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Page 125 text:
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vu , 'Q ww. ' l. Carnival goers walk down the midway while singing Treat Yourself. 2. Marco, Doug Dilling, attempts to seduce Lily, as the Roustabouts perform one of their dances. 3. Rosalie, Mary Clark, prepares rather nervously for the sword box trick. 4. Lily, Deana Forsyth, discusses her situation with one of the Carnival puppets created by Hanne Middleton. 5. With the help of Bill Armstrong, a professional artist from Wichita, Doug Dilling was able to perform many magic tricks. 6. Paul, Tony Hernan- dez, tells his problems to Carrot-top, his only friend. 7. Schlegel, David Taylor, com- forts and reassures the nervous Lily on her performance with the puppets. 8. Carni- val choreography included a jazz routine staged by SuzAnn Hobson.
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Page 124 text:
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6Carnival, proves 'musically satisfying' . . . 'Carnivali was fun, musi- cally satisfying, well acted, light and thought-provoking, yet simple, wrote Mr. Joe Roche in the Tripo- dium show review. A cast and crew of 75 presented the all-school musical on November 18, 21, and 22 in the Little Theatre. The show featured Tony Hernan- dez as Paul Berthalet, Deana For- syth as Lili, Doug Dilling who played Marco the Magnificent, Mary Clark as the incomparable Rosalie, Martin Middleton as Jac- quot, and David Taylor as B. F. Schlegel. With the help of the more ad- vanced art students, members of the art classes created the colorful sets used in 'Carnival' Those involved with the designing and painting were Jim Faelber, Kyle Gage, Julie Bevan, Jamie Flickinger, Maureen Kennedy, Bev Nolt, Mark Propp, Brad Anderson, Carla Holmgren, David Ingram, Terri Keeler, Alicia Salazar and Rod Tillet. Mr. Bill Hottman mentioned other students who deserved special recognition: Murray Gorman, John Keeling, Jennifer Loomis and Terry Naegle. Mr. Kenneth Forsyth, aided by student director Jim Chlebak, pro- duced the show. TT' i wi W iimflr
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Page 126 text:
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Final play meets 'Great Expectations' Great Expectations, said to be one of Charles Dickens' greatest masterpieces, was the climax of the dramatic year. Novice and exper- ienced actors combined to produce the all-school play. The plot traced the maturation of Pip CSteven Georgej from his boy- hood as a blacksmith apprentice to adulthood as a gentleman QDale Hendersonj in London. Mr. and Mrs. Joe Gargery fGary Berry and Cathy Singlesj were Pip's guard- ians, while Herbert fCort Gormanj l was his adult confidante. Pip's bene- factor, known only to Mr. Jaggers fDavid Cunninghamj, added mys- tery to the plot. Both the young and adult roles of Estella were portrayed by Debbie Goering. Her suitors included Pip and Bentley Drummle QRandy Mi- mickj, a foppish young man-about- town. Ms. Jeanine I. Rishel, director, observed: I believe that this will be the greatest piece of literature ever performed at South. l I 4 ii J' pit . ..f 1' 4 .1 if ft i ty iw p 8 2 n
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