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Page 33 text:
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To Our Town Opposite page: The family portrait of the Gibb ’ family; the baseball players trying to encourage George Gibb to play baseball with them; the family portrait of the Webb family; Mrs. Gibbs and Mrs. Webb chatting about their children; the stage manager watches Pro- fessor Willard and Rebecca Gibbs converse; Constable Warren and Howie New- some discuss the probabil- ity of rain In Our Town; Mrs. Soams catches the ears of Mrs. Webb and Mrs. Gibbs with her tld bits of gossip; George, needing help with his math, asks Emily to do a little window talking. While Mrs. Gibbs waits for greater understanding, two towns- people discuss the memo- ries of the dead. Mark Robertson Impro- vises a pose with a curtain and umbrella; Nettle Moss pantomlnes pouring a glass of water In the kitchen; Mr. Worsham directs Our Town while Tracey Westmore- land, Clint Potts, Chyenne Webb, and Sherri Pierce watch attentively; Jack O'Banlon practices his lines; Tracey Westmoreland takes her stage position; cast members warm up before rehearsal; Nettle Moss and Jennifer Cole work on props for Our Town; Robert Love- less directs the Sunday choir; Barry Tubb concen- trates on his lines; Kristi Masters gets Into character backstage. 31
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Page 32 text:
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Our Town Comes “We all seem to live In the “fast lane these days and lose sight of essential things such as strong family ties and the enjoyment of simpler moments and events said Our Town direc- tor Jerry Worsham. “The cast and I have enjoyed our association with this script and what It says about mak- ing every moment count,” he added. Becky Pierce who played Emily Web In the production said, “We learn to work side by side with the cast and crew. This In- volved patience, under- standing, and sensitivity from everyone Involved It takes team effort and sup- port to succeed. The key word Is communication. We all strive for the final goal which Is to make It the best show we can possibly doI To be “In tune with the times” Is one reason why Jerry Worsham picked this particular play. “We had not done a play like this In sev- eral years, and It gave the students an opportunity for a different kind of staging. Also the mood of the coun- try has swung back to coun- try basic, and this play re- flects a lot of those values, Mr. Worsham explained. THE CAS1 (In order of thdk :jLl, STAGE MANAGER DR. GIBBS 1 - JOE CROWELL HOWTE N MRS. GIBL MRS. WE® f iwftijy MARK ROBERTSON JACK O’BANICN cunt pctjs .HAM 5TB himH BA COOK •JEY FORBES KRISTI MASTERS KEITH MARTIN LORI HOWELL LOVELESS !R COLE AWFORD DAVID BRIM RRELl BRAT VINCENT JOHN WILSON MARE SHAW RAYNE MARLOW IT WESTMORELAND i Clint Potts. Lori Howell. I •lew. Camilli Crawford] Stewart. Kefiy Givens. I 'Morrell. Sherry Pien i. Shannon | I by Special Arrange: New York City . AR' meat with Samuel French, 30
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Page 34 text:
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Hard Work, Top Results: District, Regional Champions tate-One Act play com- petitor The Royal Hunt of the Sun Included 22 very dedicated people who worked many hours to bring off an- other successful one- act season. They worked throughout the first spring break and rehearsed during Easter break as well since Regional con- test came right after the holidays. ” said Jerry Worsham, drama Instructor. All costumes used In the play were made by the students and Mr. Worsham Including heavy Spanish helmets like the ones worn by the Spanish conqulstadores when they came to conquer the new world. JO
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