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Page 66 text:
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'27 lmld the wrfrld . . . ll stage Anne Garpstas, secretary, and Helen Sigwald, vice president, find many surprises in the costume cupboard. ,XIX i rf' If f Erna reads a letter telling of the heroism of her brother, Hans, making the others realize how blinded by prejudice they had been. I' 4 I' I ky' x Lower left: Jean Johnson, Bernadette Johnston, and Maris Stella Kram U iffy apply make-up to Mary Smith, Helen Sigwald, and Mary Pat Wclesche 23' ,il .Q X before on-stage call. 1? . , 1 X 4: f The lighting crew prepare for letters to Lucerne. A 'f f f XXX '1Yf.. f ix S S 1 1 li by jf
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Page 65 text:
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Page 67 text:
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where every man must play zz part. 2' n , xt ,. 'sis g it ' :'2 i. is :digg i . . 'ig . Hx 4 Marlene McEvoy, president, helps direct the spring production. Gustave welcomes Mrs. Hunter with a bouquet while Morgarethe smilingly approves. DRAMATIC CLUB To uphold good theater according to the highest moral standards, and to perfect the members in dra- matic technique and presentation are the ultimate goals of the moderators and members of the Dramatic Club. During the post season these were effected through the medium of two productions: The Book House, a one-act play which stressed backstage com- mittees, and Letters to Lucerne, the three-oct spring production by Fritz Rotter and Allen Vincent which emphasized acting. ln both of these productions many opportunities for lighting, staging, and acting were afforded, and the results were ample recompense for the long work involved. Back-stage committees make remote preparations for the initial production of the season, The Book House. Books come to life as the cast of The Book House takes o curtain coll.
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