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Page 31 text:
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Seven long weeks of auditions, rehearsals, set building, rehearsals, meal skipping, rehearsals, very little sleep, costume creating and more rehearsals ended in another success- ful musical production by the Drama Club. Guys Dolls was received warmly by large audiences and showered generously with laughs and finally a standing ovation. CAST Nicely-Nicely Johnson Benny Southstreet . . . Rusty Charlie Sergeant Sarah Brown . . Arvide Abernathy . . . . Harry the Horse Lt. Brannigan Nathan Detroit Miss Adelaide Sky Masterson Joey Biltmore Mimi Big Jule General Cartwright . . . Mission Band Dolls Rod Krassow Cathy Cross Anne Utley Sherri Saylor Penny Hubbard Gail Hinton Julie Gaustad Sharon Cayheart Libby Fulford Carol Christensen Nancy Nelson Cindy Turley Kathy Harris Crap Shooters ...............Doug Fox Barry Brown Tom Mark Russ Johnson Barry O'Brien Brian Bartholomew PRODUCTION STAFF Director .......................John Troyer Musical Director................Dale Trueax Technical Director .............John Jones Student Choreographer ..........Janet Beyer Stage Manager...................David Hay Lighting........................Jack Siddal Scott Tobias Orchestra Director .............Carol Rose Promotions....................John Remmel 1. Nicely, Nathan and Benny: a trio with character. 2. Mr. Troyer directs. 3. Anne Utley and Cathy Cross grind it out. 4. Pure sex! 5. 'Big Tex,' alias Mr. Wegner, gets into the act. 6. Oh lovely! 12 genuine sinners will be coming to our mission! exclaims General Cartwright. 7. A person could develop a cold all alone on that great big stage. 8. Nathan explains to Adelaide that after 14 years of engagement, 'marriage ain't somethin' ya jump into.' 9. The harmonious voices of the local crapshooters join in praving for a place for the game. 1 2 3 4 5 6 7 8 9 10 10. -13. Sky knows how to lay it on. Sister Sarah knows how to hand it back. • . i • • EEEE
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Page 32 text:
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Before the curtain rises Was it fun to mix paint? Sure, but finding a shade that might stand against any color of lighting was difficult. Soon everyone and his jeans were gaily spattered. Other members of the Rogers Stage Crew busied themselves with costumes or wrestled with the problem of col- lecting dozens of minor necessities and props. Over and over again, lighting directors experimented with lighting effects, while the familiar pounding and hammering in P108 furnished proof that scenery construction was underway. Con- struction began six to eight weeks before the production. On the night of the performance, makeup artists transformed the youngest looking actors into old men with gray hair and wrinkles. During the play, the lighting crew saw that darkness fell at the right time and other crew members made sure that the proper scenery was always in place. So, when the curtain fell, the applause belonged to those who helped make the performance possible as well as the actors. 1. Mr. Troyer explains to his stagecrew how to transform boards and nails into 19th Century Oxford. 2. Tom Marks proves to Cindy Edmond that Women's Lib does not prevail in the scene shop. 3. Mr. Siddall shares his mastery of light- ing techniques with Kathy Deeb, Kathy Kill, and Roberta Karras. 4. Drama Club 5. Dan Lute paints from another point of view.
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