SUNY at Fredonia - Fredonian Yearbook (Fredonia, NY)

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Newman Club I F1 l Like a good cake recipe, a play must provide a variety of ingredients tor a successful end product. It should have its pinch of satire, its spoon of romance, and its cup ot humor thoroughly warmed by a spiritual glow. These actors provided the glow and Warmth of church fellowship. They gained the effect through teas, suppers, and retreats. When we theatrical connoisseurs tasted our culinary effort, we were much too polite to smack our lips, but we did venture to ask for a second helping. lilizahctli Anglim, llcatricc Atzrnu, Icssic lturzilluri, Katharine ltucklcy, Hclcn Chrispcn, Betty Ccnlncr, Ianc Cirrilu, Paul Connelly, Frances Conti, Ioscpliinc Constanza, Mary Inc Crane, Mary Crowley, liilwin Draws, Iolin Fitzgerald. Iinlicrt Fitzpatrick, Anna Fitzpatrick, Mary Ann lfcscr, lilcannr Futlala, Rmari Fnti, Mary Friilniain. Mary lfricnl. llclcn lfricl, ltill Gizzarclli, Allllil-fiI'AlZl1lI10. Iamcs Gusty, Inst-pli Guay, Lucy Clucrra. l'llL'ilI10l' llagarlorn. llunnra llart, Slcpliinc llolymki, Viola llnclas. Mamlalyn llvnncinan, Mario llurlcy, lnan llclicrl. Frances Intcrnucola. lr-an lflltfngcli, listlicr Iolinsfm, Phyllis Iulinsrm, Ican luycc, lusvpliiiic Killian Angvliiiu Krmivanxki, Anthony Lconu, lftscpliint- Llamaa, Natalie l.:iGi'asm, Gcnrgc l.iVucclii, Margaret Mcltunalml, Ioscpliinc Mancuso, lictty McGinnis, lean Marin' l5'lCf:llI'll1j', Virginia Ncivman, Rusxcl Orlando, Annu O'llara, Wilma ltalincr, lirancis Pmvcrs, llcnry Pauly, lnlin Pilaw, licatricc Rr-ynolcls, Anna Saclicli, Catlicrinc Scliillcy, Cnnuctta Vitrann, Mary Ianc Wliitncy, C1llllCl'll1C-,6 , Wumlur, x W0!A,hAL0V WAVVWDLZ MW: MLL,-A, Ll!-VT. ,Art . 1 ' f lj f M xl7'ffl,ll'l f A' - ,f, V 'T' x f V! Ziff! K LQ r L I 1 re' f-,.,m-, I f ef f 'fl K W f Twenty-one

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Twenty Emma Louise Annalett, Beatrice Atzrott, Mary liaker, Marilyn ltlotner, Alice Cleydon, Iosephine Constanza, Annette Dyer, Frances Davis, Doris Eekman, Mildred lillivood, litliel lirnst, litlielyn liriekson, Anna Fitzpatrick, Rosari Foli, Helen l riel. lileanor Fudala, Margaret Griswold, l.ouise Gagino, Marian l'lillp1'llI,MilTQIill'CI Hamilton, Elinor Hancock, Honora Hart, Doris Henry, Maria Hills, Rowena Hinkley, Dorothy Horn, Frances lnternieola, Gladys Iolinson, Dorothy Keppel, Rutli Kiekbusli, Doris Koch, Ann Lungren, Hope Loveioy, lietty Mann, Ruth McLaren, Aleta Nelson, Marian Nixon, Dorothy Putnam. Anastasia Polasik, Sue Pieszonka, Edith Ogilvie, Evelyn Rupp, Helen Ryan, Miriam Sears, Ruth Stenzel, Rowena Stillman, Ellen Talbott, Betty Torrey, Ieanette Voss, Kathleen Wambold, Inez Lindsay. With no fear of plaguarism, we bill this scene a well filtered, censored version of The Women. After such a process, the only coincidence between the two plays is the name and gender of the performers. At Christmas time, the feminality obtained membership in Kriss Kringle's union by acting as his apprentices at a children's Christmas party. In our paraphrase, The Women congregated to exchange Womanly confidences without the customary Did you hear's? Their parties and convocations always strove to create a responsive feeling of amity. Y. W. C. A.

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Dramatic The play's the thing e-a poor hack- neyed phrase about to be dusted oit again, but there is nothing more appro- priate to describe the mood oi these players. The cast oi the fall play called tor a toe dancer. Even the art ot social dancing is not any too widely spread, without asking for piruetting about on the small fraction of one toe. But on opening night, Zorina Ieanne and ten yards ot ruifies appeared, ready to trip the light iantastique. Three nights before the spring play, kismet stalked again: this time it was an overly emotional appendix worn Committees I . Costume 2. Make-up 3. Program 4. Directing 5. Property