Sacred Heart Academy - Clelian Yearbook (Hamden, CT)

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Right: Proudly sharing her work with classmate Georgia Sayers, Kelly Scully reads over her article in the latest issue of the Alethea. Babu I K Q Ii Above: An artist's work is never done. Sr. Mary Carol Gentile and Christina Ruenhorst use a rapidograph pen to design a cover for Prism. Right: Fitting a headline isn't always easy, but with each other's help, editor-in-chief Debbie Eichler and page editor Patty Gunning get the job done. - so M5325 Aletheaflhism 'Nm ,mfs

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of . ' .' 'Sri 1 '-1h- V. VL L: s is mf 'mfli-1, st -wmmwww ,te Lf? Left: Now that's devotion! Shannon Conaty, Missy Roach, Michele Mattei, Holly Brandt and Melanie Jennette work late in the night brainstorming while attending the Jostens year- book workshop in Rhode Island. ,g,,..-...wwf 2' yu? .radii 1. ff s N ay . Above: Getting an inspiration from the guidebook, Kim De- Biase uses her artistic ability to design the end pages. Left: With concentration and precision, Gina Colavolpe be- gins to design a layout. 91 2 QSEME Clelian

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J., E X X X x C sg . . . ---- ,rl J -:ff .:.::-sJ .'b't55vs. . . ,., k,.k . - 21' .5 5 i Left: Prism literary co-editor Gina Malerba thinks carefully over an idea before adding it to her poem. Below: Collecting her thoughts, page editor Jo-Ellen Paytas takes a break from the action. X . Q' - its I ,W UH not put if in wrifing 7 Creativity was a must for anyone who wanted to be a member of either the Alethea or the Prism staff. lt was the qual- ity which helped to make both publications ones in which staff members took pride. Those whojoined Alethea, the quarterly school newspaper, were led by advisors Miss Dorleen Cialardi and Sr. Nancy Stril- lacci. At these meetings editors worked with their staffs to create articles, ranging from school issues to national controver- sies, that would interest as well as inform the student body. Prism's literary staff, with the assistance of Sr. Mary Carol Gentile, undertook the task of reading through works submitted by aspiring writers. Each member of the staff read the material, then voted on whether or not it would be kept. The works that had been approved by a majority were printed in the magazine with artwork pro- vided by the art staff. Cathy Ferrie, co-editor of Prism's literary staff, enjoyed her work. 'llt was very inter- esting to discover the talent of my class- mates by reading their work. But she ad- ded that it wasn't an easyjob. 'Sometimes there were just so many good pieces, but only a certain number could be printed. Thats when the difficult decision-making came in. Prism and the Alethea required staffs that were patient and dedicated to hard work. But when the publications came out, it was evident that all those virtues had paid off. SME? 51 Sting? PrismfAlethea