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Page 28 text:
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Plural Clulo The future abcedarians of the little red school house Wrote a new production for this season. They chose a rural setting, several farmer- ettes, and the theme Ease of teaching eight grades simultaneously. During their play, the budding educators fostered a conglomeration of treats for the little darlings. From the admixture, we sorted out the thrills of The Wizard of Oz matinee and savory odors from hot school lunches. Theatre critics often turn a cold shoulder to new, upstart playwrights. We're borrowing the self-styled title, but not the attitude: to the Rural Club we award headline press notices. Dr. Cassie Burk, Iunc Lortl, ltctty Torrey, lean Inhcgcn, Gladys johnson, Iolin Moran, William Scliwan, Robert Lupcan, Ellen Talbott, Dorothy Horn, Betty McGuire, Marie Recd, lictty Altlvn, lancttc Clccsattcl, Lois Price, Mary Crowley, Cathvrinc Craib, Iacquclinu Cope, lrcnc Brion, Marian l'lai,t:l1t, Margarct Smith, Roaari lfnti, Margartt Hamilton, Lorrain Towne, Concctta Vitrano, Mary Pauline Baker, Dorothy Kcpplc, Rowena Stillman, Georgia McCaa, Allan Wolchok, llopc Lovejoy, Margaret Mcllonalcl, Virginia Moliart. Twenty-seven
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Page 27 text:
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lVlilI'lliil Allis, Wanivc Atkins, Ituncs liaikux, l.:iui':i linrgy, 'l'hcImn linstinn, Rex ltnlling, 'Vlicris llouquin, Ru 1 im svrnni, Nzmmi Cnrtcr, l.ctl1:1 Coucllmzm, Shirley liclmuntls, lillt-ii ligglcstnn, Shirluy llzmuk, Pctcr l.yszv:cwslx Mcl.:u'cn, ILICKIUC McNcigl1t, llclvn Munson, Russell Orlzmtlo, Marjorie Rusing, litlicl Smith, Phyllis Stnfkxvc l tginizi Strickliintl, lam- W:u'm'r, Mairy Iainc Wliitc, llumltl Wilson, Lyla Woml. it Art Club Twenty-six What would a play be without art? That was merely a rhetorical question, and we were referring to art without a last name. Acting as dilettantes, We actors really abandoned ourselves to the characters we were to interpret. We dabbled and loabbled, and part of the time we smoothed back our long black hair and chiseled,-chiseled the most beautiful what-do-you-callums out of soap. Our crowning contribution to the play was the securing of profess- ional exhibits. In a cartoon exhibit, we touched the play with a bit of comedy relief. The exhibit faced three doors marked principal, director of training, and dean-respect -ively and -fully. After an actor had paid an involuntary visit to one of these portals, he sometimes looked like an anemic ghost of Hamlets ghost. We took our cue and hung up the exhibit. Since then, no tragedy has ever been fatal. I
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Page 29 text:
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Mary P. Baker, Dorothy Kcppcl, Franccs' lntcrnicola, lirnic Wisc, llclcn Mac Glatz, Iackic Cope, Marian Franklin, llopc Lovejoy, liill Schwan, Russel Orlanclo, Marie Rupert, Margaret Mclbonalcl, Margaret Griswold, loc Allanza, lone Lorcl, Katherine Buckley, Lucy Guerra, Anthony Lconc, Maclalyn Ilcnncman. If only the three observation-ward fugitives in Europe could be in on this scene, perhaps the state appropriation Cdo We really have one?l Wou1dn't be used for new properties such as European maps. We act contradictory to the rest of the world-We sit down and talk over the world's problems. Our dialog is speedy as a bullet, but we have never had to administeriirst aid. Although we consider ourselves broadminded, We try to keep open minded by having guest speakers who go home in perfect condition, wheiher We agree with them or not. Seriously, we realize that we are the people who soon will have a lot of the world on our hands. And we don't intend to be rnisinformed enough to shout, Heil Congress. r. 1-'45, ga, international Relations Club Twenty-eight
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