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Page 95 text:
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First Row: S ainh.our, Garve , Vawter, Vance, Hendrix, Perree, Reece, Glenn: Second Row: Yates, White, Vaw- P Y ter. Grubbs, A. Hanes, Davis, Lambeth, Montague, Smoakg Third Row: Ray, Price, R, Hanes, Newsome, l Morton, Honeycutt, Macklin, Borthwick, Hine. Mr. Buchanan: Fourth Row: Sapp, Holton, lewett, Montgomery, Stewart, Haltiwanger, Bean. METRIC SCIENCE CLUB B Organized April, 1928 Fall Oliicers Moyer Hendrix .... .... P resident -- lim Vawter ...... -- Vice President David Robinsonnr .... Treasurer -- Bill Glenn ....... ,ri Sergeant-at-Arms Bob Garvey ....,...... ,-, -... .... S ecretary -- PURPOSE To study modern scientific developments and with special emphasis on excellence and accuracy. MEMBERSHIP Richard Bean Ted Borthwick B. R. Browder, lr. Wilbur Davis Billy Grubbs Robert Haltiwanger Aubrey Hanes Richard Hanes George Montague Ben Morton Charles Hines Leroy Honeycutt Tom Holton Langdon Montgomery Thomas lewett Bill Lambeth Albert Macklin Iames Mickey Billy Miller Spring OfHcers Frank Vance Harold Spainhour Bill Petree - - - - - -Charles Reece Bob Garvey to create an interest Henry Newsome Perry Piatt Iames Price Ioe Ray Fred Sapp Bill Smoak Bill Stewart Bill Vawter Charles White Earl Yates Iim Vawter ....i....r....... Reporter Mr. W. S. Buchanan .,.. -, BLACK AND GOLD in science, - - -Sponsor Page ninety-one
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Page 94 text:
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LIBRARY STAFF Ola Maye Nicholson-1 Guilford College, University of North Carolina Elizabeth Flynn-Duke University, University of North Carolina. First Semester Rebecca Thomasson Edna Sprunt Zack Harrison Billie Hill Marion Everhart Mary Ragland Marjorie Wall Lucille Fowler Louise Fowler Barbara Iones Virginia Baker Doris Sherrill Beatrice Sherrill Margaret Roberts Bettie Roberts Sara Bowen Rebecca Thomasson Elizabeth Sandefur Iune Thomasson Page ninety OFFICERS President Secretary Second Semester Evelyn Bolling Nancy Nunn STUDENT STAFF ASSIST ANTS Marjorie Rankin Betsy Spach Mary Frances Barnes Evelyn Wright Evelyn Bolling Treva I-Iedgecock Ethel Iarvis Flora Avera Nancy Gladstone Louise Taylor Betty Moore Peggy lane White Mary Lucy Baynes Marie Shouse Ruth Shore Iohn Iohnson Mary Spach Mary Louise Kirby Iessie Lee Bennett Patsy Williamson Phyllis McCallum lean Bain Mary Louise Tuttle Eugenia Baynes Bob Warren Frances Cruse Edna Sprunt Robert Sosnik Iune Clapp Martha Wertz llflary Wertz Avis Bodenheimer Nancy Nunn Virginia Holton REYNOLDS HIGH SCHOOL
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Page 96 text:
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E35 SA'AW'A ii r 4---r-----q,,,,.,. me Q K, V3 X . K -, U Wifi -. .,..,v.-,-,- -D , , -...N - i IUNIOR DRAMATIC CLUB Rex COStOIl .... ........... P resident Treva Hedgecock,-Secretary-Treasurer Ann May ...... ...... V ice-President Mrs. lnez P. Brooks ........... Sponsor lean Bowles Rebecca Bullard Mary Caudill Geraldine Groce Evelyn Hager Treva Hedgecock Louise Hege Mary Nell lay Carolyn Iones Opal Leonard Billie Luck Ann May Norma Rhoades L. P. Hardesty Iohnnie Saylor Emily Gray Saylor lewel Smith Doris Sparks Edna Sprunt Florence Stafford Doris Stevens Frances Swing Marjorie Wall Betty Withers Ruth Messick George Atkins lim Barbee Carr Smith Rex Coston Richard Canty Ethan Beeson PURPOSE Fulton Ferree Robert Hager Roger Hendrix Hyatt Norman Robert Parker Maurice Simmons Ben Lee Slawter George Stregas Ray Swain Donald Welfare Russell Teague The activity of the lunior Dramatic Club of the Richard Reynolds High School has for its purpose educational value. The aim is not to train for the stage, but rather to learn the principles underlying the art and the technique that are necessary for an understanding and appreciation of the drama. One of the chief educational principles of its dra- matic productions is to motivate stand- ards of voice and diction on the part of the participants and thus effectively pre- sent new standards of speech. Another educational value emphasized by the club is the opportunity offered to learn team work and cooperation. By making each student responsible for his particular as- signment results are gained for whole- some recreation and opportunity for the development of a genuine ability for leadership. The plays for production are chosen essentially for their literary value, character deliniation, subtlenhum- or, and imaginative appeal.
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