St Andrews Seminary - Mapav Yearbook (Rochester, NY)

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VW -s 4 -5. 9 f, mf K-'f3's5,. . Q,-. ' f Lx l .I .,a J cali. jg if J-sie :sig-.I-N . ?.Q:-1. n i,-ich ' 1, - gufqf' .: ..-. - N V nu. N 3,-Ku B, my A BFXJ. V g'-A-, ' f , V ' -' '-'-I XR E - I i ' 1.5-K, . V 'nu yu! ,Ez iii'-A Z,Lgs L8f'i?165 1 L , 'F' f4g'a? , ,st- Evw. ' . e L 'N' - . 2' -:iz f 'l9.9U' ' . il ' 'L' . - gg ' ...wh ' V F iff' Y - aww- ff' bg: Al Q EA I I L1 qgslpgi. 'X X as lf' rn 9345? ag: J atnr nurh Mig 1 fy MV A I 5 A I 4 'I lgfyh Blige ' 1 First Row-Sitting from left to right: A M J JOHN S. MALONEY ------ ' Literary Editor I., WILLIAM DARCY BOLGER - I - - Assistant Business Manager , T-'v'.',X1 GBRARD W. FOLTS - - - Editor-in-Chief '!' 'iff' all AUSTIN B. HANNA - - A - Business Manager gigs 3 ' t ' ' iii- Z 'K 3 'fl' JAMES F. O CONNELL - - - - - Literary Editor R. Nxt K AQ fm' - . . Z' f 'X F :2f l Second Row-Standing from left to right: ' RVN - 3 I RICHARD K. BURNS ---- - Associate Editor gag.. EMMETT L. DAVIS - -E ' Associate Editor gg: X X ALBERT L. SIMONETTI - - Assistant Editor 6, - , ELMER VV. HEINDL ' Assistant Editor E gf JOHN M. O,BEIRNE - Associate Editor 'I ,gf WILLIAM V. GIOSEFI-'I - - Associate Editor gg . ef' I 7253 'N 'Lf '-52:35 -Third Row-Standing left to right: ff gX,El,'i.', JAMES FRANKLIN FENNELL - - Circulation Manager 7 atfgig-P, PATRICK J. FLYNN - - - - - Art .Editor AIWMQ Xl fx WALTER V. SULLIVAN Associate Editor -A A - -A Nlffam. ,Sf DONALD J. MURPHY - - Associate Editor 1 ARTHUR E. RATIGAN - Associate Editor ff . -' A, iv ' 1 MK i ll! l , I GSE-S og ig, 5 fe? ' FZ? 4 'I go o ,Ft f-A .f. 6-xRa.,s ,rc-D .. . Enya ' Qty y ss.- .fu res? ' I agar, IZ? Way! V 1 iii 1' R' f I GB .gfgfftdefjx . . 543, A ,,' ah .:-Ei, . .t .te ear lil B .. YQ 32. U A A .I 'iwgfh is F-'cause he's fa1thful as long as he hves, n 54 Q A-for the advice which he always gives, .yew T-to the truth, his character grand. f 5f9'.5-ggf l H-for his health, may it ever stand. X S E--'cause he's earnest in what he will say, G nf? R-for the right that he does every day, ' ' Q! , 'J I N ' ' . ' He smiles with you in happiness, your troubles ke him sad I' g' Q Such a pal from Hlm above, your dear old Dad. I ?QI,ff'k - . .f de- nf ea M c 1. - . .trlltii J .. , ,mg 'Zu ,N 'r-:at F 'A . . 1 Ssirfhvfi-.iyfga ..., lip. ., -sv, '53 f W 5 xfFa',I. .417 N VP ,J -,-.-A Nxgfxsx-Qs: l '.'.' ' I 'I ,,.- . -E ZZ? 'I fi' ' X' V iw ,I ,.-'59 A ' J ' , Q '- 54 5 -ry X Q ,,v-'fb will km?-3 3' t ' --, QQ... efiifi- 'A 1 J 89 'SL ' xl7 .:i'F9 .,.'9?' :VAN Yi- .1526-35 ,V 3-Y: . 4- K1 q'f':::g f? I A-:':'-vs '?- ' I+ A . . rv' A thirt ' 1- ,f y-five -

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- if vi. Y f. Sl w r ., . --ge. if 'v 355 U,-,f'f'?l' - . f ESL y. M21 W .W . . Z .- V D n t M. J 5' xx Lu , I . 7 if ,gg lr A ' s Q . ' a .. , -...X -rfgggggg. , p ,Q-I rv.. 9 irq, XSS: 5 . '-1' ix ff? IFN 57- ' ga . ,f ' :U C' F? ' ' N ' E' ,X he 4 zmhmmh uf glfltiurgg wi ,a 19114 V116 ' ui 'gyKQ't,u GREAT hush-as a silent hymn of tribute--rose throughout the majestic Cathedral. The solemn 'L ltfgj, 'fggggiv moment of the Mass had come. Twice the bell was R al! rung to warn the Faithful that once more they were QM fr. N . at Calvary's heightsg once more they were to see N- 'L TISC before the ravished gaze of their faith the crucified Christ. SS ,Stu ,sg The most holy words of consecration were pronounced. Lo! There rested the Victim of our sins. Q, .. . wifi .Then, from.the sanctuary choir came the sound of heavenl ' 9' Xgncesk HBi1'1CCl1CtLlS,,, they were singing. How sweet and tenderpl -A ow u o meaning, Blessed is he who comes in the name of 'W F4035-: 4.' the Lord ! These voices-as one- all paid tribute to their jf Master. From the sweet flowing rhythm, they gradually swelled Qi ' fig. to a forceful crescendo- Hosanna,'! Yes, they meant every 3' Wg, J word-they were honoring their King- I-losanna in Excelsisf' ' i M I How beautiful, how magnificent, how enhancing, how majestic 'F 44,9 ,gr is the music of the Church! l It bears within its notes, the exprei- sioncof our hearts. I It carries aloft our minds and souls, across yi' T the margent of this world, through the golden gateways of ,Kg the stars. It is the Nhandmaid of liturgy - the most spiritual lwvg N P7 , f. 9 of the arts. I v I i 'wb X What is more inspiring than the solemnity of the MagnifiCatg tg ff: . Flys. the .sorrow of the Miserere and the Stabat Mater g the 7? lp W, U majestic omn1potence r of the Te Deum 3 01' the Psalms Whifih 'Jo'-.am are ,sung at Vespers? What is more tragic than that ndespair- f 'cfm uv, ' : ' - K .' , l- Jfriilig masterpieceof the Middle Ages, 'the 'Dies' Irae,' whose Q ying tones, rising in broken accents into the air, reveal tlne 33194 ,in ,gg wrath and chaos of the last day? What is more expressive of N Z spirituality than the Proper of the Mass? Yet, little do we realize ,i ,Q 52' the vast and infinite treasures stored up in the Graduale, in the 'ein 'Nails Vesperale, in the ecclesiastical compositions written by the saints fix of H 1 M h 11 c 'W-fx' f ' M no y ot er t e hurch. These are treasures of real Churcch Music.. From cover to cover, melodies centuries old can be found. f gff.:ggf i -5: .' I Melodies, that do not sweep through the soul like a tempest, Y ' 15' ' but that softly breathe over her like a refreshin breeze. ' -459.2 Melodies not light and frivolous as those of tod g ' 1 is 'SM , ,nj-H E59 2 t u i ay-meaning ess ic- ' and but whiffs of air-but melodies -that are the ethereal whisper- ' gg' 11185 Of allgffli that are prayers of a soul to God, melodies that 4' Q. ,Q embellish spiritual beauty and effectiveness, that envelop the soul ' I.-. ig and draw it closer to the bosom of God! clffaa. i ' 6 2.4:-' -ziggy chi Q hh ,VII JW -.. if ,,, ,, .- -rf, . - .4 :te if ' 'jf , , 1, , ,ilu if ' f i'1iNf?'e' :: V N vw ,,p ,V ' N A' gh! 7 ' ' Q I W V- -'53 ' by-.,3,47,g,p it pg N.. I . , - Q. f is Af.: -.vi Qfji.Sf,.M' V f if. M 9 , ' 'li asf- - X- 'Q' f .- ,XXX y '1 'fZiVxxQ x . 'AWESQ I, i L 5-Q' , '- g 3549 Q- ' ' ' ' Ng '3 ' jafyga fie ' S 'vii 1' ,jf s ' :NNxN . rgzsfef . ' ' ihifty-Six' N is A 2' Li