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Page 122 text:
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+ 1 R R11 if 0 ' ' Miss Norris and questions ata Siilg' 9 THE 'Ol sea , -H.. r Utica.: 0, . 'DSO 3 5 I r . QM6 3 953 1-4 , I ' 503413. I x - . . - .gy U3 4 : Q 123 I-:E 'I ' 5 . ' ' E553 m 1 6-3 ' ' 'mgm ' . ' wil . EE., z - B09 C5 . 1-v-OO - - : Cl.:r CD 07 'USD CDI! COO. Q- as IJ 9.3 30 Faculty Advisor Miss Marjorie Norris Photographers Sandi Nance Peggy Roth Staff Sarah Bay Puma Bridges Lyonne Edwards Christina Griffith Tami Hatch Susie Holleder Vicky Howell Ashley Montague Fran Toler Sarah Van Tuyl Peggy Roth tries to convince Lynnethat the Shearings. Front Flow: Viki Harwood, Third Row: Sarah Van Tuyl, Peggy Fioth, layout just will not work. Lynne Ftogich, Vicky Howell. Second Plow: Christina Griffith, Lyonne Edwards. Fourth Sandi Nance, Puma Bridges, Tami Hatch. Row: Fran Toler, Sarah Bay. 118 SHEARINGS
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Page 121 text:
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. ' ...wwf 4-, M., .,,,- f '42 .. . ., 't 41, . Q., if .' f ww-af - Lisa Gates and Mrs. Fuller confer over Spectrum's Tools: Notebook for creative business matters during a weekly meeting. ideas, camera, visor lso the editor can look officiall, and artwork. , 'M jf., hx my ,fdgqefw I, .Wg-,, , 4: 71 Spectrum. Front Row: Amy Scholley, Lisa Gates, Liza Figueroa. Second Flow: Dorothea Riggs, Kelly Williams, Dolly Riegart. Third Row: Marijke Smith, Sophia Phass, Anne Goodwin. Back Flow: Jennifer Uehlinger, Yvonne Goshorn. SPECTRUM 117
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Page 123 text:
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The elements of a Shearings layout: story, Staff members have different reactions to pictures, layout sheets, and hands. the upcoming deadline. 'S in . A . Carrier of News and Knowledge - Charles William Eliot The Shearings added new di- mensions to its news coverage of the busy community of St. Agnes. Lynne Rogich, editor-in-chief, and her diligent staff incorporated a new column, Dear Agnes, along with clever cartoons by staff ar- tists. The ever-popular Controversy Corner, personal features, and edi- torials of The Shearings covered subjects Qf considerable interest to the SAS student bodyg the arti- cles dealt with national, interna- tional, and local concerns. The staff of The Shearings spent many a late night working on page layouts to keep the SAS presses rolling. SHEARINGS 119
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