Seventh Infantry Division - Yearbook (South Korea)

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fi jf! On the firing range. rean conflict ever since it had started. Crump had writ- ten the story, which appropriately enough concerned the action of a typical platoon during a quiet day on the front. This day in the film was the day the cease fire was called and the picture was a tragic, realistic and, at times, humorous account of life along the MLR on the last day of War. The plot was familiar to us. It concerned patrol actions and assaults on hilltops and those harrowing jobs often referred to as routine W -amass-v Radio shop. Surprisingly enough, Crump, Who directed the picture, brought no glamour boys from Hollywood to play the leads. Instead he picked men from the 7th Infantry Division and they played themselves in the picture. True, the names were changed, but each man in the cast was in reality, portraying himself in this War picture. Later, Bosley Crowther, the famous New York Times critic, said of the picture that though the soldiers who do the performing demonstrate no professional acting Outdoor class in the use of small arms.

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K 77 , W, v S 1,5 . V, if 'Ci' 5 'ui w-:Aiwa eu? . H., ,-awk . Advancing behind the profeciion of an M-4 funk. tered back down the slope and the post was secured. The Reds, meanwhile, had launched a new attack against Pork Chop the night before at 2305. For two days until April 18 at 0055 both forces fought at close quarters under heavy artillery fire from both sides. At 0055 the 18th, an enemy company attacked Pork Chop and minutes later succeeded in reaching the edge of friendly trenches. The position was reinforced immedi- ately and the Reds were rammed back down the hill. By 0310 on 18 April the fight was over and Pork Chop was once again secured. During this intense attempt by the Reds to invade the main UN line, Outpost Arsenal was also battered by heavy artillery fire and enemy attack. It, too, withstood the onslaught and drove the Com- munists back. It was during this period that Hollywood came to Korea. 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