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Page 34 text:
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new Student Director Triumphs With ' art Having its genesis in the mind of student director Shawn Rosenheim, a triumphant production of Paddy Chayevsky's Marty, starring Greg Williams and Amy Redding, opened to an intimate crowd on February 23 Marty, says Shawn, is a lonely New York butcher pressured by friends and family to fall in love. When he does, they are antagonistic toward him. He overcomes these pressures, however, and makes a choice. Marty says, 4'You see when two people get married they're going to spend fifty years together. So I figure it's just got to be more than if they're good looking. A pair of subplots add to this theme of change and broken ties. Martyis aunt has an inability to change her Old World traditions, and Marty's friends react adversely to his success with Clara. These themes are evident, but Shawn notes, lt's basically just a story, I don't want to over-symbolize. Though Shawn comments that Amy as Clara had possibly the hardest part,'i it was Greg Williams whose acting stood out. Rick Mokler, who contributed advice to Shawn during rehearsal, reportedly said, Greg did things very few high school actors can attempt. Denise Allen, Marilyn Osborn and Mimi Atkinson also added fine performancesg their emotion was real and willing suspension of disbelief' was not difficult. In directing and organizing Marty, Shawn managed to convince the administration and new theater arts director Marjorie Luke that he could handle the project - dramatically, technically, and financially. After the show, Director of Activities Cliff Purcell told Shawn that originally his concern was financially oriented, but when he saw the play he realized it was the learning experience that was paramount. Shawn emphasizes that the play was such a learning experience for him, too. I probably learned more from my actors than they did from me. I value the committment they made, and I want to thank Mrs. Luke especially for her time and patience. I-Ie went on to give thanks to Assistant Director Debbie Monnier and Ted Dolas, professional lighting designer.
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Page 33 text:
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C ff, .xi ,,,. , - y.!,.,,q ,gy , ,4LA 3215, 5, q '. f Af? . gift . if 'WW ' Qiafv ' .pp :fy gd ? Y fm, fy .g-. 4, aw' fi i. ' , A 3 5 ffl 5 5 1 Q S e Stoops Begins New Era In Theater Myths are usually built up over a long period of years, the distant original events changed in perception and expanded to become larger than life. Entering into the 1978-79 school year with a new director and many new actors, it was perhaps inevitable that Hello, Dolly, Rick Mokler's final achievement after running the San Marcos theater program for three years, became mythic in the space of a few short months. Employing Marjorie Luke after Mr. Mokler announced he would not be returning, the school set out in new directions in theater. Mrs. Luke, transferred from Santa Barbara Junior High, after a very successful career there, choose as her first production Oliver Goldsmithas 'gShe Stoops to Conquer. The play follows the misadventures of Charles Marlowe fBill Hartleyj, a college educated man who, although a rogue in front of lower class women, becomes shy to the point of painful silence when around upper- classn women. His father has sent him to a manor to seek a bride, which he does under great duress, at the home of Mr. Hardcastle fShawn Rosenheimj, On the way, Hardcastle's adopted son Tony fMark Innocentij deceives Marlow into thinking his house is an inn, and his sister Kate fAmy Reddingj an innmaid. The rest of the play details the comic exploits of Marlow and crew, laboring under this illusion. Hardcastle's pompous pride and Kate's leading-on of Marlow make for classic laughing comedy, as Goldsmith described it. Kate, in the end, becomes a victim of love herself and marries Marlow. She Stoops to Conquer was well- reviewed and though a publicity class was set up under Larry Mason, the play suffered from an unfortunate lack of exposure and consequently small audiences. It did, however, begin the difficult task of proving that there was still a strong theater department at San Marcos. I. Mistress Kate Hardcastle is aided by Maid Pimple in dressing as a barmaid. 2. Mr. Hardcastle berales his incompetent houseboys. 3. Overcome by shyness, Marlow struggles through a conversation with Kate. 4. A1 a local tavern, Tony Lumpkin downs a mug of brew.
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Page 35 text:
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