Salem High School - Quaker Yearbook (Salem, OH)

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Ruth Atchison— High flights she had, and wit at will, and so her tongue lay sel- dom still.” Ruth Burke—“Her voice was ever soft, gentle and low.” Rose Cavanaugh—“Rare compound of oddity, frolic and fun, who relished a joke and rejoiced in a pun.” Helen Chancellor—“They who go, feel not the pain of parting. Tis they who stay behind that suffer.” Elizabeth Church—“She likes to wan- der by the side of Brooks.” Margaret Cohnery— O! please don't fall in love with me.” Emma Crossley—“ With gentle vet pre- vailing force, intent upon her destined course.” Dorothy Crouch— “Unto the ground she casts her modest eyes.” Lois Donaldson—“A very sedate Soph- omore.” Mary Doyle—“Little, but nevertheless seen by Miss Seeger.” Ida Dunmore—“Not stepping o'er the bounds of modesty.” Mary Dunn—“Merit was ever modest known.” Grace Fawcett—-“A lass, light-hearted a lid content.” Mary Ellen Eluding—“O! blessed with temper, whose unclouded ray, can make tomorrow cheerful as today.” Ethel Foltz—“Full of all gentleness, of calmest hope, of sweet and quiet joy.” Catherine Gallagher—“Far from the straight and narrow way her sober thoughts never learned to stray.” Esther Gallagher—“As the bright sun glorifies the sky; so is her face illumined by her eye.” Lois Garret—“Who is it she meets at church? O! ves, I remember now.” Lida Gibson—“I walk half the time to find niv own thoughts.” Ethel Greenamyer—“Steeped in the lore of ‘King Arthur's Knights ” Eri jiialyn Hanson—“Her silver voice is the i ich music of a summer bird.” Janice Hiddleson—“Short but sweet.” Alta Hill—“Tall and stately.”(?) Katherine Hole— 1 have no other than a woman's reason, I think it’s so because 1 think it’s so.” Rowena Hutcheson—“She said, or right o’r wrong what came into her head.” Grace Kennedy—“To be womanly is the greatest charm of woman 5 Maude Lewis—“Our Basket-ball star.” ( When she plays.) Doris Mathews—Doris' favorite poem is “In the Twilight 5 Frances McKee—“Has a good under- standing.55 Margaret McLaughlin— She smiled and all the world was gay.” Ethel Mellinger—“No wonder she shines in Latin, Look! at her hair 5 Ruth Moore—“Mirth with thee—I mean to dwell 5 Mary Mori an—“Always as meek as a lamb.” Hazel Mounts—“Innocent looking but, O, those eyes!” Margaret Probert—“Muse not that I thus suddenly proceed. For what I will, I will and there's an end.” Esther Scattergood—“She scarce can tell if she loved or not.; she of her heart no register has kept 5 Elizabeth Scullion—“From her eyes he received fair speechless messages,” Ella Smith— Silence (?) is more musi- cal than any song.” Wilda Smith—“O! blythe and bonny country lass!” page tiventp-fipe

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page twenty-four THE CLASS OF 1918,

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Stella Speidel—“How pretty her blush- ing was and still she blushed again Margaret Steiner—“Shadow of annoy- ance never came to thee ’ Melba Straw»—“Smile and the world smiles with you ’ Maude Taylor—“When she starts in talking other folks is apt to quit ’ Lenora Thomas—“Up! Up! my friend and quit your books Etta Vincent—“Constant as the North- ern Star.” Sylvia Whinnery—“As pure as a pearl and as perfect, noble and innocent.” Ruth Ziegler—“Her modesty, her chiefest grace.” Elsie Weisgerber—-“I will budge for no man’s pleasure.” Raymond Allen—“He does a little bit of everything, and not much of anything; vet we couldn’t get along without him,” Donald Burcaw—“In the midst of the crowd, I seem lightest of all.” William Carlisle—“Cheerfulness is an off-shoot of goodness and wisdom ’ John Connors—“Smile with the intent to do mischief ’ Howard Dewees—“And when a lady's in the case, you know all else gives place.” Homer Emmons—“Thinking will make me mad.” John England—-“His wishes are only modest. William Fin era n—“Little Boy Blue, come blow your horn, and wake little William up in the morn ' Alfred Fink—“If silence were money, he'd be a millionaire.” Herbert Hannay—“My opinion has great weight.” Frank Hannay—“Life behind a plow is all right in a poem.” Wallace Hutson—“Expressive silence.” Harrison Kyle—“A little learning is a dangerous thing,” Lee L amp her—“Nature has written on his brow-— a gentleman;’ ” Vincent Maguire—“Blessings on thee, little man! Philip Mayer—“Full well they laughed with counterfeited glee, at all his jokes, for many jokes had he,” William McKee—“For rhetoric he could not ope his mouth, but out there Hew a trope.” Webb Mulford—-“The snail is no rela- tion of mine.” Morton Murphy—“Upon what meat hath this, our Morton, fed; that he hath grown so great,” Walter Pow—'“And still they gazed, and still the wonder grew, that one small head could carry all he knew ' Earl Reeves—“Makes the girls jealous of his blushes.” William Rich—“Mechanic slave, with greasy apron, rules and hammer ’ Richard Stirling—“Silence is often a most excellent resort ’ John Swenningson— Our coming Har- rison Fisher.” Anthony Taylor—“One whom the noise of his own tongue doth ravish like en- chanted harmony.” Harold West—“He is remembered for his good humor ’ Clyde White—“A student, true and thorough ' Robert Wilson—“My only books were women’s looks, and folly was all they’ve taught me Calvin Wolford—“Perseverance can sometimes equal genius in its results.” Lester Wooiman—‘ But love is blind and lovers cannot see the petty follies that themselves commit.” Clifford Zimmerman—“Who dares to sav to me, ‘Don't smile?'” Charles Mangus—“Never mind! I ll be a man some day.” Arthur Robinson—‘T work with pa- tience, which is almost power.” page twenty-six