Seward High School - Sewardonian Yearbook (Seward, NE)

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yung yy ,ni ..,.......- lm H tllllt Il III 0 Ill Class Will Know all men by these presents, that we, the Seniors of the Seward High School, of the year nineteen hundred and twenty-five, being of reasonably sound mind and of memory fit for disposing, do hereby make, publish and declare this to be our last will and testament. CLAUSE I I The Class of '25 hereby bequeaths the Class of '26 their good looks, also their ability to use in unison and with cognition, their cerebellums and their cerebrums. For the thorough introspective examination, which the Seniors have accorded the craniums of the Juniors, clearly evinces that the Class of '26 are in dire necessity of both the aforesaid beauty and brains. CLAUSE II The constituents of the Class of '25, individually and separately, bequeath the members of the Class of '26 the following, it is our desire that the Juniors use these gifts in the way that will benefit themselves to the greatest degree: Howard Anderson, his resemblance to Jack Dempsey to Sumner Anderson. John Anstine, his blushes to Warren Townsend, but alas-it cannot be, for the blushes refuse to depart. Loleta Applegate, her ability to murder grand opera to Charlotte Reuter. Have pity, Charlotte. Ollie Buckmaster, her sixteen pairs of dilapidated dancing shoes to Alice Lynn. Florence Coffey, her cup brimming full to Hazel Hunt and Frieda Hippe. Drink without cream. Elizabeth Crouse, her ability to romp on the ivories to Faye Williams. Don't let the keys stick, Faye. Franklin Dally, his speed and sparkle to LeRoy Leger. Handle with care. ' Fred Duerr, his chemistry laboratory explosions to Lemuel Markle. Advice: Glass won't bounce. Albert Ebers, his jazzy dancing to Nellie Campbell, the red headed gal. Ruth Feary, her success with the daily dozen to Fern Thomas. Use one dozen only. , George Fuchshuber, his Jewish method of salesmanship to William Beacham. Mor- al: Spika wid de hand. Cornelia Gans, her brilliant geographical grammatical construction to Genevieve Moritz, to use in the Junior-Senior debate of 1926. Glema Gembler, her soprano voice to William Meyers. Don't strain it, Bill. Dorothy Gordon, her war paint to Florence Wood. Marian Hadley, her interest in boys to Ruth Mayland. Anna Hartman, her vamping capacities to the Conley sisters. Maurine Hauck, her brilliant French recitations to Lois Hintz and Ferol Swallow. Arthur Heumann, his unique method of successfully dating the girls over the tele- phone to George Reinmiller. Very inflammableg keep away from the fire, George. Nora and Alfred Hughes, their Annual buying record to the Pickrel brothers. Marie Jorgensen and Edna Mumm, their collection of empty candy boxes to Esther Vahl and Esther Dahl. Harry Landis and Gretchen Woods, their mutual interests to Fern Soss and Arthur Morton. Capital, liabilities and assets equal total applesauce. Louis Lukert, his hip-pocket flask to Glenn Miller. Not refillable. Darleen Long, her resemblance to Pola Negri to Harold Toovey. Oh you Sheik. Frank Maixner, his forty-six inch chest to Francis Hamsa. Don't drop it. 5. . ,... .. .nfiqrjt-1,5gjpn. ,. .. .U ' PAGE TWENTY FIVE

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' lllfllll A Class Wflll Continued Keith Marshall, his car tracks to York to Gerhard Bender. Harold Meyers, his ability to tame girls of various descriptions to Wilber Chap-, man. Apollo's only rival. Mary Pape, her distinguished beauty to Leona Jeary. 4 Jerrold Pavel, his thriving city of Bee to James Bolicek. No revenue officers in sight. Catherine Reynolds, her red tie to Ruth Hershberger. Danger! Reynolds sisters, their brotherly love to the Gannon sisters. - Mary Rupp, her Parisian styles of dress to Brenda Patterson. Margaret Reuter, her musical talents to Lela Barrett. Let's hope that her parents can bear it. A Lester Schick, that school girl complexion to Claude Williams. Palmolive oil. Edna Schlueter, her friendship with the college boys to Lucille Moore. Gertrude Scott, the keys to the county reformatory to Carl Fink. Arthur Schroeder, his presidential ability plus collecting debts to Hulda Meinke. Howard Scheer, his ability to keep the Junior girls entertained to Joe Dixon. Elva Shaffer, the echo of her giggle to Fern Anderson and Esther Bender. Better tie a log chain on it. Frank Smutny, the left hand pocket of his green sweater to Arthur Duerr and x Henry Emme. Mae Soss, her lady-like manners to Wilfred Rittamel and Gelort Strehlow. Carry them with you, boys. - Vlasta Stransky, her baby stare to Fern Soss. Not transferable. - E Mercedes Taege, her ability to hold one boy all season to Ella Grey. Use no hooks. Catherine Turner, her gilt-edged gold brick making to Arthur Gruber. Make them square. - ' Lester Varner, his marcel to Donald Gannon and Edward Gleisberg. Valspar does it. Kathryn Vail, her look of intelligence to Alice Ashton. Don't try too hard. Emma Vogt, her frictionless talking machine to Louise Hafer and Florence Schlueter. sa Harold Wickersham, the upholstering in his Ford coupe to Raymond Schneberger. Spark plugs included. Elvin Wendt, the top button on his sweater to Marvin Rurup and Milton Mayland. Hang on-Q 'IJ ' Erwin Waldman, his Whiz Bangs and College Humors to Howard Townsend to be used in his future domestic HJ debates. Rose Winters, her hair dyes to Florence McCord and Jeanette Ost. El 'f E X Dorcas Weatherby, her ability to make new cars climb trees on Sneak Day to all the remaining individuals in the Class of 1926. Witnesses: Arthur Heumann. Q John Anstine. X s. . .m .. ...if-'1'q I-ij'-'fit .. M. .. .5 PAGE TWVENTYASIX LEE: