Roosevelt High School - Sagamore Yearbook (San Antonio, TX)

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Shows require work When the cast list was posted, those actors who were cast looked into the future with starry eyes. They saw make-up, cos- tumes and bright lights. What they didn't always see were the long hours of rehearsals. Every show required much work. During the first two weeks of rehearsal, the show was blocked characters began to form d , , an actors, to memorize lines. ln the next two weeks the cast pol- ' h d h is e t e show and refined techniques. Before the actual per- formance, dress rehearsals were conducted, programs were printed and posters were hung around school. Opening night provided most cast and crew members with a frightening experience. Once in make-up and costume, the actors and actresses waited backstage. Palms sweated, mouths dried up and butterflies fluttered through stomachs. House lights went down as stage lights went up. The curtain was drawn and the show began. Only after curtain cali - after the final curtain fell - did TB dramatists come back to reality. Excited discussion followed. lt was upf' tilt was down. l forgot my prop. l'Did you hear me drop my line? No show was perfect. But if cast and crew had the chance, they wouldn't have changed a thing. 1 David Whitehead and Sandy Birdsall rehearse a scene from The Man Who Came to Dinner. 2 Carol Suggs and Johnny Pylant discuss their duet scene as David Whitehead practices a humorous interpretation. 3 John O'Neill, drama teacher, fills in for an absent actor during a rehearsal. Marsha Brown Mike Brown Robert Brugger Bandy Brunne- mann Tracey Bryan Monique Bryant 26 plays

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ra t: fd B' wmfgr t. -me M Eff I 1 Ed Molvienon jokes with the crowd during the telecast of the maII's grand opening 2 Ed Mclvianon and Mel Simon clip the ribbon in ceremo- Becky Brewst e Debi Brinegar David Brooks Albert Brown Julia Brown Mark Brown seniors 25

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1 Actors write play Students who were anxious to see drama's first produc- tion, Woody Allen's God, had to go to New York City for the performance. On Broadway, Godi' was performed by professionals, not TR students. Because of this, the publishing company which owned the rights would not allow Roosevelt to perform the show. ln place of 'Godf' TR dramatists wrote their own show, a melodrama entitled Foolts Gold. Fool's Goldt' was about the Dandy family - lvlother Dandy, her son Jim, his wife Mary and their daughter Sally , - all indebted to Butch Blackheart and his terrible gang. Of course, in the end, everything was saved by a long-lost son of the Dandy family who had gone to the city, become rich, and returned to pay off the mortgage to Butch Blackheart. Fool's Gold was performed twice, once during the school day, and again at night. Although Fool's Gold was not the departments original choice, it did give them a chance to show TR audiences their originality in production as well as acting. 1 Mitchell Noble and Carol Suggs act in a saloon scene from Fool's Gold. 2 Fred Remmert, as the long-lost son of the Dandy family, turns in surprise. 3 David Whitehead, Sandy Birdsall and Debi Brinegar are gieIdDandy family in a melodramatic scene from Fool's o Chris Bryant Ernest Burditt Anneliesa Burger se iors 27 Susie Buffaloe Phillip Bukowski Duane Burdine