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Page 7 text:
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LADY’’ ROARING SUCCESS and scenery, reciting lines and most important, rehearsals became a part of the cast's everyday life. It was easy to tell when the rehearsals were underway and to detect members of the cast. They walked trancelike in the hallways and classrooms as if they had had only five hours sleep. During the final week, this was not far from true. After the tension had built up and tempers be- came short, the opening night finally arrived! All doubts diminished as an enthusiastic student audience displayed their approval. Although the two following performances received standing ova- tions, opening night was the big test. Closing night was unique in that each director received token gifts from the cast. These were chosen because they represented the traditional theater expressions the directors used during the production weeks. It's going to be a bomb, Mr. John Bowma head director, had often said. He received a miniature time bomb. Mr. Dennis Crow, drama coach, earned a dolly with a broken leg because of his frequent remark, Break a leg. A dolly make-up kit was given to Mr. Gary Connelly, art director, while a champagne glass and a carton of milk was received by Mr. Fred Proett, orchestra director, for his quip, I'll drink to that! 3
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Page 6 text:
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“MY FAIR After many months of great anticipation and lots of hard work, the first musical in the history of SUHS came off as a huge success. My Fair Lady, based on George Bernard Shaw's Pygmalion, included many well-known Lerner and Loewe songs, such as Get Me to the Church on Time, Wouldn't It Be Loverly, I Could Have Danced All Night, and many others. Preparations began in the spring of '69 when the lead parts were awarded after two days of try-outs. Then came the long, hard task of memorizing the parts during the summer. With the opening of school in the fall, the maj- ority of the work also began. Planning costumes
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