Rogers High School - RYB Yearbook (Michigan City, IN)

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ft Aft Mm d a A 1. Kathy Kill 2. Maria Borzych 3. Ann Giglio 4. Cindy Turley 5. Tammy Papineau 6. Nancy Nelson 7. Cathy Harris 8. Julie Phchke 9. Pat Quinn 10. Debra Stombaugh 12. Steve Levitin 13. Tom Marks 14. Kathy Crama 15. Anne Utley 16. Sherri Saylor 17. Maggy Mayer 18. Cathy Cross 19. Gail Hinton 20. Barry O'Brien 21. Nancy Lewis 22. Cathy Burns 23. Dave Hay 24. Libby Fulford 25. Doug Fox 26. Diane Wiese 27. Brenda Brown 28. Beverly Bartnik 29. Gloria Byrd 30. Steve Crawlord 31. Jell Cooper 32. Russ Johnson 33. John Worek 34. Rose Levendoski 35. Mike Ludwig 36. Bob Kahan 37. Rod Krassow 38. Jody Presser 39. Cathi Campbell 40. Rob Jagger 41. Gail Napierela 42. Paula Wiese 43. Linda Krassow 44. Debbie Novak 45. Debbie Richards 46. Debi Merit! 47. Steve Suvada 48. Karen Miller 49. Penny Hubbard 50. Janet Cook 51. Lori Lubs 52. Kim Kroening 53. Cindy Edmond 54. Vicki Hauber 55. Jim Guerucci 56. Kim Wabshall 57. Cindy Knoll 58. Jill Redlield 59. Debbie Bonds 60. Joette DeRosia 61. Julie Gaustad 62. Betty Jo Beaman 63. Kim Frank 64. Scarlett Carlos 65. Rose Keppen 66. Nancy Leuthke 67. Sharon Gayheart 68. Mr. Troyer 29

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Before the curtain rises Was it fun to mix paint? Sure, but finding a shade that might stand against any color of lighting was difficult. Soon everyone and his jeans were gaily spattered. Other members of the Rogers Stage Crew busied themselves with costumes or wrestled with the problem of col- lecting dozens of minor necessities and props. Over and over again, lighting directors experimented with lighting effects, while the familiar pounding and hammering in P108 furnished proof that scenery construction was underway. Con- struction began six to eight weeks before the production. On the night of the performance, makeup artists transformed the youngest looking actors into old men with gray hair and wrinkles. During the play, the lighting crew saw that darkness fell at the right time and other crew members made sure that the proper scenery was always in place. So, when the curtain fell, the applause belonged to those who helped make the performance possible as well as the actors. 1. Mr. Troyer explains to his stagecrew how to transform boards and nails into 19th Century Oxford. 2. Tom Marks proves to Cindy Edmond that Women's Lib does not prevail in the scene shop. 3. Mr. Siddall shares his mastery of light- ing techniques with Kathy Deeb, Kathy Kill, and Roberta Karras. 4. Drama Club 5. Dan Lute paints from another point of view.

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Charley's Aunt Jack Chesney..........Steve Levitin Charles Wyckham.......Mike Burke Brasset ..............Paul Wilkins Lord Fancourt Babberly . .Bob Kahan Kitty Verdun..........Debi Meritt Amy Spettigue . . . .Debbie Richards Sir Francis Chesney . . .Mike Ludwig Steven Spettigue......Steve Suvada Doha Lucia .........Penny Hubbard Ela Delahay...........Maggy Mayer Directed by...........John Remmel Student Director . . .Tammy Papineau Stage Manager ........Paul Alinsky Set Designer..........John Troyer 1.Steve Suvada puts.the finishing touches on Steven Spettigue. 2. Willing Amy Spettigue encourages shy Charley Wyckham with a smile. 3. Doha Lucia is set thinking by Ela Dela- hay. 4. Paul Alinsky keeps those cues and calls coming. 5. Mr. Remmel discusses character and ac- cents with cast members. 6. Charley reacts to his aunt's convincing performance. 7. Indispensible Tammy Papineau doing one more job — prompting. 8. Will the real Doha Lucia please stand up? 9. Sir Francis gives Mr. Spettigue a lesson on ettiguite. 10. Jack practices persuasiveness on Kitty Verdun. 30