Sacred Heart Academy - Clelian Yearbook (Hamden, CT)

Page 129 text:

A confident Natalie Pospolita displays her style as she readies her- self for the Von Trapp family. A transformation takes place as Loren LoCascio and Erika Olmsted turn an anxious Katie Burke into faithful Frau Schmidt. Climb ' ' irecting duo S Time: 8:00 p.m. Date: March 6, 7, 14, 15, 1987 Place: Clelian Hall -, , Y, f ,..., ,,.. ,.,,. . -- .- , .... .. . .- ,- ,. , H , me ., W-W . 1 M . ...:.:..:, ,,,., I M '-:,-,-,-..-,.-, sg, :,.,, ,,,,., . , .....,. . .sf--1 '.-,- 1 1: ,,.,: .,,:,,.,,,:::.,: .:,,,,.: E .,.,. . ..,.,., . ,,,,, ,,....,... M .,,., 1 ...,.,..,,,,.,,,,,,,,,:,,, :,,., .,,. .,.,.. tt, . .:,,.,.,,,.,:.:,........t:..1.,.,,, , ...,..,.. . .,,, ,,,.:..,,,,:.:..,:.,......,...:.,.. ...,.... . .,... ....,...... . . . . . . . . .. WW s An interview with Gary and Fran Scarpa after the The Sound of Music re- vealed their excitement about directing. This was the Scarpa's fourth Sacred Heart musical, and about their 30th in all. When asked what their feelings were about working here, the response was em- phatic. Sacred Heart has a great sense of community as well as an abundance of en- thusiasm, raved Fran Scarpa. There was tremen- dous support from the kids and the faculty. It's one of the things that makes this school so special. Being members of the sound crew for the Sound of Music was a great exper- ience. We made many new friends as we supported the talents of other students. -Debbie Eichler 84 Colleen Groom What an experience the play was! Being part of the Sound of Music was some- thing that just can't be de- scribed. l'lI certainly never forget those thrilling mo- ments. -Ksenia Kyzyk Musical!125 Z7

Page 128 text:

Treasured for 40 years So the celebration ended. That was to say the parties, the signs, the songs, and the laughter. After the excitement died down, there was time to look back at the year's events, and also time to anticipate what future years would hold. Even though the 1987 school year had come to an end, it would still be embedded forever in the hearts and minds of those who participated in it. Simply being a part of the 40th anniversary gave one a feeling of being a small part of history. One couldn't help but notice that 1987 was a year that called for a special closeness within the Sacred Heart Academy community. Students, faculty, families, and alumnae all contributed in one way or another to making the year one to remember always. XE' 124fClosing

Page 130 text:

As Mother Abbess, Erlen Stebbings attempts to settle a disagreement between the Mistress of the Nov- ices, Ksenia Kyzyk, and the Mistress of the Postulants, Cathy Lenti. Though the stage crew works hard, they also enjoy their job as Bee Mar demonstrates with her smile. C , ,l9',,t ' YAXS ' -' 10 M, A it 4' ' ' . df, 'SC' 4 uSical Time: 8:00 P.M. Date: March 6, 7, 1 Place: Clelian Hall Trapp :,'f,::,1gksfss-gg,fresz:-fwazrssfsfrssaawee:-frfgfitfswsf,a.f.1sfsf:::-1'.Qftfftrsfffmq 2--wfzszfz-Qff11,-:Sass-at em: Q-V:sg-Hass:-'effffiewrwff ' ,H gg .- -t-: f: rfa .-: - Y . sszssiwgesiemwagssmemsfasaimfmgfsri'-cssimaaasSimfaeiessaissssasfa-srsfasiassiszissmsrasgmfrsfegsatsiiasssif5fzsffzaiswaffsfissasasasaff Do you know what goes into the making of a success- ful musical? Well, you could ask anyone who was a mem- ber of the cast or crews of the Sound of Music. The ex- ceptional voices of the solo- ists and choruses will be long remembered by those who saw a performance. But the cast was not the only group Nc: 126fMusical who prepared for the show. Sr. Christine and the FBLA as well as Sr. Carol and a com- mittee chaired by Lauren Dobkowski and Keryn Wood worked hard on the ad cam- paign and incentive pro- gram. The scenery painters spent many days creating sets. Costume, make-up, sound, light, and stage crews put in hours learning their jobs and rehearsing their cues to make the show a technical success. Elaborate lighting and sound systems used for the first time espe- cially helped to add a profes- sional touch to the perfor- mances. Missing a cue can be em- barrassing, but missing four cues can be disastrous! Re- member when the Captain rearranged scene 13 during the third performance? What a mess! -Cathy Lenti