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Page 139 text:
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Chamber Singers — Row 1: J. Coash. L. Esparo, W. Smith, S. Arauz, G. Reyes. D. Huber. J. Sanchez. C. Guerrero Row 2: L. Eilers. K Alcott. T. Vitale. L. Williams. M. Montoya. B. Irvine. K. Walker. M. Champa. J. RussellRov 3: F. Leon. J. Batten. P. Abena. J. Alvarez. T. Gump, B Davis. D Gattuso. G. Hernandez Row 4: J Lozano. K. Dunn. D. Inman. T Forsyth. S. Medhn Chamber Singers Jazz Choir From Bach to Berlin by Susie Arauz T o see people smile and enjoy what they are lis- tening to is what it ' s all about, stated Kelly Alcott. Working with this idea, Chamber Singers produced the harmonious melodies that constituted their repu- tation. They performed for such groups as the Santa Ana Country Club as well as at home for the students on campus. The group also re- presented Saddleback at the San Mateo Command Performance Competition. The singers held fund- raisers to attend the com- petition and to help pay for their outfits. This year, the men stayed with the tradi- tional tuxedos. The women wore designer black and white gowns, adding opera gloves to complete a daz- zling stage presence. Led by Mr. F.vans, Cham- ber Singers combined their musical talents and disci- pline to be an entertaining and professional sounding group. And now . . . Introducing the spirit of JAZZ! In it ' s second year. Jazz Choir started to swing Saddleback with the sounds of jazz and other ragtime tunes. The choir has developed a prestigious reputation in the Music Department. Their individuality and style is a new and refreshing ap- proach to students. Singing ragtime and blues tunes, the group established an appealing and popular tra- dition, making a promising future for jazz choirs to come. V Getting the singers in tune with each other is one of Mr. Evans everyday jobs. Jazz Choir — Row 1: G. Hernandez. G. Reyes. C Guerrero. K. Dunn Row 2: W. Smith. D. Gattuso. L. Hukset. T. Forsyth. L. Eilers. B. Davis. J. Coash Organizations 131
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Page 138 text:
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The group always seen, but rarely heard, is the alto section. Here, the altos work hard to blend and create a perfect melody. The roots of the choir remain in the bass section. Here, Darron In- man learns the music and the notes of the basses. » Listening to the notes and hitting them just right is one of the hardest parts of a choir. Here, soprano Mi- chelle Champa is right on target. » -OK. Who hit the wrong note ? ' . Trying to figure out who did it, the soprano and tenor sections realize the true meaning of the old saying. Practice makes perfect! 130 Chamber Singers Jazz Choir
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Page 140 text:
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On campus drama and music are an inseparable pair. Greg Hernandez. Brian Davis. Georgina Reyes, and Chrissy Guerrero serenade their audience with Christmas carols, blending their voices with harmony. Drama — Row 1: J. King, R. Pratt. A. Zamarano. M. Crawford. L Esparo. J. Trevino. L. Bernal. D. Bodnar. J. Russel. C. Guerrero Row 2: K. Howe, T. Burkhart. A. Stinson, C. O ' Neill. G. Rosas. G. Hernandez. C. Garcia Row 3: D. Pina. L. Hukset, R. Hittenberger. V. Rivero. D. Moe. D. Gatuso. T. Forsyth. J. Alvarez Row 4: G. Contreras. R. Vasquez. C. Chavoya. J. Gish. J. Pappacos- tas. B. Davis. T. Gump Row 5: T. Adams. M. Cornelison. R Runnels. D. Inman. K. Davis 9 9 Cheers abound on stage as the Crochett family give thanks to old Ms. Scrooge for her generosity. During the scene from A Christmas Carol, the family togetherness and Christmas cheer grasped the audience ' s attention. 132 Drama
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