Southwestern High School - Prospector Yearbook (Detroit, MI)

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Translated From the Plutonian fire department, Durbon and Bitely, and the police department, Taswell Cleveland, lead the cheers. I see Emily Anderson, the taxi compan.y, Elizabeth King, proprietor of the boarding house, Marie Hale, the choir leader, and Dorothy Michniak, the laun- dress, in the disinterested audience. bzcfiuii114nioxnzuzoioiuininii-linda , Exordium l We, the departing seniors, in or- ! der to form a more perfect union - in school, scram. We are leaving I behind us our most prized posses- Q sions to a bunch of dopey IZB's, but ' before we go, we warn them that ! any desecration or mutilation of our l bequests on their part will result in i a catastrophe. :Initvii114:111301010311111030101 Alice Kenedy a n d Alberta Wick are get- ting divorces from t h e i r t e nt h h u s - bands, namely Jack Evert and Henry Schnei- dewind. T h e girls' lawyers, Vida and Bolog, put up a stirring fight for their clients. I see in Hollywood a film magnate giving a lit- tle girl her start. They look like Phil Sheridan and Gladys Sutton. Phil was the one who directed Bill lcenhower and Helen Vasilauski in Hearts to Burn. Joe Nameth and Helen Mahoney are co- starred in Marshall Godfrey's production, Aunty Ante. Ruth Reaume, Dorothy Welch, Mildred Templin, Frances Gray, and Esther Benson have just arrived to play in Eleanor Nestmanfs next picture. Here is Los Angeles, the metropolis of the west. Art Murray, the big manufacturer of cork, is riding down Sunset Boulevard with his stenographers, Kowitz and Chiaravalli. His chauffeur and footrnan are Charland and Boris. Directly ahead is the largest miniature golf course in the world, owned by Ligman and Ligmal. They employ as caddies Ed. Nersisian, Karl Radmacher, Pearl Rakay, and Grace Riviera. That big building is the terminal for the Swift-Salacy Earth to Moon tour, it was designed by Mildred Schroeder. Rebecca Stearn and Beatrice Willert sell tickets for the tour. The first people ever to try the iiight were Anna Sarkisian and Eliz- abeth Kovacs. They are now selling parachutes to Komondy and Liminsky, art dealers. Across the Pacific, in Hawaii, King Jerry He- bert is sitting in state. His favorite dancers, Irene Letenyei, Laura Frahm, Florence Cima, Helen Orell, and Thelma Hood, are performing for him. The string orchestra, Jacoby, McGee, and Pipoly, under the direction. of Louis Tyrna, is not attending to business. There are some little specks out there in the water. Oh, it's just Jean Bourbonais and Lucille Kubitzkey swimming, accompanied by Pearl Manor in a rowboat. They expect to reach China soon. I think I'll switch this instrument toward China. Ah, in Canton I see two coolies dragging a pushcart around. It contains Robert Price and his wife, the former Violet Cook, Vasquez and his better half, known as Marie McDaniels, Hazen Hunt and his master and wife, Dorothy Cogger, and last but not least, Bob Hicks and Evelyn Ramsay. The coolies who are prancing lightly up and down the streets under the load of the pushcart are Honeycutt and Hare. In the heart of Rhodesia, two Zulu chiefs, Briggs and Cantor, and tive ladies, Masecar, Barta, Sorice, Osborne, and Ravas, are being converted to Christ- ianity by Missionary G. Capen. It appears that the Zulu chiefs are, instead, busily trying to convert Capen to Zoop. This big place called France is next. The idol of the Parisian stage, M. Sebes, is being interviewed for the press by L. Krigner of the Via Parisienne. Margaret's press agents, Holland and Flynn, are holdin.g out for talking picture rights. On the Rue des Frates, I see the exclusive gown shoppe of Mol- nar and Molnar. Two very charming salesladies, Eleanor Novak and Elfrieda Rotter, are urging a prominent American sportswoman, Virginia Sefar- ian, to purchase hosiery in carload lots. Virginia's husband, Harold Langley, recognizes old acquaint- ances, Guerriero, Tonipos, and Holtzhouse. Kanian is the American traveling salesman for the concern. Ah, now appears in the telocular good old New York. In the Kempton Theatre, Goldie Trimai, star of Gilbert and Sullivan's operetta, Ten Days in the Hoosegow, or Fifty Dollars, is rehearsing the show with the chorus composed of six of the best-looking blondes in New York, Black, Nihelik, Stevens, Wil- son, Vargo, and Reckling. The show is directed by Chione and Hollos. Mary Miller is the star toe- dancer. The words for the theme song were writ- ten by C. Thomas and the music was composed by K. Jackson. In Harris Auditorium, formerly called Madison Square Gardens, the big heavyweight championship iight is on between LaValli and A. Riopelle. After the third round Referee Rohrman called the fight off because both participants spoiled the rythm of a line of attack. Benedetti broadcast the fight. Altobell and Macherczyk are cleaning up Wall St1'eet in white uniforms. Two pilots, Pierson and Kevorkian, are piling bricks for Horvath Brothers' Ye Auld Hatte Shoppe, which was designed by V. Gallovich. Irene Miller and Dorothy Ohs are wash- ing windows for a living. This occupation was the natural outcome of their desire to brighten. the world. Well, well, the Capitol. In Washington, Con- gress is in session. The I opposite sex is well X represented. I see I ' the woman sena- MIX tor, S. Perry, ' XI -. f H - N XX rom am MX - x X 'X K tramck, is trying to introduce a bill to pension retired racketeers. Queenie Dar- darian's plea for capital punishment for sax players will be recognized. Helen Far- kas has passed a bill to educate college professors. The telocu- lar is getting weak. Anyhow, we can't see any more funny things, so we might as well quit. There goes Earth--it's gone! ' f 1 Page Seventeen,

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Mrs. B.: Yes. I just Smith, Csircsu, Meyer, and Time: June, 1931. Place: Planet Pluto. comes nearer than at any other time in an aeon? What do you say we take a look at those strange Earthlings through our tel- ocular? Mrs. B.: All right. I haven't had a good laugh since that aeon when you went on a jaunt through space in your rocket car and ran out of fuel two light-years from home. I'll never forget the way you looked after you had walked all the way home. Mr. B.: O, yeah? Cut that out and help me with Class Prophecy, June, 1931, as BY CHARLES SAMU AND RUTH MILATZ o 0.1 S9 rr- 5:5 if M ev-'U O Q Zh m 1-9- m r-I- 5 'D 0 '-1 245-53 9' cb 1 I5 5+ E 99 r-4 0 rn me '4 Q 2 C-' co '?bioio1o1o1o1oioi4 fi FO so '1 fl: 'Q S: B QS. fb D. W E 5 N qw :ini rif114nilxit1111if114uioiuioioiuiauiuia,info Mrs. Helen Stone, Accompanist Invocation Rev. William Kotesky Waterman Avenue Evangelical Church. Liebesfreud Southwestern High School Orchestra Mrs. Martin Quinn Pack, Director Mrs. Helen Stone, Accompanist Address Honorable Ira Jayne, Judge, Circuit Court Drink To Me Only With Thine Eyes Steve Lukas, Ist violin Robert Fox, Znd violin Margaret Schupiter, viola Grace Sam, 'cello Presentation of Diplomas Mr. Frank A. Gorman, Member, Board of Education ioioioioioioioim 1010111101411 101011 535 5 Q-.52 Eidgmg effbsl' Om rv-mfr-UJOE 5-Q 3,30 n-1-LTICP' U l'?' muamgg mgsvmgi EQQQFU D-'5.. CDEi'Ur-: Qmoqmg-,' 522:22 .-f-:msT5o. lC0.U, im? '1 :SS O .SI E SEQ :ag 3 'O 5 4S'- to 'NE 3 052. cw ESQ CD :'3':: BQ, E oo, 'sas 'U goo 3 3 2 H- O QSO? pg EFS :Qs 3 O I '19 O3 5 Q s 3 -'Z HIICCHICQHYC1lGQC4lC0lUCOQU-0Q47Qlll 255555 QS: E:-f:,'e52 1-fi' DEQ- 5' mil'-'UE sfggo -.mn-5 599 r--CUKDIJ' :ESQ rg O5-s 'IPf'D 5544? cb - ' .-.mn E2 CDG: migfifha' 'UE-2 'EC QEJEESE. l.'.'U2CD I' Well, well, here's Delray! Vincent Kadi, the mayor, is form. The Delray police- force, consisting of Helen Vargo, Elizabeth Kish, Su- zanne Koren, Alice Machus, and Anna Csonka, is pa- trolling the front of the edifice. Over at Hopkins Field lformerly Navin. Fieldj the Bengals are having a streak of bad luck, probably due to the fact that they are managed by Bagozzi and Massey. Bill Degner, the little mascot, and Barnabo, the bat-boy, are cheering l for their team. Four new Q rookies from the Zorvan i College of Crocheting are i trying out today for the po- sition of pitcher. They are found out by ether-wave news that Southwestern High School of Detroit, Michigan, U. S. A., Western Hemisphere, is hold graduating exercises now. Let's look in on them. Mr. B.: I don't know about that, but I'll try. Mmm-no-yes-no, I can't do it. There is a slight distortion of space. I'm afraid it will take twenty Earth years to focus the telocular. Mrs. B.: Pshawl Well, look, anyway. Twenty years isn't much. Mr. B.: O. K. Let's see. Ah, here we are. North America, United States, Michigan, and De- troit. I see a crowded courtroom. James Matyi, noted criminal lawyer, is defending Joe Milkovie on the charge of safe-cracking. The prosecutor, Ray Chene, and the sleepy judge, Macunovich, are argu- ing with two witnesses, Emma Gaty and Margaret Staudinger. The g1'and jury is composed of twelve heartless, conscienceless women, Julia Blom, Irene Colley, Violet Klein, Mildred Holtz, Helen Nagy, Frances Zager, Thelma Andreas, Theresa Frolich, Agnes Nauseda, Dorothy Urshel, Josephine Svitko- vich, and Leila See. Outside, as I glance up the street, I see a large, blue limousine passing. In it I see Gangster Staf- ford with his chauffeur, Kokoszka, and the three burly bodyguards, Leonard Magilvy, Steve Lukas, and Louis Kiss. As the car turns a corner, there is a familiar whistling noise, and I perceive peanut vendors, Barolo and Boudoian, doing a rushing bus- mess. Page Sixteen Rose Wolfe. On the side-lines the coaches, Leidicli and Scafuri, are standing on their heads in frenzy. On Gratiot Avenue a sign over a hock shop reads Wolf and Fox, shysters. Two blocks down, I see the fish store of Kuzma and F. Riopelle. Across the street Lang's dime show, with Helen Szabo as cash- ier and Stay and Petho as ushers, is open for bus- iness. A poster outside the entran.ce heralds the antics of Brule, Beneventi, and Patera, slapstick comedians. Orchestra Hall is celebrating the return of the famous woman impresario, Margaret Schupiter. The orchestra is composed of Irene Martin, Mary Vas, James Woods, John Wanick, Neil Dodson, Bramwell Anderson, Vera Chase, Marion Howard, and Grace Sam. The soloists are Marjorie Zambeck on the Tuba Four, Sylvia Hostik on the Saxitar, and Catherine Irwin on the Cornaphone. Ann Tuder and Anna Zline are the soprano soloists. In Chicago I see the new Reck Roundhouse dc- signed by John Pavlick. The gigantic Carlson Pretzel factory, employing Rohanci, Recore, Uhrick, and Wunderlich as chief pretzel benders, is working ove1'time. The big building ac1'oss the park is For- rest College. Eleanor Damrow and Marjorie Benn are professors of astronomy. In the laboratories, Kieler and Komaro are perfecting an instrument to send messages to Melicent Nagle, who is spending her summer vacation on Mars. That place is Podunk, where the trains stop only when they are out of steam. The mayor, Charles Kortman, is holding a pep meeting. The

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The Last Will and Testament of We, the following, do will and bequeath as fol- lows: Arthur Riopelle to Richard Brunsch, my ever-empty gas tank in my Model-T Ford. Harold Cantor to Ernest Sale, my so-called perennial good nature. Mildred Holtz and Anne Sarkisian to Helen Schwede, our advice to love-sick boys. George Capen to Albin Obed, my cold and business-like manner. Margaret Schupiter to Lenore Van Loon, my ability to direct record group sings. Howard Jacoby to Mark Bruckner, my well-known Missouri hog-calling laugh. Catherine Irwin. and Anna Zline to Mad- eline Schleuss, our familiarity with one another. Duane Flynn to Joe Valentine, my Pillar of Society. Mildred Schroeder and Kathryn Black to Ivy Jones, a few locks of our curly hair. Grace Riviera and Christine Thomas, to Bessie Duty, our girlish plumpness. Frank Bolog to Roy Smith, my insatiable hunger for cakes and more cakes, Ruth Milatz and Frances Zager to Rose Szucs, our ability to probe into deep intellectual subjects, Edward Leidich to Earl Ridley, my cold potato-like attitude toward girls, Rose Wolfe and Marjorie Zambeck to Mae McGee, our operatic ability. Charles Harris to Stanley Harrison, the cloud of dizziness that has enveloped me since my arrival at Southwestern. Mary Vas and Ann Tudor. to Ruth Eagling, our keenness for blonde hair, broad shoulders, and blue eyes. Raymond Chene to Jack Ruhlman, my close resemblance to the old man of the mountain. Steve Wolf to George Steinberger, my well- cooked goose that I tried to sell to my classmates, it is the only one of its kind in existence. Viola Vargo and Helen Vargo to Bernadine Zelenske, our shyness to boys. Leonard Magilvy to Arthur Pelle- grinon, my long curly black locks as a rest from fiery red. Do1'othy Ohs and Theresa Frolich to Mar- garet Lada, our much-used beauty parlor kits. Peter Vasquez to Mario DePodesta, my ambition to be- come the president of Mexico, they are being shot too frequently to suit me. Helen Mahoney and Elizabeth King to Maude Cleveland, our droopy eye- lids that have helped us to win fair hearts. Joseph Ulrich to Arnold Stebbins, my far-away look that has kept me out of many an argument with the girls. Sylvia Hostik and Dorothy Urshel to Stella Chonko, our weak voices that we have during reci- tations. Max Reck to William Young, my retired- statesmanlike appearance, it has earned me many a good mark in Civics. Florence Cima and Viola Chioni to Sylvia Tauck, our big moments. Ed- ward Rohrman to Norman Wilkie, my long hair and dreamy looks, these have helped me to write poetry, both good and bad. Violet Kline and Violet Cook to Anna Debene, our ability to check senior girls' attendance. Steve Rohanci to Joseph Horvath, my much deceiving lamb-like appearance, that has won many an unsuspecting junior into my clutches. Violet Wilson and Helen Szabo to Helen Farkas, our milky white skin. James Scafuri to Norman Kep- Page Eighteen By JAMES MATY1 pen, my choice collection of alibis for not doing this and that. Bill Degner to Virgil Wilton, the respon- sibility of keeping up the senior dignity. Esther Benson and Julia Blum to Emma Kemp, our close companionship during record. Neal Dodson to Fred Burns, the granite set of my jaws. Suzanne Koren to Helen Horvath, my extreme shortness. Eugene Charland to Louis Salvaterra, my talkative nature. Michael Sullivan to Oscar Levy, my ability to fill in any time and anywhere, this requires all-round ability. Alda Liminsky to Margaret Pedery, my five- minute rest period during record. Steve Petho to Ralph Davidson, my ability to inspire girls to make advances. Irene Colley to Erma Bonis, my bum senior proofs. Louis Barolo to Bert McLaren, my ability to charm the infant department of South- western. Alice Kenedy to Lucille Ewing, my abil- ity to interest English teachers. Iver Ca1'Ison to Stanley Bonais, my watchful attitude toward the clock. Frances Mihelick to Julia Olas, my piping laugh. Laurence Altobell to James Horvath, my luck in getting away unharmed when I make this remark: It's guys like you fKadij that spoil this class. Charles Samu to Steve Bezek, my peculiar manner of gnashing my teeth when perplexed. Vir- ginia Sefarian to Anna Mazey, my attractive brown eyes that make teachers overlook my punk reci- tations. Vincent Kadi to Thomas Dickson, my swimming feet and white teeth. Stanley Boris to Albert Gid- dens, my high ranking position in the Swiss Navy, the pay is not money, but glory and fame. Clara Guerriero to Lucille Avery, my rosy cheeks and brown eyes. Harold Budnik to Steve Kish, my position as official janitor of the senior boys' locker room. Pasqualina Sorice and Suzanne Zorvan to Eolabelle Rodenburg, our quietness in study halls. Melville Durbon to Leo Haeflin, my ambassador-like bearing. Robert Hicks to Paul Kish, my secrets in wooing the fairer sex. Helen Nagy and Evelyn Salacy to Mary Hordeychik, our revised method of doing history units. Russell Honeycutt to Forrest Depew, my position as official bouncer of the Senior Class, traveling .:., i n c ognito. Emma Csircsu and Irene Mil-- ler to Gertrude Kowalski, our aid in prepar- ing for senior play. Helen Os- borne to Ida Swazlia,n, my 1111011131 xioioimiioioiuiuioi We, the departing seniors, upon due notice to evacuate on or be- fore June 17, 1931, knowing that the January class of 1932 will do their utmost in upholding the honor and dignity befitting South- western, do leave them our most dear possessions as a beacon to- ward which we have striven. and may we say-have attained. worn out roller skates. Vernon ' Hopkins to Carl Fiordelis, my boldness with girls. ucv, F011fxi:nininioioinizsioiaiiuioi Mary Miller and Anna Csonka to Kathryn Simon, our domesticated look. Goldie Hollos and Goldie Trimai, to Erma Sabo, our glittering name oi'