Rogers Hall School - Splinters Yearbook (Lowell, MA)

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Wfxp, J C 1 ! f-N 443. HN 'ff x ff . w2iW yi 3' Y fe... . fj f Q 'Q '-t tt, L: I fx. IJ. ., 'det' ,I-. I , . S , 'L K . I q' .5 .g. ! V - ,Uh A . , .,. ,-, - 1, , . a :W fs- . l -'M -'N ' 'V . Q.. A 5.. . - . T ' il 'bl 'N ' 1 - 4 4 P i 'ut Q' 'fn 'K . '? Yu S I '47, . 51 .1 'J' .la - , f 'C I.-I 1 ,s A '4 . u A -,Ku I 'gift' pl' ' H, I . I TI Tn . If .I - ' I if rg- -1-' - , - 4 ,F ..- , .- ..f if' 'cf U lrr-A1 -,VU -.'- jx 5 if Ili ', ?,,. - 'i511fi4 fegfffa -Y ' ' 1.-1- '?' Vol. 76 Literary, 1968 No. l Editorial The ego is the vital core and the essence of the individual. The power of the ego is incalculable and man forever attempts to harness this force. Demands and experiences compel men to contemplate their beings with honesty while at the same moment they cause men to direct blockades to protect their centers. Whether this center, this axis, is referred to as the ego, the soul, or the mind is unimportant. VVhat is important is that man honestly evaluate himself, that is, his ego, and his relation- ships to other men and his surroundings. Of course, man is basically alone, but he alone does not form his ego. His relationships to others are a necessity for perceptiveness of himself and of his environ- ment. A critical objectivity of the functions of self, others, and their products is of considerable importance. With greater intellectual comprehension of his ego, man will see more clearly magnified his beauty and his flaws as an individual and as part of a mass. In addition, man must realize that he is responsible for his brother. Man must understand and be understood and naturally the well-being of a people is also that of a single individual. Ultimately, man exists with a degree of inflation of the ego. If this inflated self does not encroach upon other men, then he has obviously some understanding of his being and he will inflict fewer frustrations on others. There are innumerable facets to the ego, and adding to its complexities is the fact that the subconscious creates illusions, therefore, the conscious is not always able to touch upon reality by reasoning. VVithout being able to link the conscious to the subconscious there can can be no fully meaningful expression or final satisfaction. VVhen man gains awareness of this alien within himself-the dark side of himself-the problem arises of how to cope with this whole being. ln his struggle, he often willfully subjects himself to undermining forces and evades his truth by outlets with imaginary or half answers. He flounders about and attempts to make changes within himself by changing his surroundings. He turns towards a variety of religious sects and false supports such as drugs, alcohol, and economic and social symbols of status. But man must come to realize that his life cannot be steered by gods, but by himself. He must recognize that he did not create all, but with himself he has the power to aim, build upon, alter and cope. Man should not identify himself with, or depend upon, others. He must allow himself to be impressed, but he must be sure that he fully understands his motives for action and, that under his own codes, they are just. Rightly, for some people, there occurs a problem of resistance to a system set up by a mass, for the mass, but imposed upon the individual. lnevitably, these people must make an agonizing search for a truth that will not harm the mass but will enable them to be faithful to themselves, that is the formula for survival, yet the truth remains that being faithful to oneself is often eventual annihilation, and survival is compromise. Man must eventually view himself and his relationships in perspective. All things must be weighed in correct proportion. Through all of man's many complexi- ties and opposing forces, he must be regarded with the greatest admiration and love for his will to conquer, endure and survive.

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Obtrusive journey ......... Cld Weeping Willow ....... Ink Drawing ................... Omnes Potentes .......... Invitation ............. Silent Night ....... Alone ........................... Oil Painting .................... Conception of a Day A Eunny Story ........... The Trouble with Pro Table of Contents Lisa Strasburg Kim Kirchmaier Fay Sutton Anne Young Lisa Strasburg Donna Brion Kristen Lape Elizabeth Bullock Elizabeth Bullock Susan Brown IIOLIIIS Sgraiiito Design ........................... The Daisy ................................. The Fugitive ................................ Political Comment ....................... Timely Tale for Vertical Readers Lee McKallagat Heather Russell Betty Hall Donna Brion jodi Landwehr .. Kim Kirchmaier The Disappearance .............................. Pamela Saba Pencil .Sketch ................. Cde to Black Bart Isabel Kinney and Pencil Illustration .................. Sherrill Warner Photograph ........................ .......... E ay Sutton Glass Vision ................... ........ L isa Strasburg On Communication and Pencil Sketch ...... ................... S andra Beck The Moment .......... ......... K atharine Shepard Union and Pencil Drawing ...... A Remembrance ......... Note to Music The Conquest ........ Common Ear Notes Scratchboard ............... Pencil Illustration ...... .Splitting .................. The Sound .......... Ink Painting ....... Transiency ....... The Choice ......................... A Lifetime ............................. .. jodi Landwehr Donna Brion Elizabeth Bullock Isabel Kinney Francine Leoff Laura Lockwood Elizabeth Bullock Elizabeth Bullock Kim Kirchmaier jan Laundon Cynthia Brox Kim Kirchmaier Holly I-Iolihan The Befautv of the Earth .................. Georgia Innes Scratchboard ................................ Betsy Nauss Haiku .................... Kim Kirchmaier, Lynne Tatian, Charlotte Brohard, Pay Sutton Scratchboard .......................................... Betsy N auss Levels of Poverty ....... ........ L isa Strasburg Aftermath of War and Acryllic Painting .... ........ L aura Lockwood Photography ....................... .............. E ay Sutton Nature Did Never Betray ................ Lisa Strasburg Cucumber Road ..,..................... Katherine DeBlois Pencil .Sketch .............................. Deborah Seaman How We Broke in the New I-louse Cynthia Tomsu Pencil Drawing ................................ jodi Landwehr P .......................................................... jennifer Foster Mirage ............. ...... S usan Antonopoulos Lament ............ ..,.......... L ynne Tatian Dazed City ......... ..,........... F ay Sutton Pencil Sketch ............,....... ......... B etsy Nauss Elegy of Comparison ....... ......... G eorgia Innes Shades of Cray .............. ......... L isa Strasburg Design ........................ ....... W endy Martin Morning Memory ................................ Carol Gadd Block Print ....,................................. Alida Mcllvain I Think I'll Paint the Sky Today ...... Georgia Innes The Act ............................................ jodi Landwehr Lines and Colors .........................,...... Lindsay Bacon Before Dawn .......... The Assignment ........ ....... Amy Wilson Elizabeth Bullock Acryllic Painting ....... ............. M arilyn Keast A Storm .................. Transition .................. Laura Lockwood Sherrill Warner Charcoal Drawing ......... ........ A lida Mcllvain Sanctuary ................... ........ L isa Strasburg Scratchboard .......... ......... M arilyn Keast I-Iaiku .....,............ Pencil Sketch ......... Today ..................... Pencil Sketch ......... Analogy ............... Between .............. jodi Landwehr Deborah Seaman Alida McIlvain Sandra Beck Place Downey Dania Doremus Connotation ............... ............ L isa Strasburg Win tered You th ........ ....... Message ..................... Elizabeth Bullock Elizabeth Bullock Pencil Drawing ......... ........ Kim Kirchmaier Torment ..................... .......... i fllida M cl lvain Parting ........................ Closer for the Kill ...... Katherine Winter .. ....... Betsey S limmon Acryllic Painting .......................... Laura Lockwood Afternoon in the Field .................... Elizabeth Laing The Genius and the Imbecile ........ Kim Kirchmaier An Image ...................................... Crayon Drawing ....... An Inflection ...... Ink Print ................ The Interruption ...... ....... Alida Mcllvain Lisa Strasburg Raleigh Perkins Qld Egg Shells .......... .... Alida McIlvain jan Laundon Elizabeth Bullock Impressions of Hell ...... ........... D onna Brion Riding Lesson ........ Mistaken ............. ........................ Linoleum Cut ........... Trigger for Surrender On ReHections .......... Which Way? .......... Ink Sketch ......... Savior Peace and Cil Painting ....... Cat's Sight ............. The View ........... .Sgraflito Design ...... Creek ....................,..... ........ Believe It or Not ...... Collage .................... Francine Leoff Deborah jones .. Kim Kirchmaier . ...... Isabel Kinney Lisa Strasburg . ....... Truda Bloom Georgia Innes Lisa Strasburg . ........... Donna Brion Georgia Innes Raleigh Perkins . Suzanne johnson Toni Pollak Martha Parkinson .. Dania Doremus M

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Obtrusive Journey to love a demand to love is simple but to live with love is bitter sweet as is payment for anything priceless to have a lover has property of an uncut diamond the breath of a smoky spring to love is a perception far beyond liking with mastery to strive with painful patience for only occasional satisfaction to love is to make the other a little better. Foil names are fabricated . . . for what eventually acquires its own inevitable uniqueness of power and respect has no equal substitute LISA STRASBURG '69 4