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Page 27 text:
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TWELFTH NIGHT by Ed O ' Toole 23
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Page 28 text:
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24 When Seton Hall ' s Theatre-in-the-Round does its annual imitation of the Old Vic, the results are if anything, unpredictable. Twelfth Night, which opened the Theatre ' s twelfth season, was no excep- tion to the rule. It was, howver, a delightful offering, buoyed by Owen McEvoy ' s clever set design and surprisingly thoughtful portrayals by Michael Dris- coll, Audrey Witho, Mary Wilbon and Theatre reg- ulars and newcomers. Mike Driscoll, the graybeard of Seton Hall drama, rose to the occasion in his role as Sir Toby Belch, delivering his best performance in recent memory. John Redmond was his usual creative self, stopping the show as the self-righteous Malvolio. Beautiful Mary Wilbon, making one of her too-rare appear- ances under the lights, was simply stunning as Viola, and John Moran, a Theatre light from the past, was refreshing as her twin, Sebastian. Director McGlone used sophomore Wallace Hutton well as Duke Orsino. Hutton ' s relaxed ambience on stage and clever portrayal were no surprise to Thea- tre-watchers, who had witnessed his talents in last seasons To Be Young , Gifted and Black. Anne Marie Hughes added to her ever lengthening string of successes as Countess Olivia. She proved her position as one of the better actresses to have worked in a Seton Hall production. The play, was stolen by buxom Audrey Witko whose enthusiasm on stage is inimitable. As Faluan ' a servant to Countess Oliva, she busted and shrieked about the stage like a cream puff into which Aunt Pittypat (from Gone With the Wind) and Totie Fields, a merged. She left the audience weak from laughter. Twelfth Night was a significant play for McGlone and his players: a fresh, brisk, lighthearted romp be- tore they settled into the season ' s heavier dramatic offerings. They would be hard put to match this comedy gem in the months to come.
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