SUNY at Fredonia - Fredonian Yearbook (Fredonia, NY)

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Dramatic The play's the thing e-a poor hack- neyed phrase about to be dusted oit again, but there is nothing more appro- priate to describe the mood oi these players. The cast oi the fall play called tor a toe dancer. Even the art ot social dancing is not any too widely spread, without asking for piruetting about on the small fraction of one toe. But on opening night, Zorina Ieanne and ten yards ot ruifies appeared, ready to trip the light iantastique. Three nights before the spring play, kismet stalked again: this time it was an overly emotional appendix worn Committees I . Costume 2. Make-up 3. Program 4. Directing 5. Property

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Newman Club I F1 l Like a good cake recipe, a play must provide a variety of ingredients tor a successful end product. It should have its pinch of satire, its spoon of romance, and its cup ot humor thoroughly warmed by a spiritual glow. These actors provided the glow and Warmth of church fellowship. They gained the effect through teas, suppers, and retreats. When we theatrical connoisseurs tasted our culinary effort, we were much too polite to smack our lips, but we did venture to ask for a second helping. lilizahctli Anglim, llcatricc Atzrnu, Icssic lturzilluri, Katharine ltucklcy, Hclcn Chrispcn, Betty Ccnlncr, Ianc Cirrilu, Paul Connelly, Frances Conti, Ioscpliinc Constanza, Mary Inc Crane, Mary Crowley, liilwin Draws, Iolin Fitzgerald. Iinlicrt Fitzpatrick, Anna Fitzpatrick, Mary Ann lfcscr, lilcannr Futlala, Rmari Fnti, Mary Friilniain. Mary lfricnl. llclcn lfricl, ltill Gizzarclli, Allllil-fiI'AlZl1lI10. Iamcs Gusty, Inst-pli Guay, Lucy Clucrra. l'llL'ilI10l' llagarlorn. llunnra llart, Slcpliinc llolymki, Viola llnclas. Mamlalyn llvnncinan, Mario llurlcy, lnan llclicrl. Frances Intcrnucola. lr-an lflltfngcli, listlicr Iolinsfm, Phyllis Iulinsrm, Ican luycc, lusvpliiiic Killian Angvliiiu Krmivanxki, Anthony Lconu, lftscpliint- Llamaa, Natalie l.:iGi'asm, Gcnrgc l.iVucclii, Margaret Mcltunalml, Ioscpliinc Mancuso, lictty McGinnis, lean Marin' l5'lCf:llI'll1j', Virginia Ncivman, Rusxcl Orlando, Annu O'llara, Wilma ltalincr, lirancis Pmvcrs, llcnry Pauly, lnlin Pilaw, licatricc Rr-ynolcls, Anna Saclicli, Catlicrinc Scliillcy, Cnnuctta Vitrann, Mary Ianc Wliitncy, C1llllCl'll1C-,6 , Wumlur, x W0!A,hAL0V WAVVWDLZ MW: MLL,-A, Ll!-VT. ,Art . 1 ' f lj f M xl7'ffl,ll'l f A' - ,f, V 'T' x f V! Ziff! K LQ r L I 1 re' f-,.,m-, I f ef f 'fl K W f Twenty-one

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Club by one of the leads. The play's the thing echoed through the Winqs as the lead was replaced by Dotty of the courageous heart and healthy appendix. The actors are self-eificiency, personi- fied. When the play demands scenery, they paint scenery: when the play de- mands costumes, they make costumes: when the play demands publicity, they publicize. We shiver to think of the con- Sequences it the play demanded an earth- quake. Committees 'I . Stage Crew 2. House 3. Play Reading and TYPIHLJ 4. Publicity 5. Ticket