Southeastern Massachusetts University - Scrimshaw Yearbook (North Dartmouth, MA)

Text from Pages 1 - 214 of the 1976 volume:

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That actually had nothing to do with the decision, but far be it from us to destroy an illusion. tActually, we liked his limericksj Scionti is a warm, engaging, intelligent man who knows his stuff and communicates it effectively to his students. He spices his lectures with such commentary as How to get a good seat in a restaurant, The importance of learning Italian, How to meet members of the opposite sex, and visual sight gags. When the mood strikes him, he brings forth serious poetry from what seems a formidable stock he has committed to memory. tThe women, it seems, especially enjoy this. He could be perhaps considered a 'male-liberated' romantic. The womenls basketball team made him their mascotj His wide and varied interests and knowledge certainly qualify him as a modern Renaissance man of sorts. A Scionti class begins with a pronouncement of the current fates of the Boston Red Sox andlor Celtics, whichever happen to be playing at the time. One such, after the memorable sixth game between the Red Sox and the Reds Went as follows: I hope there's nobody in the room who was unfortunate enough not to see that game last night, because that was a classic ifl ever saw one. It was one of the best World Series games-or games ofany kind-I've ever seen in my life...and I've seen a lot of baseball. When you get to the eighth inning, and it's six to three like that, you just don't believe in miracles any more. The guy fDon Gullet-ed.l had complete control of the situation, Dwight--who he had just struck out--Evans, who had been hitting well in this series, he got Burleson on a short fly or something...I've forgotten already. And here comes Carbo, he's got two strikes on him, he fouls offa pitch--he got it by about an eighth of an inch-that pitch on the inside, and that previous pitch--he just barely got a piece of that-- and you've got the back view from behind the umpire, so it 's hard to tell exactly what the last pitch was, it looked like a straight fast ball, maybe a little under the waist, and towards the outside part of the plate possibly, I dunno, but he really slugged it. You could see that bat hit the ball, and it really came off there hard, and watch out to center field and there it is, a tie ball game. Itls like you read in fiction, right?You don't expect it. And then, in the ninth inning, when they had the bases loaded, nobody out, and here comes that short fly to left. Now, most of the time, I agree with Zimmer, the thing to do on that is take the risk most of the time, because it is a difficult throw. But, with nobody out in that situation, and a fly as short as that one, I think it was a mistake. He would probably acknowledge it himself afterwards. Another ten feet back, maybe. But with nobody out and Petrocelli on deck, a guy who usually gets enough wood on the ball to hit it someplace you want him to have a chance to get to bat. I was calm, I took it very calmly--I ate a little of my carpet, right in front of the telly, but it's all rightmchewed it a little, but my wife doesn't mind, the carpet's all torn up there anyway...and then, after the homer in the twelfth inning, I was doing the same thing Fisk was, except you know the old umpiring instinct took over...I'm down in front of the television like this fassumes an umpire-assessing-home-run stance-ed.l and Fisk--did you see the picture of him afterwards?Here he is, standing at home plate, doing this, you know, trying to get the English on the ball, to get it over there. He wasn't moving 'cause he knew he didn 't have to run, it was either going to be a foul ball or a home run. So he stood there and watched--waved at it, y'know. It hit the foul pole, inside. It was a sensational game. Scrimshaw: I think one of the things that impresses the students is that you really don't seem to be afraid to do anything up there. Scionti: Part of this job is being a ham. It really is. You have to enjoy showing off a little bit, to teach at all. People don 't have that kind of personality have trouble with this. Probably all their teaching career, they have to fight themselves as much as the material they're dealing with. Everybody's run into teachers like that who are shy in front of crowds and have a lot of trouble, and they 're really in the wrong business. They should be doing something maybe teacher-related. They should do a lot more research, maybe. And publish a lot, because a lot of the people who are very good as publishers and really contribute a lot that way, are really bad in front of a class. I 've had that experience a lot in my own career as a student. I've run into guys who are famous as scholars who just couldn't zeach their way out of a paper bag because they couldn't get in front of a class and confidently state what they thought and give an orderly kind of lecture. Scrimshaw: How have you been following the Celtics.? Scionti: Gee, since the founding of the league in 1946. I hate to admit that. In fact, it wasn't the NBA then, it was called the Basketball Association of America or something like that. The Celtics were a rather weak team in a rather weak league then. But, since then, things have changed a lot. I've had a season ticket since... I came back from the service in 1957... 1959 I guess. I like basketball. They used to have games when they 'd score 40 points 40-35 would be a normal score. I like the sport more than hockey. I don 't like hockey at all. I like football, but I don't go the games .... For one thing, it's a matter of practicality and money. If you're a season ticket holder for one sport, it costs you a bundle anyway. If you try and do it for more than one., not only the money, but then I'd be away from home too much. My wife would kill me. She'd be right. Scrimshaw: Anything particularly memorable happen to you these fen years here? Scionti: Often. When I got my degree, my PhD in '67, I had a class, a Freshman class, and they surprised me with a cake, and all kinds of stuff right in class. And, that kind of thing is valuable, because you know you're getting across when students will go to the trouble to do something like that because it doesn't frequently happen. Scrzmshaw: What is the biggest difference, in your opinion, between SMU and a larger college? Scionti: Well, we're a state school, which means that most of the kids have to work, at least part-time, to foot the bills. We don't get a rich student body, like the ivy-league schools, for instance, where kids have grown up in families who have already got a good deal of money, or have had college experience before. Whereas, a lot of our students are the children of immigrants, as I was myself so you can get into the same wavelength with students like this because if you've got the same kind of background yourself you understand them very well. Scrimshaw: Do you think the economics of our present situation here will sway the legislature from the logic of funding SMU equally but leaving it autonomous? Scionti: I hope not. Geez, who knows what those guys will do?I don't have a lot of faith. in the legislature. But, I think they should be smart enough to recognize that that's a bad idea ltotal state reorginizationl. I think we need an independent board of trustees, we need to have our own financial apparatus. In other words, they should give us the money, the way they have, and let us handle it, or let our people deal with it, and not control it from a central position. If they centralize too much, I think they 're going to stifle us. This part of the state 's been ignored, anyway, it seems to me, over the years... until this place came along, we didn 't have anything... We've been sort of the poor relations of the state for years. This school's really the hope of the area. I hope the legislature has enough sense to see that. elif . lfq W g PL -Q Y- --Y -- f -Y f ir The beginning of this academic year, September 1975, saw a nation of disspirited and cynical people. The rash of scandals following Watergate left us numb...new stories of corruption and incompetence among those in power broke almost daily. Worse, no major reforms followed. This bred a strong feeling of distrust of leadership, and, as it seemed to the general public that they were helpless to stem the tide, most Americans went about their daily tasks unconcerned with the ills of the nation insofar as they were not affected by them. This attitude could be seen most graphically on the college campuses. The image of students deeply involved with political and ecological concerns was washed away by waves of students meekly attending classes and caring little about the world outside the University except for the job market. Q These are broad generalizations, of course, but if one considers the national trend, they hold true.j Of course, at this time we are also experiencing a Bicentennial celebration of sorts, but its form remains nebulous, taking concrete form only in that it seems someone is always trying to sell us something. If our founding fathers could have.known how much garbage was going to be sold in their name, they would have kept their mouths shut and PAID their taxes. Come to think of it though, it isn't so unreasonable that everyone's out to make a fast buck on the Bicentennial. This country was built by tax evaders. gggwfs Jeff Faria editor-in-chief SMU Scrimshaw April 2, 1976 , M . , ,- VZQFW K n A ,,.,,,,- ,fl Q 2 fi I like it when they call only five hundred Ofhces, lady, '0h, you have more than one? and say, 'Give me the which 0ffiee?0r they say, 'Gimme 0ffice'. I feel like Saying, 'There's 2719 dean. 'What dean, Mcfam? Barbara Pontes, Telephone operator ima Maj You're exposing my feet to the world2.I was disillusioned when I came here. I think it's because it's such a new place... There's no tradition, no football team...The last time we all got together is when the kids were streaking, now that was a good night ...I feel really old...I look forward to leaving next year. getting an apartment...I liked the food freshman year, we used to really pig out. It's gone downhillmreally gross...you know the yearbook the year before last H9741 had interviews...Everyone was saying something bad' about the school...no school spirit...nobody says 'hi'...we're nerds...one good thing about living in the dorms is everything is at your jingertips... the school is right nearby... your meals are taken care of..no hassles with your parents... all you have to worry about are your dishes...she never does her dishes...I wish everybody had a phone in their room... Andrea Nixon Diane Skowiera Cathy Moore Dorm residents 1: ala! fn l ' W W. L c l 5 VA 'S'-' ln.: Above all, people mast listen intentlv to the life all around thern to achieve an initial glinzpse of the force that inust be comprehended to live properly. Inner and oater peace can only be achieved through patience and a strong but calrn perserverence in the path of tmthfitlness. To feel the blood flow and to know that now is then leads to a constructive state of inind and a clearer elevated consciousness. This caboose will be here and gone. Those who lzesitate are delayed but there is another along the line. Bill Bylund Ex-SMU Fine Arts major Dorene Donna I have nothing to say about her. We 're not speaking at the moment. Actually, we're very friendly. We've had our fights. We had a big fight first weekend I was here. She had someone over. I don't know who he was, but he was strange. I came puttering out, in my old pink bathrobe, to get a glass of water, and Donna started in about how I never go anywhere, how I never ask for the car. So I said, 'Well Sunday I 'm going to church. So Saturday night I reminded her and she said, 'Well, wake me up and I'll go with youf' Well, Sunday morning came and I tried to wake her up and I couldn't do it. So I wrote her a note and got in the car and started it up, sitting in the driveway, warming it, and I hear all these obscenities being yelled at 9:00 in the morning. Well, I was very upset. Nine o' clock on a Sunday morning, people yelling obscenities. So I looked to see where it was coming from and it was coming from Donna Clarke. Yelling obscenities at me. So Igot mad. Andljust left. Got out of her car and took off And I went for a walk around the block. Got lost. Found my way back, she was out, patrolling the streets of New Bedford looking for me. She had the main downstairs out looking for me. She had Alma, from the dorms out looking for me. She called my parents. She was at the bus station looking for me. She thought I had gone home. Now, do you think I would walk all the way to the bus station lyou KNOW I wonit thumb!?I thought that was rather silly. W e fought about her tupperware last year. I didn't feel too good, I was kind of ill, and she came out and she went on about somebody dirtied her Tupperware and didn 't clean it, and she was just so upset, So Isaid, 'Why don't you take your Tupperware and wash it out, and put it in your roomZ4nd when you want it, it'll be clean!'And she said, 'Oh, I don't wanna do that! Stupid. So I said, 'Well you know what you can do with your Tupperware! ' And she said, 'What? And I said, 'Well you can just do that with it.' And then she said something nasty as she was leaving the room so I took her Tupperware and threw it off the balcony. Then she came out and screamed at me, and I got a hammer andI was going to break her toes. And I chased her all through the dorm. And then she put toothpaste on my head. That was the whole fight. Tupperware. It's still here, you know, it's still dirty, 'cause I won 't wash it. I was in my bed, sleeping. And when I'm in my bed sleeping nobody wakes me up, 'cause I just sleep like a log. Well, you see, Donna came home and it was quite late at night and she got into bed and her bed is right by the window. And Donna was laying there, reading. And Donna hears this funny little noise by the window and she says to herselfI wonder what thatfunny little noise is - it must be a squirrel or a branch. But then she heard a grunt. Somebody was trying to open the window. Now, Donna Clarke, in all her brightness, came out of her room - didn't knock on the door and try and get me up - came OUT HERE, didn 't get on the phone and call the police, went in the bathroom and got a can of deodorant and got back in bed, poised for action. She stayed there all night. Don- na was studying for an Anatomy di Physiology exam on blood. Cardiovascular. So I was here quizzing her. And, she couldn't remember the difference between lymphicides and lucacides. Because they sound like the same thing, and they're really the same thing. But there's a little distinction. So she went to bed. And I was sleeping. And I woke up. I had the feeling there was someone in the room. Well, I checked. And it was dark. So I Hgured nobody could be in here. So I rolled over to face the wall. And I heard this voice saying, 'Bodio!...Bodio!... , Now, last summer I went to church and this woman gave me this prayer book that had all these strange prayers in it. And one of the prayers said if you say this prayer every single day two weeks before you die God will come and tell you you're going to die so you can do whatever you have to do. You know, buy a plot, get a coffin, stufflike that, pick out the dress you 're going to be buried in. So I hear this voice saying, 'Bodio!... ' and I thought it was God coming to get me and take me away. Well, I thought I wanted to see who he was, so I turned the light on and there was Donna Clarke, standing there, and she said, 'What's a lymphicite?And I said, Yluuh? and she said, 'Oh, thank youf' and she just walked out and shut the door and went back to bed. Dorene Bodio Presently Junior Med-Tech major J-V Sometimes, people maybe because I'm a foreigner...I'm not talking about everybodymtry to take advantage of me, taking for granted that I don 't know what's going on. What impresses me most is the freedom here I at SM Ul...I can get all I kinds of! help from professors...books from the library...I can get the best education in the world if 1 want to .... I 'm going to have a bicentennial kid, too ...I the babyl will be born in August, or maybe July... ' Yurek Kepinski SMU tennis coach, also Ted Williams' camp pro 1 1 w Y l ff l ll ! h V I 1 i l Q E 1 al 'V i ll ll l , , I eat a lot of my own hot dogs, but I eat alot ofother people 's hot dogs. I need that constant reassurance that mine are better than theirs... - I think I'nz going to go back to school. But not around here. Gerald Kirk, The Hot-Dog Man M J... ,gg 5 Q W i I 1 V I L N W 3 w i 1 3 1 lon theatre people! They 're just people. Instead of going to work in an office, they happen to go to work in a theatre. It's terribly cliqueish and in-bred, it 's that, but I don 't think the people in tlze theatre consider it a very special thing. Workers in the theatre are just workers. One of the remarkable things about theatre parlance is that actors, or anyone in the theatre refer to everything that goes on in the theatre as 'worki For instance, 'Look, go away, young lady, I've got plenty of girls who can do the 'work'.' Or, 'Look, have you got any 'work' coming up next season? They refer to everything as 'work '. The outside world thinks of it in terms of art, illusion, gIamor...the props 'work'. 'Does this glass 'work' in the second act? It's not a snobbish world and people like to put that label on it...That's why I get annoyed with the kids backstage when they give me any crap about their 'art'. Or when they come backstage for nasal sprays or cough medicine or throat sprays...give me a break, huh, kid.?.0r they give you the temperament...'0h, I can't play tonight, I'm not feeling it...' -Get out of my life, willyaR..'I'm not feeling it'...what's that got to do with it ?Get out and do it! How would you like to believe that everyones out there feeling it2fust go do it well because you have to do it. That's a very British point of view, by the way. The British theatre is healthy today because tlze British have a very healthy respect for tlze work-a-day of theatre. They respect it as a 'work' thing. And they don't mix it up with actors' studios and scratching your anus. Someone asked Noel Coward once, Mr, Coward, what is my motivation in this scene? He said, 'Thursday ' Which is payday. Right now, you get a feeling that no one cares. It's very frustrating. It 's a feeling you get that no one in the administration is paying much attention. I want to quit, you know. Every six months. They really don't give me all that much money. They really don't. This is my fifth year and never a penny 's rise - Do you understand?Not a penny. And you feel like you're going in for no good reason. No one pressures you, essentially no one ever bitches or complains to me - I give them nothing to complain about. However you get this feeling you 're just rattling around there. That's not a good feeling. I think we 're headed into some rather gloomy times. The quality of life is deteriorating. I can remember when the United States was king shit - and that's what it was, you did not debate that. You lived that way, and you felt that way, and other people saw it that way, but the world changes. I think there are just too many people. There are how many Chinese sitting over there?Frigh tening number. There 's not enough food, not enough energy, tlze environments being screwed up beyond repair. I remember you could drive from Fall River to New Bedford, and essentially you were driving alonga wooded road. It is now a mishmash of garbage. Route Six. Just a mess. Your're going to have a lovely macadam world to live in by the time you 're sixty. Enjoy it in good health. I'd like to change it, but I don 't know how. Tom Higgins Auditorium director Formerjourneyman Broadway 'gripl one time editor SMU scrimshaw . il JI ,, 3 ' gs-Q .gm T J if 1? if ff -4 .- 533. 4. gg. ffshii R' gf si, ' ' .A M ff . . , 9,5 A , .ff g ' . 4, 153. c . .. . ' sqm, N S' I feel very contemplative right now so I can 't get very angry... but I still havethesame thoughts under any circumstance. Involved as I was, I never came face to face with what I always knew existed. The apathy and total unorganization which runs this school, and more importantly, every other underlying system which tends to support our way of life. The word 'apathy' is a nasty word to many people. It implies a laziness and boredom with their environment. So... they don 't use it and even worse, they reject and deny its existence. Over the past year I contributed to the Thea- ter Company, the Women 's Center, tlze Student Senate and its com- mittees, a couple of student litera- ture magazines ISMUT and TEM- PERL and several agencies offcam- pus, to mention a few. In just about all these organizations I came up against snobbery, egocentrism, red tape, frustrations unbounded, a lack of responsibility and commit- ment from the average student and total chaos! It's really,,,uhm... terrible. And exhausting. Fighting this within the organization is bad enough, but to have to fight the people who aren't involved and don 't want to be involved and then bitch about not getting the full extent of what they 're paying for is...RIDICULOUS. It 's irrational. Il- logical. Overemotional. Mary Hart- man. But I know all this .... So I go home and talk to my cat...we call him monster and kitty.. and my mouse Rudy. Then I feel better. That's why I love them. They're not like anybody else. Pat Manning , 'mx When I was a kid I played hockey all the time while everyone else played basketball. The other kids all though I was crazy ...hockey is just a part of the whole academic thing. I 'm not Don Cherry, my players aren 't Bobby Orr... We 're here to have fun. Joe Prenda SMU hockey coach dorm heard it, all day and all night long. He just played it. Constantly. They were crazy people. They were very unique crazy people, though. There was the Birdwoman, she had a lizard, a tree toad, a cockatoo...She wanted to bring her boa constrictor. Now get this, her roommate hated anything that wasn't human. She hated bugs, she hated animals, she just coulan't stand them. And one day the Bird Lady left for the weekend and she asked Laurie to feed her toad. She was supposed to feed it live flies. It was really cute. I think -Shefinally got Somebody else to do it for her,though. Then they lost the toad. The toad went and hibernated, he came back again eventually. At the same time she loved all these lizards and stuff she was deathly afraid of furry animals. Caterpillars, y'know? Just freak her right out. In the same hallway, it was in my suite, we had a rabbit, a cat, and two gerbils. One of the girls in my suite, the first thing she did when they got tlze rabbit was crochet it a little jacket. They had a leaslz for it, tlzey took the rabbit for walks, they'd get the rabbit high...they had the two gerbils, one of them croaked. This place makes me laugh. 1t's...crazy. I can 't wait to get out of here. I won 't have to eat this food anymore, I won 't have to look at all these... crazy people, won 't have to go through all the stupid fre alarms... What's really sad, though, is out there in tlze world, there 's just as many creeps and crazy people. Joan Blue Resident Advisor, Yellow House Visual Design major What did I learn ? Well... I was more involved in I guess what tlzey consider extra-curricular activitiesmbeing involved in all this bullshit up here, these newspaper jackasses...I just saw more of the university from the flipside, which made it all the more pointless...see these flaming morons running around here, trying to run the place...So I think I learned more from tlzat side of it on what happens outside than people who just go to class and go home. They're just learning what the university is teaching tlzem, they 're not really making use of the university to learn about real life. . . screwups. What do you do witlz it fan Art History degreel? Well, what you should do witlz it is get ajob in Art History. You should go on and get your Masters or P. H. D., or whatever...And then you can teach. You know, the age-old solution: What do I do now? Well, I know, I'll teach! Except there are no teaching jobs. And, Iguess, if! had the interest and motivation I'd hunt out a position where I could combine my photography with the art history that 1've learned. Those are pretty rare, too. It's a rare job, you really have to kind of stumble across it. You can search and search forever and all of a sudden you run into some guy and he 'll say, Oh, yeah? Igot a job for you! But then that's part of the problem with the urziversity, it doesn't get you ready for any of that stuff They don 't tell you they're going to throw away your resumee, when you go for a job. They don 't tell you these things. You 're lucky if they even mention the word 'resumee' in class. In courses I had, there was no orientation toward the fact thatwhen you graduated, you were going to have to find a job. They just kind of avoided the whole subject. It was too difhcult, y'know? What are you going to tell them? Some guy,whos studying for four years to be a whatever, and he gets out there and he's going to find no job. Ifyou tell him halfway through, Oh, you're not going to Und a job! Kid's going to say, Well, fuck it, I'm not going to waste my time doing this bullshit, I'll go to Mechanic School or something! And then where will all the English teachers be? All the psychology professors? They'll have no one to teach. They 'll be out of worfi So they keep the myth going. 1 would say my time here was well spent, in spite of the university. I learned the things I learned here in spite of what tlzey were trying to do. Actually Iguess that's the way you should do it. A college education is a very strange thing. You come to it in a position where you're getting a product and you 're not even in a real informed position to know whether you're getting a good product or not. You pick a college, you go by hearsay, reputation that you read in some,..whatever. You have to make a sizeable financial committment to the school before you find out what it's like. Ifyou go here it costs you a couple hundred bucks-three hundred, whatever it is now-you go somewhere like B. U. It costs you thousands of dollars, and then you find out, Shit, this place is no good! What do you do? There 's no money-back guarantee. You know? There's no refund policy. They don't give you back a year and say, Well, we 're sorry you didn 't like it! That's it, you've lost a year, you've lost money, you've lost the whole thing, but you just have to hope the place is going to be right. And even once you get in there you may not be able to evaluate. They don't teach people to evaluate their education. People seem to be conditioned to accept what is poured out on them. Come to be educated, we're going to teach you! It's not like any other kind of consumer product, where the customer is always right. The university is always right. You 're paying them, and they 're telling you what to do. It seems crazy. You know, I liked my arrangement here much better. They paid me. That was more like it. Mark Mattos Photo Editor SMU Yearbook, SMU Torch Photographer for SMU Theatre Co. and occasionally other campus organizations Art History major W w lReply to question: What did you get from SM U?l I got run down and got every disease in tlze book now, because 1'm so weak and malnutricious lsicl from running around like a turkey for five years. No, 1 don 't know... What did I learn from SMU...1 think my department lBusiness! is all right... as sonze of them go .,.. some of the departments over tlzere are for tlze birds... lot of gulls go to class. I think tlze Business Department lzas some really good people tl1ere...I don 't know... You can learn so much nzore in otlzer ways...1've always been tlze kind of person who learned not so nzuch from the book, in tlze classroom, but from experiences, and I think that's one tlzing tlze business faculty lzas... They don 't just teaclz you from the book, but you learn from their experiences...Their personal experiences from their job, and everything...That's why I thouglzt tlzey were good faculty...Tlzey gave you a lot of tlzeir own background...And you learn a lot from it, because it's like an informal way of learning .... A lot of tlzat is due to tlze fact tlzat many of tlzem were part-time faculty tlzat worked on other jobs and then came and taught courses, so you got everything right off tlze fire...Since my major was nzanagement, I think 1 learned a lot nzore in nzanagement in other areas .... Otlzer places... And most of tlzat was in tlze campus center building...tlzeatre...because most people, a lot of them go through tlze courses and out...but then missed a lot...because they didn 't have tlze practice...A lot of places don 't, a lot of schools, you can 't get it. SMUyou could get it, 1 think, you could work on it, because it's so young, that there 's a clzance to work. SMU is young, tlze organizations at SMU were young, small, just starting, so tlzer was a chance to just go riglzt in, and build. If anyone wanted to start a club, or anytlzing...you could start it. Thats where a lot of people missed tlze boat. Tlzey should lzave gotten nzore involved...of course,, SMU was a commuter school, so a lot of people just went from lzonze to school and back and then to work and tlzat was it, whiclz was a shame. Of course, that's changing now...but at tlzat time, there were so many possibilities with tlze Torclz and tlze theatre and all those groups...concert series...they missed a lot if they didn't get involved, I think...Now, I'm not saying tlzat each of these organizations always were developed to tlze best tlzat they could lsicl by any means...nzaybe they could have been developed a lot better by more people who were willing to work...but at least it was sometlzing to strive for, somewhere to go-and you could learn about so many different tlzings...wlzen I was in the newspaper I didn't know anything about it. Of course I started by writing articles, but I can't write at all... they were just in fun. Then Igot into tlze rest of it, 1 got into tlze graphics part which I didn 't know anything about... when 1 was in lzigh school I did some work on tlze year-book...Layed out in the year-book...that was nothing...so I learned it all there, not tlzat I know a hell of a lot but I understand it, and 1 know what can be done...say later on I have a restaurant and I want to make menus or something for example I know the things that can be done...Maybe I can 't do them, but I know tlzat I can have someone else do them and I know what 1 want and 1 know how they can go about doing tlzat and I can say well, you can do this, you can do that, and so forthwofcourse, my jun was in the management-type end of it, organizing it, getting things rolling...it was a lot of fun. And, of course, you work with so many different kinds ofpeople, tlzat you learn a lotfrom tlzem. And, most of tlze people involved in these groups were people from out of this area. Ifyou think about it, people in The Torch, when 1 was in The Torch, canze from someplace else to SMU. It was true with tlze theater. Even tlzough there were more people at SMU from this area, it was tlze people from out of tlze area who got involved in these things. They did these tlzings, 1 guess , since they were torn away from home, they didn't have tlzat to go back to, to fall into, to be comfortable in. And I guess, since they were torn away from that, they could really get involved, it became a part of their life that was missing. Friends, a group of friends where everyone was working towards tlze same...It was like a family, you know? A family they didn 't have lzere. This was true of tlze theatre, too. 1 know its touglz for tlze people around here who have to work, and everything, but...it nzight be good for them if tlzey could nzove into tlze dorms or something...just to get tlzat kind of opportunity that would allow them to go into those kinds of tlzings. lWhen asked if he would have become a 'hippie' if he had started school a few years earlier! I don't know. That's a good question. I've never been 'wild' in tlze lzippie sense-1've always been extravagant for sure. I don 't know , everyone was so riled up in tlze Driscoll era, where Driscoll Hills! go, and everything...maybe 1 would have gotten into it, but 1've never been tlze kind of person tlzat would work at sonzetlzing like that. 1 know it nzight have been a good thing to do, to get all against Driscoll, and get him out, and clzange things, but l've always worked in a nzore constructive-well, I know constructive isn't quite tlze word, but- you know, a more physical sense of seeing something happen, developing something, building something, some kind of organization-you know, working along tlzose lines. Something more tangible, you can see...maybe I would've, I don 't know...but I just got tlze end of it, as it was, and a lot of people lafterl this had been over, a lot of those active-type people, restless people, were sort of looking for other ways to go, other directions to go, now tlzat tlzis was over with. Some people never found tlzem, many still at SMU, and will never find them, because tlzose ronzantic days are gone for them. But, a lot of otlzer people did, and that's where this constructive push to build tlzese organizations and to build up tlze Campus Center, that's where I tlzink a lot of these people came from, tlzat started this big push, nzore or less...and get tlzat place developed and running right. However it is, right now... Now, 1 think, it's clzanged. At first it was, as welsicl said, tlze more activist type with Vietnam, and tlze demonstrations and tlze strikes, and Driscoll and everything out and then tlzat era ended, and then we went into an era, a time where students were more concerned about building these groups, formulating these organizatiorzs, a pushing them and doing... there were a lot of conscientious people. For a good while there... and now, it's changed again, now! think that it is over with, and the people that are Ufjlllffig in now are more...I don 't know if they really care or not...more apathetic lin! attitude...tlzey came in, the organizations were there, they were running fairly... you know, good .... so they just fit right in. And I think it meant, at that time...if they wanted to develop these forganizationsl any more, it was going to be a lot of work, because they were at a level that was-okay...I think it's just go in, do, plan, and get out. I don't tlzink the devotion is there. I don 't see people getting gung- ho over these tlzings, staying up hour after hour, night after night, working... maybe it'll change, I don't know...but I think it's a whole attitude, I don't think you can pinpoint it...I think it's across the country...I think if you went to look at another university, look at another student organization structure, you 'dfind the same thing...and I think if you talked to students who went through at our time who have graduated and who could still look back into the universities that they would probably have the same ideas that we do about it... I think so. I don't think it's just SMU. I you never lived like other college students?j No. lWhy?I I was crazy, that's why. I do think in this locale, in this area here, I have been unique. I don't think there are that many other people that sort of went through this...When I came here, of course, there wasn't much, actually, it was small. I don 't remember how many students there were, maybe three thousand. I think the size has almost doubled now...T here were no dorms...T he dorms were supposed to open the next Fall I after I came herej. So I came down and looked around for apartments and so forth and so on... they had a housing list...so Ifound a place, I moved out to Fischer Road... If you became friendly with anyone from SMU when you were a Freshmanmfrom out of the area like I was...It would again be people from out of the area... I can never remember meeting students or friends or anyone...who lived with their family here...It just never happened. Somehow those people gravitated together. It's amazing, when you think about it. These were the people you'd find in the clubs, again, too...I don't know which was first, probably you met them in the clubs...but then again, there they were, where the other people weren't. I lived there lon Fischer Road! for two years. It was a nice place out there... it had everything, we were out in the woods, there...I guess that's what started me off starting in a place like that. , We had the whole house...complete kitchen, dishwashermit was great. Of course, when they sold that house I had to find a place to go, and I 1001595 fOr quite a while- and it was really tough to find something comparable to that- but that's when we moved into the palace. On Shirley Street. That was a jirst, too, 'cause at that time Rockdale West wasn't open, and lShawrnut Manor! was just starting to open. And we were the first students to move in there, so... we were the first students to move into that kind of a life... luxury apartment type situationmlater on, other students started to move in, either there or Rockdale or somewhere else like that...that was a beautiful place...It was when we first moved there, anyway...that was different, because people weren 't used to that...most students...they didn 't care, really. I don't know why they didn 't care. Ijust don't like living in a dump. It wasn't really very expensive, with four people you could make ends meet very nicely, and live in a nice place. And I can remember, when Ifirst came here we used to buy food- and this was five years ago- you say, 'five years, it really isn't that long ago, five years...we could buy food, back then, that Ijust couldn't imagine nowadays. Because I used to go shopping, and I would be able to buy, oh ,... we used to have a different meat every night. Pork chops, chicken the next night, a roast the next night, fresh fish...you know...every night, six, seven days a week, we'd have a meat main meal...I used to buy six pounds of hamburg- justfor snacks-and everyone would just make hamburgs and it was like eating potato chips, know what I mean?- and it was like sixty cents a pound, one of the best hamburgs we got, we used to buy it at Norman's Meat Market up in the North End...I used to get all my meat up there...whatever it was, sixty, sixty-eight cents a pound, I mean, that's nothing!...and it was fabulous meat...really was, top meat...and you could eat all you wanted to!... and I think we used to spend- there were six of us in the beginning- like thirty-five dollars a week, or forty dollars a week...and you could eat all you wanted to, non-stop-eat for a week on thirty-five dollars for six people... and it's amazing when you think back only five years ago. Now you can't even buy a cracker...and you 'll starve...but it was much different. I don 't know, maybe more students now have to go to the dorms...I don't know. When the dorms first opened it was a lot cheaper to go out and live in an apartment...the costs are getting closer and closer now. So, as I was saying, then we moved to the Palace, and it still tfoodl wasn't that bad, I used to buy it wholesale...that was a nice place, and I can remember when we went to Colorado. That was something, too... We just left. That was, uh...I don 't know, three years ago...and of course now that would be an expensive thing to do, I mean, you'd have to think about it a little bit more than we did... we just went...I think we each took a hundred dollars... we had a great time... you know what I mean?... 'cause the gas wasn't that high back then. We used to do a lot more traveling back a few years ago. When I was here, I used to travel all over the place, New York, used to go to New York a lot...Stet and I often used to go to Atlantic City, Pennsylvania, and then of course when we went to Colorado we just left... You know?- I said we were going to go,visit Scott...we just about got in the car, and drove away! You know? -for a week...week and a half ten days... but now, you have to think about that, you have to say, well it's going to cost me this much, cost me that much...so forth, so on...but that was part of tlzat wlzole atnzosplzere. You were freer to do wlzat you wanted to... because tlze economic conditions weren't half so bad...you know? Now, you 've got to think if you 're going to go to tlze store to buy a loaf of bread, and you 've got to decide if you 've got enough money. Before, it was nothing, It really was...and of course even though wages lzave supposedly gone up, too, along with tlze prices, it hasn't gone up..,they,re not comparable. Theylre not. 1 nzean, it was much easier to do things before, Now it's tight... That life was good, and of course, as I was saying, we were in tlze Palace, we were tlzere two years, and I can rentember as I said we went to Colorado... Paul lGraham! canze over one time with Sue Powers to feed tlze fish, you know? -and he walked in tlzere, and he said, My God'...Sue was telling me... 'Students live here?' He just couldn't believe it. Of course, we didn 't think it was that, you know, wild..,but, if you think about it , lookirzg at it through someone else 's eyes, because lze lzad lived down on Dean Street in an apartment tlzat was down by tlze Rug Rat City, and he just couldn't believe it, y 'know? Then it started to spread, kind of, 'Well, maybe...that's not a bad arrangement, really nice,' and so forth and so on...and people started to do nzore things like tlzat. 1 tlzink it was a bad tinze, because things were getting more expensive. After two years there, it was time to nzove again. So, uh, we ended up lzere. I always wanted another house after Fisclzer Road, because having your own house is just, you know, tlze nicest tlzing. So we looked, and we looked for months, and months...well we found tlzis place. 1 didn 't want to movefor montlzs, and months...well we found this place. I didn 't want to move in here, at first. We came, and we looked at it, and it was really a dump. We had looked at so many beautiful places tlzat were really out of tlze question, tlzey were jllSf so big We looked at one place on Mount Pleasant St. T lzat was gorgeous, It lzad this beautiful mahogany staircase that canze down, and splitmbeautiful beams and stained-glass windows and fireplaces everywhere... a real mansion, y'know. Oh, we wanted tlzat place so bad, but of course, it's a good thing we didn 't get it because we never would lzave been able to afford to stay. So, Paul actually talked me into this place, he did... 'cause it was so bad, such a nzess in here, Ijust didn't want to even nzove into it. But tlzen, we realized it was really kind of wlzat we wanted because we could do wlzat we wanted to witlz it, and so, we spent a month, a wlzole nzonth, in here, to make it like it is, and now people still come in, in amazement...It's really interesting to see, because we forget-we do, we easily forget-tlze way we live. You know, you get accustomed to living certain ways and you forget, you know, wlzat you have, y'know. And when people came in the otlzer night, just from tlze party, y'know, tlzere was one girl ther who just couldn't believe it. And tlzat makes you realize more tlzat you really lzave more than most people. 1've always been extravagant in tlzat way, and I've moved so much furniture and so many things down here now, over tlze course of tlze years, five years, I've just...1've accumulated so much stuff Moving now is going to be really something. I canze down here witlz nothing, practically, and now 1'm going back witlz truckloads. I don 't lzave time to waste, now. Things are becoming much faster-paced, 1 think. You can lt take tlze tinze you could before, leisurely...you can 't do this, or do that...Now it's... time and money are so inzportant, rzow, because money is so tight, y 'know, tlzat you just can 't afford to take tlzese little detours and do tlzese things as much now. You lzave tomunless you ,re financed by somebodymparents, or sonzeone else...but, I tlzink that's tlze case, too, you've got to get in tlzere, and do tlze work, and just get out. I don 't think we 're going to be finding as many long-time sclzool veterans like we lzave at SMU, people tlzat are there five, six and seven years...I don lt tlzink you 're going to see too many more of those kind of people. Simply because of econonzics, you cart 't afford it anymore. I don lt see tlzat nzany new ones, at SMU. You know? Itls still tlze same old bunch, hanging in there...but 1 tlzink when those people leave, I don 't think you 're going to find so many long-term people tlzat just hang around the university for the, ulz, university life, and security, and all tlzat. 1 don 't think people can afford it anymore. Because you can't live tlzat cheaply anymore. So that's it, you lzave to get down to business. 1t's unfortunate in some ways, because you can learn so much... fronz these tlzings. You don 't get an opportunity to have so nzany tlzings around you and just say, 'Well, 1'm going to try this, and learn about this, and work on this...' There's not many opportunities like tlzat, except in a university. There 's a lot of things I'll never forget, because I did so nzany bizarre things at SM U. l t was all tied up witlz tlzese people wlzo would kind of 'lock-in' to a certain goal and would all work...those people were around...Everyone in the tlzeatre working towards a certain tlzing. Wlzen we first started in theatre...Sue Powers was president of the theatre company...we tried to do tlze Decenzber show, 'No Place to be Somebody ', and we couldn't cast it, and all tlzat lzappened, then Marat-Sade, tlzen we tried to do Marat-Sade in five weeks. And everyone just sorta rrrrmmmmmmmnzmmnim! I mean, everyone just sorta seemed to be tlzere, People were tlzere, tlze goal was there...I mean everything was tlzere, all the factors tlzat could get people togetlzer to work and push were tlzere. And that's what happened, it just happened. And 1 cart never forget tlzat People were just goirzg wild, working niglzt and day on Marat-Sade', just get tlzat show on tlze road, rehearsals, rehearsals, day after day after day. And that really started tlzings nzoving. That show went so well, and it was suclz a tough show ,.., We moved to 'Two Gentlemen of Verona, and we decided... 'Well, let's put up a sign '-we got tlzat tarp. 1'll never forget as long as we live...See, we were supposed to go back to Denver, in the spring that we did 'T wo Gentlemen of Veronaf We had a Winnebago rented, and we lzad everytlzing set to go... 'Two Gentlemen' was coming up, and we were now getting entrenched over there... you know...ana', uh, we didnt So, since we didn 't go, 1 Said, 'Well tf we can 't go, were going to make this fun, were going to tin what we want,' -it was vacation wcekeand going to have a lot of fun! So I had f..':'Jefret3 rlzat.,.crack...Paul was saying, 'You krttifw. cztzglit to put a sign up on the building sfgftnettting, ' and I said, 'You know, I was thinking about that we ought to put a big sign up theref so Paul says. 'Well why don 't we put up a...well, how big? Maybe get one like five by ten feet or something like that! I said, 'No, we're not thinking of that, 1 says look, there 's a lot of room up there, let 's make it like, Oh, I don't know...fifty by twenty- five feet! And Richard just... 'Fifty by twenty-five feet You're crazy! Fifty by twenty-five-Do you know how big that is? That's as big as a stage! ' I said, 'Yes, Yes! The bigger the better! We 'll cover the whole side of building I said. 'Yes, yes! The bigger the better! We'll cover the whole side of the building!' And of course, I was always great for coming up with ideas like that. You know. Most of the time people go blah-blah-blah. But U' the right people are there, then they 'll go with me. You know? And will go through it- you know what 1 mean? 'cause I won 't...1f there's other people around, that'll go along with it, then I'm not going to back out!I'm all set, to go! y'know!? So Richard said well you can 't make that! So well all right forty by twenty-j7ve feet. So Richard said noooo! Everybody started laughing. Laughing, laughing said'That's just gigantic! ' I said, 'That's right the whole building with lights and everything' So everyone got excited, y'know, yes, yes, so Paul went down and ordered it. We got it back and oh, we put it on the stage and Tom, Tom Higgins was there and we opened it up and it filled the whole stage. The whole stage. It was great. He's...you 'llnever get that up, you'll never get that up, cut it in haljf cut it in half that's the biggest sign in the world you 'll never make it! So anyway, we put the thing down and we started with it. That was the first tarp we ever put up. And uh, it took us a while to paint it, all night long we worked on that thing of course we didn 't know that much about it but we found out how to do it. We gridded it out and...those kind ofpeople were there. You know? Let's figure this out, you know? They were interested, and, you know, it wasn't just a- Aaaah, Richard gridded it ou t, in proportions and we cut out cardboard, and cut letters 3-foot letters and...painted that thing all night long. Then we put it up. So well, let's put it up. 'Cause that's when we were supposed to go as 1 said to Colorado. So we were all upset 'cause we couldn't go so we were going to make the best of this. So we hoisted that thing up from the grid all the way from the stage flaws up tlarouglz the grid up to the...the roof there... and lashed that thing up with steel cable and that was at 6 o'clock in the morning and we were on top of that building and oh, it was cold out- this was in May-it was in May, and uh, the sun was just coming up. Gfz, it was beautiful. Not a cloud in the sky and the sun was just coming up lover! the horizon...We were all on top of that buildingmwe let that sign down little by little...Barbara was there, down the bottom, and...we couldn't wait... We lashed the thing on- there, ran downstairs...I remember saying, 'No one goes out! Everyone waits down that door! No one gets to look first! ' No one could get ahead. I said, 'Everyone' We were going out there together. We didn 't want anyone to get out there first and see it, y'know? We all went down and waited at the door until everyone was down off the roof and everything and we just ran out the campus road there and we just laughed. We were in hysterics. We saw that thing up there and you couldn't imagine. We laughed and we laughed so hard we were crying. We were just so... you can't imagine. We were in tears! We were so happy that thing was up there. It was just beautiful. It was... what an experience at seven o'clock in the morning. We were in tears. We were so happy that we actually did it. You know, 'cause everyone was sayin 'You 'll never do it, you'll never do it...' And, of course that made us... drove us...Richard, of course, when you tell Richard he can 't do something, it pushes him more and more and more...I'll never forget that. We were in tears. We were so happy we were crying. I'll never forget that. Peter Cantone former Managing Editor, TORCH former President, Theatre Company former chef, P.J. Ke1ley's former Business Major, SMU presently attending graduate school, Hotel Management at UMass just a slab of concrete between two disgusting cities. Bob Parsons Concert Series 06 1 ...Q I ff i . V- , Q , . : ., 1 .4 Qu: ,1 . Z .Y , if Mrk, ...fl if ,Z',f,x'f ' ' Fl, Qi, 'f ,, ' L 2 wg, f ' V 1 , .' Y -ff? f: 54,135 '4 'Bf.Y ' ' 'Zi ,,, , '1 X' p w : ,ww ,I H U V 1 .,.: .,-5, ? . I ., ,.,. . 1 ., Y Q x W f ff :,w:4-4r1f, - 'ITS1 ' ' Y x W. . nf , . mv. , J. , 4 rr 1. Y 'X N I , . Q 15 V - ,. x ,M xr - A A , -. , Q ,. 4- A M ' W ' ' s , V . 7 ,. -- 1' . w.. J ..i.5hn 'Z ' ' . ' - 34, v A 1 I N N , w , 1 , lx Ie !l f , 1. n 'WK Q, ,, 4. ,1 ,Q M 'x xl College can 't offer you a job right now... tlze only one who can offer you a job is your godfatherma talented uncle or somethingmlthe theater! has given me a place to go to work. It's given me sometlzing to do with my life. Sometlzing to care about, because I care about it...sometlzing to work in a positive direction, to go after something, to keep producing...It's entertaining at times, even. It's given me a name, I tlzink. People...in old days would say, '0h, that's Gary Hartwell, he's a farmer.' 'He's the meat cutter' In tlzese modern times, wlzen we look for identity, we go beyond, but it's nice to lzave a standard one, too...'stage manager', I like. I like to be in a managerial position... It is a good feeling to be 'the boss' of something, anything. This chair... It is, it's a very good feeling, a very rewarding experience sometimes, to be able to say, 'This is how we're going to remedy tlzis situation, carry it out like tlzis, tlzis is tlze manouever I want you to do,' and they do it, and Bang it works, man... It feels really good. I've felt better about nzyself in the past few years, lalthoughl it really doesn't have anything to do with the theater, but 1 do feel better about myself than I used to. When I was a freslzman here -well, all through high school, anyway- I began to get the feeling tlzat I really wasnlt very smart, I was kind of dumb...slow, lazy, a bum, you rat, you dirty rat, you know?... Then I worked in a bank for a while and I knew this person who was a TA .... therapist... He was a good friend of mine for a long time through higlz sclzool and stuff and anyway he was a minister and started getting involved in T .A. and he finally got some kind of degree, I don 't know what you get...anyway...we used to just talk about it all the time, so we started to use ourselves as examples of lzow to practice this TA. business, and I learned an awful lot, and I soon became a lot more positive towards myself I started getting a better image of myself.. Ifeel now thatI'm just as smart as anyone...I 'm just as capable as most people, too... Some people can do things that other people can 't do, but in general I 'rn just as capable of becoming some rich superman as anyone is... As a matter offact, sometimes Ifeel that I am going to become somebody great, and I think that that is the only way to look at life right now...don't bother with hfteen thousand dollars a year...go for a million, because it 's just as realistic... Don 't bother to be a peon, don't bother to become a middle-class American, you may as well just become a tycoon... I don 't know lzow I'm going to do it, I don't actually have any kind of battle plans... 1 have a feeling that it's just' going to happen to me... My real goal in life is to, uh, figure out to a certain extent wlzat the fuck I'm doing here. And to die, peacefully. Gary Hartwell Fine Arts major, head carpenter, Theatre Company F e 5 4 5 2 f 1 I E 3 5 5 E 3 3 Warm! 371531 VI?3.I5Eh il 5 Ei 1 Deborah Discount Mark Laughlin Ellen Winkler IV'- fs LE walks Key? -EY gs ln' . 61' . 45- A X, f-9 mia ifr ff Y fw 1? Zh 56 fi fm afoylzff f I ees 7 f Ziff!! my 1 Gary R. Alaownis Susan A. Albert Carol A. Albrecht Teresa R. Alfano Magnus Aadland Peter J. Abren Dennis P. Adams Hannes Alholm David J. Almeida Michael J. Almeida Cheryl Amaral David M.C.F. Amaral Kenneth B. Anderson Marjorie E. Anderson Gary Anderson Audrey B. Andrews vs Michele E. Almeida Barbara A. Alves George Angelo Stephen J. Ansay 4? 'F R V h x 5 B 4 1, W' - x. s if in . . '?',-'fl , . it , K If X Xxx W gl iff? , 9 , M 5 i. d 4 i -dig, - ,Q nl! nfs . .:- :fr 1 Auf: N ' FHQJV5 74 Jin: 1 Q. gl ll ,. i i l l r . ...,. 645 x 3 si ik 1 x., N. Air -V lx l l l I l iz l 5 f il 4+ ,l HIL . XX 54243 -1:15-glcff ' .3 , ,Q , ,ji Q .Q . 443 F x- - .' .. .- 3- '-L .Q -fe L X- -fs Q- ' -:fi sf- , P , Leu- .xif y', . x v, .. --gr g 'Yri a if 2 F f fjff - Li-!f:4m'w4.fy . - . 'auxin ' ,nz-Q ' .H 3 ,-.Q gl- - ' vfirf, 7 f,21 Tai, .' 1 ' '- Y, J?'fTa..:.L-. CJ' cf.-fi .. - '---' . ffvw l l X ii 1 l I 1-K 'iv Stephen G. Arnold David C. Assad Carleen J. Avila Simon Awofesobi ..,.,s f iz. 6, 2. s irv'i H R '?-,.,,,,,...- l - v 1 f. v ag -is -ll , Vie Martha L. Antaya Beverly A. Antone David V. Arel Robert O. Bailey Susan M. Bailey Robert P. Balzarini Catherine M. Barnes Phyllis J. Barney Deborah Ann Bastoni Carla M. Bayides Kathleen M. Bear Richard F. Beaulieu :kg JB O-5 if A . f-- is Epi.. .lg-L 4, T4.i:Q'h ug, 0 qs ,-- x '9-we '. '2- fx 0 ij -f i ' A b :Rst dfpi, 0' 5314 FQ A Q : im. 4 3 .L mf. 4 1 L.. , . Spencer B. Belyea, Jr. Louise A. Benedetti Jean Beneduci Joseph M. Benevides, Jr. 'Z . . N 24 ,H , aff. .. .- gvl. ' vf v! -'. . A ,. .avg - N . A . -- .341 Q- John J. Belli Raymond J. Belli Sharon R. Belsky Melody J. Bennett Ruth H. Benson John G. Bergeron Normand Berube, Jr. Maurice L. Bessette Donald C. Betts Bradford P. Biancuzzo Marie Binder Iva R. Bird Carleen Bernart Raymond Bertrand ,Q , QI ff?- ,I S-4' ' 1-...Ji Q 1 I V ll ' 'ln ' l ' H ,llll 'n ' 1 ' n 1 H ,ul1lu.. 'I.':'5:'n'f'o' 'xi '10 'lg' U. 5 . I Q . l!f u...Hg:'l .l.xg' .iz . n ' o Y 4 C gal 'Q 0 's I A 3f3'?::572::gf::!: .O.u:UU'.:l. huJa.91-!a 1 lx 0 g. I. .1' '! Elizabeth H. Bissanti David M. Bixler ZX fil 231-9' f . . 9 if .J Q df' X 5449, nxxijt' , XR . A M I . r X ,, , . xx ...AA .. 3' Q Joyce M. Boler Yolanda A. Bonito Anne Booth Wayne T. Borge Patricia M. Blackmer Barbara A. Blake Joan L. Blue Kathleen T. Borges Denise I. Bouchard Richard P. Bougie Bruce P. Branchaud Maria C. Branco Deirdre L. Brennan Corron Brierley Gilbert D. Briggs Herbert W. Brown Peter Bousquet David Bozzi William R. Brown Jeffrey H. Bunce mtg 'und lv l . 9 i C X 'Q ,f 1' 1 fr, A . ' ,g . xt 1' X - Q . ' ,c i '?. 4 . 2 f W 'Ax N Z ' 211 fkwjgir li xx,- avqgrfyaww 3' 'E M Lili? 1- 1 Ffa' U V Jfilff XML 'JAYWY '71 v-4vfj4?'5'.fF' W . -fi 'F' Y 9 'f'0'v1fr'f5 ,vg '1A':'m1+51 ,. 4 l, 4. I- 2: ' if-fd -f Q'?e:2551f??QC.L1:fififfw-1-,., ' Y 1 J - .' 1: .11C:i'i zif5'f9'4.i t2f'9f-'f's:1l - Q1- 1-'H :ff ,. ' 'H ' 29- 'V . 'f5 531 -3.3.7 2' r 4 ' win 'Agape 1- '. . -we A ,A N, . ,.A , gf if 'M f 's Arm ,QWQ L ': 1,w'.f' .fur E X l. Y . 4 Q Eg 5 x Gary I. Cabral George Cabral Teresa A. Cabral John M. Call Kathleen L. Butts Albertina M. Cabral Barbara J. Cabral Maureen Callan Cathy Campbell Eugene P. Campbell Walter Carreiro Bryan A. Carritte Barbara A. Carson Manuela R. Carvalho Arthur F. Cassidy Donna E. Cataldo Laurie Carlson Stephen G. Carreiro I-ul, fi' Anne E. Cesan Marsha A. Chace , f.-1-,yn 'GS' 1-. ai! Vi- r Marion'L. Charette Randolph E. Charles Marcia J. Charpentier Douglas H. Chase -4-.5 Michael J. Chadwick Sarah A. Chaplain David B. Charette Serina K.Z. Cheung Roy Chirayil Robert E. Cilley Steven T. Clement Joseph Colangelo James P. Cole Don C. Coleman Robert E. Connor, Jr. Eileen A. Coogan Margaret L. Clark Robert C. Clarke C CT? J fra- Y' J -. . rw 2545? V tgggfi fi?-A ffgifi fisizi 419 1 We .Cf f. Jifl 'lf J f, ffflQlx as Ds S- Paul E. Coogan James J. Cooney . 1:-fl:-... 32-f .,..w-f--01155. ' . f47'v.,i,iJ'1'f,rf-vz. -. - -. Wan ir K -53 ',,j,Z,i54 . J: :fe-gg? Eglgwig-,5'..Z F? ' .,f,3. pq z,1 f 1.31 , A, .J I , 1 V-, L 3945, if 5-f-Y! 1 JQZT f ' Tiff-a 'f Tffi I 1:4-'f f 'j Q - '39 .. f,i:,wg. 'ximrtkffy - E, ,152-f 1231, . ..,. , .,.. iw M... z-, , '- -1: ,...,.h: , ., .UH . .V 1 IQ, Tzlfxfif 'L' 1. 15- jg.-4 1,'.1:ff'?'Pf,,?fj51f 34 . . , va? if Q ,jf ,jf,V51'nf':,?ifg1f'...? 'iv 'Wi-'5. 92- - gf '31- ?.:.12'1.:e:5f--4 liffiitfi'-. 'H' 3 '7 :mv W - 2 41 '- ,. f -:Ek - 4. , H' 55 ,. ff 51,- .'LZ ' ' 2fff'3'3??54 ff! f . . af! 'f '-f -- karl-'f-j ' if :vw ' . f 1' 59 2'5'2F5?iQifc f 34 .y r v ' I K I ' , 5 I 1 ig J i i 4 'ii . . ijffltfif ' '35 4:7 , ..- 1, , ,P f ' i f - .-p. 5 -- I .QW . 5 if ' 2, -13 ' J .s , ' 532. !UNN ii 5 X f I 9 ji QT K 7' 6. fag 4 ,W A x mf J 1 C, 69 'KX .ff Richard L. Corriveau Celeste G. Costa Richard H. Cote Sharon M. Courtemanche 0-3 QQQN Frederic C. Cooper Patricia A. Cormier Serafim J. Correia Normand R. Couture Stephen A. Couture James Couza Michael D. Croghan Robert S. Cummings Brian R. Curt Brian E. Curtis John F. Cushman Kenneth R. Cyr ' Diane L. Crabtree Stephen W. Cranshaw ,, ff 3' QB WEE? Cl Rx F 2 if 2 X 4? ff ii fm Kerry M. Dacey Richard R. Dagwan -gk on--' W xv 'is if D V Karen L. Davidson Diana K. Davis Theodore E. Dawson Richard D. Debalsi Michael H. Daniel Paula D. Dashuta Carlos DaSilva Michael E. DeBarros Leonard T. DeBenedictis Maurice Decotret Mark R. Delisio Wayne Dellorusso Frank J. Dembkow Audrey B. DeMe1lo Joan E. Densberger Frank E. Denzer .,g I.'3e JW' . 'rf 4Zff5A 4. ' fw- 'Qfaffsdf ,X I af' .MWX AW 'S . Gerard L. Desrosiers Ronald R. Desruisseaux Carlene A. DeYoung Steven S. DeYoung I Deborah A. Derrig Kenneth F. Deschenes Augusta A. DeSilva Richard S. Dias Karen A. Dickson Paul R. Dion Brian T. Dolan Brian J. Donahue Gary G. Donnell Thomas B. Donnelly John E. Donovan Stephen H. Donovan Christina G. Dodd Paul Doherty Claire M. Doyle Arthur H. Drevitch r n 7' f . H HPC ' ' ,,f , 4 -1 -2 klm ?f'fg,f,feg1 n., ' 'Vfjvffwf' -'li' -W wg' fx 1 .fi 5 ,, 1 71 f 1 1' .a,1w.1s- , ,. .1 ,. , wr 4.f.,,.,,,w4' r 2, ff ww 1 X Y 'xfiifh x x ,mfr 6' 7 ' 5- .1 'B V 1 an , M A E ' rw f, my 2 ,J , W , if ., an .E X ' Q-.vpgfveiw gg? -. 1, . ,Mesa . X 4-xii 4 N t W fhg'-QQ , Qi fi:-A :L - :Q ,y 1 :yu 5,1 -'25 -fel ' rf, Q45 gk M ','fL,,1I',i , :F fr,::43m:L3X -QQ v Y 'K' H 6 '? 5' 7:51 ,,, 4,391-4 ,Q vf '- X, .Al A 'Qfpvlf 'aff ,f -'Qngf if fa x vw F '7, 55 :if ' 'ff f- -J 2 ,, . , 1. , , ,. B vi , , , ri1z,gwa:f1g ,ay - .5 in-:gig 1,,w-,W ,4,igi59,Q,:-L,',. ' L ,A f- f ':.f '10 'fl . 7,1 a ' ,f G 'Q- 1' fvx I Karen L. Easton Richard R. Eckman Mary G. Edwards Florence S. Eng Jorge C. Duque Michael Dusoe Walter M. Dzioroz Ronnie K. Eng Robert A. Enos, Jr. Christopher Esancy Carlton M. Faria Deborah Z. Farmer Debra A. Fazekas Denise M. Ferland Raymond E. Ferland Joanne A. Fernandes George F. Faidell Colleen R. Fallon Franklin Fleck Richard S. Fine 'Q' CTS' QQ 503 iv.. F? 1 ' 1 f- f E11'i':'1il' Lx' , A Q I --K A 115 Mark E. Finni Barbara J. Fitzgerald Thomas J. Fitzgerald Martha B. Flanigan Barry S. Fineberg Alan B. Fink Michael P. Firmeran Joyce M. Forand Deborah A. Fournier Karen A. Francoeur Charles Funches Maryanne Furlong Grace S.L. Furtado Karen A. Gagnon Mitchell F. Gaj Alice R. Galinat Michael R. Francoeur Melinda J. Frawley mi Mary E. Gallagher Paul R. Gallant 'tru' X ,flaw 'A .E . Isaiah O. Gbabe Diane R. Geggatt Thomas W. Geggatt Karen M. Geissler 1 1 LM: 7 'Q fuxipfb Joseph J. Ganem Paul E. Garrido John Gary Bruce M. Genhold Pamela Geppner Edward G. Ghareeb Warren Gilbert Steven D. Gioiosa Kathleen A. Gladu Karl H. Gleason Christopher Gledhill Nancy Glista Anne Marie Giacobbe Gary E. Gibson ff f X? Carl J. Golinski Jay E. Gonsalves if pg ,,f .-. nf T'-: .aw -,:qf- ICQ F -1 if ngzgi ag.. , Maryjane Grant Michael J. Greco Beverly J. Greenwood Charles F. Gregory :iv E Q.. CBO XJ! 5 Q Q QS 4 Y fav.. Q. x Susan C. Goodwin Mary G. Gouveia Anna Gracia Mark D. Gregory James J. Gribouski Stephen Grossman Jeffrey P. Gworek Bonnie J. Gwozdz Raymond A. Gwozdz Lauren E. Hagerty Kathleen J. Hall Deirdre L. Hanlon Jerome M. Grota Frances R. Guilbert ICN Qi ,if Phyllis L. Hanson Edward E. Hardy 'T Q. Q' Qlf-il EN 'S-.. n.l'A' 'H Xe xxx Janet M. Harrison Scott P. Harrison Jeffrey M. Hastings Michael T. Hastings Martine M. Hargreaves Edwin E. Harrington Robert E. Harris Mary P. Hay Karen L. Hayward Robert P. Hebda David P. Hill Karen L. Hochu Kim I. Holland Deborah C. Holme Scott W. Horsley Michael J. Hevey Kevin J. Higham Q : 'Z' fa' 1 . I - r I . ' 1 . 4 ,, -! : 1 r ? :,j . 5 .'il1' -JI . .,.-nr Q f 3 Richard Huey E. Jacqueline Hunt 12:1 xi.. iii' 2 A Anne M. J enkinson Suzanne Jenness Kristine F. Jodat Maureen B. J odoin is 5' ll' Q I Karen L. Hunt Robert G. Hutchings William C. Jeffers John H. Johnson :Sandra A. Johnson Denise A. Jones Earl C. Kadiff Barbara L. Kaerwer John Kim Kahler Joanne C. Kaminski Lawrence A. Kaner Nicholas E. Kathijotes Daniel P. Juttelstad IW? 9074. ! N 1 Marilyn Katler Jane L. Keenan 'iQ Elizabeth Kent Josephine A. Kenyon John D. Kerr Mark A. Kielbasa Karen J. Keeping Nancy Kennedy Susan M. Kenney Glenn A. Kimmwlell Roberta C. King Peter R. Kinkade Michael A. Kostka Kenneth M. Kozak Nancy J. Krajewski Rosemary Kros Peter A. Kuchinski Justin Kuo Garry W. Kirker Alan S. Kirshner a 4 Q05 'Af-'Ge Qs ., . L-f- SF 1-:fu 'iv , H 1. 've-2.1111 11 Snffaaf , i5'?34'?-vi.:,F1? 'af ' ' ' I A-,qty ff QS' 5 ,I :-,r1f:.-idx'-45---AW2 Silas.: FCI' wi 1 e-1 --gc-sux ,, ' ' ' A E 5522 1 -- A 'Q 'V 'H' 1 'SQ' fp 1 11 W NM, V . 1 ' V 4 GRN' fax ' - VA 'qgagwvf 16 bk 4 'ny ff- W-ff-f-W - 'Y'--M-1'-W v V -1- ,-L f 1. 1 .- . .laifwia ' a Sir! . +1452 f 'x Ti ' V Q 5 - f s f. il 0 4 1 I I r I Deborah M. Kuras Aija Z. Kusins Yi, - f . ! r, .115 N e 3 ., X -' Ll y is I ii 1 1 1 l b ,Nauru ,im S 195 I X a 3 Raymond C. Landers Paul W. Landesman Christine L. Landgraf Susan Marie Langlois Mathew S. Kut Alan J. Labrode James K. Lamb Paul A. Lapointe George M. Laronda Henry R. Lasch Kevin Leblanc Denise Marie Lefebvre Anthony J. Lennon David P. Lennox Joseph A. Lentini Daniel R. Lepage Steven J. Lasorsa James R. Layfield N. kgs ' N, I . . 1 . '. Y. -r'.'. ,1' 1 ,f': ' PU!! -92:13:11 ., . ,. 2 nQ,f,Q-4,-QA .. .f V. 1:9011-'iasfls T-if-ww:-sz ,P '.51'5 '-y.. 7-46.-4:-ofwv'-f.-7? - .7 -'-' ' ' ',' .ZJ 0 I 0 ' H-qylrc-Q-v,'.... f 1 , M .... . A 2.2115 . r-F! xg ' 15. Q' I ' J X- J, 1 F. l it 1 . I 1 JA? John M. Lepage Terry R. Letton I3 I Fx 3 - if' ,X 5 . f 1 a L4 L- , xff' x duff. 'cfuffff 7 I if X H ,ag f 1' f 145' H? .929 N eff ,ig .f 3 fi 3 5 . I Matilde Gore Lima Robert A. Lindeblad Robert A. Lindquist Martin E. Linkiewicz Michael James Levine Lawrence S. Lewis Theresa A. Lewis James R. Longstreet Alan W. Loomis David Lopalme Francis J. Lucey, Jr. Lucy B. Lufkin Aileen F. Lynch Catherine P. Lynn Donald A. Lyonnais Manuela F. Maciel WIN A, -1 N 'x r Pamela Mannes Patricia A. Manning Amy Marie Mansfield Thomas W. Manter 13'- .14- Lf i 1? v fig? A 5 . 72 ,., .eh- fi Susan Malek Heidi Malin Debra A. Mancini Bryan S. Maranhao Michael A. Marcoux Roger F. Marcoux Ann Marie Massa George Matta Cliff Mattson George P. Mavromoustakis Marianne H. May Brian S. McCarthy Charles Marshall Wallace J. Martin Eileen C. McCarthy John J. McDonagh l :' Vlil 'LY '1 . is ,ga 1 QR Ellen M. McPhilomy Rose A. McQuaid Elaine J. Medeiros Irene L. Medeiros A V 1 Y' .. 9. , Emily-Jane McDonah John F. McGraw, Jr. Kenneth J. McKenzie Joanne E. Medeiros John Medeiros Richard Medeiros Louis A. Mello Mark M. Melton Russell M. Mendes Daniel C. Mendonca Jan T. Messek Robert Messier Sharon Mekelatos Joyce A. Mello .5 . -4 J 'A -1--r1.5 X John J. Michael Paul P. Milcetic 'L 4. l i Q or Dennis P. Monast Anne C. Monger Randall L. Monte Joyce A. Monteiro Glenn E. Miller Kathleen M. Mills Michael R. Monahan Kevin D. Moore Michael D. Moran Susan Moran Margaret A. Morrissey Donald S. Morton ,ad 9' Maryann Moses Charles Walt Moszczenski Barbara A. Mulligan if W J, Paul M. Munroe Kim E. Murdock 435 is-rf: Sn 3 Dorothy M. Murphy Elizabeth C. Murphy James E. Murphy CGW-Q in 41- 4 54 4, U1 -wfga-'E--.1f, ri' ef' ., 11.-gqfggm. fl ' I 4 r -P,--. .- .stun -.v , I ,, . ,, mf ff? 'M ww ff ..-..,-A -:ffwfzgh-!!faf?5'L , m f ' -s-, 975' ' ,V r i I 5 ,442 e A . 1 .rf 'if ' x 7 , , .4 4' fs ' ,Q 3 , V ,f ' , A I nf gf, I I 1 1 1, , ,J -1 , Air Ag die' , 5 U.-J 1? I 3 ,H f fff fx Q P ,I E- ,Q f if . , --W '- ' .,FfEQ::?i'f?fu4' wif in fh?f5A?5+:S5' C f fl? fb. . - ' . 1 M1251 at-ff'-Iv'1,Q, , ., ,.f' -43,3-f ,, W-- ,Q 5715? I -.Q ' 3 '1 .1ff5,35s4,.:s3fa93:21 H6511 2 , 513 2 5 ,, 1 . . AQ. K' I f . : 1 jr , ,V--gf , f :V -22337-:i f -. ' 1115457 if 2 , 1 35,1 ' - 'K lff ' ': 3, ' .1.-,:f1 f 1. 5 V: , gffff--51 r Q iff-9' is -F' , :Z , 4.5, 5 4 Q P ,A ,L 5 jx M w I f , my V? A 4 TQ, I5 1 'Q' 2 ff' Paul Nicholson Robert E. Nickerson Donna Marie Niewola Alan L. Noll Alan Joseph Norman Janice M. Normand Paul L. Neron James A. Newkirk 'IO' -Z , ' L . lu. 1 5 Holly Nunes John D. Nuttall -1 IU'-' 'Ci 29 3. Q1 MV S39 1 fi? If. ' cas, gf ' -- 'nu z.. .1 XY A' 15' V4 ' Y JJ' 1 'Q . ,, iw, s ' ' 2 f ' VI , IVY 5 G K A' -Q rg, As. gi: m W 1 f 1 , J 31:3 Y +. ragga., . af. -I a ,vw-'A . W -:bf 1 , - if r'1,1f+.'mA Iwi My 'W KGS 5 . 9-., 1 ' aT i'5'g -.9 ' Tiff M W 1 ' 51,42 'il , -f ' gms: , ,L V J f A -1 fm .. ai , l?5f2Tr'?z2'?' . , ., gi Q ' f -4 I-I .,., ,.... ,M .X . 55:51 - +5132 4 ' F Z' , ' :Z If ' f f -AW' ' wk-'K A Za aaa: .,.,aw4w ' Alice M. O'Connell Charles E. O,Gara III William B. O'Leary Maria D. O'Nakket Abel O. Nwabuoku Barbara E. O'Brier1 Sean P. O'Brien James P. O'Rei1ly Amy A. Oades Susan M. Oakes James T. Oblinger Ukwenga R. Oleru Michael E. Oliveira Philip A. Oliveira Susan L. Olmsted Thomas T. Osobu Armando Oliveira Marilyn Oliveira any-f, A-F-5'u-A ii 2, ,f 41 Q J si, li -A l li? 'iffpvff 5-L A .. ' 1 X Fernanda Otero Peter G. Ouimette ' n .V ' I' I l 'u 'r AA, . CFA Richard F. Packard Kevin A. Paquin Roger C. Pare Scott G. Pare Richard B. Owen Margarida M. Pacheco Maria A. Pacheco Ronald L. Pariseau Donald C. Parker Dennis P. Paulino Barry R. Pelaggi Mary Elizabeth Pelletier Michael G. Pelletier Robin M. Penha Elliott S. Perchuk Maria C. Pereira Aires R. Pavao Ralph A. Pecora 'J' f9' 'huq nf Q A I I -. 5 , or A i i 3 .,'T-, 3 'UN Gloria A. Perron Peter A. Petch K' ff' TIl' gufllr '-119 -6- lg H,V,gil 21 -K . .n 1.-w . may - .'.x..n. . t ' Y , . . n . , X' ,.,,. -N ',' N M KJ Ks. x, N, T., 4 mls .tri -FA. - 1 ' -. ,fu---x. 1 Q vt. , 4 'Q u 1'- ,s f ' i V. v., :.' f r: i .:'-.za q'7'bQ 'v: 6 , :x.,':igL f UW-.-.Ht ' Y xx ww 'R 2.'2!! 4, Q. r. ' J l u Y , Z' .'r. Steven Pinault Christine A. Pitliangas Jane Plainondon Joseph A. Polito Maria G. Pimental Carol J. Pimentel Olive A. Pimentel Debra A. Polselli .Robert E. Pontbriand Kenneth C. Ponte Constance Poulos Ronald S. Powell Nelson E. Pratt Donald L. Quiet Thomas F. Quinlan Roger E. Race Rosemary E. Ponte Darby-Lou Pontes '. 5 -2-Ev 44.13 Hb I I as fafa Mei .pas ,ff-.f 5 ll? Steven E. Raffin Edward T. Rapoza 1 Z f 0 3 '5- BA, fairs. '. lx :W y , X l W ,N K i, fl Q X R l I E X Marsha L. Rebeiro Jill I. Rebello Nazare J. Rebello Susan E. Regis Paul A. Rapoza Marc R. Ratte Sandra M. Read Maryanne Rego Louise R. Renoir Raymond Herb Reynolds Paula A. Richardson Warren N. Richardson Charles G. Richmond Joan M. Rickert Gail E. Roberts Gail L. Robinson Martin T. Rich Daniel R. Richards -.J 10' i i 'B A-Qin so ffl?- , -4 .,:. ,. , 9 X N gg,xx.Nf.. 02-' 1:59 in .a , Y, . X. , 'Q uv fx by my -,sx lar' Z? uw ' ,1 iz Michael J. Rocha Alice M. Rojko ii x Q, ' ll fi is if f I. s 1, ff, A ii if T 3 ,' 5 , . 7 Q- l Z -Q32 -A. , , 1 i I -af, 1. 5- 2AX'w?.. A' -Ns 's w .7 I -.va ,- .ug lv. pq,.1 , a v Yxw .., LXR? Q 7 1 Jerome Rosperich David F. Rossmeisl Daniel J. Roush Robin L. Rousseau ll Daniel Romano Martin Frank Rooney Sandra L. Rose Juliette C. Roy Charles P. Ruddy Debra L. Rue Theresa Ann Sadeck William A. Samaras Dawn E. Samuels Kyle A. Sandahl James E. Santos Judith Ann Saraiva 'Kenneth Robert Ryan Denise T. Rybka .fin , - v2 '::p' ' ?5W29 'V Q I , ' ' -fi Aw!!4-dwrrrirti 1 f'g? -1 . ,1 Ji Ln y is V 5 V , lil ,iz ,, J: Q' .K . 'iz' .K Q 1 i s - mg -. A IU! as at Ju M' 1 s -' . fl' X ?-is -it if' ,a 2 L-!::l,,,:3.3LLE,.-e':'i:. ,-' Lynne E. Sauta Stanley D. Sawicki is r ' . it 'is ,l 5'- FUN xl' 'f 1 - .9 Qs. k if Y j la' 5 ..J A..s'A l 4-4 l David Schweidenback Mary E. Scott Nancy M. Shea Rudolph Sikora, Jr. P5 ing X Kenneth Scarpelli Brian P. Schoepfer Roslyn Schwartz Karen E. Silva Victor M. Silva James A. Silveira Gail M. Silvia Gary J. Silvia Peter F. Skaves Thomas Skibinski Barbara L. Smith Roger A. Smith Robert Silveira Charles E. Silvia 1 I Roslyn Smith John J. Smolski lrts Sereno EYES BACHELQR QF SCE?-qfjg M elinda J. Frawley Jeffrey M. Hastings BIQLQGY Kim I. Holland Scott William Horsley George Angelo. Jr. Richard Huey Barbara Anne Blake Susan Mary Kenney Roy Joseph Cagliostro Mark Anthony Kielbasa ROPPTJ Ciuey Peter Robert Kinkade James Patrick Cole Paula Dona Dashuta Susan Marie Langlois Linda Ellen Lavallee Joan Elizabeth Densberger James Jonn Mccartny Thomas Brian Donnelly Susan W. Malek A1311 B' Fink Cynthia E. rvramca William Henry Flood Alan John Metro Karen A. Francoeur Joyce Anne Monteiro - . : .v BACHELOR OF ARTS ECONOMICS Arthur H Drevitch Joanne E. Medeiros Abel Osodi Nwabuoku Alan E. Snow Jonathan D. Steere ENGLISH Barbara A. Alves Paula Anselmo Stephen Gardner Arnold Lenore R. Balliro Robert John Barboza Norma E. Morris Stephen Joseph Muise Susan Mills Negri SusanLyn Olmsted Dennis Philip Paulino Cary L. Pereira Peter Allan Petch Roger E. Race Alice M. Rojko Daniel Romano Robin Lee Rousseau Arthur D. Shattuck Harold Prescott Stevens III Peter J. Soja Richard M. Starzyk William Arthur Thompson James Edward Throne William Earl Ullstrom John B. Vaughan Mitchell T. Ziencina MARINE BIOLOGY Robert Oman Bailey Phyllis Jean Barney John Martin Call Eugene Paul Campbell Suzanne M. Chapdelaine Douglas Hoyt Chase Nanette E. DeFeo Wayne Arthur Deree Camille M. DeSisto Christopher Allan Dewey Barbara Jean Fitzgerald Gary Edward Gibson Christopher Thomas Gledhill Maryjane Grant Jeffrey Paul Gworek Josiah John Kirby, Jr. Steven J. Lasorsa Thomas Louis Lauttenbach Joseph Anthony Lentini Alfred R. Lima William Forest Lutton Heidi Lynne Malin Rose Anne McQuaid Michael Arthur Marcoux Kevin D. Moore Barbara Mulligan John Joseph Nicholson Richard F. Packard Rosemarie F. Petrecca Joan G. Rodrigues Lynne Ellen Sauta Brian Patrick Schoepfer Dennis Thomas Stokowski Thomas James Trott John Vieira, Jr. Robert Williams CHEMISTRY Bradford P. Biancuzzo Bruce P. Branchaud Arthur Francis Cassidy, Jr. Richard Raymond Eckman Maureen B. J odoin Garry W. Kirker Paul Wayne Landesman James R. Layfield Pauline Machado Thomas F. Maestrone Charles W. Moszczenski Peter Joseph Murray Stella Ching Yee Ng Paul Rapoza Robert Mitchell Sieminski James F. Walder Diana J . Yee John J . Belli Raymond Joseph Belli Denise I. Bouchard Jonathan Jude Boyce Gary Brown Cathy Campbell Robert Aloysius Charlton Frederic Cecil Cooper James Paul Couza Richard Raymond Dagwan Beth Ann Frias Doherty Michael Edward Dusoe Michael P. Finneran Helen Beals Freitas O S Peter J. Soja Donna M. Solomon Henry Sousa Janice E. Souza Michael W. Souza Robert John Souza Ronald A. Snell Joseph Ferre Soares .y W .ll I I v ,z l ,AA Ruth A. Souza Kenneth J. Spindola 'Eb . ,- I, -L., ,w. . '5 'lib' f'LxfX H11 ill! Donald Stebenne Deborah A. Steele Jonathan D. Steere Harold P. Stevens 5, , i 5 r i I l f, Claudette R. St. Germain Richard M. Starzyk William Staubin Donald S. Stidsen Dennis T. Stokowski Jane L. Summers BACHELOR OE ARTS ENGLISH Karen A. Gagnon Janet M. Harrison Gary A. Haslam Michael J. Hevey Phillip L. Hulina Karen Leslie Hunt Pauline Kane Evelyn S. Kawahara Jacqueline T. Kenworthy Roberta C. King Nancy G. Lacerra Neil Martin LaErance David Preston Lennox Carroll A. Lima John McDonagh Garrie A. Madison Margaret Marcoux Louis A. Mello Robin A. Najarian Gloria J. Nielsen Maria do Ceu' Pereira Lynne Frances Poulos Christine Cooper Poyant Lynne Mari Reynolds Gail Esther Roberts Alda Vargas Roderiques Juliette C. Roy Mary Elizabeth Griffin Roy Cecilia Marie Santana Mary Elizabeth Scott Karen E. Silva James A. Silveira Edward John Soares Ruth Ann Souza Arthur Edwin Tebbetts ll Donna Elizabeth Urban Jeanne Maria Walsh Lisa Wolff FRENC H Paul R. Bergeron Yolanda Alves Bonito Anne E. Cesan Deborah Carol Holmes Denise Ann Jones Robert P. Moore Robin Marie Penha Christine Aronis Pitliangas Claudette R. St. Germain I ., BACHELOR OF SCIENCE MATHEMATICS Gary R. Alaownis Michael Joseph Almeida Stephen J. Ansay Paul Gilbert Avila Fredrica A. Benedetti Joyce Ann Chicca Joseph Colangelo Audrey B. DeMe1lo William P. Desmond Alice Ruth Galinat Paul R. Gallant Frances R. Guilbert George Manuel Laronda Chester P. Lizak Brian S. McCarty John F. McGraw,Jr. Richard John Olson Andrew P. Roth Anne E. Silva Gary Joseph Silvia Nancy Lee Sylvia Lois Ann Wanat GE RMAN Michele Cipollini Almeida Britta Herz David Schweidenback Gerold Paul Veara HISTORY Magnus Aadland Ronald Alves Edwin Roy Andersen Quinton Miller Bannister Carlos F. Barbosa Joyce Marie Boler Teresa Ana Cabral Stephen George Carreiro Sarah Ann Chaplain Robert Edward Connor, Jr. Diane Louise Crabtree Cornelius Robert Driscoll Joyce Helene Dufresne Robert Paul F aria Kevin J. Higham Robert C. Hutchings Mark P. Lawrence John Alan Mc-Kay John Medeiros, Jr. Michael James Murphy Linda A. Quinlan Nelson Paul L. Neron John David Nuttall Lawrence M. Oliveira Robert Edward Pontbriand Darby L. Pontes John Runcis Diane Marie St. Lawrence Dawn E. Samuels Allan Keith Vieira Edward E. Wallbank, Jr. Patrick Wilkinson Donald William Winland MATHEMATICS Carlene A. DeYoung Deborah Z. Farmer Debra A. Fazekas John Joseph Michael Cheryl M. Morrell Michael Wayne Souza Martha Sylvia Jeffrey W. Ward Kenneth Ward MEDICAL TECHNOLOGY Louise Andrea Benedetti Patricia Marie Blackmer Debby Briggs Serina Kang-Zong Cheung Karen A. Dickson John Edwin Donovan Linda R. Edwards Joyce Marie Eorand Margaret A. Morrissey William Anthony Neilan Gloria Anne Perron Stephen Norman Perry Sandra Marie Kot Read Denise T. Rybka Janet Kathlyn Schubert Robin Sabra Shaker Arlene A. Zolla x ,lr 445 Wefw jury ' f Qhiiif' ., ,,,, . , ,Q W4 W , Thomas J. Sweeney, Jr. Diane Sylvia Johanna Sylvia Martha Sylvia 11 1413 Georgia M. Surprenant Andrew B. Sutcliffe William A. Swan Nancy L. Sylvia Ronald Sylvia Andrea V. Szala BACHELOR OF ARTS MULTIDISCIPLINARY Richard John Laronde PHILOSOPHY Joan Claire Callahan George P. Lawrence Terry R. Letton TISCHLI In '54 -Q' 1 'QQ' - +...,, ,,- . -v- ,QL FUN 'hh BACHELOR OF SCIENCE PHYSICS George Faidell George A. Fisher Roger A. Smith BACHELOR OF ARTS POLITICAL SCIENCE Gene William Allison Gary A. Almeida Marjorie E. A. Anderson Wayne Thonas Borge Iwavirl-II nD'77i Gilbert Dean Briggs, Jr. Steven Michael Cadieux Nadeen M. Correia Janis Gertrude Costa Kenneth F. Deschenes Steven S. DeYoung Bruce C. Ditata Robert Anthony Enos, Jr. Barry Lee Freedman Donna M. Gallucci Danton A. Grant Robert Grady Harp Donald Francis Hinman Patricia A. Horvitz Gary M. John Raymond Adelard J ussaume Peter Karukas Lynn Marie Mallen Kim Elizabeth Murdock Jeffrey Paul Narjarian Alan Joseph Norman William Burke O'Lt-ary Maria D. OJM alley Scott G. Pare' Eliot Francis Parkhurst Kenneth C. Ponte Kenneth Michael Scarpelli Richard B. Scranton Allen C. Sherman Gail Marie Silvia Henry Joseph Sousa, Jr. Roger F. Sullivan, Jr. BACHELOR OF ARTS POLITICAL SCIENCE Joyce Lynn Taylor Ronald E. Teachman Edmond A. W. Tessier Nancy Griffin Thomas Thomas M. Tucker Roland R. Vigeant Patricia Ann Walsh PORTUGUESE Matilde Goretti Lima Manuela Maciel David Manuel C F Amaral John M. Medejfgs Lenore A. Barbosa Laudelina M. Borges Maria C. Branco Albertina M. A. Cabral George Cabral Carlos DaSilva Paulo Soares DeSousa Antonio Furtado Grace S. L. Furtado Manuel Correia Gomes Mary Gabriela Gouveia Maria G. Pimental Rosemary Elizabeth Ponte Nancy Pontes Mary Jo Santos PSYCHOLOGY Julia G. Allen Robert J . Alley Cynthia L. Ambroseno Kathleen A. Arel Janice A. Arruda David Cole Aston Carleen Joyce Avila Vincent A. Baiardi Jean Beneduci Iva Rose Bird Suzanne Bishop James S. Boardman Joyce L. Bobrowiecki Ann Booth Mark E. Bower Deirdre Lee Brennan Carol Ann Brissette Beatrice A. Carmody BACHELOR OF Aizrs PSYCHOLOGY Donna E. Cataldo Michael J . Chadwick Janine A. Chagnon James C. Ciborowski Denise I. Coulombe Celeste Costa Helena Crosslin John Gilbert Crosslin Jeff D,Ambrosio Cynthia Tabor Delano Deborah A. Derrig Sheila Marie Doherty John William Downey Dennis C. Draleau Dorothy Anne Dube Karen L. Easton Carol Jean Ellis Liisa K. F asse Patricia Mary Feeney Deborah A. Ferreira Robert Ferreira Thomas J. Fitzgerald Martha Beatrice Flanigan Deborah A. Fournier -.C 1, K A ., . :N .VY . . V :fx ' sa, Q 4 a R 'I --'- ty' AL- l . . ,. Nc., ..-ima-L-4.x2Ates-Bfii SOCIOLOGY Susan A. Albert Carol Albrecht Kenneth A. Almeida Cheryl Amaral Mary Gonsalves Andrade Audrey B. Andrews Beverly Ann Antone Joseph Andrew Balestracci Deborah A. Bastoni Jacqueline E. Bessette Louise A. Bouchard Corron Elizabeth Brierley William Robert Brown Sharon L. Cabral Barbara A. Carson Glen G. Chandler Joseph L. Cimmino, Jr. Clifford Clement Paul E. Coogan Richard H. Cote Mary Anne Furlong Charlotte Gary Gallaudet Paul E. Garrido Kathleen A. Gladu Kathleen A. Goes Jay Edward Gonsalves Mary E. Gorczyca Paul Stuart Graham Beverly J. Greenwood .4 Paul J . Gregoire D Mark Douglas Gregory James Joseph Gribouski Lauren E. Hagerty Phyllis Louise Hanson John W. Hawkins Ellen P. Healey Lucien Hubert, Jr. Suzanne J enness Karen Jean Keeping Robert Arthur Kenworthy Josephine Ann Kenyon Sheila E. Koss James Robert Labbienti Paul A. Lapointe John Michael LePage Debra A. Mancini Pamela M. Mannes Amy Marie Mansfield Bryan S. Maranhao Ann Marie Massa Roland A. Masse Marianne Helena May Joyce Ann Mello Debra Ann Mendes Romayne A. Middleton Kathleen Mary Mills Linda A. Moffatt Frances M. Motyl Lawrence Charles Mowatt Cheryl Joan Murphy Elizabeth Catherine Murphy Barbara W. Naughton Roberta Ann Nagle Marcia Kay Nishanian Holly Nunes Susan Marie Oakes Barbara E. O'Brien Margarida M. Pacheco Maria A. Pacheco Judith Ann Panora David E. Paquette Barry R. Pelaggi Mary Elizabeth Pelletier Debra Anne Pereira Olive A. Pimentel Jane Plamondon Debra Ann Polselli Constance Poulos Helene Poulos Kathleen A. Proulx Lauren S. Pullman Edward T. Rapoza Donna Marie Ray Roberta Reed Susan Ellen Regis Maryanne Rego Jerrilynn Theresa Ricciardone Paula Anne Richardson Malcolm lVlcBurney' Riggs Diane Marie Robinson Stanley D. Sawicki Wayne Sloman Rebecca Anne Souza Victoria Steele Georgia M. Surprenant William A. Swan Sandra Sycafoose Andrea Veronica Szala Margaret Thibault Anne Christine Thompson Robert Adison Van Wart Joseph Stephen Viveiros Nancy E. Zwicker Richard D. DeBalsi James Robert Daley, Jr. Deborah Joy Hamel Scott Peter Harrison Leonard Thomas DeBenedictis Robert Peter Hebda Barbara Louise DePina Annelle Delorme Augusta Amado DeSilva Colleen Elizabeth Donnelly Walter M. Dziordz John Couto Ferreira Pamela F. Geppner Charles Fredrick Gregory III Manuel G. Henriques Ena Jacqueline Hunt William Cambel Jeffers David Ag Jennings Joanne C. Kaminski Marilyn L. Katler Nancy Jane Krajewski Rosemary Krol Anthony E. Tavares Phoebe J. Taveira Carol A. Taylor Ronald E. Teachman Dennis R. Teser Edmond Tessier . Michael B. Szwaja Anthony T. Tam i Q- gk X i X Y . Elaine G. Tetreault Nancy J. Thomas L-:W--V V Uv... . . . anqnv ar' V fil- far: '11 ,. .,,. , 4,-.K fre? Deborah A. Trahan Robert A. Trahan Richard H. Travassos Thomas J. Trott William A. Thompson John A. Thornton James E. Throne Michael F. Trznadel, Jr Ann T. Turootte Donna E. Urban BACHELOR OF ARTS Ellen Marie McPhilomy Marilyn Oliveira Phoebe Taveira Patricia A. Manning R. Clark Owen Carol Ann Taylor SOCIOLOGY Irene Knudsen Medeiros Judith E. Power Joseph D. Thomas Russell M. Mendes Nazare J. Rebello Richard Henry Townson Christine L. Landgraf Michael Raymond Monahan Paula Christine Reis Theresa Marie Townson Kathleen Lanzoni Michael D. Moran Louise R. Renoir Susan M. Valois Ligia L. Lima Maryann Moses Mark Roland Roberts Mary Verwey Aileen Frances Lynch C3101 M, Nasgj Madelyn M. Roy Janice Karen Vieira Donald A. Lyonnais Linda Nelson Barbara Louise Smith Sharon Beth Walkden Emily Jane McDonah Paul S. Noonan Diane Sylvia Jeanne Maria Whyte Nancy Elizabeth McKenna Charles E. O'Gara III Anthony E. Tavares aa' 1? HUMANITIESJ SOCIAL SCIENCE Margaret Virginia Belknap DOES M- Kingman ' Patricia Burton J0SePh Ffflncis Murphy, JT Mary Frances Caravana Natalie Martin Muff 213' Pauline Cormier Phyllis U. Nerenberg Catherine G. DeRossi R3Y1e1'1C Riley Marlene Marie Dlubac Ethel T- TOWGTS Katherine Ann Tracey dp' . Isaura L. Amaral Rita Corinne Grandmaison Busin Q .S HSp F Indy I ll V I USKIHF BACHELOR OF SCIENCE ACCOUNTING Johnson A. Adeyeba John O. Aryeetey Norman R. Beauregard Steven T. Clement Serafim Joseph Correia Michael Edmond DeBarros Earl William deLacy Ronald R. Desruisseaux Robert Edward Dias Briar. J . Donahue Roland M. Drapeau Ruth A. Duchesneau S. Eng 1. Kenneth Michael Kozak Edward F . Kulpa Matthew S. Kut David Lapalme Annette A. Lapointe Steven John Liepis Fred F . Lincoln Leonard Arthur Lussier Eileen G. McCarty Kenneth Joseph McKenzie Thomas Wayne Manter Donald Lawrence Quiet Leonard G. Ramos Joseph F. Soares John P. Souza Stephen D. Spence Donald Stebenne Deborah Kelley Trahan Robert Andre' Trahan Peter Turlo Cynthia A. Vigeant Bruce Harold Walter FINANCE Roy Chirayil Michael J. Fisher Llflda NIIIICI' Joseph John Ganem James A. Newkirk Donna Marie Niewola Elliott Sanford Perchuk her Charles Perperas Pimentel tnick Proulx Brian Edward Murray Horacio Oliveira Walter E. Peterson Michael Joseph Rocha Charles Ruddy Thomas Skibinski Helen Sylvia INDUSTRIAL RELATIONS Herbert W. Brown Karen L. Davidson Ke . ' V111 A .ff Joseph A. Polito Nelson E. Pratt Debra L. Rue Thomas , 1 f ',,.f .wfV. 1 ' , f I J. I Lf I A ' f , , . ' wwf- , q-gg, M W gl, MANAGEMENT Peter John Abren Pasquale A. Accardo Peter H. Allyn David Joseph Almeida David C. Assad John F. Atkinson John E. Ballou' Robert Peter Balsczirini Donna J. Baptiste John G. Bergeron Raymond Donald Bertrand Normand E. Berube, Jr. am 4 w--vnlrw,-M.,,,,,....,..,.,.,a..,, - .-.M M, W..- . V, , .nm-.-.,.l4..4.w.M4..a..a.... A . ...M ...M Stanley Bickmann Anthony F. Britto Jeffrey H. Bunce Edmund Anthony Butler Peter Robert Cadden Peter L. Cantone, Jr. Stephen T. Carter , Marion Louise Charette Herbert John Clifford James J. Cooney Normand R. Couture Michael D. Croghan Brian Roland Curt Sandra DeCarlo h Dwelly r V. I. I .ug 'ww ,Lv V--f,6.!,5,lgq,rf :lg N N .. ,- 2 hx? .A., 5, .xt 1, I , , ' Tr .. t Us 1 V ' .V . 1 I g Maurice A. DeCotret Wayne M . DelloRusso Mark Radford Delisio Marilyn J. Dennis Frank E. Denzer Paul R. Dion Paul Francis Xavier Doherty John Stephen Ellis Antoinette Estrella Franklin George Gleck Gary Foley Theophilo Manuel Fortes Norman F . Franz Charles Funches ..........,,..1.-f ,,fw,. We - ' A M' George J. Gates Edward George Ghareeb Jerome M. Grota Edward E. Hardy Joseph E. Hassey David Prentiss Hill General L. Holman Paul Judd David R. Kidd, Jr. Robert H. Kiggins Barry T. King Marc David Kupperman Daniel R. LePage Lawrence S. Lewis vfqww John Beljamin Vaughan, Jr. Gerold P. Veara Allan K. Vieira Janice K. Vieira John Vieira, Jr. Cynthia A. Vigeant Susan M. Valois Robert A. Van Wart If 'Y ' ttf., .1 i i . fi 40 S 1 ION Deborah J. Vincent Joseph R. Vozzella Xi.iw, I 1 Beth A. Walters Lois Ann Wanat Nancy A. Warren John L. Waterman ,HM Patricia A. Walsh Richard D. Walsh Bruce H. Walter Susan J. Waterman Jerold E. Welch Robin D. Wessman BACHELOR OF SCIENCE Elaine Joyce Medeiros Richard Peter Medeiros MANAGEMENT Ronald Medeiros Robert Messier Martin Eric A. Linkiewicz James Charles Miczek Glenn E. Miller Dennis P. Monast Paul F . Morris Normand Louis Nadeau Harry Richard Nedley Thomas Tunbosun Osobu Barry S. Lofstedt Gary Thomas Long Francis J . Lucey, Jr. Norman J. Lyonnais John Joseph McKnight William A. Mc Lean , Jr. -..Donald C. Parker, Jr. vital- -.au J--A . . Ralph A. Pecora, Jr. Michael G. Pelletier David Brian Piecuch Norman J. Porter Thomas Farrell Quinlan, Jr. Marc R. Ratte Gregory Rego Raymond Herbert Reynolds Gerard H. Robin, Jr. Ronald P. Robinson J eromeClayton Rosperich Kenneth Allen Roy Kenneth Robert Ryan Paul P. Sadaitis Stephen P. Seaward Robert E. Shooshan Rudolph Sikora, Jr. Armand M. Silva Charles E. Silvia John J. Simas Ill George W. Stuart, Jr. Gordon E. Van Brunt Edward A. Waddington Richard Dennis Walsh John Lawrence Waterman Michael S. Zellner James Thomas Zembo J Spencer B. Belyea, Jr. David M II S , N' , 1 Wh J 3 Z ' As' NX . , i ' 'N' if 'F J' .- ll ?-' ' ' 'hui 'rr-.' ' il azz? ff'-L ' qt- . 1' r' '. - U A 'h ' si 3 I. sa 1-1 D wg hm ,lik I' 1 5 .- X N 'Ss . . no L AA VA 1 R' Q ' .4 X' ., 1' if .0 A - ,. .1 Aire' ' .far 1.-rm 'Z K, TEXTILE TECHNOLOGY Mitchell F . Gaj Raymond A. Gwozdz lviaurice L. Bessette Michael Thomas Hastings Gary G. Donnell Daniel Kaidel Jorge C. Duque Alan J . LaBrode Theodore John Dziedzic R21Y1T10Hd Ch21I1CS Landers Bryan A. Carritte Marsha A. Chace Randolph E. Charles, Jr. David B. Charrette Stephen A. Couture Joanne Aileen Fernandes Barry S. Fineberg Stephen J . Garro Isaiah Olasupo Gbabe Bruce M. Genhold Walter R. Goldstein, Jr. Michael Joseph Greco Barbara Lynn Kaeryer Paul Karpowich Henry R. Lasch III Anthony Jay Lennon M. James Levine Joseph Paul Lopes George Mavromoustakis Mark Matthew Melton Anne Coleman Monger Randall Lee Monte Amy Ann Oades Martin T. Rich Charles G. Richmond Judith Ann Saraiva Roslyn Schwartz Donald A. Shaw Donna Marie Solomon Deborah A. Steele Johanna Alexandra Sylvia Anthony T. O. Tam Elaine G. Tetreault John A. Thornton Ernest P. Viveiros Robert Cummings Welch TEXTILE CHEMISTRY Johnson Emiola Bolarinwa Steven L. Bourgeois William J . Cardozo Kenneth Robert Cyr Wallace J . Martin John Mattos, Jr. Daniel Christopher Mendonca Donald Swift Morton, Jr. Ronald Steven Powell Daniew R. Richards Robert Rossi Robert Silveira Ronald A. Snell Kenneth John Spindola Michael B. Szwaja Dennis J . Tomlinson, Charles E. Wingate III ' 1 IJ I IJ O G I .BACHELOR OF SQENCE Simon Omotayo Awofesobi Marcis Kempe i n Martin Frank Rooney Robert Cummings Marc Anthony Mafzullg Larry R. Sabean CIVIL ENGINEERING Alan Bruce Freeman Norwood G. Moore,Jr. Victor M. Silva Steven D. Gioiosa James Edward Murphy III William Charles Staubin Dana William Anderson Karl H. Gleason Nasser Nahjd Michael F. TI'Z11aClel, JI. Kenneth B. Anderson Lawrence Alan Kaner Robert Elliott Nickerson REIYHIOHCI PCTCI ViOl6i1C6 Carl Andreassen Nicholas E. Kathijotes CIVIL ENGINEERING TECHNOUQGX Carl Joseph Golinski Armando Oliveira Edwin Eugene Harrington 5' James P. O'Reilly Dennis Peter Adams Joseph M. Benevides, Jr. John D. Kerr Steven Pinault 1 'Dirt Peter A. Kuchinski Kevin LeBlanc Alan W. Loomis Ukwenga Rowland Oleru David F. Rossmeisl Dennis R. Teser Joseph Ralph Vozzella John A. Wolkowicz ELECTRICA L ENGINEE RING Thomas J . Almeida Robert C. Clarke Theodore E. Dawson II Derrick Paul Dupre Carlton Michael Faria Richard Sander Fine Warren Gilbert Daniel Paul J uttelstad Roland C. Marrotte Alan Stuart Kirshner Robert A. Lindeblad Roger E. Marrotte Paul R. Messier Sean Patrick O'Brien James T. Oblinger, Jr. Chuen Fai Quek Robert Joseph Souza Richard H. Travassos ELECTRICAL ENGINEERING TECHNOLOGY Don Charles Coleman John F. Cushman Raymond E. Ferland Gary A. Field Richard Gorczy ca Stephen Kenney Michael A. Kostka John Kurpewski George Leurini Robert Alfred Lindquist, Jr. Jan Thomas Messek Alan Linde Noll David Frederick Papuga Roger Charles Pare Dennis N. Robillard William Samaras Peter Frank Skaves Rorald Sylvia Alan S. Waddington Jerold Welch MECHANICAL ENGINEERING MECHANICAL ENGINEERING TECHNOLOGY Hannes A. Alholna David Victor Arel Paul William Chevrier Ronnie K. Eng Thomas William Geggatt Sanh Le Paul Peter Milcetic Dennis Daniel Nahorney James Edward Santos Thomas J. Sweeney, Jr. lO4 Richard Paul Bougie Gary Ian Cabral Michael A. Cfjgci Wayne Francis Dubois Mark Edward Finni Edward F. Gunschel Aires R. Pavao Warren N. Richardson Thomas Edward Scott Carol A. Williams Robert Williams Susan Willis Lisa G. Wolff John A. Wolkowicz Janice L. Wysocki Jeanne M. Whyte Patrick Wilkinson if W Diana J. Yee Carol Ziajor bi alltg 1 'M if I .J ,. J, .y,,, W x A wifi' N . V if ff F2 -if 5, ,s f if X Joyce M. Dubois Wayne F. Dubois Ruth A. Duchesneau Joyce H. Dufresne Q -fl M 0 Dennis C. Draleau Cornelius R. Driscoll Dorothy A. Dube Derrick P. Dupre Le Sanh Jeanne Lemlin Pune App' lied Arts BACHELOR OF FINE ARTS. Roberta Ann Berry PAINTING Jeffrey S. Allen Martha L. Antaya Elizabeth H. Bissanti Stephen W. Cranshaw Brian Edward Curtis Helen Oliver-Smith Drew Mary Gail Edwards Michael Raymond Francoeur Nancy Glista Earl Charles Kadiff Lucy B. Lufkin Paul Nicholson Philip Alan Oliveira John Raymond Piers Kenneth C. Richards Risa Ann Swanson Robin D. Wessman SCU LPTURE Stephen Carl Bailey Stephen Donovan Michael J. Enos Anne Margaret Jenkinson ART EDIJCAT ION Sharon R. Belsky Susan C. Bettencourt Stephen Leslie Brenner Clell Donald Denise M. Donatelli Claire M. Doyle Mary E. Gallagher Christine C. Lewcon Charles Mztrsliall Dorothy Marie Murphy Nancy Jane Kennedy Tower Maureen M. Young TEXTILE DESIGN . Christina Grosswendt Dodd Laurie .Dianne Carlson lg -Dian Elaine Elliott... Deborah Marie Kuras Ai'aza'0 K ' Lora Carroll Suzanne O. Kadiff .s......S1l . ,ff ' 'T' re Marie Gerssle- I . J 1,21 usins 1, A ran . Joan M. Rickert Ann T. Turcotte BACHELOR OP PINE ARTS Joan Linda Blue VISUAL DESIGN Teresa Alfano Susan T. Bailey Melody June Bennett T. Marie Binder Bruce Alan Courson Kerry M. Dacey Michael Herve Daniel Deborah Lee Discount Diane R. Geggatt Susan Carol Goodwin Bonnie Jean Gwozdz. Kathleen Joyce Hall Deirdre Lee Hanlon Mary P. Hay Glenn Alden Kimmell Mark J. Laughlin Mary Anne Magagnoli Linda I. Nelson Gregory Nowell Steven Edward Raffin Gail Louise Robinson Donald S. Stidsen Deborah J. Tichelaar Manuel C. Torres Susan Jane Waterman Ellen Karoline Winkler BACHELOR QF ARTS Mark P. Mattos Susan Bay Rinn Brian Edward Curtis Michael McNamara George Silvestri ART HISTORY Jeanne Marie Lemlin Michael Edward Oliveira Marlene Laurie Tavares 107 U I' I S i n BACHELOR OF SCIENCE NURSING Suzanne Claire Allison Charlene G. Babcock Catherine Mary Barnes Carla Marie Bayides Kathleen Marie Bear Ruth Helen Benson Carleen Bernart Edward. I.. Booth Kathleen T. Borges Peter J. Bousquet, Jr. Kathleen L. Butts GRADUATE SCHOOL MASTER OF ARTS Barbara Josephine Cabral Maureen Call-an Paul A. Cardullo Marcia J. Charpentier Eileen Ann Coogan Patricia Anne Cormier Richard L. Corriveau Sharon M. Courtemanche Karen Lee Dick Joyce Marie Dubois Fred A. Endler III Jean Marie Eranio Colleen Roby Fallon Denise Marie Ferland Ann Marie Giacobbe Elaine M. Hatch Kathryn Heimerdinger Susan Jayne Hopkins Kristine Nordstrom Jodat Sandra Alice Johnson Jane Louise Keenan Anne Marie L. Kelly James Keith Lamb Denise M. Robida Lefebvre Christine E. Lorenzatti Catherine Pauline Lynn Elizabeth E. McGrath Janice Marian Normand Alice M. O,Connell Fernanda Patricia Otero Marie Theresa Anne Pate Linda Marie Perry Sandra M. Pieri Marsha L. Rebeiro Jill L'Heureux Rebello Laura Lee Ryea Theresa Ann Sadeck Nancy Mary Shea Elaine W. Shuttleworth Marie E. Sullivan Jane Louise Summers Deborah June Vincent Nancy Ann Warren Carol Ann Williams Janice Lee Wysocki MASTER OF SCIENCE BILINGUALXBICULTURAL EDUCATION BUSINESS ADMINISTRATION Mary M. Allen Sanford M. Horvitz Dyan Kieltyka Laurindo F. Machado Barton Pauls Mary Ann Silva Manuel Goncalves Arlene M. Ziencina MASTER OF SCIENCE MARINE BIOLOGY Philip Francis Clemons Thomas A. Munroe James Arthur Perdue William G. Raschi Clyde Lee Mitchell MASTER OF SCIENCE ELECTRICAL ENGINEERING Patrick C. Chen John Davis Brian Guimond William S. Schofield Neil G. Sweerus MASTER OF SCIENCE MATHEMATICS Cecilia E. Medeiros Hayat Weiss MASTER OF SCIENCE MEDICAL LABORATORY SCIENCE Bernard W. George James Tilmon Griffith Bruce John Hebda Pamela E. White Hebert MASTER OF SCIENCE PHYSICS John DeYoung Thomas Molinski David Pereira Gregory Squillante MASTER OF FINE ARTS VISUAL DESIGN Jean Elizabeth Gagnon Walter Golembewski Elizabeth Heitzman James A. Houle Alyson Jacobus Ralph Mercer George Mavromoustakrs Robert P. Galan Margaret Thibault John Philip Souza Charles E. Wingate Mike Zellner Dorothy A. Dube Michael Ziencina Arlene A. Zolla Britta Herz Laurie Carlson Nancy Zwicker Congressman Gerry Studds speaks at SMU. 4 . 45 Q -, f N at ji 1: N su.. s 5 3 5 1 uv X pw . fr-4 'J we va Q' X4 ., 1 '. 'Va 'Q 5. i-wx Q , 1 .gy wif' Times were tough in tlze fall semester of I975, as the nation entered what was termed a 'recession' in its econo- my. Jobs were nonexistent, and those wlzo lzad one lzung on for dear life. Very few people had money to spend on anything. Even tlze state was bank- rupt fsee piece on Mike Dukakis, nextl. The nation 's auto industry-a barometer of our economy- was giving out rebates in an attempt to bolster alarmingly sagging car sales. Strangely, prices on tlze wholde did not go down considerably! in fact, nzany rose una- batedlyj wlzich did not lzelp tlze situa- tion. Many feared a depression. At SMU, located in the most ne- glected area in one of tlze most neglected states in tlze union, it al- ready seemed like a depression. Facul- ty were laid off left and right, budgets were curtailed drastically, work study facilities and its deplorable financial situation! they wondered if they could set up a program to train Iranian naval cadets in engineering. The number would be small at first ,then would increase to 600 or I000 as the years passed. In return, SM U 's libraries would be filled witlz books, its buildings completed, and other financial wonders would be worked. To a drowning university tlzis seemed almost too good to believe. The adnzinistration proceeded cau- tiously at first, presenting tlze idea to a selected group ofstudents and facul- ty, wlzo received it with mixed react- ions. The scope of the debate was then widened, and open meetings were held with Iranian representatives. One of these representatives was Rear Admiral Charles Grojean, an amiable and soft spoken retired U.S. lsome of whom were from Bostoni, and others from within and outside the school. Whereas the majority of the students either didnt care about tlze situation or hadn't made a decis- ion, the leading opponents of the plan had very definitely made up their minds on several points: III The administration was trying to shove the Iranian plan down tlzeir throats, IZ! SMU would become an jmngan military academy swarming with Sec- ret Service agents, and li! tlze Iranian government was a tyrannical one which spied on and tortured any ofits citizens itfeared opposition fromg and therefore SMU should have nothing to do with it. This last point was lzammered lzome on what turned out to be the final day for debate by a girl in lzer mid-twen- ties known only as 'Leyla. ' On a crisp the Admiral hours were cut down, and some stud- ents had trouble meeting tlze schools modest tuition fees. In tlze midst of tlzis economic crisis, tlze government of Iran-a third- world oil-rich country made extremely wealthy and influential largely from US. petrodollars-made a discreet in- quiry to the upper eclzelons of tlze SMU administration. After lzaving studied tlze school land lzaving noted its proximity to the sea, its fine Admiral wlzo was in tlze employ ofthe Iranian government for the sole pur- pose of representing tlzem in tlzeir searclz for a training grounds for tlzeir Navy. lThe Admiral comes into our picture towards tlze end of tlze open meetings, wlzich ran for about two weeks! Now at about this time, the oppo- sition seemed to congeal. It took tlze form of Professors Hill and McCabe of SMU, a number of outside agitators at--- - October morning just prior to a press conference to be lzeld witlz Grojean and other officials, 'Leyla'- a non-stu- dent wlzo claimed to be Iranian in origin- expounded upon tlze evils of tlze Iranian government from in front of tlze administration building witlz other opposition leaders. In a scene largely reminiscent of a sixties' 'pro- test' gathering, a large tlzrong ofstud- ents gathered, and were led in chants by Hill and McCabe- wlzo were active 1 + I I E I i i 1 J 1 i i I U r 11533 if It xgaiav I ai f . Vik s A' It ' 1 I. f 21 .. g 2 ,sis I , Q 'P ' ri 'i i ' , 3 d W- W' : 'X 1. . ' ' ,Lilly - 3 Q If the Admiral in tlzis sanze fashion during the bygone Driscoll days. The press conference wlzich fol- lowed was tlzat in nanze only. The ballot box was stuffed, so to speak, as the roonz was filled to capacity with students who only nzonients ago had been fed great heaping ladles of the opposition 's views: and the only no- ticeable proponents of the plan in the roonz were Dr. Donald Walker fthe University President! and the Admiral lthough there was at least one Iranian official there who renzained silent throughout the proceedingsj. In fact, tlze half-hour or forty- five nzinutes were spent in cynical interrogation of ' Adnziral Grojean-of whont it can be said, nzuch to his credit, that he never raised his voice or lost his tenzper. lDr. Walker also, though at tinzes visibly frustrated by the proceedings, handled hinzself welll. Particularly inexcusable were the actions of a local television reporter present lwhose carnera lights shone in Grojeanis .race in a fnanner rerniniscent of an interrogation-see photol. Abandoning all pretense of objectivity, he fired insinuations at Grojean l'Don't you stand to get sonzething out of this7and seenzed to be playing to the crowd, which out- nunzbered Walker and Grojean about 60 to I. 1 -'v '---- 'I MLW' :iii l ffifxf - if M 4Qil'ikl. .. is .MA Eiifgwkl' 3 s'4 ZW' ,mv lv,,4, if V, f. -1 f il X 0-4-'vw-of A After this display, it becanze appar- ent to the Iranianlsl in attendance that tlzeir presence at SMU was nzost heatedly not desired, and they shortly tlzereafter withdrew their offer, so the nzatter never was put to a general student vote. We have been unable to discover whether or not the Iranians had a sirnilar offer accepted at another university for if they decided after their e.y'perience here that this country just wasn't for thenti And therefore do not know how it actually would have turned out. All we know for sure is what the student body at SMU lost- its freedom to choose, lnext page, counterclockwise front upper left! Adrniral Grojean, Dr, Walker, Iranian representative. and 'Leylal 1 fn Q aft 1.91 -AQ 8 li . .W 'Q V, . A M Uv, S L1 v fl Q Mn. V - 'L -xi? flfg , .,,z'Q,,25fglg,. ,QW a '. . W. f, 1. -l , ,. gE'Tng5S., 5 kg aff: wi' ' ? 9 2 5 - 735 . 3.1. 4 ,dawn- 1 . , ef V' ,VF . . IZ '-' jg I '- Q. , f ' T51 4 2' 9,4 f QM, 152' 'WH if .,.,-4 a J 5' Q Q 'gif 1- 4 we if E in yuu, J, fp v ' Liv , x YY M. 4 . 'zzz X 1 Y 'f S f, I . gig? 1 . ,. 4 13, ,. s 'f 5' 45, 1 w ,gm V Why SJ ' fu ' .tm ' x apCf'-'Hz if C. an if ,'fb,. A 4 .v QU. ,,,, ,Kg . 1 'W' ,X M, 'W' Wx- N F Q- 5 . 4 fait L -F4 1 rn 5 ,h 'I' 'i if 3 . I 43 Y Q -if sf , , cg. fx if Q v s U x 1'--3 1, 21'-.A 4-' . ffl .. g.,f..,f'2 144- ,,,,A. A. 131,-3.2L , -- - ---1 a ,.. ., 2 l , . z .f N . Ji fs I Q., HA, 4 V ,Q M eg ,Q . . ,Q r . Q Q' Kg Q'-1. ..- ' ' ... . ..-2 4 - 44, xii, .f:.', Hap- W ? g,,,f- , , ,.,W V, . Y I 7.2. if ,4 if if Q ,, - 1'l .'., D ' 1' - iv 1 3 2 .5 af' V.. . 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Dukakis' sin, in tlze eyes of the SMU Community, was one of inaction - failing to take the largest White Elephant in tlze state off the students' hands. Tlze Campus Center building could never be paid for by the students, because tlze interest on its debt each year exceeded tlze crowd and deliver bad news! many times before. Now, any man having to make a living by repeatedly facing a dangerous situation in order to survive has to work out some method wlzere- by lze can accomplislz his task while skirting the worst of tlze danger. lAsk anyone wlzo wrestles alligators for a living.! Tlzere was an even larger crowd waiting outside tlze administration builing upon Dukakis' arrival than there had been for Grojean 's--and they was, tlze only person on stage wlzo actively agreed witlz Dukakis was Sec- retary of Education Paul Parks, but tlze other people on stage--student leaders, adnzinistrators-at least helped maintain some order.! During a good half-hour of non-dis- cussion witlz tlze students, both sides clung tenaciously to the views tlzey lzad entered tlze auditorium with. Dukakis insisted tlze state had no money with which to purchase the Campus Center, while the students the Duke amount the student body could raise in fees. This year it was about to come to a head, as failure to meet a mort- gage payment was about to close the center. It lzad not been a pleasant term as Governor for Mike Dukakis by any means. The state 's financial situation fhe stated twice wlzile here that tlze state 'can't even afford to buy teeth for its Senior Citizens '! had been such that we suspected he had been in tlzis situation l having to face an angry were at least equally prepared to take him to task. Ratlzer than face the mob outside, the Governor elected to hold his meeting with the students in the auditorium. T lzis gave Dukakis at least two advantages over Grojean in lzand- ling a very similar situation: it kept Dukakis' back to tlze wall, and gave him a 'buffer zone' of sorts wlzere lze could lat least potentially, if not in actual practice! deploy persons wlzo would eitlzer back lzim up, or at least not violently disagree with him. lAs it insisted they could not pay higher student fees to support a building for which tlzey could never fully pay. Finally a lengthy petition signed by hundreds of students in favor ofstate takeover of tlze Campus Center was dramatically unveiled. After a few moments private consultation with Parks, Dukakis announced with equal drama that he would work for Campus Center takeover- with the catch of a tuition increse making tuition at SMU equitable to UMass. J V, .N 1-.,, h....,N but no Z g the Duke Tlze students seeined to be too busy cheering to notice that part, they seenzed to have felt they had won a great victory. We sat in awe of' a Master alligator wrestler. It seems in hindsight that altlzough the crisis was upon us and the Campus Center was in danger of' being closed, assurnption of ownership by the state in suclz a situation was inevitable--if' only because the holders of' the nzort- gage would have no use for the build- ing, and would petition the state to assurne responsibility for tlze students' debt. Holders of such a nzortgage, being very ntuch in the econonzic rnainstreani, along with area legislat- ors, would have niade a very powerful lobby indeed - rnuch inore effective than any inere students could have inustered. It seenzs to us, then, that we had been allowed to get ourselves into a position la position, reinentber, that we inevitably had to slide into, as our debt was always greater than our ability to pay! where we seerned to be in a grave situation and had to petition the state for aid. Whereupon Dukakis lagain we are speculating here, albeit not Too Wildlyl after coyly hesitating until we were on the very brink, swooped in and capitu- lated to the inevitable state takeover- and added with a flourish the tuition increase. The stroke was delivered so artfully the students did not even notice it. The real point here was not so inuch the tuition increase per se-- -we concede that as perhaps inevitable although Dukakis would have inet opposition had he tried to legislate this as anything other than a 'tie-in' for the takeover. The point was land still is! tlzat SMU's independence front a UMass 'systern' is really at stake here, as Dukakis hinted in the way he turned nzany of' his phrases that day lfor one, lzis insistence that since the state was buying the C.C., we niust pay tuition equivalent to U subinission to tlze state 's Superboard systein was subtly linked to the take- over. Tiine will tell whether or not it was actually the first step. -1491 x 'Q' A ' 3 fl 1- if W QW, an new 1. 45' fab' K K 'fa in naw ' .QHQQ 55 4 Y ,A yjfi. 1 -' 4- ' I if M,- M .,f...1-v ' -Munnw-,, 'mf' 1' .Ex V v 6 gf , . i 6 13 'Y 2 15, ,Xi T5 ,V 5 .,, ww New 'WY fix? 1 HL , 4, +' 4 ff 'X 'af 5 1 1 Henry Henry Steele Commanger, noted lzistorian, was another personality whose presence on campus touched off a controversy. When Commanger fthe very stereotype of tlze dusty. Fumpled and absent-minded professor! appeared on campus to speak as part of tlze Lecture Series, tlze Black Stud- ent Union immediately appealed to tlze Student Senate to ratify a letter of protest. The exact details are unclear, but wlzat it amounted to was tlzat Commanger lzad shed an unflattering light on blacks in the introduction he wrote to a history book many years ago. Without having read tlze text in question, tlze Senate ratified such a letter la move it later regretted, and later officially withdrew support from--but after tlze damage had been donel. Wlzen Coinmanger arrived to speak, he was presented with tlze letter, picketed and generally har- rassed while delivering his address to a small crowd. Commanger himself proved to be a nv I i quite dull and uninteresting man whose presence on campus would not have been worth note here exceptfor the incident with tlze Senate, which proved once again tlzat a legislative body can be coerced into supporting almost any notion. lTake for example tlze UN. ,s recent stand equating Zion- ism with racisnz. Perhaps, as nationally syndicated cartoonist Jeff MacNelly noted, stupidity will be declared a fornz of intellectualisntl 'M M 'f i l J ' x -AV 1 44. , bw.. QV 1 f f 1 X f ,- 1,,u:W5 M-Q ' 9 5?f'2'23f.i,'2s: ,L -,bf a I .-.r,vg.'- - Q-f,:':-ff,- ur ,, 1 -,V+ ..,, .f .-M, -- .V Ji. -1-,,gf.!, .nap- . ,rn ,, .,l:x:Qf5'?xV .V JJ xv -, 11, 5,11 ,. L 'E 15' , ,-'u,'f- ,UW . V m. ,.,.4,f- Y , ,-,uf ., 1. - - ,.1,, 'fy 1. ':. , i',,:, cf- 4 v u - 'f .' Q, ,,, I ffl' 'r--,, ,' f .,,fc.xQk.f4 1- .4 H., . .. JJ l !.i,v1 M., -n,: 1 , ,. , .,-1. .. .,,,,.,4,,J L ve,-'.f,., .1 ! ' ,-1f':,,ff.,'-,ff . Q 5 , .MJ ,HQ .,, . 'r 1 fcfilf'-4. M Q ,. V .,-.., , ' V,-.J -E 7 -if .. Vw, . F, pf.. A - 'fs ,lf -,1-H 3-.-. .r , ,yf 2.-if JW. ,Q -'sr Y ffhifu ,,. An , , r 's,'f'1:aQ f :-'H' -f U ,LLZ f 'i ', '1c::,'- - 'f J ffhfiv.. . A,,,f A 'Y ' 1 wgff' i . A 1 J ff? 1 19' M 3, Q V g gif ' ' m, N. 4 M 1 4 1 .L i X 1 ...-Q x 5 -ofvvffm R - I 'A ,k,-, 1 x R N x Q X , + '22-:i:'Sii?I,' Bob The 'new' Bob Dylan rolled into SMU atop a ware oj'puhlieit,1'. with big-time media eorerage whieh put SMU on the map for a while. at least. SMU 's laek ofsi:e was Dylan 's induee- ment to begin his tour here, as the Word was lze wanted to play small colleges to re-introduce himself' to eollege li. e., reeord-buying! audiences in an atmosplzere more intimate than most modern-dai' eoneerts I with tens of thousands ofpeoplel allow for. Despite the lI6'dl 1'-lldlldcftl taeties of D,l'ldll'.S' produetion erew fduring the performance they ran up and down the aisles ripping outfilm from earner- as they had spotted in the audience from the stagel the 'Rolling Thunder Revue' was generally enjoyable and eertainly well worth seeing. The per- formers of note were, of eourse. Dy- lan and Joan Baez. D,Vlan's perform- anee was intense and controlled, as it he were performing a task requiring such eoneentration and energy that he eould not for a moment relax to notice or acknowledge his surround- ings. He performed as if' driven, and one got the feeling he applied the same lllfClZSll'.l' to brushing his teeth in the morning, or ordering a pi::a. Baej, in eontrast, was relaxed and C0111llllllIlC'Clfll'C with the audience, as ifperforming in a eojjee house. Ama:- ingly. they managed to find a middle ground for their duets, and worked quite well together. F J X X , , f SOLD fn 1. - ..,-.. -1,-1--I--1-' rgtfgfrfz hlhf .V M :ef-' , -A5 fi W' - QP? ' 'Q Q 'N uf T-' 4 - X n - , '92 + C32 1 . ,., I' 5qf.y,.f' ' kin, i ' f Y ,tr -1 was i if we J ,, .- ,L XX .Q , .dz ,x ,Qs X X?- zfmf ,K walgzl-. v A 1 . . 4' QF. f 1.5 x Y W ., 15,5 . 9 Q A 1' , R. - ff 5 A K. .. 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Men are known as tlze 'strong and aggres- sive type and women are known as passive and weak'. It is because of tlzis and tlze idea tlzat women are not achievers aggressive and leaders, tlzat they were encouraged not to partici- pate And myths die slowly. As many of' us lzave come to be- lieve tlze traditional exclusion ofthe weaker sex from athletic life lzas all but declined in tlzis so-called modern era However, -the discrimination still exists The subtle slanting of interest of a growing girlq tlze desire for lzer to pursue her femininityq tlze overem- phaszzed male athletic scholarship: better paid male coaches: and tlze very muclz alive discrimination in tlze pro- fessional sports world. From one of' his selections, Tlze Dynamics of' Exclu- 'TA'- Uivix ,Easy A EQ-in in , Q I Y K u I . Y J l K 7 , 1 fi-?'?1i'-2312-Q.,if-Jsjg,--f.,'11, - QLLM -132.-,-,ff-' i--liiigvg l.CS.'.'J.,.-N - ' ' Tffag' I -1- ,-1..- A- l:-- 1-,w..f,,f.- -: nr- g Q, -, 'Q '- -f :yay-'nfs ' '3 ' f2i.'53:fl.'giifEg? fi if-' ' 452' 1 1 1. 'u gfqem-g?, :'1 R . im, tif-iZ1:13.i:z,2i5g-',lg-3, - rg 1 'iff' 4 '55 - v-. ' . X' 1 .v .- -R--4 tw ff v-:vt-..-.-1-W .. , jf , Lzfxgiifrf- ,-i ' Gjsti-K g iffy..-5 ,: gi AIN' w.v '3- :sh :Q-v'L:f if Ag we NL Q., 4,315 .4 .,. I ,-,.H,,e:e: .xg- . , w I -'iii' V 4 E255 .L '-V1 ,f ffIfff3'f1 i :SJ liigkxw-7-F sion, Herbert 'Spencer ll882l con- demned this fenzale exclusion from 'masculine games' and attributed tlzis to tlze widely lzeld belief anzoung middle and upper classes that 'rude- health' and atlzletic prowess were un- ladylike. In 1965, Margaret Coffey presented in her essay Tlze Modern Sportswoman, an historical review of the increase of women in athletics. She describes tlzree periods of' the female sportswoman: The emancipa- tion of' the 20's - of' jazz and dancing. growing leisure, shrinking clotlzes and Freud, of' required P. E. and the 'Gold- en Age' of' sport itselfl Tlze second period of the 30 's and 40's - offornzal organization and women lzeroines and finally of' tlze 50's - tlze post war decades ofparticipation. So in view of what wonzen have lzad to put up with, tlzings seem to be changing pretty quickly. Across the countrv. colleges are reviewing their sports and atlzletic programs to deternzine if they provide equal opportunity' to tlzeir female students. Federal law now mandates that institutions eliminate policies and practices wlzich discriminate against students on the basis of' sex. From a report to the American Council on Education - on athletics found that: 'the most important and far-reaching recent development on the college sports scene has been tlze movement to achieve equal treatmentfor women in intercollegiate sports. I t is safe then to assume tlzat witlz all this growing recognition, tlze womens athletics scene is likely to change drastically witlzin the next ten years. Five years ago in l970, Marie Snyder arrived as Womenls Athletic Director of' SMU. At that point there was absolutely no sports or programs in existence for women. During tlze spring of' tlzat year a tennis team and several recreation classes lzad been formed. The response was fair. Over tlze years, seven otlzer sports were formed. Although there is no recorded 1 1 X ! - 'L information regarding the amount of' use the gym gets, I talked to several people involved in the direction ofthe gym and received a fairly agreeable response for all. I first spoke to Bill Gathright, Intramural and Sports ln- formation Direction. He feels that the gym does get a great deal ofuse but in all probability there are more men tltan women who use it. especially' when it comes to tlze weightroom. According to Ms. Snyder. the athletic department offers as much for women as for men and that tlze usage ofthe gym was best described in ternzs of needs. She also felt that the average woman doesnt want to simply' go down and 'work out'. After thinking over both these statements, tlze one overriding question was whyj' Why don 't tlze women want to go down and work out and why do tlzey stay away from the weight roomf0ver tlze last five years I have used the weight rooms extensively. At first I found the reaction from the men to be one of .ii qi amusement which gradually' turned to acceptance. In contrast to that, how- ever. I found the response front a passing female to be of' pure amaze- lllelll. Several approached me to ask why I was doing this thing and 'wasn 't I afraid of' getting big muscles? This statement in itself' is indicative of' a major fallacy on the part of' women and athletic training. The 'Billie Jean King Syndrome' is one of' tlze fears of many women that tlzey will be over- developing their bodies. Being only one of' the complexities involved in attracting tlze female population to a gymnasium, it is important to note the 'immediate need ofreeducation on physical fitness. The cost of' the gvm alone is im- pressive: two million, eight hundred thousand dollars. Of' 14,000 day and evening students in tlze 75-76 year, the gym collected 397,000 front a portion of' their general fees. Although tlze staff' feels that the gym gets it fair usage, I question why the response isn 't a greater onefls it time, laziness, lack of' knowledge about its existence.- or what?There now exists eight wom- en is varsity sports and eight varsity nzen 's sports, an Olvmpic sized pool, a weiglzt roonz, a large gym floor, equip- ment, programs and activities. But of' all this, one could guess that ntaybe 35-407 of' the student population are involved in varsity and intramiiral .sports and perhaps another 5 W in intermittent use ofthe other facilities. In sunznzation, this editorial is not written from a negative viewpoint. The gym and its programsareg the s tuden t-body in goodfaithq I write tltis hopefully to enlighten and pro- vide awareness of its existence and po ten tial. Pat Manning .lust what is field hockcy'?lt seems that anyone with a stick and a ball can just bat it around from one end of a field to another. So what makes bat- ting this ball into a sport? The game is unique in that essent- ially it is the only sport played by women and founded by women. lt requires speed, determination and skills including evasive tactics, passing, dodging, and strong manipulation of the equipment. SMUis first field hock- ey team started in l972. Over the Coach June Pinto cited several problems with the team this yea, emphasizing particularly the lack of women who go out for the sport. Her team consisted of only four seasoned players with the rest being far too inexperienced to stand up to the competing teams. Antoehr problem was height. In a couple of games, the team years it has developed into a strong and skillful team. This year the team played an eleven game schedule in- cluding two winning scrimmages. The overall record was 5 wins, 2 ties and 2 losses. At URI on the weekend of November l-2, the team attended the Northeast Field Hockey College Association Tournament. They tied O-O with both Gordon and Williams Colleges and lost out 2-O with Wor- cester State. wasn't playing up to par and lost out on two possible wins against Bridge- water and Eastern Nazerene. The game of volleyball was invented in l895 and a winning team resulted from good physical fitness. skill, team- work and good coaching. SMU's best showing was in the tri-match of URI vs. MIT. Against exceptional compet- ition, SMU rose to the challenge. aft I i X 3 i us. C 14:-yl, It is up to Coach Barbara Carreiro to prep each player for upcoming matches. She must know the different styles of each member and utilize this to increase further winning plays. This year's co-captains were Nancy Ken- nedy and Sue Negri, who are both graduating seniors. Attentionwshould also be directed to Lisa Drouin who was selected as College B ll's goalie and to Mary McCarthy who aseen in trials. Hoping to see a number of improve- ments next year coach Pinto ex- plained that she would like to see a tighter practice schedule, an earlier season with better publicity and per- haps most importantly, a new coach who could provide a betterjob, as Ms. Pinto is both bolleyball and basketball coach for women at SMU. field hockey! volleyball i i As usual SMU's cross country team did what comes natural to teams coached by Bob Dowd: they won most of the time. SMU's l975 dual meet record was l4-l pushing the Corsair cross country mark to 95-24. But that was just a warm-up. ln post season action. SMU placed fifth in the NCAA Division lll National Championships at Boston's Franklin Park. This was the highest finish ever by a SMU cross country team in a National Championship and it pulled the Corsairs to an eighth place finish in the New England Cross Country Poll for 1975. In that Nationals meet. Senior co- SM -captain Peter Smith became the sec- ond athlete in SMU history to earn the title of All-American. Smith's l0th place overall finish and eighth place finish in team scoring put him in the select category. Senior Dave Hill. high hurdler and track co-captain. is the only other SMU athlete to win the coveted honor. But one athlete does not make a cross country team. Mike Murphy. George ltz. Senior Buddy Harris. and Dan Doyle all finished within 15 seconds of each other and only 42 seconds behind Smith at the Nation- als. SMU combined for 10th, 44th, 45th. 58th, and 59th place. Not bad when you consider there were 310 runners from ol colleges and univer- F' fy 3? e i eli' 'df 'S 157-'ff' sities represented in Boston. And little SMU finished fifth. Yet, the National meet wasn't the only invitational SMU participated in. The Corsairs won the SMU invita- tional for the first time in the meet's three year history. Their fifth place finish in the Cod Fish Bowl qualified them for the National Championship. This was followed by a first place in the NCAA Division lll District l Championship. SMU also was the co- champion of the Tri-State Conference and placed llth in the New England Championships. Nineteen seventy-five was just an ordinary year for Bob Dowdis har- riers. cross- country F . WMM x N gg f . 7 f T T The COrS21ir SWim team. CIW-Pile 3 FMPPO- H graduate Of Springfield C01- freestyle, 5:30.5, and a share in the 2-7 record, had a season to cheer about. With a squad made up of mostly rookies and freshmen, the aquamen took giant steps toward re- spectability. James Filippo, in his first year of head coaching, developed the talents of his swimmers to a high degree. At the beginning of the basketball season things looked bleak for the Cagers. They had lost four men to injuries and had gotten off to a dismal 2-3 start. When Charlie Funches was injured against Gordon College, obser- vers gave the roundballers little chance for success. With their height and rebounding muscle diminished, the Cagers went to speed and finesse. At times, four guards played with the lean, 6'7 General Holman. This change turned the team around completely. They won fifteen of their next twenty-one, won the Western New England Basket- ball Classic, and went to the finals of lege, brought a thorough knowledge of swimming to the SMU campus. Freshman, Dave Olson was the bright spot for the swimmers as he churned his way to seven University records: 100 yd. freestyle, 50.41 220 yd. freestyle, l:57.4g 200 l.M., 2:l3.3g 200 yd. backstroke. 2:15.11 500 yd. the N'C.A.A. Division 3 New England Playoffs. As the team rolled on, Ron Mag- nant, the scrappy 5'l 1 playmaker, emerged as the teamls court leader. He totaled l84 assists and became SMU's all-time leader in that category. His passing wizardry left more than one fan shaking his head in disbelief. Providing the scoring and the re- bounding punch for the Corsairs was Holman. 'Gi averaged 26.2 points a game as well as 13.6 rebounds. Over a torrid stretch of four games, he aver- aged 36 points and 20 rebounds. During his career at SMU he scored more than 2000 points to become the all-time leader in that category. In addition, General received the Christ- Medley and Freestyle Relay records. He was undefeated in dual meet competition. Captain Bob Cilley helped set the Medley record, swimming the breast- stroke leg. 'Spitz' only lost once over the season in his specialty, the 200 yd. breast. mas Tourney M.V.P. Despite a tension-packed loss to Boston State, 97-95, the Roundballers had high hopes for a post season playoff berth. Two hours prior to their final regular season game, the team received word, via the telephone, that they were admitted to the N.C.A.A. Division 3 New England Playoffs held at Rhode Island College on March ll and 12. In the semi-finals, SMU squeezed by first seeded Suffolk University 79-76, with Magnant scoring 24 points. The Corsairs were nipped by Rhode Island in the final game 89-87, with a controvertial last second bas- ket. The Cagers argued Cunsuccess- fullyj that R.l.C. hadnit inbounded Senior Ric Cooper. along with Cil- ley. leaves SMU with his share of glory. Cooper shared the Medley and Freestyle marks and set the l000 yd. freestyle record. The team's biggest surprise was rookie Mark Griffin. ln the last meet of the season. against Lowell, Griffin cracked the 200 yd. butterfly stan- the ball in the required five seconds with only one second left on the clock. Coach Bruce Wheeler summed up the team's dejection when he said, 'lt's a damn shame that a Champion- ship Game had to end in this fashion' Even with the sour taste of defeat still in their mouths. the Basketball team could look back on their accom- plishments over the season and be proud. Five men finished the campaign with scoring averages in double fig- ures. Along with Holman were Mag- nant. 14.41 Mark MacLeod, l2.6. freshman Doug Hayden, 12.21 and Doug Crabtree, ll.8 This kind of scoring balance was the Corsair's basic strength. dard with a time of 2339.0 He low- ered the old mark by more than ten seconds. On the springboard. freshman Cliff Manchester and Ron Wilson provided a tough combination. Manchester. only lost once all season. Sophomores Brad Cheney and Don Stewardson. though new to swimming, performed Other outstanding contributers for the Cagers were Len Brophy. John 'Pole' Allegrezza. and the injured Fun- ches. Though he saw action only in the first seven games due to a torn knee cartiledge, Funches led the team six times in rebounds. Brophy played guard with a mean tenacity that epito- mized the Corsair spirit and hustle. Allegrezza. probably themost im- proved player over the season, played like a veteran during the playoffs. His long arms gave him the ability to play sticky defense. The Corsairs were l7-9 overall on the season. They sported an impres- sive 16-3 divisional record. General Holman wrapped up an unbelievable season with first team, N.C.A.A. Div- Tiliaav like veterans, turning in some excel- lent times. Randy Corwin and Jeff Stoloff next year's captains, were familiar sights in the freestyle events. Fresh- men Steve Clancy and Greg Garber added depth to the team. ision 3 New England honors. ln addition to the potent front- liners. the Corsairs bench was a big boost all season. Keith Miceli, and Freshman Robert Holmes helped to carry the Corsairs. When Keith Jones and others were on the injured list, Jim Ciborowski stepped in to provide bench strength. What did the Corsair Cagers accom- plish this past season? Aside from individual honors and adulations, they gained respectability and credibility. In the future. the SMU basketball team will be one to reckon with. swimming! basketball gi if T fs? 4 -fl ,aj . 123.-' A 'flex ' UO it , 'I W I if . ...M Like the Boston Red Sox dream team of 1967, SMU's 'Cinderella Kids' did the impossible coming back from last year's humiliating l-l3 hockey season to skate their way into our hearts with a ll-7 mark. These new kids on the NCAA-ECAC block showed the neighborhood they aren't going to stand for any more bullying tactics. The team worked its magic spell on the rest of the league by putting twelve freshman on its roster. This new blood was the transfusion the doctor orderedas SMU was transformed into a scoring machine. In l8 games, the Corsairs scored lO6 times while holding their opposition to 85 goals. What the team lacked in experience it gained back in sheer enthusiasm. There's nothing more fun to hockey player than putting the puck in the net. 'The kidsn showed they could do that very well. ln the season's first two games, SMU steam rolled over hoekey Q si 5 , 5 I. ,S J 5 i A 1 . ii -f A Q Q Q Q 9 53? Q 9 3 Curry 9-4 and Gordon 12-3. But they finally made believers out of the league in the middle of the season. Down by one goal after two periods, SMU exploded for five goals in the third stanza to upset Assumption College 8-4. This was a grudge match as Assumption's l3-2 pasting of SMU last year was still fresh in the mind of Coach Joe Prenda and his six veterans. At this point in the season SMU owned a 5-3 record. This looked more impressive when you consider seven of those games were played on the road and two of the losses were only by one point. The third loss was a two point spread as an open net goal was scored in the closing seconds. But by no means was the Assumption game the high point of the season. After being demolished by Massachusetts Maritime in the opening game of their seven game homestand. 'the kids' proved what a classy hockey club can do. First, they squeezed out a 5-3 victory over Stonehill College playing almost as tlat as they did against Maritime. But this game highlighted one fact: SMU could win on an off night. Yet. two nights later they looked like a veteran hockey club. They tripped Westfield State 3-2 in overtime proving they could handle pressure. The next three games were a breeze as the Corsairs extended their winning streak to five games. Roger Williams. New Hampshire, and Gordon Colleges fell to the SMU barrage as 'the kids, averaged nine goals a game. SMU was now ll-4 placing them in a position to make the ECAC playoffs. However, it just wasn't meant to be. Assumption, Mass. Maritime, and Fairfield overpowered 'the kids'. Sure, they were disappointed, but they were also very proud. gThe Cinderella Kids' had earned SMU respect in NCAA-ECAC hockey circles which is something comedian Rodney Dangerfield has been hopelessly trying to get for years. l WB EYWS . .E With ten letter-men returning for the 1976 season. the SMU baseball team was expected to rank high among small colleges in New England. Coach Bruce Wheeler. an integral factor in the university's successful basketball and baseball programs. would have no problems with inexperienced ball-players. The season began in the middle of March at the University of Maryland. It wasn't a very impressive start for the Wheelermen as they were completely overwhelmed in a 24-l defeat. This. however was no indication of how the Corsairs would shine in '76'. After winning seven out of twelve encounters on the trip south. SMU returned home to host their first annual Invitational Tournament. Some of the best teams in the state provided the opposition. The weekend was blessed with excellent baseball weather. but SMU salvaged only one victory in four games. The University of Massachusetts. who shut-out the Corsairs, eventually won the two-day event. The following week began with a crucial victory over last year's division three champs...Eastern Connecticut University. Rookie right-fielder Dave Liimatainen stroked a late inning home-run to cap the inspiring 5-4 conquest. Liimatainen led this yearls nine in home runs las well as vowelsl. April proved to be a prosperous month as SMU captured sixteen out of twenty contests. A modest nine-game winning streak high-lighted the long stretch of high performance. Apparently another play-off berth was forth-coming. but not until Eastern Conn. visited North Dartmouth for a final show-down. Gnce again Mr. Liimatainen struck the decisive blow with a run-producing double in extra innings. Although the night-cap was lost, SMU had managed to defeat ECU in two out of three meetings during the regular season. A season which produced an outstanding 31-15 record. There were many significant individuals in the success at SMU. Seniors Jim Ciborowski and Don Arruda. along with Junior second-baseman Joe Jason were the most notablemtand of course us, I 'wr' .-Xl f . , . Alf ......-. rf 1 ', Liimatainenj. Jason. whonbelted the ball consistently throughout the campaign, led all hitters with a .420 average. Cibby had an impeccable pitching slate, earning five wins in five performances. Jim was the 'man' when Coach Wheeler wanted a sure victory. Cibby in many cases was the unexpected starting pitcher... 'Stubby' Arruda, as Don was affectionately called by his mates. was a solid performer at the 'hot-corner, with a .926 fielding percentage. Don also was the team leader with thirty mins batted in. The remaining contributors to this season's success were: Steve 'Tito' Taber tbase-stealing center fielderj, Gary 'Gilly' Soares 1.322 batting percentagej, ,catcher Greg Morris, first-baseman Rick Rego...and a fine pitching staff of Steve Camara C6-45, smoking Joe Miller t6-55. rookie south-paw Dave Eogaren C4-OJ and Gary Felix. Rounding out the squad were Bruce Garifales t.3lO batting averagel. Jim Lang, switch-hitting Brian Cassidy, Paul 'Sleeper' Starociak. Mike Priscella and Kevin Considine. Steve Knowles handled the coaching duties with Bruce Wheeler. baseball V F? E E! 1 :Sm Y M Al lrigh tl Constructing set for Lysistra ta. tfaf right! Set collapses during dress rehearsal. The worldfor some years has been sodclen with tears on behalf of tlze acting profession: Each star playing a part seenzs to expect a purple lzeart. It 's unorthodox to be born in a box, But it neelln 't beconze an obsession. Lets hope we have no worse to plague us Than two shows a night in Las Vegas... When I think ofplztisicians and nzathenzaticians ff' 93'-A- gif t 222' f I 5 ., U 'aff f:, , ,W , , JH! -1... Who don 't have a quarter the dough, Wlzen I look at tlze faces Ofpeople in Macy 's There 's one thing l'nz burning to know- Why nzust tlze show go onf' lt can 't be all that inclispensable. To nze it realli' isn 't sensible on the whole To play a leading role When fighting those tears you can 't control. IV11-1' 1t1C'1i 1112 111111 10g5 1011110 L11'Cl11111Ig 1110 1110g5 Y1111 '10 17111171 115 11111111 Y1'UCl1'S. Qf'5111'111w '5 1711101 1'1111f' A1161 111.17111 'FC 511 191116, w0p1-1111'1111g11, 1301111150 -11111 1ZCll'L' 101111 5111110 1111111 11115 511111, A1111 1'111111111g1111' H'UC bC'g01l6', 'T110 0111161111 1111151 SILJD1' 11121, W111' 1111151 1110 5111110 g11 011.7 l'11 11150 111 1i1ZU11' w11.1' Cl SICI1' 1L11iC.S' b11w5 W0 '10 L1.S1iUC1 111 11111111110 H111'1'11g j1151 1'C1'111'1IC'C1Af1'U11I 11111'-1'111g 1IC1' Sf?U1l.S'C'.', W1111 661611 11'011111111115 511111 811110 '19111111-11-11111111 1-0118, W1111 510,115 11111 111 110 111111111' 11p111111111011,.. C111 11111110 111111 1111 'VU111' fc'cl1'.S'. S11115 1111 1111011111g 111'g1115 0111161111 11111 11111111015 W0011 1011011 Z'1lC,l' 500 l'1IC11' 116117165 111 11g111'5. bac: kstage ,,.'.,1,.al7,'-Z, Tlze people wlzo act as a inatter offaet Why rnust the show go on .V Are financially amply rewarded- The rule is surely not inznzutable. It seems wlzen pursuing their calling It might be wiser and rnore suitable just to Close Their suffering 's simply appalling. If you are in tlze throes But butchers and bakers and Candlestick makers Ofpersonalgrief Get little applause for their pains. Aria' private woes. When I think of nziners Why stifle a sob while doing your job And waiters in diners Wlzen, ifyou 'd use your head, The query forever remains: You 'd go out and grab a Comfortable cab iw-MK NA 2 1- W , dr.. ' in -S,.....--,.. iv? - 111 1l1e a11a'1e11ee and back- 51age pr1or FO ope11111g e11r1a111 for Pe1e1' Pa11. f11ex1 page! Break 111 work for 5e1 pa1111er5. 1-111dg0 r1g!11 11011151 10 bed? 11711 1111151 1!1e show go 072.7 Because j'OZl,I'6 11o1 g11'111g 115 17211611 f1111. -I so111e11111e5 WOIZCZTQF- TI115 'Laugh clown Zdllgll 'ro111111e'5 been o1'erdo11e 11711 1111151 1I1e show go o11? Ha15 off 1o show folks for 51111I111g when 1I1e,1' 're blue, B111 111ore iCO77Zl7Z6 1Ifa11.x'foIk5 Are sick of Sl7ZfZf7Zg I1ZI'OZlglZ. And ifyou 're o111 cold Too old A11d111o51 ofyour 1ee1l1 lzare go11e- backstage Despite the beseechings of Noel Coward. the shows went on at SMU during the 1975-76 season. Two of them reflected the ghost ofthe sixties which seemed to haunt us during the academic year: 'Moonchildren' and 'The Rolling Thunder Revuef 'Moonchildren' is a play revolving around a group of college students living communally in the classic sixties' style. and the trials and tribulations brought on by their lifestyle and the times. Having the period brought forward for larger-than-life inspection in this way seemed to make some students, who lived in the fashion during that period, uncomfortable. 'Moonchildren' is indeed a bitter-sweet period piece and many people feel uneasy about that time. As two ex-hipsters remarked in Garry Trudeau's 'Doonesbury' strip: 'What's happened to us'?' ln the Fall of ,75 there had been talk of a sixties, nostalgia, with Nehru jackets and other paraphernalia coming back into vogue, but the idea was dropped quickly. The period is too close for comfort, and the thought of all that energy and excitement, however naively directed, grates hard upon the nerves of today's more complacent younger generation, whose energies are more directed towards finding work. When ten, twenty years have passed we will be able to view the play more objectively, and will appreciate it more for what it is. tln much the same way we appreciated the season's other period piece, 'Where's Charley?', on which there is more later.J 'The Rolling Thunder Revuef our second sixties-based presentation, heralded the return of Bob Dylan, who WAS the sixties to those who were there. However, a lot has changed since then. The culture tor cult, if you'd rather! which spawned Dylan has all but evaporated, of course, and many people on campus had never heard of Dylan tmany of these came to the concert out of curiosityj Also, Dylan, who usually performed alone tlike a rolling stonel brought a troupe of performers with him, including Joan Baez: as well as a heavy-handed production crew twhich probably was formed just to handle this particular tourj dubbed Zebra Productions. The entire production was handled rather unusually: the tour was booked only into small colleges and only students attending the colleges were allowed to attend. Also Zebra attempted to keep all information about the tour under wraps until the last minute, but it anyway. The official leaked out reason for all this was that Dylan wanted a relatively small audience. and wanted to give the students a chance to see him. However, the real tone of the production was set by Zebra as soon as the contracts were signed,as they told the concert series they could not say in their advertising 'The SMU Concert Series presents...' because, gNobody presents Bob Dylanl' The night of the 'Revue' performance saw students lined up for what could have been several blocks waiting to enter the gym. Zebra actually frisked many students for cameras talthough many obviously still got in...see pages l26,l6O and l6lj. Zebra also confiscated t-shirts printed by the Concert Series for its crew tGod knows what they did with themb. Meanwhile Dylan fthe sixties nonconformistl had apparently acquired over the intervening years some expensive tastes- he drove up in four large camper trailers and ordered several hundred dollars worth of food, which he ate off silver platters. The actual performance was well-received, although many in attendance were disappointed that Dylan did not sing more of his sixties' standards C'Blowin, in the Wind'J, apparently expecting a sixties' revival. Dylan spent most of his part of the evening singing new solo releases t'Hurricane,J and several duets with Baez fthe high points of the evening for manyj. It was generally agreed, after the concert was over, that it was Joan Baez, not Dylan, who was the one they'd want to see again. Times change. 'Where's Charley'?' underwent a widespread theatrical revival this season, as did Ray Bolger-the play's original star on Broadway. 'Charley?,s charm lay in the fact that it had been out of circulation for awhile, and gave a public hungry for nostalgia some straw hats, vaudevillian backdrops, soft shoe, period costumes and other idiosyncracies to sink their collective teeth into. Also worthy of note as a current phenomenon was 'The National Lampoon Showf This revue was based on the philosophy of success in satire which guides the National Lampoon magazine: ill spare nothing, includingfespecially your readership, C23 a little porn keeps ,em interested. and Q35 if they don't buy the magazine because they think itis in bad taste, you didn't want them anyway-and if they do buy it they get calloused fast, so find bigger and better ways to shock'em. Of course, following such a philosophy does keep the law suits pouring in. but apparently the bucks pour in faster. One of the 'Lampoonis' editors was on national t.v. listening politely to various charges leveled against his magazine- it was trash, pornography, scandalous, bad taste and so forth. When the critic's venom was spent. the editor nodded politely and justified his magazine's existence in three words: 'But, it sellsl' Indeed it does, and the magazine has spawned, besides the show Cwhich was actually quite funny, poking fun at Watergate prisoners, plant lovers, Billie Jean King, and especially the audiencej a t-shirt and poster industry, other printed parodies, a radio show, records,etc., and N.B.C.'s Saturday Night'-an Emmy-winning late-night satirefvariety show. What really seems to worry some people is :what kind of perverts are we giving our money to in these enterprises? The answer, perhaps, was given to us by the road manager of The National Lampoon Show' who said of his troupe of actors, gThey're really just people like you and me, actually...They have families, mothers, kids, dogs, wives, mistresses...' Why must the show go on? We know you re trapped in a gilded cage Now, why not announce the closing night ofzt1 B111f01' 1196111911 S 511719 1911111 11110' 199 V0111 1189 The public seems to hate tlze sight ofzt dear and so Step 1991118 8111111111 111191 0'011 1 199 SUC11 11 19019 Why you should undergo Pack up your talent there s always plentv more This terrible strain we 'll ,never know And ifyou lose hope take dope We know that you 're sad, we know that you ve had And lock yourself in tlze john A lot of struggle and strife, Why must tlze show go on 1 But is it quite fair to ask us to share I m merely asking Your dreary private life? Why must tlze show go on? sian: mi Di gif v- - , w ' . V.,-s H if A It LMAO ' 3 x'a,t.1.1 if s. 'I-3? ' e .- - K. ,fsi ' -.- -, j ,Li .v 1.- , . - FW .g 1 A ' -. . x' . F' 4 E-c '-Q r '- . if -n- : - .' 4, Q .J,.. .,-a- .4 ' '31 s-.H Q Q. Moomchildrem Y ,A v!'Ix3 ,., W H531 W qxyg hh ,Tw 1 Q My . i a fi Ati, g f , W af 1 , ,O 'T , M . f If WS .If ,- X, S. 4 Y swam 37ZMwp. is 5 Y ,,.f -X sushi .,,4uv-W, Sa. ,M I The Prime ei Mies Jeeri Brodie . '- 1 ,f '- 6 , 71 , ' mel. Q ' uf W A, 3 ,R rfrn I QQ, HV ' 'Rfk 2 Z 'L 19 as JZ. 1 . . .QQ Q .. .:,,, J A X' W 'Y-. r s ft fer J qv f i 'V 2 f fr U EJ M f ,iin X A nf , K G 2 v ,,w '., fa W: 1144 ak? A 1 -vakul '-. J , W 3 Q25 all-' ET 'ff LH., 1 s .I 4' fin, -f 1.3 ,T y J Ts 19 1 'X l f .5 2 ff aa, '-'-1 I x Q . ig f , .-n 1. '- A' ' h 4 , V , 'Zn , '. . 73 -5 C 1+ 6 .-5 f wif' sm. I . E 3 -. - -,1t. . Q ff I -.gm '2 ' V I I,-vga - tsl , -RW' 10's ,f i ' 1 . 2'-A E ,Ld Q ,,,wngqg,t MO' Q gl ,fu V 6 'sri . ' ' , x , 'B ' vliyn-XXIPN. N X .D , 3 L ff' X, . .1 . ff l 1 i - Three eme ect eleye 'Win R K ii 4' 5 B Lysistrata FS 935-r aiifmbm 'NSY v . , X. . ' E '45 .: X Af gfxxir 3 A , Wav! uv, ,, w'1 wxgm mmmw xv 1 f C 1 The Rolling Thunder Revue K 'W r f fr, J. E 'Sf' 1 X -N ' 1 'aw W ,Q Q s X QQ ix if Q nv.-nf' . M K 450 za' ,qw 146'-Q X I 1 The National Lampoom Show .pau-11 wa 4 38 J L FH 4' fkqg The Medium In 34 ik G 'K if 2 ff If 3, -,Q V A, A, .a i . ' ' 'A fi. i U Q' 2 fs 1' . ' la.- 'Q it fm .x. P A 1, ' 1. n 3 :Ei H5 F1 A F A I I 2 4 wV, Q RSVP '42 'J Q I gg I gr- in 1 44 U f'?-T- W, 4 Ml O ,Qi 6, A1550 1 o .I I Q 1 . l 1, 1 4 'n If ', .v,.1' , .vrv .-fm s X 4' D- 5 'K fs ,, , 5 v.,,. 4 , z ., ' O o Q.. Qt! z -- .ff Wi Q Q 3 saggy. x :A4 , r 5 1 . Q YM. 'QR 3 an 'R' U A 5' j f f.gfQ,- Q ., :Qfv'.:f,f.: x ,K 9 f 'fakes g ' ,ov 'gif :- A 1 '- 4 '44 Wk' 15,5 . I I C ,v I x Q ax 5 Z-EQ? 13' ie 4 .1 nf if ,Ag Em F' Wx 71 Drinking Again' by Doris 'I aubcr and Johnny Merci-rf and as sung by Bette Midler 372 Drinking Again. Thinking of wlzen you lo ved me... Having a few. Wishingmthat You were here... Making the rounds. Buying a round for total strangers just Being a fool - 'Causel keep on thinkin' Hoping... Hoping that you 'll be... Sure I can borrow 'Smoke I can sit here all night And tell these jokers sonze jokes, But wlzo wants to lauglz - Who wants to lauglz at a broken heartj' -My heart is aching I swear it 's breaking and I 'm Drinking again. Thinking of when you loved me... And I try to get lzome with notlzing Nothing But a memory... Yes, I 'm trying to get home Dyin , to get home And I got nothin, but a bottle of beer And just My Mem or eeeeeeeeeeeeeeeeeeeeeeeeeees! 173 'N 1 5, U . P U 4, -wsu i oi . 99 .--04.5 ,.. Ln . 'Q N 'uf 43 I. K 'mix 'oo A ,,Qfs.sn, , ' uv T2 ,hw-as 4-T' J, sf - uh ,,,' Hu A 'rf N 3 Q., ,r ,I v .Y , 'as- . 1 2 , f if YF, 1 QI? S Sv Q, Af 3 I, , '-4 u E3 A ol V -4-Uv 4... 4 I' 0 1 I 4 I v 4. yi , 4 Hard drugs- that staple of tlze sixties subculture- are no longer widely used or experimented witlz on most campuses, although most students, in the course of their four years come in contact with it, Students across the country have turned to alcohol -often rather heavily. Drinking has become the student's l and this same trend is being reflected in our higlz schools! nunzber one pastime- and problenz. Alchohol is no safer and no less addictive than many other drugs- it is simply nzore legal. M Us um 1 ar ,x I facing page! students at various local spots l above! the SMURat is closed from violence and vandal- ism brought about by its patrons. fprevious page! Patron of the Oktober Hier Fest in an unguarded mo nzen t, with Bette Midler accom- paniment. lFor best results, we recommend a little nightclubbish melancholy piano music in the bac kgro un d. ! S ffUC'fllg page! ballet at the gym. Neff! A dog and his boy. fbelow! Concrete Calzoers. 47-VI' 4 -wb' '31 ..z1 uw? L!!! '- I77 fborlz pages! Tcllerisiozz sfzfdios i11Audi0-I iAs'z1aI. From Iflc'jLl.X'1'LZj7OSiZ'iOll ofplzofos, if appears Brian Moriarfj' lfacilzgl is fiddling while Mike Laney 6llIdff'fC'lldS fabow! burn. 17 f this page! Oktober Bier Fest ffaeiizg page, top! Printmaking exhibit in library fbottomj Textile exhibit. Liilliffl U51 Q av-,..q4- ' ,- in , 'xxqaxxhi U ,Q 511057 Q Q fri 'U fl' 5 'r Q kg? ..,.....,...,.,I.,.,,4 9 Q T . iff, VWEA, ' I HI? fly! 1 Url fi 14 A, Un. ....,, , A' if f - 4 ?ff1ff:iuu'?if?f2:'g5j2fyiv4pl 1... ,. . 4 '.m,,fA,, , ly V 4 ,F I l -mf 1,1 ,'7ygyfr ff4fjK? fgff 'f'ff'flff f4f 1!11Z2'12 Aifzuli 1, .W ., ,?,?2?'Hhg?Wm1fvvwv'h-f11wv1n'nu1vmQrym V, . , ,W I A , . . , , f . , ' ., ' ' ' ' , x K A ,. - ., .f I, A WN V A A f. v wdgwlrz-A Q 1 .- .1 ,W I, f , l - i,..,g A1 sf? ,pm r ,i 4 , ,,,,v,,, ,.,. , . ,. . .,..,,, ,5 5 V ' wi! 187 w fjactng page, top to bottom! Lines atjreslunan registration, crowds at the TV lounge, Zines at the bookstore. Waiting in lines is a fanziliar, and rather annoying, custom at the beginning and end ofeaelz sernester, as books nzust be bouglzt, courses lnust be applied for, and added and dropped ftlzis page! Rest in Group One lounge. f-A 58' ' 'ZWWH I 83 X1 n l 1 , Y r N1 L V I 6 i X I V 1 X. L3 F 6 . , 1 Q3 fi i 1 f I 5 lx N F 1 1 V . Carving pump kms. 12' 'ie' 3- My Q yf ' ,. 1 . X , ,QW :Q V. .,., ., .Y .x , A A .. .. X:?:1'f'f 'ii ,,.' , . ' 0521521-ic-'izapcg 4 K ,4 4 r x 262' 3 I iwm New X344 FU- Q AP' .0 KA bovej The Torch office after a hard day 'S work. fRighIj Construction orz new Fine Arts building. Vx ll 'I L , Q 3 s -fx f 'ib- 1 ' . ,492 'ak-asf. .' ,f . ' ' AH-'WT , A ,nf -4..-o ,V Ajfl .1 n S995 S I -3-5 HF ff H ,L ,Q 4 x K f x 3. . I r r'f 'ru 'I ,J ,X .-jf X f-f' :RJ ,. Q. V. fl IT l .I , 1 nf' s 3,3 , T4 1:52 ' I 1 ' a ggi? fig., I' ll' 'lf ,win ' , :Mfr lssmaiazw, 71,1 2.1 I IW' 1' gi., I. .U . N, ' 74 'ff . 'If' .. , ff - ,Mr T I-VT A ' M ,.,,u-Q Wf,-' A gy ,.-slip -H' 9' , 4 1 4 numv.. t ,5- .L, S 5 'ff 7 v-. . wax Q?-i,.2,, ., , Q. - M ?4 7 , ikflwi ggi 52 fs' 24 1,2 ' .23 4 2? Mt, M 13 ., L' 2 ww K? ,L W, . 'V 'Q 3 ,: 7 My 'QQQQQQ -3 4 fi ,. ,EQ Q ? ,nf . V A . W fi N51 vi. 42 'J' ' A 2 jAt?4'fW s Q ly! as - 3 . L-1' 'Q ff fi E W if Z 4: 'E' 4 Wt, .Wg I I 1 3 1 X 1 Q, 1 J fC0urzferCI0Ckwi5e from upper left! Burned- our Fiat in Parking Lot 5, Saizdfsforzel Castles Sola' jar the Vefs Club, Ar! Fair far children. PW 'riwfi f. Mk.,-an Arm. 4, .- .x A , eff, -3- 'P' . . L -,Q 3' , , - , N, 1 V yn. 4 v fl ' 'fr' , da- 'gram 'Yi ' r - 952.7 was X . , 4 Ay W 4- ' 1 -9' ,. , .. wma' -K -4' I S' , G 4 icyf Ahvhx D 1 P i of ,1 h 'ifffQQiQQ'1g is mfs . 4 M fieftl Disco night iii the Campus Center. fabovei The most striking feature of SMU is its sophisticated corzcrete architecture. It seems to reflect the moods of its populace- dismal irz rainy weather, bright and alive irz sutuzy, clear weather, mysterious arza' elusive in fog, ilzspirirzg ana' beau tijiii orz coo! summer nights. ,J A fireworks over Boston rooftops, July 4, 1976 If there is a spirit of the seventies on the college campus, it is one of searching-back in time for its heritage. The period is marked by a return to classes, to short hair, to normalcy- and complacency. This has been viewed by many administrators with relief and many educators with alarm. Fraternal or- ganizations, nearly neglected to their deaths in the sixties, have made something of a comeback. Brief attempts were made at some institutions at such things as goldfish swallowing, but these were not met with enthusiasm and went the way of the streakers. The students are much more subdued than they once were, and much more aware of the world outside the institution. lvo longer is a college degree a guarantee of e- mployment-in fact, as many grads have discovered, not only can they not get work in their fields,but their degree often prevents them from getting lesser work. It is an age of over qualification, of thousands upon thousands of bitterly disappointed unemployed young people. This disappointment stems in a large measure from the way we were raised to think about college-as THE stepping stone, THE means to a goodlequated, among the middle and lower income classes as good payingl vocation. This is what prospective college students question, not the obvious opportunities to learn-though this is small consolation, since how many college students come to-learn for learning's sake? Nevertheless the future looks bright for state colleges such as SlvlU, if not necessarily for many of its graduates, because private institutions are folding in increasing numbers-largely due to inflation- giving prospective students less leeway in selection. Also, as inflation spirals, the modest tuitiohbecomes more appealing. These factors will assure state colleges the luxury, for the foreseeable future, of selection of applicants they deem most desirable. As we see it, even if everyone and his brother has a degree, and the value depreciates accordingly, a college education will still be an important consideration-if only not to be left out. Indeed, the day may come when acquisition of a degree of some sort will be as assured as a high school degree is to most of us--in fact, to help its citizens to cope with an increasingly comples society, college may become a mandatory continuation of high school. But that day will only come if our society today can solve the problem of providing meaningful work for its college graduates. This man is Crazy Arthur, owner-operator of the Met Photo in Providence. Even though we gave him our business all year, he refused to buy an aa' from us. We trust you will take appro- priate measures. -.v. 5 ' . . G Q 0 Q 5 .'.'.5 5 Q sv' Q .O Q gs. . .9 96 G A . . .9.i.l 'D-in-nu 1!lun., 7 Besf wishes from IIIG ILIIQMIQ SS 17 FAUNCE CORNER RD., N. DARTMOUTH, MASS. 02747 Tel. 617 994-7713 579 G. A. R. HIGHWAY, SWANSEAI MASS. 02777 Tel. 617 675-0091 Distributor Complimenfs of d friend BYRON H. FORD,JFi GEORGE. A. MONIZ JEWELERS 206 Rockdale Ave. New Bedford, Mass. 999-5647 Compliments of a friend The TORCH staff extends its congratulations and warmest wishes for happiness and success to this year's graduating class. Best Wishes! from the Campus Center de rt mout lugggge f wallets f gifts f U 8 e North Dartmouth Mall-on the cinema aisle-tel. 993-0781 Q NORTH DARTMOUTH MALL NORTH DARTMOUTH, MA. 0 SMITH MILLS MCJBIL SERVICE STATION 285 Sfafe Road Norfh Darfmoufh, Mass. 02747 Tel 996-9338 Congrofulofions fo the Senior class. Wantacket S 0 U N D QUAUTY AUDIO EQUIPMENT ervlce ystemsqzy Congrofulafions fo the class of '76, ongrafulohons. ,,,,.,f.,, .,.1-em' whnu '..5-.,.,,..-wwf, ,mg I-f,,-vw,-.,!.f,0L-c,fp p,x.q,,.,,s 4,141-v-. -..N ,, .. ,-, A ,,,,.. W-. Q . , .. . Y .. ,.. ,. ..f....4.. . 1, ,. V Q, . ,,-........ M...-v..-.,.-..1 .- .-.v,.y...,., ..f,,Q ..,,,..J,,......,fu.- .X-.,........,, 4I.ww vmpg,-N ...pf--'1 n..4,.'gLg1- .-,awww--xqq..3.:f, V. -1' -Up. fa. yn-.4-wr-...a,.:. .An w- -4. . .,. -, ,- .. . -. .... .y . .,,-L,-4 ., 1,-.,N ,Q , kwf..--V ..-1-..,.,,. ., ,..,X. ..,f-..n-.- -raw'--va---wr ---m--..,m..:,..'.--qu 2, I I . . , xl-rg---.--1,.-Q-.su-vu f-svv-A-'uw-.wx 'mf use-H -vw-.-.n-f--,-u.,,n,5:vuf-uf'-r-psf A rn- M'-N ' 0 -' f Mauve- 1 1- -. -f 1, -, - V . .v - - 1-- .1 -W --HQ ---by-rl -H 4 -v--Av . ----.. -.,.. r 1 ,--,-,-.--.- -.....-, .. --.-qw-ug-,. 4..-fn ,pn is V- m..f.,,.,1,-..0--z .ar-4--v frwwwv. v.-wsop-zu, .Mn-,ln-1-. Q.-4-n.. - . Q- -..-ww,-, , -f-.'. -. -. 1 A.-. .- . . ., --pw-,H - 2- . --- - -.--. -14 ----mama. --.-,x..-,V f.-.--.-.f-fc-Q--vyqfxq-Q-v-qnunvm.-uns . , ,ff-1 J 15.1 - a '- K . . , 1 -4 qv . 8 Q Congrafulafionsl New England Amusemenf Company 652 Bedford Sf. Fall River 02710 672-1878 9 Learning never ceases. hair styling 8 Champion Terrace North Dartmouth compliments of SERVOMATION Congratulations! Norman Zalkind wishing each and every graduate good luck in his or her endea vers O nggtinq Congratulations Davidson's Meat Products 424 South Second St. New Bedford, Mass. 992-7988 Ray-SteI's---The Hair People 106A State Road, rte. 6 North Dartmouth iopposite Bishop Stang i 993-2669 Except where otherwise noted, tlze text used in this book was written by tlze editor, who must take the credit, or tlze blame. To: our typists- Martha Sylvia and Cathy Hickok, our ad people- Colin Williams and Debbie Derrig, tlze people who gave us their time for interviews, our advisor- Howard Glasser, our patient yearbook representative-John Levis, our soggy campus center director- Dick Waring, our handy handyman- Ray Lavassee, to Ann Cloutier and expecially to Mark Mattos, and to any others we may haveforgotten to mention in our haste, our thanks. The philosophy behind tlze book-which hopefully shows-was to produce as accurate and incisive a time capsule of SMU as we could achieve with our very linzited staff and funds. Our inspiration for tlze form in which tlze book was conceived came from two books: Bill Owen 's photo-essay 'Suburbia' -from which came tlze idea of photographing university people the way we did fthe l974 SMU yearbook was produced along these same linesl. and Studds Terkel's 'Working ', in which Terkel allowed working people to tell tlze stories of tlzeir respective lives. We feel this sets the 'Scrimshaw' above the banal superficiality of tlze average college yearbookg which usually follow formulas virtually interchangeable with eaclz other, saying nothing very substantial about tlze college or tlze times. It must also be gratefully acknowledged here and now that we were given a good studio from which to work and a tremendous amount of administrative freedom in creating this book- freedom whiclz I lzonestly do notfeel we would have gotten at most universities, and wlzich quite possibly may not be available at SMU at some future point, as tlze bureaucracy expands- as they are prone to do. Photo credits: interview photos of Joe Scionti, teleplzone operator, Tom Higgins, Gary Hartwell, Joe Prenda, Joan Blue and 'the Nerds' by Mark Mattos. plzoto of Mark Mattos by Ann Cloutier. photo ofBill Bylund by Pam Garceau. plzoto of Yurek Kepinski by Jolm Belli. All other interview plzotos by Jeff Faria. Senior portraits by TD. Brown, Inc., Cranston, Rhode Island. Special thanks to T.D. Brown for aid in printing photos. Sports plzotos by tlze Audio- Visual Photo Dept.- Thanks to them for their co-operation. Graduation photos by Ann Cloutier. Candid plzotos of Whale 's Tail and Smugglers Den drinkers, pumpkin carvers, and afew scattered candids by Deirdre. Hanlon. Candid shots of ballet dancers and plzoto appearing on 'Senior Section' divider page by Mark Lauglzlin. Photo appearing on 'Diversions' divider page by John Belli. All other plzotos by Mark Mattos. Women 's Sports written by Pat Manning. Men 's Sports written by Greg Garber, Paul Cordeiro, and Tony Adriano. Special thanks to Bill Cathwright, Marie Snyder and the SMU Sports Department for their co-operation and assistance. A I ' P 7 , '-1 1 A L- ...Qi Book design by Jeff Faria. Senior Section designed, by Deirdre Hanlon ,aiiscfg-Jefffffigiii. Primary text faces: Press Roman Bold, Medium, and 1talic,II Point. Divider page titles and cover set ifnwsliglitlyxzlifred Helvetica Light capitals. Endsheet plzoto by Mark Mattos, using a Speed Graphic 4x5 camera furnished by T.D. Brown. The 'Scrimshaw' was published by the Taylor Publishing Company, Dallas, Texas. O6 K ,N . .L.....f ..., U. -q--4.-4... ..,.4.-......ff..-- ...-- . x 1 f .1 xy, 'S imdwrsr ., .arms .f ff ., V 11+--' 1- u A W. ...Inq 'J WY BF535 NNN