 3, v iona o a music. 45,40 This music, which so beautifully paints the scenes of our - religion, and which the Church calls her own, was born of the it U, Church and bred up by the choir schools of the Middle Ages. 0 fir: It is the Gregorian Chant, named after Pope St. Gregory, the 'xy x Great, who labored so zealously to codify and to enrich it. He Ti ga Q' collected the -themes and chants, winged translations, which if? ', :jd monks had written in the cloisters in the early centuries, and 'xiii arranged them for the Liturgy of the Church. For Pope St. ..- Gregory realized that, while poetry and painting were great arts, 'T Nl, music was greater. He knew that music alone could express ,,i:,,4' ya 2 thoughts that are above the longest reaches of words or picturesf, , He knew that no one could translate Church music into words or 'W '35 works of art, for its impressions upon a conscious soul are so - X .4 infinite and so elevating that no words or signs can express them. So, all the portions of holy Liturgy, that are to be sung, have been set to the humble magnificence, the solemn splendor of the Ag 'Q Gregorian Chant. It is the Church's own song. She nourishes WPS and watches over it from age to age. wg? u The Church's music is the noblest form of prayer, it is the highest tribute which the human voice can offer Almighty God. mpg? It is the whisperings of angels,- the most spiritual of the arts Q i. x - the handmaid of Liturgy. Q., 5, ' ALBERT L. SIMONETTI, '30. - flf l'Nt1 self, A ivifif Jr 5 ' S 7145. K - fi' flfniitififgv ' ,wifi-54' ' f -Idsf 'iff 7' ibmfgm' We ffffaSvNS. , guage v-qyfggxh, ,uh , W, I ,bg . Rug., am ' Xsstgifg-5, , U ,lj 2,391 I X . P -. fhuffy-seven

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- if vi. Y f. Sl w r ., . --ge. if 'v 355 U,-,f'f'?l' - . f ESL y. M21 W .W . . Z .- V D n t M. J 5' xx Lu , I . 7 if ,gg lr A ' s Q . ' a .. , -...X -rfgggggg. , p ,Q-I rv.. 9 irq, XSS: 5 . '-1' ix ff? IFN 57- ' ga . ,f ' :U C' F? ' ' N ' E' ,X he 4 zmhmmh uf glfltiurgg wi ,a 19114 V116 ' ui 'gyKQ't,u GREAT hush-as a silent hymn of tribute--rose throughout the majestic Cathedral. The solemn 'L ltfgj, 'fggggiv moment of the Mass had come. Twice the bell was R al! rung to warn the Faithful that once more they were QM fr. N . at Calvary's heightsg once more they were to see N- 'L TISC before the ravished gaze of their faith the crucified Christ. SS ,Stu ,sg The most holy words of consecration were pronounced. Lo! There rested the Victim of our sins. Q, .. . wifi .Then, from.the sanctuary choir came the sound of heavenl ' 9' Xgncesk HBi1'1CCl1CtLlS,,, they were singing. How sweet and tenderpl -A ow u o meaning, Blessed is he who comes in the name of 'W F4035-: 4.' the Lord ! These voices-as one- all paid tribute to their jf Master. From the sweet flowing rhythm, they gradually swelled Qi ' fig. to a forceful crescendo- Hosanna,'! Yes, they meant every 3' Wg, J word-they were honoring their King- I-losanna in Excelsisf' ' i M I How beautiful, how magnificent, how enhancing, how majestic 'F 44,9 ,gr is the music of the Church! l It bears within its notes, the exprei- sioncof our hearts. I It carries aloft our minds and souls, across yi' T the margent of this world, through the golden gateways of ,Kg the stars. It is the Nhandmaid of liturgy - the most spiritual lwvg N P7 , f. 9 of the arts. I v I i 'wb X What is more inspiring than the solemnity of the MagnifiCatg tg ff: . Flys. the .sorrow of the Miserere and the Stabat Mater g the 7? lp W, U majestic omn1potence r of the Te Deum 3 01' the Psalms Whifih 'Jo'-.am are ,sung at Vespers? What is more tragic than that ndespair- f 'cfm uv, ' : ' - K .' , l- Jfriilig masterpieceof the Middle Ages, 'the 'Dies' Irae,' whose Q ying tones, rising in broken accents into the air, reveal tlne 33194 ,in ,gg wrath and chaos of the last day? What is more expressive of N Z spirituality than the Proper of the Mass? Yet, little do we realize ,i ,Q 52' the vast and infinite treasures stored up in the Graduale, in the 'ein 'Nails Vesperale, in the ecclesiastical compositions written by the saints fix of H 1 M h 11 c 'W-fx' f ' M no y ot er t e hurch. These are treasures of real Churcch Music.. From cover to cover, melodies centuries old can be found. f gff.:ggf i -5: .' I Melodies, that do not sweep through the soul like a tempest, Y ' 15' ' but that softly breathe over her like a refreshin breeze. ' -459.2 Melodies not light and frivolous as those of tod g ' 1 is 'SM , ,nj-H E59 2 t u i ay-meaning ess ic- ' and but whiffs of air-but melodies -that are the ethereal whisper- ' gg' 11185 Of allgffli that are prayers of a soul to God, melodies that 4' Q. ,Q embellish spiritual beauty and effectiveness, that envelop the soul ' I.-. ig and draw it closer to the bosom of God! clffaa. i ' 6 2.4:-' -ziggy chi Q hh ,VII JW -.. if ,,, ,, .- -rf, . - .4 :te if ' 'jf , , 1, , ,ilu if ' f i'1iNf?'e' :: V N vw ,,p ,V ' N A' gh! 7 ' ' Q I W V- -'53 ' by-.,3,47,g,p it pg N.. I . , - Q. f is Af.: -.vi Qfji.Sf,.M' V f if. M 9 , ' 'li asf- - X- 'Q' f .- ,XXX y '1 'fZiVxxQ x . 'AWESQ I, i L 5-Q' , '- g 3549 Q- ' ' ' ' Ng '3 ' jafyga fie ' S 'vii 1' ,jf s ' :NNxN . rgzsfef . ' ' ihifty-Six' N is A 2' Li

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A , X f T K'-'fl h.4kg2 . gg:.,1!P A . if lYY,,figll,s' 'Kiera n ..?.:-it i,g,ii,1 'ii i l xg' f' M3217 'Tit -' 1-,ffllfg -li e livf, .M , ' , l ie' , , S ' , -- p 5741, 933-.J -ii -Xu F Q A K iixglfg-, , 7 .J 6 Aff ' ' ,. 356, K 'fr' ' 'J X ,L Alvlyf KTM W T' 'Q is K ff ' WF t 5255? . EEE' 'agiwffi . h .,W4,,. ll igigxyf' einem rants T 4- ,f f 3 A tznkhng tune for bow and stately tread, Uma sax I That will live on, though all who danced are dead. - Will HAT an elusive quality has remembrance-that living 7 If '?l'2Qi1 on in other's minds when your own short span is 3 ME? Q ended. Yet to have some share in it seems to be a 'ii'-ll' Q trait peculiar to human nature. We seek to perpetuate ', fi X 1 We D our memory in an effort to combat oblivion-the wziajj sfmxf -- world' oldest story. MA? 'NX . . - is However, remembrance 1S not obtained by any set formula, If M Nb the advancing ages create new standards for .thei homage of ,gt posterity. The desire for this worldly immortality is more pro- '. MF? ,1 1' l . . . . -, ' X gg., nounced in some men than it is in others. In one rou the s ark ,.,2Sl, it - -nv . . . .g . P P . .2g,- his 'Lf 'Q' never attains fire, and gains no attention, while in others, lt 'Qs' g g, Elfcf' bursts forth into a conflagration' that is impossible to be over- T 'l Jwgmvff looked. him, The actual number of names capitalizing events in history is A l 6?'3Qx,'Ei paltry. few outstanding men represent epochs century-lon - , an inconsiderable number, compared with the great upheav ls ,f ' 3'a:T,,5 the world has known. Hundreds of famous men, illustrious in ' V 'QQ their life times, are forgotten' after death. In all walks of 'fe iE'f 4 ' fame is but a day in length-few persons indeed stand forth or ,gg Q, future generations. rig? fx . 3 351. Centuries back, we find an inconspicuous carpenter living in a If remote part of Palestine. For three years he was in the pu lic ffsgvxfii eye going about preaching and performing miracles. He gai ed I 'P 'T Y. the envy and ojealously of the jewish high priests, and as conse- , quence of which, he was put to death. The night before he was SW., , crucified, while celebrating the feast of the Pasch with twelve com- l panions, he took bread and distributed it saying, Do this in remembrance of Me. . . l ilk, , The world took not cognizance of this supper, for to an ordi- - . ,Sit it nary observer the affair was no different from countless other VM,f'f'. , Paschal feasts. No details attracted undue attention. It was of X held in a prominent banquet hall, .there were no celebrat d . guests present, no sumptuous delicacies weighed down the bo rd. ifgw-if ? ' Yet this simple story of an unknown man, incredibly insignifi ,ant fi? ' mf as it seems, is remembered to-day. It, alone, has been chosen for Wig immortality by a deathless memory. 1. SX!!-' DONALD I. MURPHY, '31. -Qfffmgi ffi'Piajf9 ,nik-'.,. xl, pa, - if .4 .. , , 2 gg: f-fl' ,551 1 , ,evo ' fl YL A.,,-, Ay 1' 'F.?.r,. 'i Q' A ,. fe'i:ff:2f'- Q will 2: 'lf ii-like ' if 15,1 igyvu f f. . 4. a I, x y , v.., ' ,g:Q2 4:?'7 i:Qfr Qfg' .229 V' Q 1' 5 fydfax Ns, N '--l :S iff -ai' use-1'-P 4 f'+w,a-Q.. ' ' .-iss. 'iff f MQ.-eff' it,-1 w- X ,galz .512 ,R N51 ,f,v'X,, . ,X ,Ambien X 331- 4 .rfiwqubl . IflH!,l':,f1., . U 1 rggfxgwgi EI! L at ,' ba Wi: 3? 1 l . We 0 1 thirty-eight