SUNY at Fredonia - Fredonian Yearbook (Fredonia, NY)

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Science Club I 'Gi The lights dimmed as the human bloodhounds for the truth stealthily took their positions on the stage. These atom pursuers, these scientific Sherlocks tracked down the truth, regardless of its hiding place. When a new scientific theory was published our actors X-rayed, and test tubes detected it before they accepted its innocence. Occasionally they relied upon the idea that seeing is believing and proved their point conclusively with motion pictures. Their climax speech always was, Quick, Watson, the Bunson Burner. llclly Andcrcs, Ed Blom, Rex Bolling, Icnnette Carlson, Arthur Curtis, Winifrcd Dnglcish, Grace Dindnto, Doris lzckmun, Shirley li1lIl1Lll1ClS, Gene Field, Rosuri Foli, Bcity Goodcnougli, Margaret Griswuld, Lucy Guerra, Viola Hodas, Durotliy Horn, Mnric Hurley, Gladys johnson, Dororliy Kippcl, Anthony Leone, Virginian Newman, llairrison Schneider, loc Scigcl, Rowena Stillman, Conccttu Vitruno. Nineteen

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Eighteen Mi lt llin 'I'ulllc, Rowcnu Stillman, Iuscpli Siugcl, Pulcr' l.ysxcL-xvski, Incquc M::NL'i,ul1t, livclyn llalalink, Lucy lilirku liugcnc lficlcl, l:l'1lI1li Columbus, Miriam Sliulicrl, Malrllm Ruud. When the proscenium drapes opened this time, the Flash Bulb Fiends scene was exposed. The actors portrayed the considerate people with black boxes who subtly approach from behind and, snap! they have you in their prints. The abstract statement of the play's philosophy may be thought of as, Any sacrifice for a candid shot. Their dialog was very technical. They raved about filters, soft focus, and shutters: when the lead finally muttered something about intra-red, one began to characterize him as the radical leader of the Checked Shirts, or something. Photography Club

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Twenty Emma Louise Annalett, Beatrice Atzrott, Mary liaker, Marilyn ltlotner, Alice Cleydon, Iosephine Constanza, Annette Dyer, Frances Davis, Doris Eekman, Mildred lillivood, litliel lirnst, litlielyn liriekson, Anna Fitzpatrick, Rosari Foli, Helen l riel. lileanor Fudala, Margaret Griswold, l.ouise Gagino, Marian l'lillp1'llI,MilTQIill'CI Hamilton, Elinor Hancock, Honora Hart, Doris Henry, Maria Hills, Rowena Hinkley, Dorothy Horn, Frances lnternieola, Gladys Iolinson, Dorothy Keppel, Rutli Kiekbusli, Doris Koch, Ann Lungren, Hope Loveioy, lietty Mann, Ruth McLaren, Aleta Nelson, Marian Nixon, Dorothy Putnam. Anastasia Polasik, Sue Pieszonka, Edith Ogilvie, Evelyn Rupp, Helen Ryan, Miriam Sears, Ruth Stenzel, Rowena Stillman, Ellen Talbott, Betty Torrey, Ieanette Voss, Kathleen Wambold, Inez Lindsay. With no fear of plaguarism, we bill this scene a well filtered, censored version of The Women. After such a process, the only coincidence between the two plays is the name and gender of the performers. At Christmas time, the feminality obtained membership in Kriss Kringle's union by acting as his apprentices at a children's Christmas party. In our paraphrase, The Women congregated to exchange Womanly confidences without the customary Did you hear's? Their parties and convocations always strove to create a responsive feeling of amity. Y. W. C. A.