Southeastern Massachusetts University - Scrimshaw Yearbook (North Dartmouth, MA)

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Alan G. Coutinho P. QOQQGUIY interdept. ping pong, chess, drama competitions, debates. We are still in college here. A lot of things can be done but there is very little here at SMU. I think an active faculty could help. But even they are a problem N sometimes they do even talk to each other. We don't have any good leaders to give us examples, so that the students might get together with the faculty. Another thing at SMU is that there is very little happening at night. we do have movies, but the library closes up, labs close as soon as the pro- fessors Ieave. If you want to do extra work you can't get in. Do you both live off campus? Yes. ln the heart of the city llaughterl. We both have a bird's eye view of the dump yard. The streets are all torn up. Hey, l'm glad to get out and come over here! llaughterl C1 DEAN MACEDO Jim Hi Dean Macedo. What's on your mind? Macedo: Well l'll tell you...l'd like to take Buzzy out for a drink. Jim Oh that's nice. How about a picture of you and Buzzy together? Macedo: Oh sure. Buzzy: Alright! Love it!Oh! Blackmail!! We're gunna send five pictures out to your wife tonight Jim Fine... Macedo: O.K. Jim...ah...what'S gunna happen to these photos? photos? Jim Oh, Yearbook... Macedo: .... Jesus ci Peter C. George Richard IVI. Forman g DouQ'35R- Ford an C V7 an 3- 9- :J O es IVI. FTW Ja ult CU en an 3 V3 C as D

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4 i yr 'W A- 'si Steven G, Carriere Colleen lVl Caswell Flavio F Cosme Chris: You're really native to the community then! Do you hold on to the old cultural background and incorporate it into your daily lifestyle? Paul: Yes, the Chinese background particularly. lVlost of our meals are Chinese..we don't sit down with forks and eat pizzas. We have chopsticks and eat rice, sausage, stuff like that. Chris: Do you see a difference in the way you would pursue studies and the way Americans do? George: Oh yes. Sure. The Chinese way of studying is having to memorize everything. They don't get involved in other books until the first one is memorized. You have to memorize everything in class and work real hard. But in America you just get what the Professors taught you, read some and when'it comes to finals or exams you study maybe the night be- fore. l think we really have different education- al systems. I wouldn't say the American way is the best. Although they do have a tendency to father a wide range of knowledge. Like what vve have here is Textiles, but besides Textiles we have classes in humanities, social sciences, may- be psychology. I think it's good because you have a broad, general knowledge more than just what you might specialize in. v Chris: SMU is noted for it's Textile dept., do you feel feel this dept. is a good one? Paul: There's always room for improvement. lt's get- ting better. Programs are being changed around. We have a new dept. head. Chris: How do you feel about the campus as a whole? Do you feel isolated over here? George: l think we have a general problem on this campus with a lack of communications, not only between Group one and Group two, but right in this build- ing alone. But in general I don't think we are getting a good integration of students. Every- body tends to stay within their dept. People don't want to get involved either. l'm involved with the Graduate Students Association and, al- ways, it's only a few faces that want to do the work. So many students come here and don't do anything but wait to get out. This is bad. Chris: Do you think this happens at other schools as well? George: No. l came from 6 iU0l0f COHGQE arid we had 50 many things going on: basketball, softball, lAllC9 P- HGQQGVTV Robert J Guarnieri

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udson Lily IVI. Jackson Richard A Jailleti David W Johnson ,, JOHN GREAVES - Ass. Prof. Electrical Engineering John: The way I see things - science is here, and tech- nology is apart but overlaps science, and art is over here with some overlapping science and some overlapping technology. The overlap would be, like in the crafts technology, knowing the media you're working with like how'to get a good glaze in cer- amics. But using electronics as an art medium is something that's interesting to me. For instance the game of life that we have programmed on the computer...l think it'd be neat to hang it up on the wall - large, with a whole bunch of little red lights. You could enter a pattern into it in the morning and let it play all day. I think that'd be fun to do and I plan on getting into that stuff sometime after things slow down around here. Flight now with the technology that's happening, you have to keep going full force to keep up especially with the computer business. Every week there's a magazine coming out with an article on something brand new. So, it's breakneck speed right now. I figure when I get older, mellow out some, not trying to keep up with all that stuff, l'Il sit back and make some of the things l've been thinking about. lt'd be fun. But...There are a lot of people down on com- puters and technology as that force that dehuman- izes the population. They feel that technology has taken us away from the simple farm of New England, taken the navies away from their fishing, their simple agricultural lives. Those are the kinds of things l'd like to get back to too. But I think the simple life can be blended with com- puters and modern technology. There's no contra- diction there, which almost sounds like a contra- diction. lt's just another media. Just like the guy who invented the printing press. That had a big impact on all people, making reading material available on a mass scale. The whole media changed Antonio T Nioniz Philip W Mello Thomas W Meehan