South Eugene High School - Eugenean Yearbook (Eugene, OR)

Page 99 text:

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Page 98 text:

Roosevelt ninth graders serve punch. JUNIOR PROM Sakura No Koi Enchanted by the beautitul Japanese gardens created tor them, South Eugene students danced amidst cherry blossoms and tea houses at the Woo Junior Prom, Sakura No Koi. They were served by lcimona-clad geishas, and watched the coronation ot Prom Queen Patty Bowles, attended by her court and their escorts. Prom chairmen Hilda Bengtson and Dave l-lodges, assisted by imaginative committees, transformed the cafeteria into a scene which vvill be remembered and cherished by all who attended. Japanese garden is scenic setting for ' Cherry Blossom Love Vern Johnson and Norma Umphers enloy refreshments, 92 Junior Prom Court from and Dugan Baker, Lynn

Page 100 text:

SPRING MUSICAL I G I' I 5 7 0 iver. September rumors became reality during January tryouts- Oliverl was coming to the South stage! Excitement mounted among drama enthusiasts as the nerve- wracking process of casting progressed. Scores of small boys auditioned for the coveted role of Oliver. Songs from the Broadway hit echoed around the Little Theater- As Long As He Needs Me, Where ls Love, Food, Glorious Food, and Youve Got to Pick a Pocket or Two. Lionel Bart adapted and scored the Dickens' classic for the stage. l-le was faithful to the original story and created a musical of haunting beauty and wistful sadness. Ole iver! is not a musical comedy. There is nothing comic in the cruelty of Bill Sikes, head of the London underworld, the suf- ferings of the young Oliver, or the tragic death of Nancy, Olivers friend among the thieves. Fagin, teacher of the pickpockets, has moments of misgivings about his life but decides after Reviewing the Situation that he is too old to change. Although Bill Sikes mistreats her, Nancy is convinced that he needs her. She finally discovers that Oliver also needs her love and her protec- tion. Technical aspects of Oliveri were as pol- ished as the actors' performances. The re- volving stage made scene changes faster and smoother. Prop committee members spent weeks searching out snuff boxes, ale mugs, long clay pipes, and a dog. Cos- tumes transformed the cast into ragged members of nineteenth century London slum society. Oliverl played to sellout audiences-a total of 9000 for the four-night run. Some were surprised by the unhappy plat. Others were thrilled by the professional quality of the entire production. All who viewed Ol- iver! knew they would long remember it. 94