Schuylerville Central School - Schuyler Yearbook (Schuylerville, NY)

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Elsie Olson—-I’ll See You in My Dreams Mazic Cook—You Can’t Pull the Wool Over My Eyes Boa Wilson—Where are You? Olive Blodget—You’re Too Sure of Me Helen Pechette—Please Keep Me in Your Dreams Claire Walsh—-I Just Couldn’t Say Goodbye Mildred Walsh—Easy on the Eyes Jim Teahan—With Plenty of Money and You John McCarty—I’m Not the Kind Rosemond MeDougall—Rosalie John Miner—Painting the Clouds with Sunshine Washington Trip—Us On A Bus Senior Class—Thanks for the Memories Will last Earthly Thoughts w E, TIIE ID.'IH class of Schuylerville High School, before taking oil into the vast unknown stratosphere of life, do hereby bequeath and bestow all our earthly treasures and worldly knowledge to our lowly classmates who shall in the future take their place upon this great threshold of life. To the Junior Class we bequeath the senior room, providing that they clean out the desks, keep as quiet between bells, and in other ways uphold the dignity as we have so conscientiously done during the past year. From the various seniors we bestow the following talents and helpful suggestions which we hope will prove beneficial to the heirs. To Mary Roddick, Rosamond MacDougall’s position as class tomboy ; to Aurelia Bielkiewicz, Mildred Ellis’ graciousness; to Henry Mezera, Dominick Nardelli’s thumbing ability so that he can go to Ft. Miller every night; to Harry DeLuca, Leon Gagne’s conscientiousness; to Marguerite Freemont, Henry Edie’s quiet, unassuming manners; to Arnold Johanson, Anthony Corsetti’s beard; Eugene Turcotte’s position as speed demon of the baseball team to Bob Callahan; John Miner’s drawing ability to Louis Gasper; Helen Pechette’s ability to charm the stronger sex to Mary Tanner; Jane Corniie’s basketball prowess to Ruth Sanders; to Julia Bryant, Mazic Cook’s merry manner; Beatrice Wilson’s slimness to Thelma Remington; Olive Blodgett’s memory for dates to Dorothy Pett; Glenn Pratt’s happv-go- —23—

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Senior Songs Emily Coffin This Is My Last Affair Cyril Currier-—Please Be Kind Mildred Ellis—Remember Me Velda Cramer—Sophisticated I.adv Irene Gravelle—Mv Heart Is Taking Lessons Dorothy Boivin—You’re Laughing At Me Dorothy DeGrechie—Stay as Sweet as You Are Ray Wood—Country Boy At Heart Albert Yandow—-Whistle While You Work Vera Betts—Am I in Love? Eleanor Gaudette—All You Want to Do Is Dance Elaine Cromie—You’re An Angel Margaret Arsenault—I Live the Life I Love Marie Arsenault—I’ll Follow My Secret Heart Joe Sulli—Gipsy Fiddles Ruth Thorne—All American Girl Kate Ellis—Gee! But You’re Swell Edward Sullivan—Nobody to Love Spencer Boyce—No Regrets Frank Coffin—Down on the Farm Rita DeGrechie—Frankie and Johnnie Leona Thompson—Sweet as a Song Alfred Corsetti—Solitude Anthony Corsetti—Better Luck Next Time Glenn Pratt—Every Day’s a Holiday Jane Connie—Some of These Days Marian Hewitt—Sweet Somebody Wesley Bovce—I’m in a Dancing Mood (lifton Hunt—May I Have the Next Romance with You? Paul Sloane—You’re an Education in Yourself Eugene Tureotte— There Goes My Attraction Henry Edie—-Ready, Willin’ and Able George Williams—You Can’t Stop Me from Dreaming Leon Gagne—I Don’t Let the Girls Worry My Mind Dominick Nardelli—I’ll Take You Home Again, Kathleen Frank Nacy—Miles Apart —22—

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 luck spirit to Edna Van Arnum; Cyril Currier’s ambition to Edward Reed; Frank Coffin’s running abilitj’ to Sam DeLuca; Irene Gravelle’s fiery spirit to Shirley Woodruff; to Catherine Farrell, Dorothy Boivin’s red hair and spontaneous blushes; Rita DeGrechie’s winning smile to Marguerite Willette; Clair Walsh’s profile to Edna Whiting; Spencer Boyce’s sweet temper and curly hair to Joe Cheney; Joe Sulli’s nose to Andy Pleshko to rest his violin on;Elsie Olson’s ability to concentrate to Carl Nardelli; Edward Sullivan’s bench-warming ability to Ken Williams; to Muriel Gravelle one of Marion Hewitt’s straight A. report cards so that she can frame it; Mildred Walsh’s long walk across the river to Gertrude French; Kate Ellis’ versatility to Edith Davis; Dorothy DeGrechie’s dependability to Maurice Bovee; Emily Coffin’s natural ability to grow tall to Mickey I’etralia; Velda Cramer’s enthusiasm to Joseph Hewitt; Ruth Thorne’s dancing ability to Helen Boyce; Ray Wood’s shyness to Mary Keeley; Albert Yandow’s sureness bo Ray Larmon; era Betts’ giggles to be equally divided betwen Catherine Caisse and Marie Fowler; Eleanor Gaudette’s typing ability to Lillian Wilson; Elaine Cromie’s soft voice to Mary Ann Sullivan; Marie Arse- nault’s perfect attendance record to Elaine Sails; Margaret Arsenalt’s serene manner to Bette Burch; Clifton Hunt’s “axle-grease” to Frank Ellis to keep his German hair cut in place; Jim Teahan’s soda fountain serving to Bill Carey; John McCarty’s speechless moments to Eddie Boyce; Wesley Boyce’s broadcasting ability to our janitor; Frank Nacy’s stage presence to Jack McCarty; Art Corsetti’s towering altitude to Bill Hoey; Leona I hompson’s sweetness to all those underclassmen who recognize their need for it. I o the faculty, our sincere apologies for the tears we mav have caused them and our many thanks for the happy memories. THE SENIOR CLASS OF 1938. Witness; Catherine Ei.i.is, Senior George Shaver, Junior Louis Gagne, Sophomore Chari.es Sherman, Freshman —24—