Southeastern Massachusetts University - Scrimshaw Yearbook (North Dartmouth, MA)

Text from Pages 1 - 200 of the 1974 volume:

UT 'U 5 s 1 v l C' . I V 5 9 5 4? YAESSSACHUS fr eff? '14 W 4 I 'T' of 2' 11 TE. 1895 .v SCRINISHAW 1974 x X x 'Ss S .1 1 x , J, Af? . ,IV aA- 1 - 7 31-sa X N xx .-,g.A, rl -,, L.. , L -..,..,...,,,1,,,, ' ?' ' 'L' , Y , .---v-'H ' 71-3. .4 ul, 'I 'T I X l 5 iii Qg'x TWV , rg?QL.:g'MgiS I ixixgiags Vi 1 ,. it. 4 ,. is ef 1- ' :fda - .f - , ls . lx. ' .s4f3'5'f --5.0 1 ni .. sj?xiA.p4'?,L,. ' ,.---H Q SlVlU's students are one of this university's 'greatest resources' concluded an evaluating team from the New England Association of Schools and Colleges. In its report this spring, the team said that SMU students 'have been a dymanic force initiating programs, participating in decision-making , and in working towards the goals of the institution.' That's no run-of-the-university slap on the back. lt is extraordinary and percep- tive testimony from a group of outsiders here to assess the strengths and weak- nesses of the university. Your tenure here has spanned some of this school's most trying times. As you diligently followed your academic pur- suits, you were also drawn into a trau- matic experience in human relations. You saw the microcosm of the univer- sity practically disintegrate amid misunderstanding and distrust. You saw loyalties tumble and friendships of years dissolve in bitter dispute. You saw bril- Dr. Donald Walker ' itat' if ,, swat' 'f '7' .UW liant ideals and ideas tattered on a battle- field. Too frequently you have par- ticipated in the rebuilding of this micro- cosm. . .this community of scholars. You have helped in the creation of a new atmosphere of trust and in the blazing of new paths to those intellectual and emo- tional clearings where we all may sit down, talk, and listen. These troubled years have left their scars. Nothing can be quite the same. The healing process is incomplete and in a sense,it will never be complete. . .not for you as individuals, nor for the university. Lessons in human relations are seldom mastered. Nlan is too much a mixture of brain and heart for that. But these painful years and the years of healing have made your education something special. ln turn, you indeed have been a great resource. . .a reserve of strength and support. . .that has helped make this university community something special. There will never be another class of '74. Be thankful you were here. . .l am. President, Southeastern Nlassachusetts University -'.'tff'zS- Q' A' 1 , 1 ef , , fwfi f' i iik . LP, 'N ',':'g'yiif, , V 1 ,1 1 Q R Ig' .451 V ,X 54 -gn , ,RM kill 3:5- 1 A gy ,- A? 4' If 'U . iii V .X V' 'YM 344- , -- . .A -gf Q ,ann A N, : 9.19, ' Z in 1 'in 4015 'fl ff-e A' ' ,Q .' 1 A if Ib Vrly Eg 5 5, gk A AAA 'W A Az if 'E , . E , , , 5. A 'Q ' Q ,1A.,,,h YJ as Y ff, 1 A-M . A ' V, su .sgwwt W Y X L ,. mf A gf A ,A ' A Q I 'K 'A I . ' A - 1 Q1 3 Maw' gf xl Q... t. W ' A.: KA Q! A A? -1: , ,vl,'V , A ,Q X if. 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A auf- ','v - , , , V..vbaQ.'.,' Leif t A1 1. i:5'gb'f-fi 'Q ug-'J' 'Ui- ,.x.n --- -,-. A - ' 2 fg 7af4' ff' rc' . . . , Q:..'-M A JH -1' .nw 4 s1 L f f xl .i 4 -0 ' ' ' ,'. r -Rf' - , ,If 4 pls., A x I I ' 'V A ,lfjflwl J, , V X' I 464 Inuit gi ly. ' ' -1',, ','.' :Y lv!-: Jn,f.f.i'7fe. .sv -' ,fig-Y 4M'Lf'1'l A, V 4 311 .a,-,fl -'L I .1 E 'K. :,: f ,,,,,4 9'A,r:l.Q'f,'rw-R, in l? A ,J 5. 3117 if-: 'A 'J I ' :JJ-5,1 'ff 'J 72' N f l-7 74 ,f,l', .N A .41 . , , , I , I , X19 77 f Q .54 D ,Ie , ' , J ' A'+ , X A,, 1. fawf-.ua ' I-7 ' f1.,ggf zzkf.zAs4ff i?M4efd 1 ff s .1- riff! 51 fvv ' 3, T f ?'7f'!f'vi. - ol I 1 -ln!!! 1' I .lL,. 'Nt e. ATM +12- 7 sux l' YN 'P 'ia . ho 44 und A We've lived through Vietnam, Kent State, Watergate, the Energy Crisis, Inflation. . . Let us come together for one day and see if we can live through Bill Smith's clam- boil. -1 'wax ,,,, I - Q .L -4 '-A L' nv? ,fg..Q3.w u..m3g, 1 .3 -, K. gf b fbi r V' V -X Q f sono 'PJ 3: go o Ss- -ci .J GJ I I Michael J. Abdow I Steven D. Abdow Robley P. Adam l Manuel A. Aguiar l Norman A.Alfonso A Joseph R. Allaire i Elizabeth M.Allan I Frank A. Allen l l r F Susan Amaral ' Fermin L. Andrade u Stephen G.Anness 5 Patricia A. Ansay Acc. T.T. His. T.M. Acc. Soc. Psy. Man. Nlath F .A. Math Psy. -wg , .. 1 '- Q o' Elm 3 3 4 7?- ff, A A O 9.-0-A il: William B. Auerbach David Baker Sharon Baptiste Daniel Barboza Deborah A. Barboza Deborah L. Barboza Kathleen Beaulieu Frank S. Benevides Linda Nl. Benson Paul R. Bergeron Daniel J. Bertaldo Carol Berube Jean Bevins Steven N. Biello David Biltcliffe Janet E. Bjork Ernest J. Blais Andrea J. Blizard Anne B. Boisvert William J. Boles Bio. Psy. Soc. Nlan. Psy. Soc. Eng. Soc. IVl.T Fr Soc Ns Art Ed LR P.S F.A C.E F.A lVlan Paul D. Botelho Sandra A. Botelho Stephen J. Bottiglieri Richard H. Boucher Ronald E. Boucher Robert E. Boudreau Roger J. Boudreau Robert E. Bouley Stephen E. Bourgeois Robert M. Brault Gregory P. Breslin Joann G. Brierley Michele G. Brown Paul Brown Gerard A. Brunelle James F. Bryan Robert Buccafusco William H. Burgess Maurice F. Burke Peter D. Bury Mark. Math Soc. E.E. E.E. Phy. E.E. Soc. Man. Mark. Eng. Eng. Bio. His. E.E. P.S. Bio. P.S. Acc. T.T. i .ni .Q Q53 FQ Qi ' IT' rs- H' fx :QR A r-I 13 i 1 Q gat' 1 -13- Richard A. Bussiere Cynthia A. Cabral Mary K. Cabral Nancy L. Camandona Donald P. Camara Michael J. Cambra Carla A. Campbell Roger B. Canto Suzette Cardin William J. Cardozo Susan H. Caron Charles R. Carr Leonard J. Carreiro Denise M. Carrier Leslie J. Case Thomas A. Casey Donald Caswell Clara Cembalisty Dennis A. Chagnon Patrick W. Chung Acc Ns Bio Soc Man Eng Psy Mark Ns Math Art Ed C.T Man. Sp. Mark. E.E. T.T. Eng. Eng. E.E. 116 David Ciarlone James W. Clark Joseph T. Cobb Faith A. Colley Laurie A. Condon Margaret Condon Donna M. Connell James M. Connolly Christine Connors Delwood L. Cook Leonard C. Coombs Stephen J. Cordeiro Rosaline F. Correia Stephen H. Cory Gilbert J. Costa Michael J. Cote Patricia E. Couch Liadora Couto Mary Kay Couto Kevin R. Coyne Mark Fi Acc Soc F r F .A Psy V.D. Eng. M.T. Soc. His. Eng. E.E. Man. T.M. V.D. Po. Psy. Psy. pg. p-f' A.. hifi Af? gs, , w -12 , i.. f 2 g7',X,i . f .. 1 H , 118 Maryanne Coyne George C. Cramm Ann P. Cray David L. Critchley M. Rachel Cunha Gerald P. Curt John Daher Albert J. Debarros Manuel E. Debarros Avelino N. Decastro Joseph J. Delude John Demeo Jacqueline A. Demers Colleen E. Denardo Yvette Desmaris Maria C. DeSousa Denise A. Desrosiers Dennis Desrosiers Robert J. Dipietro Patrick W. Donahue Soc Bio Psy E.E Po T.T Soc T.M P.S His His Math Psy H is H .S Po Math T.E Bio Psy Kenneth Dong Hugh Donnelly Andrew Donovan William S. Drinkwater Joseph Driscoll Alvaro A. Duarte Christine A. Duarte Gary G. Dube Laura C. Duffy Bernard A. Duguay Diane I. Dumas Joseph M. Duque Dianne A. Dusoe Joseph Dziura Ann Marie Ellis Leonard R. Euart Maisie Fan Daniel J. Farrell Alan H. Ferguson Charlene A. Fernandes E.E Man Acc His P.S Psy Psy Eng Mark V.D P.S Eng His P.S Bio E.E Mark Eng Soc. 2 , I Cynthia Fernandes Rosemary Fernandes Joyce T. Ferreira Feliciana A. Figueiredo Jean S. Flynn Michael P. Flynn Joseph J. Fonseca Judith N. Foster Robert J. Foster Judith A. Fournier Sandee A. Freitas Michael Frey Martha M. Fuller Albert J. Gagliardi Rene R. Gagnier John C. Gagnon Mary E. Gagnon Kathleen L. Galligan Theresa R. Galligan Dorothy M. Gallop Soc Math V.D Eng Art Ed Bio Po Eng Psy Psy Psy l .R Psy Psy Man T.T Soc Ns Ns Psy Stephen F. Gardiner Donna M. Garro Richard P. Garro Robert Gaud reau Steven P. Gelinas Richard R. Gendreau Kurt Gent Frank J. Germano Richard C. Gillis Christin A. Girza Lawrence E. Gisetto Barbara IVI. Gochinski Richard F. Golen William L. Gould Michele C. Goyette Sandra A. Gracia Thomas E. Grandmaison John'J. Gregory Paul S. Grillo Frank R. Guardabascio Eco. Psy. C.E. Soc. Eng. M.E. E.E. Bio Math. Bio. Math. V.D. Man T.M Bio fs. -CL 'i -4 tl F9 . r ?'Ff 'il A i Ns F.A Acc Sp T.E sl A :.'Z' Ri' I U O dn LS Q. 1. XX 'il 4 n nl? -nit Rita G. Guidotti Robert H. Gundersen Stetson Hallowell Robert A. Hamburges Darrell G. Hamer Nancy Hardy Claire L. Harrison William D. Hart David J. Hartigan Michael G. Hassan William R. Hathaway Barry T. Hauck Marguerite Hebert Nathan J. Helgerson Paul M. Hill Peter C. Hinckley Joyce Holen Charles S. Horvitz Jane Howland Robert J. Hoyle His. T.T. E.E. Mark. Math Psy. Psy Psy. Man. F.l. Man. T.T. Soc. Acc. Phy. C.E. Soc. Psy. Math Man. Linda C. Hughes Rose Leah Hutchings Richard L. James Carol A. Jeglinski Russell T. Joseph Pauline A. Jupin Stanley Kaczynski Edouard J. Kaeterle Walter O. Kangas David E. Karol Dennis J. Karol Deborah A. Kazmierski Robert K. Keetley Robert A. Kessler Nlaria Kijek Sheila M. Kimball Robert A. Krajcik June Kuznar James A. Lamond Janine A. Lamontagne Ns Ns Man Bio Nl.T Psy M.E His M.E T.Nl T.lVl M.T Acc H is Psy Psy Acc Psy C.E Acc. lf ' wg-ff: 'E' i xx '-- ,K Q 'Q W af' A f 7? X-. 7? I fa-it A l -. 0? . .A . ,Pg 'sa ,ai -'22 RR as .tl 1-hx ,QM 'Cf 'i .WZ will If 124 'hun'- Kathleen E. Langton Daniel M. Laperriere Alan G. Laverdiere -Donald L. Lebeau William E. Lee Joseph Leger George R. Lehouillier Richard V. Lemay Peter T. Lennon Michael J. Leonard Paul G. Levesque I Chang Lin Alan S. Liss Robert D. Livingstone Mary A. Lopes Vincent W. Lovegrove Jeffrey T. Lucas Gilbert T. Lussier Louise C. Lussier Robert N. Lynch Eng Chem P.S Man E.E Man Man Acc Art Ed P.S Ns E.E Mark E.E His F.l Soc M.E Soc Man John F. MacDonald Patricia E. MacDonald Claire E. Macek Joseph P. Maciejowski Patricia M. Maes James H. Magellan Daniel P. Mahoney Donald M. Makie Ann M. Maloney Susan D. Manning Dianne M. Maranhas Kenneth Mark Judith M. Markowski Michele Y. Martel Esther Martin James Martin John F. Martin David McCombe Janice E. McConviII Diane J. McCoy E.E Psy Ns E.E Art Ed T.T. Mark T.T. His. F.A. Po. E.E. M.T Psy Ns Acc His. E.E Bio P.S 4-nv : . 9 , 1 ' P A 0 if ll ::::' lip.. ' I .ll O N il... ii!! -A mx Z 1' 1 f ,W 4' X 1 i . -1 ' r '..' Q I ri' Li -.7 .K no-ni '11 X V. 1 DS Kevin J. McGee E.E Francis J. McGuirk Man Gregory T. Medeiros Mark Ann K. Mehlman Ns Deborah M. Mello Psy Joan Mello Soc William E. Mendes Mark Nancy M. Metro Psy Christine A. Michaud Psy Michael E. Minior C.E Anne M. Moniz Soc Caroline J. Moniz Psy Rita Moniz P.S A. Montino His Robert P. Moore Fr Leonce J. Morency Psy Manuela F. Motta Ns Elizabeth Mullane Art Ed Ronald J. Nascimento Acc Scott S. Neal Mark Sara M. Neto William E. Nicholson Robert F. Nogueira Elizabeth O'Brien Paula J. Occhiuti Warren J. O'Connell Ifeanyi F. Ojemaye Henry B. Ojenivi Joseph V. Oliveira Mario J. Oliveira Gail G. Oliver Joseph S. Oliver Mark K. O'Malley David S. Ozug Charles M. Pacheco Kenneth Pacheco Jean E. Pappas Jeanne M. Paquette Richard F. Partridge Carol A. Paskavitch Po Man E.E Fr Chem C.E C.E T.C Fi Man Psy M ath Acc His Math His Psy F r Fi Psy 120' re - u x Dyann A. Pederzani Collette A. Pelletier Carl A. Pereira Diana lVl. Pereira Dolores E. Perry William A. Perry Eric E. Peterson Kevin J. Phelan Dale S. Pickett Steven D. Pickup Lawrence C. Pimental Richard J. Plasse Roger N. Poisson Joseph I. Ponte Lorna E. Ponte Rosemary A. Pontes Raymond J. Potvin Donald L. Preston Paula M. Provost Dana lVl. Ouerim Art Ed. P.S Po lVI.T. Eng P.S lVlan Soc Econ IVlath I .R Psy C.E Eng Eng Psy His lVlan Soc T Ronald Raposa John M. Raposo Maryann Rapoza Ronald G. Reeves Jane F. Regis Rosemonde M. Reilly Thomas W. Reilly Valerie Reilly Kathleen Reis Jeannette M. Renoir Anne L. Reynolds Steven P. Rezendes Sandra J. Ribeiro James J. Ricci Estelle J. Richard Nancy A. Riley Carol A. Roberts Donald J. Roberts Edite M. Rodrigues Cynthia A. Rodzen Man Po Bio Eng Ns F.A V.D Soc Soc Psy Eng C.T. Psy Bio Eng Eng Soc P.S Po T.D O 'Siv- 1. . ad A W . n X if iw ,f:x l VIL ' I .' r . f-:'!l'f . ' f 166 1 3 .Vi Patricia M. Rogers Cynthia M. Rollins Jean M. Rolston ,joel D. Rossman Denise M. Roussel Rene E. Roy Maria E. Rozario Dale P. Rushlow Rose M. Ryan Stanley J. Rys Kathleen Martin Sadier Carol T. Santos Sharon Santos Michele M. Sasso Cathleen A. Saunders Diane L. Savoie Richard L. Savoie William S. Schofield Rosemary V. Schultz Robert R. Sevigny Soc Art Ed Psy Man Art Ed P.S Ns Man Psy Man Art Ed Sp. Psy Psy Soc Fi E.E. E.E. Chem. E.E. Edward J Shaffer Paul J Shanahan Matthew A Shea Ill Mary E Shooshan June Silva Lawrence P Silva Michael D Silva Stephen H Silva Margaret L Silvia Edward R Sirois Eliza Soares Patricia Sobral Carole H Sonntag Deborah L Souza Diane V Souza Stephen D Souza Stephen J Souza Steven P Spatard Gregory Spiker Matthew Stelmach Jr. T.E E.T Acc Ns Ns C.E Mark Psy Psy His Fr Eng Sp Soc Psy Sp Bio Man Psy T.E John R. Stevens Dennis T. Stratton James T. Stringer Michael S. Struzik Denise IVI. St.Yves Daniel J. Sullivan John P. Sullivan Nancy J. Sullivan Richard P. Sullivan Robert J. Sunderland Randy G. Swenson Valerie J. Sykes Michael B. Sylvia Diane lVl. Tavares Richard J. Tavares Robert D. Tavares Robert P. Tetreault Edward J. Tompson Lorraine Travis Janet Tyne T.E Man Acc Acc Psy lVlan lVlan Soc Mark T.M P.S Ns C.E Sp lVIan E.E Fr Fi Psy Art Ed Frances L. Tyrrell Martin P. Urban Candace L. Vacchina James R. Valdes Ralph R. Valliere Carol A. Vargas Ann M. Vasconcellos Constance L. Vezina James E. Vickers Brian M. Vieira Patricia A. Vieira Rosemary A. Vieira Eugenia Vincent Kathleen A. Vincent Charlotte J. Wal Richard C. Walker Patricia A. Walsh David L. Walton Peter A. Waltz Richard E. Ware Psy Man Eng T.E Acc Psy Sp Psy M.E M.T V.D M.T Soc Soc Psy Acc Psy Psy T.M Nlan , as -Lg ' J A A , 'ff 'li A, 4 In r5!5fa if-S 133 Kathryn lVl. Waryas Craig W. Weaver Albert W. Weems 'Joann Weldon Joan D. Wheeler Paul Fi. Wilkinson Dennis IVI. Winn Lincoln J. Winslow Nancy L. Witherell Paul T. Wojtowicz Peter W. Wojtowicz James S. Wooler Lawrence D. Worden Dora J. Yamin Steven F. Yee A Paul W. Ziobro John H. Braun Raylene Conley Natalie W. Lafleur Theresa N. Lalli M .T Bio Psy Bio Soc Soc lVlan P.S Soc C.T C.T Eco T T C.E C.E T.E Ns. Soc. Ns. Soc. . A 1 ' I fu. ' s. A 'F.'23' '+ 'X eJ eter ' f . W k , 6 ,L Q 1 f :-11 tx . di 1 r ,nf - 'X i fa, U is cf, Susan D. Hayes Donald R. Hazelton Gerald J. Hebert Joan S. Hemingway Crispin D. Hesford David L. Higgins Stephen L. Holbrook Janice E. Holding Donna E. Howard Jenifer C. Hyde Sylvia J. lbbotson Christopher James Jacqueline Joaquin Alan A. Jolicoeur Paul Joly Theodore J. Kaegael Deborah A. Kaplan Robert E. Kay Stanley R. Ellen Estellek Christine Andre J. Lacombev- David Laetsch ' atalie lefti ter Lai '15 ,, Ilweresa Lfalli Q3 nnifer Lamoreau , seph H.l L'a ', Janet R. Lan Williai?Langf ieff. John F.Larkin Brucem Larson Normand Laurianno Cynthia H. Lavin Robert W. Lavoie Richard Lawton Samuel E. Lay David T. Leamy Jeffrey M. John B. Leite Luisette P. Lemos David J. Lentz Daniel A. Leone Gerald J. Lepage Michelle A. Richard N. Carlton W. Joaquim V.D. V.D. Bio. V.D. Bio. T.T. Soc. His. Eng. 14 Eng Andrew Nl. Lizak Man . .Me ek E.E william B. Lizotte H.S Su5? ' A SS . Jams S. Metcalf Soc. Wray H. Lockwood Bio . . . John J. Metterville His. Paul R. Loiselle Soc Ph Charles E Lon Bio Grace A' Meyer Y . g Robert W. Middleton T.E Dennis J. Lopes Man . . Joseph G. Millette His Douglas Lopes Soc . . -Alvma V. Miranda H.S Gregory Lopes Soc. . y , -Jay F. Miranda Eng Lladora Lopes Po . A. Montelro Eng Jo Ann Soc Moody Psy F. Mooore COI'l Art D Moran T.E. C.E. P.S. Acc. C 55,-irgesrq-imnvc-ff: B i ' o. Bio. 'o. Eng. Psy SV W I L fre , 4 P- ' I Qlilllz W, L onald Vanoostend ard Verrybgg, ,ant - - oria E , ton ' ' ' 1 L. Q Q5 el m Q xy 1' nf, H I 4 f ', 1 -14 S- 3 l Commecemeni... 4 1-...., 4 Mk.. fi NAA .A.Q, ww ', 'Wil 21 L... 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P' a V ...J- ri, ex ff 9 v A . 4: l H Y PJx is X,-if Baskelball Head Coach - Bruce Wheeler Assistant Coach - Paul Hayes Captain - Kevin Phelan Record - 15 - 9 .625 Best record since 1967 - 1968 119 7l Most Wins since 1967 - 1968 l19l VARSITY Agnew, Willie Funches, Charles Gilley, Richard Holman, General Magnant, Ronald McGuirk, James Phelan, Kevin Parker, Gerard Rocha, Leonard Roy Michael Gomes, Thomas Hall Scott Robert Wilcox FRESHMEN Allen, Don Crabtree, Doug Dee, Brian Driscoll, Bob Gorda, Ron Hopkins, Jim lgoe, John Jones, Keith Lewis, Joe MacLoud, Mark Malone, Bill Sompson, Mark Head Coach: Paul Hayes 46 Tennis COACH: AL HETZECK CAPTAINSZ ROGER CANTOQ FRAN NICGUIRKQ ROM IVIONAHAN FRANK BARCELOS ROBERT CANIARA Record 7 - 2 ROGER CANTO First in District Tournament ALAN FINK 2 points in NAIA National JOSEPH HAYES Championship Tournament FRAN IVICGUIRK TOM IVIONAHAN FRED PACE KEVIN VAN DOREN l 'dwg ,ef T , v i w' '-f-,Q , is t A N D LjlHl'lElOll lil EEELi.,t.lss... 4 3 55 7 l? 10,5 5 4 41910 ' IZIQQBVQI 331315-QE ,WJ . cn 4 :au 1, Qing 65,6 6 11114234 ,Z Lcii L5 iii 12 2 3l1i,fLI3c4 57 712 u u lsislam 311 Si7g2Q 352 2 5 7 416 I :fri ' aff fear' Fencing Record 7 - 4 Coaches: Eugene B. Williams Dr. Ralph J. Tykodi TEAM CAPTAIN Steve Bourgeois, Sabreman CO-CAPTAIN: David Slack, Foilman SCOREB: Teresa Kut Sabre Foil Epee STeven Bourgeois David Slack Bryan Caritte Paul Chevrier Kin Quek. Paul Fiapoza John LePage Frank Ouek David B. Sanderson John Carleton Scott Watters William Finn Grant Colley Steve Whitney Greg Farmeter :jg 147 Soccer COACH: John Barrett RECORD 15 - 2 -1 Ahern, Richard Jr. Bjornson, Andrew Castanheira, Nlario Chance, Joselyn Jr. DaSilva, Fernando DaSilva, Gabe Desch, Joseph Goulart, Fernando Jummel, Joseph Jutchings, Robert Lloyd, John Lundgren, Robert IVloora, Kevin Nightingale, Peter Ojeniyi, Henry Pacheco, Charles Priscella, Mike Santos John Sencar, Atilla Shea, Walter Soloman, Dan Sousa, John Souza, Paul Stockel, Wayne Vasconcelos Ramiro Wardle, Lee Botelho, Bruce Gaudrau, Bob Amaral, Jorge 1 fxn W 9 f?' f.. V w 9 7 443: JS ,fr f 4.l VJ wa' 'E 4, 5 xf 4 3 5 fl!! w Q W ,, ' - 0 'Q ' ... 0 6 ,, .ti ,, ,lm 'lr 0 , 1.7 . A v ,may 'v 1' 1 . lr. VH 'ig-1. , 41 ' R -w 1 's xv, k ' P-sm 4-f. ar.: w-I' .. 1 - 'J Jai 5,5- .. :hawaii 1,--ang fn 4 f de, .. :P .,: 'IA -4- No- B . -4 4-. Q .Psa ,din is-gg ,Aman , xv. 5 ..- a Swimming COACH: John Twomey John Barrett CAPTAIN: Peter Arsenault RECORD: 3 - 6 Arsenault Peter Arvedon Eric Cilley Robert Cooper Frederick Gillis Peter King James Kirby John McCarthy Mike Rawding William Rosa Mike Stadt Mike Stoloff Jeff Sussman Richard Topliffe Lawrence Ware Richard Witko Brad Coach - Joan Moehring Captain - Rotating among squad Won 1 Lost - 5 I HEAD COACH: Joe Prenda .,-, ASSISTANT COACH: Mike Rizzo CAPTAIN: Bill Bylund RECORD 8 -14 - 4 Bill Nicholson Mark Franchessci Bill Anderson Paul Langille Dave Downing Don Warner Dennis Coughlin Mark Kielbasa Glen Gardner Ken Oliveira Rich Ahearn Bob Balzarini John Scagliarini Gerry Hailer Hockey vf 3, 1 x xx' fs fax j ! Y, .I. vflfi f Sri if Aus ,sr fs- . J,,.:-fisffke . - 1, ak- .,,,, , . - 5llf'4v sf wr.:-a-J ,. ,qwmnna .-wlfw I J 'lg ,A-+V--.A , .5 jfggsfP',g,fJ,-v., H 1' ,gm , -- ,ts ' -f -. 1 , sl- , f , ' U - 1 , . '13 51 . ' 1 4 . 1 t .: ' NJ, 7.5.1 '.Z..':' ..1.,3E-:t if af' 4 ' - ' iv 152 Track RECORD: 14 - 1 N.A.l.A. District Track Championship Meet 1st place Tri-State Track Conference Championship Meet 1st place Womens Tennis Coach - Marie Snyder Co-captains - Carol Pimental, Paula Occhuiti Won - 8 Lost - 2 4 fp. VV . Volleyball Coach - Marie Snyder Co-captains - Carol Pimental Paula Occhuiti Won - 8 Lost - 2 .M I' Q f ff' 5. in-v 'X Baseball HEAD COACH: Bruce Wheeler ASSISTANT COACHES Paul Hayes Steve Knowles CO-CAPTAINS: Steve Rezendes Bob Gaudreau RECORD: 22-9-1 Camara, Steve Drysgola, Joe Hall, Scott Hughes, Ron Long, Gary Joseph, Ron lVlilIer, Joe CATCHERS Boucher, Dick Johston, Bob Pitera, Stan INFIELDERS Arruda, Don Ciborowski, Jim Jason, Joe Jesus Roy Rego, Rick Rezendes, Steve Simas, lVlarty Soares, Gary Taber, Steve OUTFIELDERS Andrade, Tony Driscoll, Connie Gaudreau,fBob Lukas, Ken lVloore, Kevin Savastano, Dave Taber, Carl 6 n R l Womens Boskeibclll Coach - Jackie Proulx Co-captains -Carol Pimental Paula Occhuiti Won - 5 Lost - 5 X .Lfhavxxw nf ,,4,,5y51, ,,A -vsv ,' ,,,- .M ,aa,f,. - ., f -5' ' yy: - - 4 ..--. - , - V .- - J -A Cross Couniry RECORD: 12 - O FORST PLACE IN NAIA DISTRICT 32S CHAMPIONSHIPS FIRST PLACE IN TRI--STATE CONFERENCE CHANIPIONSHIPS TENTH PLACE IN NAIA NATIONAL CHAMPIONSHIPS Field Hockey Coach - Barbara Carreiro Co-captians - Nancy Kennedy Sue Mills Won - 1 Lost - 4 Tied - 1 i + S num: ,. l.,,.vaxe 9' x x' - - .f . X . 1 . i . , vim. qt '- ,L Q we V .,..f--WA . mx wo, . :Q-,, M Q qw MM vat' . , fw- ,Q Ml . 54,4 ,, ,, mv .Q W I JV. 'xg' .7 1 W,J3'T1f'If'1.f : J' f v V rw X' J 9 Q- e.f2Q1Z5'Y ' ' 1 5 , 1,1 wkgjxg: wg x 'zai , ' Xxtya. ' -sfefffxff . . A. ,t,t,.Q , -in ,g.Q5?W V i ,s - 6 ' -.D ifwgul 1, Q -3, -'TTT' , . PH MA M , Y 'Q , Al ,ay .' ,W xr, , v 'H-1 1 W ' .W 1 - V 4-am I ,ML E sm, J Acliviiies 1 A' L ga. lH. 1 -4 , . jf -L '2'L., J 1974 1 .Ar 0 L Ye ,. A TTICA - PRISON CALENDAR 1974 f5.00 cacw .D-as i x 3 , 's-if.:- 1- ' -offs. -26' 'mx' ' , ff -..L- A A'ifl4:., -f K 4 ' , 'S-N ' I I 0 Q' f f 3 1 .-q s . ' . ff? xi Kuff? 'saw -. ..' AAA4 FK I. .MJ 4 P Q N , . I. im. I v We 71A v 'Wf M' y, 4 . J 1 ia 'z 1, 1 di 3 3 e 5 Y .QT X I R .3 j E Y : 2 s an i I 1 3 4 9 i I I I 1 i '3 pig x :XX-J -ll iffy , Q K x 'R- 4 1 'F' f. Ak LW 7 4' X 5 Q .gl-,ix 'fqwff BBQ! FFR , Skim is . yi I fl tag Eff , ' 2 K ' fi , il g .11 '.' 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A f ir' uf.,-ff' -M, fs J : N QT 9 4 .QM ,Q , X1 lg J, . l Senior Portraits: Joe Norris, Dodge Murphy Studios Sports Photography: Eddty Tompson Other Photography: Mark Mattos Mark Bower George Silvestri Bob Bouley Walt Frost Jim Collins Brad Meade Al Gagliardi Typing: Ann Marie Ellis Production: Mark Mattos Al Gagliardi Editor: AI Gagliardi Thanks to the following for their invaluable assista Louise Snyder Sue Smeaton John O'DonnelI Jackie Lemlin John Levis Chuck Doyle Bob DiPietro Mary Murphy Peter Cantone Richard Dagwan John Belli George Souza Crazy Arthur The guys at Camera Matt Shea Kevin Coyne Dick Waring Alma Shaughnessy Jackie Juttlestaedt Martin Grosweindt Sweet Pie Paul Fistori Mr. McKenna Ted Meade Elaine Fisher Howard Glasser Curt Worden Joyce Goodman Pe Jeff Faria Xll Ruth Greene Bill Owens Paul Rudolph Tom Higgins Steve DiColIibus Jim Collins Jim McOuillan Frank Sargeant nce: s Enterprises llatier FH D ,, .1-I a A Q .M m ,rw 1 lz ,4 7 1 f 'H' 4 S f It -wif f, f I I , 'P' - -- - .Q- -' ,. 4'-up: 1, p -'qu -f , - , . vi -f - . ,. ' 4 . -'lf .- .. , , -- ',-,.. -V 1' ,, . ,'1,Ag,'g 3:-:j.f ,W Al- ,Q ,,, 1. A CN, 'K ..:....,, ., - A-,,-,- , 1 4-'JZ-Y 'gfff ,Q 1 1.,,.fQ4 J . I, .11 K L . W' 1 -A N .gt px ,A-.R 1, m..N,,,, 1 , N 7.664- K .1 . , , , , , X, .- .,f - - ,f,,.,.fv--, -A 4 ,f . . J . ff ,..-V, J' . - ' , vr - ' ,' . N , f-'Y..'- 1 A ' ' ' ,HN . M,-'.',.A I f . U- ' 14. l 5, J -,.. . .' . 'Y ' - va- . ', ' '-'13 f'.g.,. ',- 1 . ,r, .f,, , . --I, . ,N xA -'. .-5.9, .3 x HSN' R Southeastern Nbssachusetts University No. Dartmouth Scrinshaw 1974 Scrimshaw 1974 Scrimshaw is funded by the Student Fees Allocation Committee of SNIU. Scrimshaw is printed in the United States by Taylor Publishing Co., Dallas, Texas. Pages one through forty-eight are printed in duotone. Pages forty-nine to ninty-six include reproductions in four color and mixed inks. All other reproduc- tions are black ink on eighty pound enamel paper stock printed in one hun- dred fifty line offset. Type faces include universal medium, medium italic, bold, and simplex bold. 1 l The Yearbook has always served the function of being sort of a time capsule, something a student can look back at in the years to come and remember the times. Probably one .of the most notable happenings of late is the decline of respect for people in prominent positions. We all lived through the superstar era, when a formula was developed utilizing mass communication to sell new gods to us. And the public ate it up. We worship- ped gods lesser than the one our cate- chisms taught us to worship. But perhaps now we can thank mass communication for opening our eyes. We can now feel a need for new heroes, better gods, whose value isn't judged by their flamboyance or ability to impress people with flashy rhetoric. The Scrimshaw was looking for a person who didn't want to become a big man by manipulating people to his own advantage, but someone who was a big man because he had opened himself up to other people. We found that person in Professor Howard Tinkham. Professor Tinkham himself came from humble beginnings and had to struggle to make it to college. After taking his Masters at Northeastern , he went to work at New Bedford Tech. in 1949, and in the years that followed he learned what it was like to work in a small school. He acted as advisor, counselor, head of admissions, and was chairman of his department for fifteen years. ln brief, he became a true educator who struggled to help his students because he could empa- thize with them. Professor Tinkham welcomed the op- portunity that the formation of SMTI afforded his department. He worked hard and long planning the expansion so that his students would receive the optimal benefit from the new facilities and equip- ment. He make SMU engineering grad- uates competitive in the job market and in graduate schools with students from big name engineering schools. ln 1968 Professor Tinkham sold the faculty and administration on the idea of beginning a Bachelor of Science program in Engi- neering Technology, a program that equips students to fill the gap in industry between the engineer and the technician. He made SMU the first college in New England to offer a degree in this type of program. He then sold his idea to indus- try, and his graduates have met with tremendous success. In spite of all this, Professor Tinkham's major contributions lie in the more perso- nal aspects of being an educator, because he is a man who is 'concerned enough to reach out to students who are in need of help. He is a gentle man with a strong sense of personal decency, who can feel for the students as individuals, and be sensitive to their problems. Where an- other professor might make a student feel that he himself has bigger problems than the student does, or that he really isn't listening, Professor Tinkham lets the stu- dent know that he cares, and if he can help he follows through immediately. He doesn't give up there, he'll ask to see the student again to find out if the problem has been resolved, or if he can do anything else to help. ln brief, he is a man who has ex- tended himself beyond his professional duties to assist and and students in a department that probably entails more pressures than any other in the university. He has labored to make SMU a top notch large university without sacrificing the kind of student-teacher relationship that distinguishes a small school. It is probably for this reason that the Faculty Federa- tion has nominated him for the out- standing teacher award, and why he ranked highest in his department's student evaluations this year. Professor Tinkham told us that one of the things he enjoys about teaching is that he is always working with young people, and this helps to keep him young. He also told us that he was shocked the first time that he had a student in class whose father he had taught. We found out that one of his former students is now working alongside Professor Tinkham as an associate professor in the department, and when we asked him about Professor Tinkham, he told us that the man possesses a gift of inspiration. The Scrimshaw agrees, and would like to pass that inspiration on to the Class of 1974. .' N . I . CAA!! 1, Editor 1974 SMU Scrimshaw Y V v W 1 Y 1 A 4, Y , 1 I 5 w J W l 4 , , ,,, , Y Y , , , Y Y 1 11 1 Il 12 1 Q w .H ii ,M ln life there are no essentially major or minor characters. To that extent, all fiction and biography, and most hist- riography, are a lie. Everyone is neces- sarily the hero of his own life story. Hamlet could be told from Polonius' point of view and called 'The Tragedy of Polonius, Lord Chamberlain of Denmarkf He didn 't think he was a minor character in anything, I daresay. Or suppose you 're an usher in a wedding. From the groom 's viewpoint heis the major character,' the others play supporting parts, even the bride. From your viewpoint, though, the wedding is a minor episode in the very interesting history of your life, and the bride and groom both are minor figures. What you've done is choose to play the part of a minor character: it can be pleasant for you to pretend to be less important than you know you are, as Odysseus does when he disguises as a swineherd. And every member of the congregation at the wedding sees himself as the major character, condescending to witness the spectacle. So in this sense fiction isn't a lie at all, but a true representation of the distortion that everyone makes of life. Now, not only are we the heroes of our own life stories - we're the ones who conceive the story, and give other people the essences of minor characters. But since no manfs life story as a rule is ever one story with a coherent plot, we're always reconceiving just the sort of hero we are, and consequently just the sort of minor roles that other people are sup- posed to play. This is generally true. lf any man displays almost the same char- acter day in and day out, all day long, it's either because he has no imagination, like an actor who can play only one role, or because he has an imagination so compre- hensive that he sees each particular sit- uation of his life as an episode in some grand over-all plot, and can so distort the situation that the same type of hero can deal with them all. John Barth THE END OF THE ROAD D ...:.,.... Y 'n N sf J 4 4 . 4 1 6 ' w SMU is a three letter word. Paul Souza I get really alarmed at the inability to reach the fellows the way we used to when we were smaller, and especially say in the freshman year. You get a print out from that computer and you realize that a fair number of fellows just walked off and disappeared. The thing that bothers me is that they may have left thinking that there's no one who really cared. You do what you can, but you 're less able to get to everyone. This is one of the prices you pay for size. Professor Howard Tinkham I went back to school because I couldn 't stand working. I had no special interest to keep me from getting bored with what I was doing. Hopefully, after this, I can get a job that'Il interest me. David DeIVleIlo I would stay as long as I feel comfortable. I don't like to stay in something I don't feel comfortable ln, and l'm really happy with what l'm doing. Manny Carreiro Head Resident Class of 1971 SMU, you can get anything out of it that you want, but you have to work at it. John Belli l was never sorry, it's made me whatl am today,' collecting umemployment every week as fast as l can get down there. Since l left SMU l worked for the New Bedford Mental Health Clinic as a drug counselor, l had my case thrown out of court for lighting off a bomb, I worked for the Residential Youth Center as a youth counselor, l got arrested for shop lifting, l drove a cab, l travelled around the United States as a bum, l came back to New Bedford, and now l 'm a bum. I collect unemployment. l have a dif- ferent life style than most people. l don 't get up in the morning, l get up at noon, cause I don 't work. The only time l get up early is when I go to the office. Once a week I go to the office. Richard Faust Class of 1970 l've only been here since September .... l think that it's a young University, and l feel like growing with it. As long as it's going to be here, l hope to be here. Jim Feeley Director Audio-Visual Graphics Department L 1r ' eff lf If We're being watched. l'm against the University using Social Security numbers as an l. D. Now, Uncle Sam 's got you by Social Security number, the Registry's got you by Social Security number. lt don't really mattter about the school, because we don't deal with the outside world, but it would be very easy to pool 48.1, W r -li information, because they've all got the same key. We don 't give a shit what your name is when you put in an add or drop, if your Social Security number's wrong, we can 't process it. Paul Lemaire Senior Programmer Computer Center sf! l'm glad that l'm still going to college, that it took me so long to get through, because in the beginning they brought you out to SM Tl, which was one building, and they said,'This is the school ', and it was this beautiful architec- ture, and you enrolled and you thought it was great. Then you get there and you have to go downtown to this rat hole for classes. Then everyone was solidified that 'Joe must go'. There were rallies and marches and going to Boston and having a wonderful time. Then nobody did any- thing for a while. So l left for two years, now everyone's running around naked. Janet Tyne College is an isolated reality, it prepares you for a reality that doesn 't exist. l think you should be able to expect a school to prepare you to at least function in the real world. llike working so much better than going to SMU. Jim Beals Class of 1973 L 1 9' it 1 L 1 I i 4 , I i i 4 . in' i V M F g ell 1 1 W t 4 X l attended Southern Conn .... in playing ball and running track l see many campuses, but none like SMU. The physical structure alone is most impressive. Academically, I feel that SMU is almost up to the level of Southern Conn. 1 At Southern l majored in Phys. Ed., l 1 wanted to become a Phys. Ed. teacher, but since SMU doesn 't provide a Phys. Ed. major, l figured I 'd go into Political Science. Lenny Rocha .AL M gs: W Null ll Ill U I w lt's a good experience and a good time putting on shows here. We're here to provide the best musical entertainment that we possibly can, l think that we've done a good job doing it. I think if you look at this university, between the coffee house, the Eistedford, and the Concert Series, we have a very wide, and a very good range of entertainment, moreso than any other college that l kno w our size. For myself the education l've received here at SMU had primarily been outside of the classroom. During the Driscoll era when we had the strike and the boycotts l learned a lot about working with people and groups of people. Working with the Concert Series I 've learned a lot of business techniques, for example how to do business over the phone which is a very difhcult thing to do. My education here has been excellent, unfortuneately for me, it hasn 't been in the classroom, but l know that's not true for all the students, Bob DiPietro SNIU Concert Series SMU needs color, ya know? lf you're into the concrete, then SMU is all right. George Carns w l was sick of being in school, sick of teachers, sick of the whole set up. lt would be any school, not just SMU. l mean, SMU is an all right school, it's just school itself, ya know, any school! l liked SMU just because l got to use the darkroom. l got to use all their equipment and it motivated me to do my art work. Vicki lt's a school, a place to go hang and play. l swear, half the people thought l was going to school there. People even ask me now, 'Are you going back to school?' I tell them, 'l never went. ' Janice l'm three years away from a good job I figure. Three years from now i t's going to be a different world. Three years ago from now it was a different world. Who ever heard of even numbered license plates capping gas on even numbered days of the month. l t's fuckin' ridiculous! And three years from now where 're we goint to be at? We're going to be buying our water from A8fP and the Brockton Public Market. Collin Williams SMU Concert Series The thing that impresses me is the teachers here. Considering what l had in high school, the teachers here know so much more, and they 're all decent people too. lt's a nice small college, for a small college it's really nice . . . of course for a One of the priorities l hold for myself as a teacher is the attitude of regarding my class as artists rather than students. Mature artists are able to learn, but are almost impossible to teach. . .except when they teach themselves. l really care about them, and unless they're treated like artists, they'll stay students for years. Prof. Elaine Fisher i feel that most of the time i'm experiencing culture shock around here, and it's very hard to function under those conditions. Ruth Greene I rl , 'I' I t seems to me, that one of the reasons it took me five years to graduate from college, instead of four, was that I didn 't know what I wanted to do. I wasn't in any hurry to get out, because SMU is such a dream world. I think that's some- thing that a lot of people here at SMU don 't realize. Its such a fantasy world, everybody doing what they want. The administration is very open to letting people do what they want 'cause nobody ever wants to say no. Nobody wants to be the guy to take the rap for saying no, so because of that, they just say yes to everything. A Iot of students don't real- ize, because of this, that once they get out of here it's totally different. The fantasy world just ends. Perpetual stu- dents are perpetual students because they know they're living in a fantasy world and they're reluctant to join society because they know it's screwed up. When it comes right down to it, you need money to live off of. Sixty cents a gallon for gasoline, I can just see me on a bicycle. . .No, I 'm gonna geta chauffeur, a limousine with a telephone and 71 V. in it. This is what I have planned for the future. When I first came to SMU I had led a fairly sheltered life in a suburban town,' Sharon, Massachusetts, population 70,000. Everybody knows what every- body else is up to. I never really had any exposure toward the type of people that were down here. It was a different kind of life, being with poor people that weren 't as well educated as the people from my home town. My first year in school I felt uncomfortable with the people, because I had never been exposed to it before. I sorta sat back and watched everybody to see where everybody was at. My first year I was just a fairly straight engineering student who got high once in a while. I was really into getting good marks in school and stuff like that. Then I met Mike Grieco. . . Steve 'Bear' Brown SMU Concert Series 'bm.Y-- ? SMU is the type of place where if you want to do something, and you can get it together, man, you can do it. Mike Grieco I ve never thought about the place It s a place to come What really bothers me IS the students l don t think any of them have any idea what s going on and In two or three years they re going to be out on the streets l hope their parents have money. l don t think one of them has any sense of greatness. Mike Enos 1 1 I f 1Ki? 'MH A 1 1 1 1 1 1 QQQQ3535:4lg,.,h , ,f im R-few l P l'm going to school, I needed money, so I found this job. Mark Bower I went through an awful lot of growing pains with the school. When l visit now, l am confronted somewhat like someone who hasn 't seen a friend for some years. The changes are rather overt, .... and disappointing. Although the students today don't have to live through the everyday trauma that the students of five years ago did, there seems to be a certain apathy. They 're letting the school grow by itself, where before the students con tributed to the school 's growth. The relationship between student and professor is hardly there. You do not see the professor around except during his office hours or in class, and you see the same type of apathy among the faculty as there is with the students. lt seems to be more an extension of high school than it is a University. Fred Mathews Class of 1971 Talk is cheap. Kenny Richards lt's hard to talk about changes here, because you're talking about some hor- rendous times and the changes that fol- lowed them. When you talk about student and faculty relationships, there isn 't that closeness that was evident from 1968 to 7972. I have no idea where the student body is now. The make up of the student body has changed considerably since the time I came here, when 95 to 98 percent of the students were from the area. Now, there's a great percentage of students coming in from other parts of the state and from out of state. We could feel, at one time, like it was our school. Now, l don't know where the student interest lies. l think many of us are somewhat discouraged because it seems that the momentum that was building between 7968 and 7972 seems to have just trailed off Prof. Alan R. Rosen I can 't stand the air about the place. lt used to be a nice small school out in the country. Now its an extension of adoles- cence caused by non-essential expansion to the point of chaotic and unscrupulous growth. This changed the atmosphere from one of a learning society into one of industrialized idiocy. Brad Meade Wir .-ff You just don 't sit in this office, like if the kids don 't show up to pour beer, l'm the nearest barmaid, l've run the pool room when kids haven 't shown up. Do you remember John O'Donnell? He used to call up and tell me he couldn 't get in because he couldn 't get his car started. l never told him l knew he didn't have a car. Ya, he thought he was snowing the old lady in the office. Alma Shaughnessy t Y W 1 Y l Y F The school amazes me. l thought it was going to be a little funky college. These cement buildings blow my mind, but l like them. l just see them as bizarre. l think if you took them seriously you wouldn 't like them at all, but if you just feel like a pin ball rolling through trying not to tilt they are a lot of fun. Sweet Pie l'm doing a caricature of the SMU booster. . .the SMU booster buys all the SMU products sold in the campus store. Yup, it's a nice place to do caricatures, there are so many interesting looking people. Jeff Faria Torch Cartoonist The thing that I notice about the University now, as opposed to then, when I was going to school, when Group I was the University, is that it's much more fragmented. It's becoming tribal. I kinda miss the rubbing of shoulders with people whose interests are different than mine. There isn 't the same feeling of camarade- rie now as there was then. Walt Frost, Assistant Director Audio-Visual Department ,ri XX Y f 's NN x Some people come in and they are oblivious to everything. They go through the books, they don 't take time out to sit down and get to know the place. Others who participate create what's going on here. There 's plenty offered to partake of. l think l learned more from what l did around here than what l learned in any class. l feel sad for the people who don 't do anything because they miss alot. I have positive feelings about the place in refer- ence to the life of the school. Matt Shea ' J-1,7-Q - -0l..,, 1- . 9 NYHQ. i' If it Wasn't for the G.l. Bill and my free tuition, I probably wouldn't be at SMU. Ray Cabral My years in college have impressed upon me a number of things. One of them is best stated in the wise words of the elusive Duke, mentor of Drivers, 'it ain't always what you do, but who you let see you do it. ' George Silvestri l have nothing but fond memories of SMU. lt was a place to kill time for a couple of years. l needed an excuse to get out of school, and this was it. Irwin Rosen Proprietor, Mushnik's Restaurant UI' , 3 , I r 3 4- r 4 r r 1 , ! , ' 5 . , . X K N I ' . r r - .-1 , -- 4 1 ll. 4 1 ' ' 6 ,, If l would rather comment on the Univer- sity through art forms rather than verbal statements. Chris Hayward Editor 1975 Scrimshaw Donald Howard Associate Dean of Student Life 12 I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I -6 V... 7 Qu W, H TN l v, W, 6 1 l l L 1 i i 1 i. 5 5. Ml, W ? s L Af 1 K 1 X, W1 E w 1 L Ii N 1 M w 1 If 1 1 l i. 3 ,-N x In K 'if B 41 A42 1 INI- i W E I 1 1 1 1 i 4 Y 4 w W 4 I I 1 S 5 1 r N The following materials were em- ployed to produce the preceding: Kodak Tri-X Pan 135,120,4X5, Kodak Plus-X Pan 120,4X5, Ilford FP-4 120, llford HP-4 120,4X5, Polaroid PN 105, Nikon F with 50mm Nikkor, Olympus OlVl-1 with 50mm Zuiko, Nlamiya RB 67 with lVlam- iya Sekor 90mm and 50mm, Graflex Crown Graphic with Ektar 135mm, Rite- way and Fidelity 4X5 film holders, Braun FO 27 Strobe, Honeywell 880 Auto Strobe with Remote Sensor, Daylight, Tiltal Tripod, Little Yellow Birdie, Pater- son Multi 4 Developing Tank, Stainless Steel Developing Tanks, including Kinder- man, Omege, Nikkor, Kodak 4X5 Dev- eloping Tanks and Hangers, Kodak D-76 1:1, Edwal FG-7 1:15 l9'Xs Sodium Sul- fite Additivel, Agfa Rodinal 1:50, Kodak Photo-Flo 200, Samigon Dial Thermom- eter, Paterson and Kodak Graduates, Gra Lab 300 Timers, Prinz Film Dryer, Super Chromega D with Schnieder Companon 50mm, 80mm, and El Nikkor 150mm, Bessler 23 c ll with El Nikkor 50mm, 75mm, Paterson lVlicro Grain Focuser, Kodak Film Cleaner with Heptane and 1,1,2 Trichloro-1,2,2 Trifluerethane, Sandmar Lithographic Wipes, Edwal No Scratch, Dust Off, Time O Lite lVlP 72 Enlarging Timer, Kodak Poly Contrast Rapid G, Kodak Poly Contrast Rapid RC, Kodak Kodabrome RC F H, Ilford llfu- brom IB 31P, Agfa Brouira BN 1, Agfa Portriga Rapid PRN 118, Yankee 11X14 Print Trays, Bamboo Print Tongs with Rubber Tips, Sprint Quick Silver Dev- eloper, Sprint Block Stop Bath lVanilIa Scentedl, Sprint Record Fixer with Big Al Alum Hardener, Sprint Archive Fixer Remover, Saunders Omega Universal Eas- el, Arkay Print Washer, Japo Auto Dryer Type S-3, Sony TC-110 A Cassette Re- corder, Sony High Fidelity Low Noise Cassette Tape C-60, C-120. Photo of Al Gagliardi was taken by Frank Herrera. All other photography was done by AI Gagliardi and Mark lVlattos. ln most cases light was available, in all cases film was exposed. ii' 2. 3 sl BRN N V' 1 Q '-J. mul 5. R Arl Stull a collection of faculty and student art work x Ih- -'q,',w'4., ...f-1' Prof. Roseann Radosevich 'A Grand Lady' 28 x 22 Pencil and Graphite .A -. 4, :Jw 1 fx ,.-V5 Agn in gg ' l ,lf Y R.. X X-f'-Nl tga?'x A ' Ax, 1. -Je-iw Prof. Dante Vena 'Great White Father' 171!2 x 23112 Etching 'T K , 1 1 , - ,r Q 77- lr-' S' K Q - X S-Q. xo I XX x N s Prof. Herbert P. Cummings 'King Bisciut Nlan' 48 x 36 Oil Prof. Edward Togneri 'Untitled' 36 x 48 Powdered Paint and Polymer xx, 'Q .9 QQ: Prof. Frank McCoy 'Yellow Fields' 30 x 36 Oil Prof. Jere Barnard 'Nlr. WiIIiamson's Gaze 93 X 68 Acrylic ' r 2 ' 'fax 'ig, Uj, T ' , ., , . , ' , A-gy 1 rzf'5 af: ff -' f 1 :.- '- ' 'H-kiqfgf' ' -3 112, f'1.,A:G'-wl'i' -' 'affj T-':5. :?Ji3?3',i g1TI1w ' I ' JY -ff ,. , 1 T ,J-' X if-1 W- sw ' 1 f-J - . 3- f - -A ' '. -. ' ' 13 5- , ' W1-,'Mr'f-Z3 ' .?Q, 1q.:gLm71.N .Q'! I- 4 , ,,1.,. : ' ' ' . ,Lg 1 f.r?v,, '- ., ,f5 .L' 1 T -ga. . ra .. .. , V. --f--M ,'? 3'-. ' 'QL' 4' QF - .rf ff. ff- 'f,',,-'XQQ L., -2'- r 'Y 1' ., ' r a,:a.p,:.:-.,pr,- . -, 5 f -- , ai ' .mag , 1.-1:13, . H ' - . ' ,f '-Q,--wif, , ' 1:.. ' ,.-- -'- VIP A ' w ,257 Pei , ' 'J .V ' 'Y Y YJ! ' , Q' rv ' t 'f '1' ,.759':f ,, V ,. G7 - . ' 5' 1 ' -f f -49-1.s.Erm2Ag,' , 1,1 i' 'A f..g,, A ., ,Mgxif vr' f 1 . Q ' ou. -V 7 'I I in ' A-H 'Q U 1-4' lv' V- ug: r '- - . e ,g- ' :,.,,,Wh A ,,, ,ji ' . . .. ,' f- .. Y '7--' 3' , . ,Q 1 ,A f , -. f , ' ri . , -' A 'vb x -ir Prof. Howard Glasser 'Precessius' 11 x 16 Pen and Ink Prof. George Mellor 'Earth Piece' 12 inches Cast Aluminum J- Prof. Stephen Chapin 'Strong Man' 5 x 5 x 2 Welded Steel, Zinc and Wood I I Prof. Peter London 'Untitled' 4 x 4 Oil Prof. Harold 'Untitled' 4 x 4 Acrylics Pattek Prof. Elaine Fisher 1 Prof. Ted Mead 2'-ff Ac' N . 4' gf! J, W1 ffl gf 4 IN cfzggf f fo 1 wh f Hy r 'x' . O if Prof Margot Neugebauer Enamel and Silver l l A 1 ! l 5 4 Ruth A. Greene 'Walnut Series, NO. 4' 24 x 1 8 Pencil Pe99Y Condon 'Ellie' 24 x 18 Oil Pastels and Charcoal Pe99Y Condon 'Sue on a Bench' 24 x 18 Oil Pastels and Charcoal Ruth A. Greene 'Walnut Series, No. 5' 24 x 18 Pencil x fl l 4 f 4 fir fr 'K ' fc , ! X' X . 1 , if 59? .M if ' x K Sue Manning 'Jack' 18 x 24 Conte 7 ffl! X ' s ,I Andrea Blizzard 'Untitled' 18 x 24 Charcoal Ann Gamache 'Piano Player' 12 x 14112 Charcoal and Chalk ww - fln F 1 . rf 'ALA 'J LW- ,iff ! F1 74 ' . 'fo ' 1, -, ,:,. , , N 5-Y: i. it - , ' -v .rf ,- . X Lorenzo Andrade 'Composition' 40 x 36 Oil 1 I I i 1 1 1 I 1 1 1 I 11 1 1 L11 i1 I I O Q 1 VXA 1. ,1 1 1 1 4 1 1 1 1 t 1 1 1 1 I 1 1 1 xr fy I zwffyw 'Q lil F I ? I i r 1 x 1 4 x Gaii Harriman 'Untitled' 24 x 18 Conte Rosemonde Reilly 'Reclining' 24 x 18 Conte and Chalk 112' ' A .ls r . ,lf 1 'VV' if f - Q A, ,V if rf, ' Rosemonde Reilly 'Untitled' 24 x 18 Conte and Chalk Ann Ga mache 'Untitled' 24 X 24 Oil Del liSe DUDI1 'Giraffe' 28 X 28 Oil J 4. 2.1 9. ' 67 2 . 11 I 5 '. .,,. J .SP , QQW5'7f2'?fF7.2f?T'ff 3lfff g?ifZTfj ff fiffz, 1'f f?f F' .-V . -- V . . V. -- 5. .A ,-.fn - 'V V 1' .: F -. V- A4 .. ., ,. . ,, .Y Q , V. V,.,,.. ,- -I ..W,',,, , ' -V 1 1 ,,-.' '-.U Kelly Big0S 'Untitled' 36 X 34 Acrylic .Q..........-. , T D , . Q -r ., I,-1 -rl ,Q 37.3 I --M - W-- , , ,,.n-4 , 'v-+545 . ,.. -, ., I-. , . , f. ,,w.,,,.--f -f . .5 .-,, WLM , A. ,. N ., ' A- wif- .-f--- . ... .. --.- . -- , .. ,W , N- -. . .-, -N .- , A.-xv- ' A -,...- R :H ,, K , - '-' if , . ..':. rig GQ.-u-f:.:',:4 --4+-v ,. , 'I A ' ,T I ixvqv-Q- J N... H 4,4-.f-.. ,. I it ' ' ' ' ' - We 6-Fjgfaf '-C' ' :E - I . Ax . ' A h qfihrs.. 1' 'L N , V sr Y ,, , 1 , . u . . . . - . ,Qu H fu.c.-. . 1 . U , ,Q-.A . - .A- Q '. '-. , -JL' , 1 Y - :ff-15 ' , . . Denise Dunn 'After Marcel' 8 x 10 Etching I' 1 1 E i .ml if 5 1 i ! 1 I f i I Q ! 4 L I 3 U f i 2 l i . s i 4 r E 2 2 1 1 E 3 I s i 3 D l 7 I 1 I A I I 5 I O Tim James 'Calligraphy in Black 15 x 18 Etching Timothy James 'Untitled' 42 x 38 Oil Nu n. J- J Qefava '- :'l?7f5if?' ., , A 1 ,: ,fivriil ur' w ' 0--L 4' 4.31 A ' -Ji55gf'w.x .-ap. ,141 - lf? f1',.J13', 1 365' REM' sb' dwg ,,',. w?':'?.., . if ??fv.':f'-25: Y fer- 2 V V ' vf,5gw11 nffmvx M.. !'i5'?f ' j qc . LQ- -,'1'w v , ,: , nz? ' LSI TI f 4 . -':.1 . .- ,,.- , David Wasserboehr 'Blue LBFIGSCBDB NO. 1' 30 X 26 Oil v . 2, . K ' . f W I. '.v,4g , ' v '-' ,. - fb. P-if., x 'I ' VIN! ,344 1. .lr .- 'Nh . - ,I ir x .7 ,rz N.. - . YV., .W ' rn '.f'., 94- kj 2 ff! 0 'T I I A9 1+ e ,Q ff 1 fI'i of .A WX Hx! K x E Xxx .x X 'ls XX 1 X xlx lx N' ku .4 'Sf ..,Lf'q 1 NK ygwg f Q K 5 xx , -wc' 1 5. FH. ' , . .Al ,' I? 'N :- , rv., l A -E .. ' 'ff' flf, I - .. 4' gl' . r. ,A14 fill' I A' .' 1,3217 I - ' ' ' ,ic . I-J' Q- f A if 15,1 . ' 1 f I 'N -11,1 4,341 , . xl A I s 'l ' g SQ, It ,f . . --. r .: X I -- A., , ' f ,jr V . f 1- v 1 , ,A .1 W N C, J ,. .V ' ,V 4 ,v' if 1 fY--- ---- ' 44 ' ff. ' 'P Ti A 16 'ff . . , if Q .',,-. 5 ,,,,.f . . ,f ., . r,7.'!:F' J' ,f 7 -j.7r ' J. 'F , H2 -5g:f1s'. l X ,4 ! 'z3-533' , uf, .1 6, '-r- .,f ,jig V. fl.. , I ' ' S... KU? ' f 5 I ,xx g 4 t. .f 1 J' - , '. x Cf, 0 , ., ' 1 - X .' , x , WA 1 fi , 'J R ' C X K .F 'I' 1 . .N '14, I W 5-QS 1 v Il. X ' A QP X . 'V ual L 5 xx' f. ,' 1 ' f ' . .' I , Q , ' .4 ' -' Q ,: ,V I 4 ,A f ...,w '. - -! , 111 qi .5 if A f . , . , ., 5 A , xg. 'JA 1 A I I 1 A , ' ' ' ' ' ' f- '.-, .':'?xt 5 ' ,H'.': f-'l:i'.- ' -if fi .P .'-ff'-Y ' , ,. , .hs V , - Q - -. Q, . ,, 4' 1. - , . ' V f ' , M' ' , '.. ' 1 -, . :W 1 ,--:X .-,A,- 14,9 'W ' '-9 - ' Janet Bjork 'BatherS' 35 x 46 Pencil Janet Tyne Silver, Bone and Shell Necklace Nancy Glista Silver Pendent ' , xx 'F-Q. Q I i1 2,4 1 .s, Andfea Blizlafd 'Untitled' 15 x 18 Etching -1 ' - .4 u Y 'gf'-Ts, --: ., -XR .c - 191-V -L 'll rfili .,- . ,V f . 3 w,:r . N. - zfQ5-,.J3-- L ,X '.- ' Lb- , . Hg 355-3:,'1fA 1 -V-4 . 1' '--mf 'Hffwi . - fb- I r',Q,-- ,, f,.,'n.1n . . r . Sv ' xx. ag, ' I - ' .- --N rj-',' ...' J L' ' . if tt 5 Q 5 . 31 .QQ f 1 -T' I, Yr L--Q' V lv ll - '7 ' ' ' P . ,TY f 'Z ,, , L :A .uv-.'.f,'. , .-- y,. - 1 .'.l:'-' , Span. L L l ' A.-'TL ' TE-A ' 3' J F 'fri I ' . s .54 .dr-'fu h- f1'Q:,' '- .411-'gf-, f- 1 -Q, a,.' -f..1L 3, . . 3, -Q ...A ,-A -Y 4,-A: , , -Q . , 4- :'-, . f- ff 3,-'f ' 'E -E ', ,-, , ' , 14- -41' 7. -x' 'rfp' - . , .' ' -' fs,-1-Avi-'f, - 541 Q -I -A E . K -' --5 A .-'..'.x'- . . ' ' - .', Y 1 4. ' ,, . ' , , - , t fzigfilgbl' '-. - - 3,4 f P , 5 ,,,f.'2'if'23.f,- ,gg- fa -. 1-.-2 f . 'rg - I , -. - -V f-:?t,, . xg ,A Q-'A .piv ... 1 -- ' ,ng 1. ,gy . S - F- A-J - tyjzr., - - ,.. 31. JV ,-V ' ' 2159- jg-fgfgf'-, W- '-, -,.,45:,'.r' -r :IA 'r 1.'f-Q -'W - - sf. -r -as-Q: ..- ,QL .47 - . f.--A--- --N- David Wasserboeh Y 'Landscape' 5 x 7 Etching . V--V ---L E ..-,5'::Tl'T s A Q ff.: A 1 x v n- . x x Q - fe' . -xv - -J 'w ' q 1,1 f, 5- -'e 'S xx .'x' Jim Baker 'Untitled' 20 x 14 Pen, Ink and Airbrush .,,Q' .. 2 J, V' - ix- : ,KJ .. - X fv' 1 Q,,u'f u s' , . . - ,rg-iz ft' f V.. I Q 1 :A Q 1. .J B 1 .. r 43 'I 4 , , . I :ti rf' ,Q I Jim Baker 'Untitled' 10 x 13 Match Stick and Ink .. 94 i ,c .21 .i, 1 lx'- xii. ,p f vs-,. I , - rv: r P' . X Wi . -ge 4 1 1, , lisp zfitrffr, . NM -,'p rx H? 5' I Ky, Steve Boyle Untitled' 18 X 24 Pencil Y 1 g 4' J' x N,.g xy, fy 1 L.-1,1 A.+'x . 9 4 .I Y 1 nr. '5 A 1 K . . X .-' . .ze Q J- -' F .F Ve . 'ff fr Y., f Q . 531, v I .. 'C A-- J Steve Boyle T' '.a- T 'Untitled' ' Jr' 18 x 24 WJ ,SV xg, Pencil V ef ,f 4' iff 'fl 1 , r- Grace Meyer 'Bird in a Cage 8112 X 8314 Etching Joyce Ferreira 'Dead Baby' 9 x 16 Water Dyes and Ink - was -., -L -1. -5 7 v sw--?:.:' j V -' ...J . 511,-.2-I3 E if-J: 4-It fx -5 2 E: if ,QP-S 1 gy -L jg 5 rang: ,fri J ,-ff 2-2.1444 ek .Q 15 1- :eg f 12.3 L -,Q A .- ,. -7- I 5-1-ff? 1-. ' A :ga ?:?a, -Q -:f x-w ff ' v ' J f. ig 1 'if' ', f 1 2 ,ff- , -- ...-.3f-- -. f . I V, -.W .Zz -2 ' 'X : 1j 3,-1-fi'-env V ' 'J 7. 14 . , 5ff 4- 315 X Y lg X-- Vi ,J ,, , , 1, mtmlsf 9 . - .L Q fr- ,-fmt -. 1 .I ,ff 4 l ian? F115 'ff , -Y ff! fy Q I f if f ' , ff H- . N, .. , nik JN ., A 4 f '7 v Q '92-,ig 1- V 'L 'Q' K A A I uf , f1' is rw Mm- f iff' - fxskkax 7 . ' ' V X 'ffl ,1 '..j afgi- v I 's- , gt, ff- 4, 4 iigyg 7 'X 1 3' Q L , -Nz-Y' . A 615' L27-Q' .' -114 - 'il -. f Zziq -Mn- 1' f 45' -- fdgif f 3 -we 1 i . -WXQQ1-,1-y 4 f ,Yr 1 N' ..... sk: A ' f ,M - - , .- -A :- ,f ff' 3. .. 1f'i.' . , an 4 A 1,..,Q,q 9919 y: 1 . jxfff M , ' f ' 3514,-Ak' f, iii it -x. ,fgA,.,,,. v,, M, , H Y - 'fyg1Cw'1U' ' X6 ' fl . '. Q ', ,,- 115 v' if-5-7F . - '!' ' im- ' , gjkei 'if X -' 74,,N, , , I . ' 3 xg' 'N ' ' ,rf , ' -.' ' I T57-.1'X ' f A Yagi- L, 2 .A 5, 1' I fvjbia' l , '15 551.1 -1 X-L , , - f 'Ko' ' - ' A EW fl 1 - 493' 31 -x. 1-N , , , I QA z1u?4 17' fax- 2, . 'Sa 'Q 'WM 1 1' 't . '-V.- f' ' X. x A .1-,, 'Q . 's li -- - 'f ' - N SE -A:-I .PV .117 xq xy R T Vx i it A - -- 1 , 2 s- 91 . . ' ' ' vi' .4 K X f 5 ' ,, 15, gh 1 . -Q V if ,f -f.f ?,g , 5 L'7Qi1 W 5 1 3 'I F' N r ' 'S' -.v' Sf f. . l s s ' A X? ' is ,ll -I Y' .- Q ?.. x ' 1 7 -9? U FW Q f -e--flii W '- A Xi rG A - - , x 'W ' - . ' .z . z -Lf - O A ' ' X N ' QT' :V b L' 'I ,W T- .f gig 4 . - , , - L,, 1 ,, ,fr 1311. , X- ,E YE- if : :ff l 1- 1. Z.. YY . f - A ,-Lflh p 1:2-,gp ' f- YQ- 'M- . Q' ' 1 'ff ' 1 R14 --771 f-L-1'iLf12.if Ji Q..-M ' - , .-,.- - 2 :uw - :z':c'f-1-l'5L:L L. 1 '-.- 5'-' ,V 5 :L ' ' '7i ': 1ii 4 cg i Q' Af .1?. .lac f.-- - sign' '- Y, - ff- 1 -i -S -0 T' Aw - wg. f f,,'i 313 - if gf 31:5-5' rf- 'lax f , ' 4 1 'F e -Q, i J., . ,ff bA 1-' ip ,.,5-ff f' keg :Q 1 A ' - -4 --if-6-fsffi f f:L fe- - I f 'ff ,gg V- r Q .L ' 5513 1 ' . - T., L- Nvv, ' 4., 3 '- : , X'fl, ' 2 : if-, :Q .4 - ' 5 , 2 Zz... if' .L 1 ' , '. .. ' ff '? E?Ta?f,- A ff K. - A :? 'gf-,fggf5:,-+'fE ': 1-1-' ' ,L ' fZ9 'EV' .R --5. ' 'fd f - L Y ' ff A - -. -Ha., - ' M ,Y':'- I'.:I':!E'31-A-... ' . 'j3 .5-iff fe: H11 'b ff- V , 1. 1.9, 1, I v-T, -'3' lf, 3- SI... I 'Cr' ' M . .,, , . -. T b W- M... , fp .U N W-.- 1 5, uf- 4.1 'S W LC J eff-'il -:-21's-?1?'f:f 'Qf:?ff:f ' ' '- 'g :'.... 1 . 11 - :ni 5+ Robert Lavoie 'Lady of the Night' 14 x 7114 Pen and Ink Grace Meyer 'Sight Without Seeing 13 x 14 Pencil :wg -1 1 'Q ji'- X' N84 -4. Jack Mcwllllams Donna Schenkel Dennis Grant Pat Poineau 2- i gf ,Y ,w ' ,. QC ,Qi 3: , Grace Nleyel' Susan Messek David Murray Donald Stidsen Janice Metcalf TV 1 1 - , 1x C. 1 'QF ' X X X flfg N ps ' 1 18' f 1i 1 1 1 4 I b - 1 . C 21 1 1 1 14 1 1 2,1 ni f.,, ,1f 1 , ,, I: f 1, 1 1 Barbara Cain . ,R V M, Q 32.4 is 'Y 11 1 MQ' H14 g 1J gal 111 M 45: ' Q 1 1 11 li 1 1 1 r all U 1 .4 ' ' 1 QS! E, 1 9 1 1 1 1 fi I 2 ' lvl! xi B 51 Zz Pj g,,'r ,fa1'4' 1 f MIK 41, 'gf 'I-1 1 QW 1 , 1 iffy ilm M6f'j,f1, f fiwfl 1 lg! ' I J E 'Tig is QM, 1 Quai' I .5599 fl' ' Q ff' 1 ff - 1 1 i,' . flf 1 tl 3 1 Pr x 1 1 b iw A ff' . ,W n , ' A 5- Susan Ritchie Adrienne DiTullio Bob Bouley Adrienne DiTuIIio ,. Y---. -,qc ' 1 'if1 I A HM , .L -uf ' ,.' I. ' Q K 1 4 ? W .V I .. ' o . , ,, ,-6,1655 ll ,W w I I AVN- dx. 7- ,, ' ,. ,QQ 'f' 'Y . , ' . . .lm