Spence School - Yearbook (New York, NY)

Page 56 text:

SPF'NC1i ON BROADXX AX Ihc lempcsl Wrth magtc Shakespeare s Tempe! has enthralled Broadwax Margaret Vs ebster cut the Shakespearean plas ot hxe acts to two dehghtful acts of enchantment that emelop the characters from the start and then reaches across the foorhghts te draw the audtence to the magrcal rsle A wonderful, mvstertous ur rs created bv Daxtd Dramonds strange, hollow like muslc and the dlverse hghtlng trrcks of Moe Hack worked out bv Eva Le Gallrenne The settmg of rocks revolvmg on turntables, mrranged so the acttons of Prospero, Callhan, and the c meds parts are each play ed at a dlfferent angle, 18 xerx eflectne and adds to the rllusron Vera Zorma IS a loxelx, graceful Arlel, maklng every step a ballet movement Prospero played by Arnold Moss rs the center of the play hrs drgnlty of performance nev r falters He lb thoroughly behexahle as a magtclan or a kmdly father Cahban rn heavy, grotesque make up IS made an ugly brute hy Canada Lee, who gxves a marxelous performance Frances entle volce and the lovely manner m whrch she s eaks the oettc hnes althou h she seems g P P g too modern for the perrod as compared wtth the rest of the cast The drunken butler, played by an Werxch, and Trxnculo played by George Voskovek, ment ters special mentton for thetr excellent actin rn brtn tn ahve Shakes eare s comlc arts They are reall funn and g g 8 P P Y 3 give the audxence relaxation from rh mysterrous enchantments The story of Prosperos and Mtrandas stay on a magtcal 1sland, x here he ts kung and commands both a1r and earth sprrtts, ts very real and seems hke 1 modern plax One forget after a few mmutes that rhts ts Shakespeare, because the poettc language rs perfectly sutted to the people on the mxstlc rsle Margaret Webster s master stroke of dtrectlon has Prospero come forward whrle the other actors gradually back off stage at the close Thus the play 15 brought to an end wrth Our resels now are ended These our actors A I foretold you were all sptrtts and Xre melted 1nto ur, tnto thxn ur And hkt this msuhsmntxal pageant faded ent not a rack ehrn We are such stu A dreams are made on and our httle hte Is rounded wlth a sleep ELINOR Nile:-metsws X I 52 J v - Y , , , ,A A V' ' , .V , .C . , , 'r, , F- , . l A s v A x ,, S t - 4 - ' ' V 1 I ' V Q ' , . K ' q '-1 ' Y V y - .- Heflin makes Miranda as sweet and innocent as Shakespeare meant her to be, through her , K f , K . , v V . Q' , , It ,K ., b . ' 'fl s , L k ff 4 5 in 1 e 4 I l,x

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MX LILLIPUT A ex dr p fhcked a ptece of sunhght nn mx exe The dawn grass was wet nd xet I ,ax there hetween realltx and dream A darsx was the object of mx sleepx gaze Then there she was a sort of faxrx Slttlng on the da1sx as 1f rt were her throne I thought to mxself that she wasnt the txpe to deserxe a throne for she was messx and wrld an hurnt I was drggmg 1n the stream she saxd happllv Come let us make a waterfall there The other one collapsed We can plant the whlte hulhs around If She paused and looked puzzled Wfhx dont you run along stone walls, barefoot, anx more-or make waterfalls? A sense of shame overwhelmed me, hut more than that I wanted to make a water all to go dashmg along the walls pushmg astde thorns and sprmg forsxthla porson rvv forgotten, and a crafx freedom darmg me on The dust stood mononless and forsaken Ah, If was the farrx s throne And even as I understood, another a eared I cannot ex lam her hecause a fanrx I5 so PP P manx thlngs We heh:-ve we rtmemher what our exes see but the memory hps away Onlx sometmmes are there adtectlves that characterrze She sald Let us flnd a fare, almost dead Come qulcklx We can awaken lf again Mx xolce seemed far awax But there are no fares 1n summer She lo uked down 1n profound thought INo No fires The larry vantshed through my tears, as when cmders flx 1n one s exes Suddenly angrx at mx weakness, I hegan mahclouslx pulhng off the petals of the daxsx He lowes me H loves me not Loves me Loves me not Tmknng laughter and then Poor Katrlnka xou haxe grown up But not so grown up that see' Now xou cannot weep for love I pull d the last petal and he loved me I threw tt down rn d1sgust How httle I cared There was a xolce agam, Let us plax horse You can he the horse thls trme and Im xc ur cruel master who whtps xcu and xou run awax and The torrent of words suhl e I reached longtnglx for the daxsx Please let me he a vesterdav l'a1ry ButI had pulled off the petals of the xears I took my hand awax and rolled over on mx hack There dxdn seem to he anx hurt any more I suddenly knew that I had a world I could watch the hgure of Katrmka grow smaller and smaller rn th1s happx world unttl tt was nothmg The skx shlmmered I p eked at the naked da1sx oxer mx shoulder and laughed softlx KATRINKA KIP, IX T531 7 , . ' ' ' ' . . . . . . .. .. I . . , e I . , . . .. . . run- .. 4 Y . . . g ,, X . . V ,. 1 - . . , . . I. , . . h 1 ' ' 79 k 1 , . e , ,. , . . . e. A K. , g I , V . , w V K . K ,K . fx S e. . . . ., .I , . I 5 . . . . , ' 1 I V X.-,T .V . - ve, 1 ,Vx 1 1 .T 1 x I I - ' I . K - N 5 , x, , , . .h -, 5 V K ,K n . .T E, K x c 2 . - ff K - ' Y r - va , , . 4. e . . I t - ez - U A e C lv. . . , I A rf T e as - . , , . , K . . Q . Q . v ,, V K 1 ' ', ' . e ' 1 . '1 . . C s x- x- I, ' I' , ' V V , I , 5 I ' . . f H L e li. I I - e f if - , . . ' . . ' . . v Q ' ' Y! i V ' ' 9 ' I r g . c - . x 6 , , . 1,3 , , . .3 , . . -9 , K 5 1 X - , r v tr Q - xv f