St Alphonsus High School - Rocket Yearbook (St Louis, MO)

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l l l Q. , W r-4 W n-1 W W W Il f Nickname Favorite Expression Chief Occupation Ambition Lily Rose Abel Lil Carry me Syncopating music To get there Rosemary Arnold Rose Ch, kid! Bookkeeping To be an Undertaker's wife Helen Bagley Spook I'm not gonna do it Being calm To be a missionary ,I Marie Boylan L'Baby We won't be forced any longer Keepin' ,Vout of mischief To get the best of Marie Hennessey 11: Jessie Corrigan Lefty Hea-vens! Takin' care of Ferne To appear calm and comfortable F1 Florence Dempsey 'LSpeed I'm tired Taking it easy To keep moving :U Mary Ruth Dundon Babe Oh, Gosh Being demure To prove her point 8 Loyola Ebeling Sugar Cantor's uquacking sound' Fixing her hair To have her own home W Ferne Elliott Phronie How am I doin' boy? Takin' care of Jessie To take life serious FI Katherine Ganley Kay I met the darlingest fellow Singing All of Me To boss 1 Madonna Geaney 'LSis For Heavens Sake Quoting Virgil Always to excel l Madeline Geers Red' Does my hair look all right? Pleasing the teachers To overcome her blushes 8 Marie Hennessy Chick I know a good joke Ringing bells To get the best of Marie Boylan 3 Marie Hensgen Sis' What do you think? Giving card parties To climb a 25ffoot ladder 3 Rosalia Hoorman Rosy Aw gee whiz heck gosh darn Memorizing jokes To be funny 111 Marie Kromer Keed Why ask me? Learning Spanish To keep books 2 Margaret Laughlin 'LScottie Hi Si Asking foolish questions To stop sneezing in class Q Mary Mann Little Bitsu How about yourself? Studying Latin To ride a l'pony Z Mary Mooney I-'all' I don't like that on you Taking menis parts To 'Lshinen in basketball l'l'1 Dorothy Oelkers i'Pepper It's all in the way you look at it Making posters To be a welfare worker 5 Lillie Poleos HISQYH Ain't got no Setting hair To knock Broadway dead Margaret Potts Si Say you Just anything To master the violin E Marie Puthoff 'LBunny Huh Sleeping in class To be an interior decorator 3 Audrey Rigney Audie Sez you Getting things backwards To appear brilliant 5 Lillian Schwalbe Boots Hi kid Falling with THAT Freshman To make IOO bucks a week Fl Helen Shults 'LHoney bunch It has rung, mother Openi g windows To make herself heard :U Ruth Stathos Ruthie ' Aw, ain't it cute? Writing poems To rival Irving Berlin Wealthy Lou Standefer Jimmie Maybe I'm wrong Experimenting in Physics To appear sophisticated Marian Weida Georgie I do solemnly swear Circulating books To be president Marguerite Wells Midge When do we eat? Breaking hearts and falling in To be high and mighty Page 12 1932

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l--- THE ROCKET-COMMENCEMENT NUMBER - l- CLASS PROPHECY HE ships in which the Seniors set out in the ocean of life in June, 1932, have at last found safe harbors and have dropped anchor. Five years of storms and jambled seas have brought them at last to their destiny. The first ship I see is that of Lillian Schwalbe. She is a successful teacher of literature and the languages. Lillie Poleos' ship is sighted. She is an expert beautician and owner of a large beauty shop. In the helm of the third, surrounded by her many admirers, is Jessie Corrigan, resting before the start of production in the latest play, Zero , in which she is the star. In the cabin of the next ship, I see Marie Hennessy, a brilliant star in the literary field, editor of Literary Digest . On the deck of the next is petite Marguerite lVells, now instructor in music and writer of volumes of poetry, remarkable for the beauty of its meter. Now I see Miss Marie Kromer, prominent as chief accountant of Famous-Barr Company, balancing debits and credits as ever. In the salon of the yacht following I see Fern Elliott, cosmetician and noted beauty. In the office of the liner, I see Audrey Rigney typing expertly from her notes and happy in her labors. In the lounge we find Helen Bagley, teacher of the Classics in Chicago's largest high school. In the office is Marie Puthoff, secretary to the President of the Cunard Liner Company. Standing at the rail is Mary Ruth Dundon, Lady of leisure, rehned, and still wittiest of her set. In the bow of a motor boat I see Mary Mooney, character actress and male impersonator known from sea to sea and still an athlete. In the hospital room of a steamer, I see Loyola Ebling, efficient nurse and a valuable aid to any sick-room, cool, sweet-tempered, gentle. Ruth Stathos sits musing in the next ship. pencil in hand, preparing her fourth volume of poems, while resting between seasons of writing song lyrics. In the next, Dorothy Oelkers presides over a select party. She is a society leader, but still student and scholar. Madonna Ceany, amid thunderous applause, sings the leading role in the latest comedy- operetta. In the entertainment hall, surrounded by young folks, is seen Katherine Ganley, instructor in the dancing arts. In the cozy houseboat is Margaret Laughlin, happily married yet still a student of life. Mary Mann is a model housewife, happy with husband and family. In the operating room is Doctor Marie Boylan, surgeon known the world over. In a laboratory on board is Wealthy Lon Standefer, scientist of renown. Helen Shults is in the ship's library. She can tell you anything you want to know about books and authors. In the music room Lily Rose Abel sits at the piano, still an accomplished artist, now with an orchestra as a feature. In the gym I find Florence Dempsey, instructor in swimming and Olympic champion. In the kitchen is Margaret Potts, dietician, measuring calories and vitamins. On board a yacht is seen Rosemary Arnold, dress designer and stylist. Madeline Geers is a national expert on home economics. On the deck of the next ship is Marie Hensgen engaged in a brisk game of tennis, training to represent the United States against European stars. And in the next ship's bow, Rosalia Hoormann croons her boop-boop-a-doop to her male admirers, fresh from Broadway success. And last of all comes the ship of Marianne VVieda, teacher of chemistry and mathematics at a large College. Let us leave the ships at rest and remember to keep an eye on them, for of their passengers and crew we expect great things. -Marianne YVieda. CContinued from page 103 Jessie Corrigan wills her vocal chords to Mary Katherine McKee, which when developed prop- erly will sound better still. Marie Boylan wills her extreme loquaciousness to Dorothy Thomas. This coupled with her own natural ability will aid her greatly in elo- cution. Lillian Schwalbe wills her snow-white uppers of pearly luster to Helen Ortbals. She is advised to brush them faithfully so that they will not become like stars fcoming out at nightj. Lillie Poleos wills her experience in the art of Terpsichore to Mildred Osterhorn. This aids greatly in developing that girlish figure. Mary Ruth Dundon wills her excess weight to Lucille Ratigan. This is not to be lost by too much exercise. Katherine Ganley wills her fiying feet to Louise Tremmel, to be used in effectively producing musical comedies. Marie Hennessy wills her bird-like voice to Gertrude Wieck, with which to entertain the listeners of the Public Audition Hour. 1932 Page 11

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THE ROCKET - COMMENCEMENT NUMBER Senior Commercial-Class of 1932 'FOP ROXY-Left t1 Riflt-M. vll: A I L gl 'nru 1 111ncl1o11. Rose Jung, R11SC1llilYQ' Bl1Illl7C!'l'y, Maclelinc Hielicki, lfleanor Ilrennan, Marie RCIIlll1L'Tt, Louise Menke xYZilCl'lll XYl11liClCI' JOiL'pl1lllC l'oro 'Xl'1rg'1ret 'XT 1la511111 1nd Pe' , . , . 1 ,11. .Z1'121 xgma SCl1VVC'11g.IL'I'. SICCUNID RUXYfl.eft to Right-,lanet Reise, Blarianna l.j'flUl1, Clare xlCKk't1llC. Marie Strillcr, Agnes Christy. A111111 Mcflilliek, Gertrude XYigge, julia Reiscr, liatlwyn lXlCllOXY2lIl, Margaret l,Da1'li11gto11, Rlelha lJI'OCl1Cllll1ll1 and ,Xnna Norton. LONVER RUXY-Left to Ri fht-A -tt. P g 11111 1 1211111111-ss, Margaret Sl1c-riclan, Mary Gertrncle XYill1el111, Sarah Lawler, lzthel KClll1L'flj', Helen Beck, Yiola Ktililllllllll. Eleanor Striflcr and Betty C111'ra11. l71fll1'EU 'El,l.', T100 years of lz11f1j1i11cs5 ana' fri1'11dsl1ij1 true, B111 111110 11111 Sisfws say 2u11'1'c 1'l1r1111gl1, Lifflviillw had am' l111r1i lc11111'ks ami 111.115 111 daf But H1111' 1ucr1'11'f 511 I1a1ifl'111 t1'I1i1111 .1'1111. B111 H111 11101111115 of q11il1'i11g 11za11'1' us glad, 1-l11d 1111111 111111111111 fllaz' 11111111111 was .111 bad. S11 tw say g111111'l1,1'1' and 111'11s1'1 tITL'fl.l,' tl l1'a1', 111111Z tuislz 5111111 lurk for many a Vvczzr. fllosc Jung. Tlllillli SONGS Marcella Anl1uel1o11, to a test. ulllll for yon l0O'X. Annetta Bangess to ,'Xg11es L'l1risLy. Y1111'1'1- 1115' I1.ve1'ythir1gi Ode to Helen Beck. Sl1e'S just a blue-eyecl blondef, Madeline llielicki to Josephine Boro, You've got to bend clown. sisterfl 1932 Rose111ary lil1IlllJC'l'y. to a fellow basketball player, l'1'e got a feelin' lllll fallinlf' lfleanor Brennan to Anna Meflillick, Sing some- thing si111ple. Agnes Cl1risty. the treasurer, l've got five dollars. liettjc L'11rra11. l'1'e got those happy feet. Melha l5TUCl1QllH21ll to Rose Jung, VVe won't he l111n1e 'till I1141IA1'IlIlg'.U lfthel liennecly to Margaret Malaspina, Can't we talk it over? Yiola Kopinann to Clare Mclieone, Too late. Sarah Lawler. to whorn it may Concern, Take me out to the hall game. Marianna l4yll0l1, after falling VVl1y 1li1l it have to be IDCF, Kathyrn Mcflo11'a11 to Margaret Darlin ton g 1 VX'e've nothing else to do. so let'5 go crazy. into the lake, fCor1ti1111c1l 1111 page 161 Page I3