Rochester Institute of Technology - Techmila / Ramikin Yearbook (Rochester, NY)

Text from Pages 1 - 194 of the 1981 volume:

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Des-3- EieCrca Engneemg JOGOje r ZJbv diet ZyfTVM BS af ACCOJ-Srg fW«6iJ Eng wng fQ 0 anQf 1°-' Qi X f ' . . c o h , � aa aaaa . Charles Arnold. Jf. (1 j.....................................5 Scott Auerbach (73)......................................... 40 Ruth Barclay (85)...........................................48 Bob Barde! (61)............................................. 34 George Bing (110).......................................... 63 Alan Blausteln (89) ....................................... 51 Marge Boots (105).......................................... 62 Robert Boyer (76) ....................................... 42 Eric Breitenbach (72) ............................-.........40 Phyllis Bryce (101).........................................58 Neil Buller (103)...........................................60 Doreen Catena (16) ........................................ 17 Thomas Cavagraro (44)...................................... 27 Nancy Cohen (86) ......................................... 49 Robert Cooper (67) ........................................ 37 Catherine Creamer (29).................................. 22 Hass Dajani (78) ...........................................44 Wade Dalton (52]........................................ 30 Helena DeMatos (36)....................................... 25 Julio DeMatos (58, 59, 69. 70)......................... 32, 39 Mindy Edwards (54) ...................................... 30 Molly Ehrenreich (97).......................................56 Christopher Ellison (39) ... -..........26 Lauren Engel (31)......................................... 23 William Farmer (92) ........................................54 Glenn Firmender (50}..... —........................... — 29 Christie Forsythe (30) ,....................................22 Barbara Fox (107)...........................................62 Judith Geiger (26] — .................................. 21 Barbara Geller (22).........................................19 Rosemary Gonnella (98) ................................. 57 Ralph Green (61)........«........................-..........34 Scott Grove (55.56)...................................... 31 Ron Guaile (71) .......................................... 40 Gary Hadlock, II (60) .................................. 33 Matt Handy (90) 52 Bob Harper (48)............................................ 29 Ward Hartenstein (24) .................................... 20 Liza Hayward (111)........................................ .16 Steven Hill (47)........................................... 28 Gerald Hoffman (81)...............................— 46 Darryl Hudak (57)......................... —..............31 Thomas Hen (2) ............................................. 6 Ron Jacobs (109)........ Eric Jacobsen (84a)...... Joe Jaroff (42).......... Gary Kitteredge (80) — Karen Korobow (20) ... Gloria Kosco (23) Mark Kraska (63, 64) .... Lisa Lamb (28).......... Karen Lauben (93)....... Al L'Etoile (27) ....... Barbara Levy (17)........ MM Lum (96)................................................ 55 RussLunn (84) , ..... ....... ,. ,..,47 Carol Luzon (102) ..........................................59 Concetto Mason (25)....................................... 20 Edward Mafalon (82)...................................... 46 Sidonie Merkel (32)...................................... 23 William McMannis (9)........................................13 Patrice McPeak (100)........................................58 William Mickle (40)........................................ 26 Michael Jon Miconi (51) .... ............—................- 29 Peter Nash (66) .......................................... 37 Eric Nelson (68).......................................... 38 Stefan Oberschlep (75)....................................... 42 Tim O'Meara (74) ..............................................41 Margery Pearl (18)..........................................18 Mario Petrirena (21)....................................... 19 Henry Ponter (45)...........................................27 Boo Poulin (37).......................................... 25 Robin Reed (15)................................................17 Ellen Reiben (38)............................................ 25 Robert Ripps (83) .................................. — .... 47 Steve Robb (62) ............................................34 Jack Rooney (43).............................................. 27 Joan Rudolph (91)......................................... 53 Henry Sack (83a)...............................................47 Sylvana Scelsi (99)................................. ■ 58 Bob Schott (14)............................................. 17 Toni Schuster (94) .........................................54 Scott Sherburne (35)........................................ 24 Beth Shirey (12)...............................................16 Stefan Siegel (41) ....................................... 26 R. Paul Skeehan (66) ....................................... 36 Melinda Smolensk! (95).........................................55 Michael Soluri (3) ...................................... 7 Kathleen Steel (104)....................................... 61 Janie Stevens (79)...................................... - ■ - 45 Lillian Sung (13) • -.......-......................... — 16 John Toft (106)................................................62 Sharon Taylor (87)................................... ... 49 Toby Thompson (4)......................................... 8 Susi Thum (19) ..............................................18 R. Lisa Toser (34)....................-........................24 G. Treffeisen (88).............................................50 David Vanable (7).......................................... 11 Nelson Vigneault (77) .................................. 43 Dale Waldt (8) 12 Steve Wacdle (33)...........................................24 Sheila Wells (5) .............................................. 9 Lamar White (53) ............................................ 30 Mike Whiteman (46)...........................................28 Tom Muir Wilson (6)........................................... 10 Rick Wrigley (49) ,, 29 Herman Zapf (7)........................................... .11 Amy Zimmerman (108) ......... ..........-......................63 Techmila 131 JJJJJ JJJJ. Copyright 1981 Techmila. R.I.T. ' JJJJJJJJJJMJJJ. 2. Thomas lien ,___________APPLIED AR FACULTY SHC X BEVIER GALLERY H JANUARY T( 1 FEBRUARY 1981 RECEPTION 3 ID 5 ON H JANUARY .SEVER GALLERY OPEN DAILY 9AM TO 5PM MONQAY TO THURSDAY 7PM TO 9PM SATURQAYIPM TO 5PM SUNDAY 2PM TO SPIV , Xm_ , ‘ Jotiantux tLiutmlwtp here is a rumor rireulatma! «■non!' tin ■ pwpieconnec ted with the art of Printing, Some suy that your great art may be dying. As a famous inventor, however, you no doubt approve of the many possibilities inherent in todays technology encompassing elect runic photocomposition and the digital storage of letterforms. T T 1 JWpeftiily watching from the printers Valhalla the development of your invention, j'ou must still he very proud of your basic conception. In the old city of Mainz you trained your hoys by the art and the rules of the ancient scribes, enabling them to under- stand your new craft and to learn its basic principles. Even today the young need such inspired instruction. Hand composition remains the best method of understanding bow letters can be arranged with artistic taste and can still serve that fundamental purpose,' to transfer the message of the tar properly to the reader. 4 f (ways in composing metal types, the craftsman is constantly aware of the relationship of letterforms and while space. You w ould be v erv intrigued with the new phoioeoriipiising machines equipped as they are with sophisticated computer programs. They perform their function in such a way dial the typographer sees nothing of what is being composed. Thus it is not possible to correct mistakes before the final printout emerges. Precise instructions must lie given to these new machines by analytic typographic methods formulated in advance. It is therefore a vital necessity that the typographic possibilities of each job be analyzed in precisely the same way ns you did so many many years ago. when you so carvhilly composed your incini ivpr- T 1nevertheless dear Master, your principles haven 7 reo h - changed. Vour general idea was to arrange single letters which you built into an entire page. All our modern machines are based on similar procedures although utilizing the generation of the letters by electronic dots or even by a loiter beam. Therefore you may Ire assured that the practical basic structure of your original great invention remains constant. lr IVeepillg typography in the form you invented will alw ays he vital to this changed craft. Yr are sure that it w ill continue to be fundamental to the training of future typographers, enabling them to fullv understand and appreciate those qualities of good typographic design which you so ably gave to the world over five hundred years ago. ftftkmg ytfitt' ftotirf ttl spirit. Greetings to al! our friends over there, to Giambattista Bodoni, Hill Dwiggirts, and especially to Fred Gaudy: .1 Faithfully your humble servants � s.u«k SSi jtr A — AnJabaMI P Fr Tan + ' v £uw, . y- 7. Herman Zapf David Vanable. Jr. ' .iU J.UU UJL .ii Feeling Blue Blue it ain't nothing You know there's something worse Loneliness in the shadows The color of a hearse. Black like the ashes And the cold steel of a gun I'm off a lot worse than feeling blue I ain't having me no fun I need a crane An airplane An elevator too Just to get myself back up to feeling blue. You ever been so alone And things they don't seem right The darkness it gets so heavy. Lord Don't turn out the light! Now red she makes me angry And white is just too bright Purple is too passionate Black it suits me right I need a crane An airplane An elevator too Just to get myself back up to feeling blue. Tell me somethin' people Ever feel so bad God gave a life to you And you wish he never had I'll tell ya somethin' people I'm feeling black I am feeling so damn low Don't think I'm ever coming back I need a crane An airplane An elevator too Just to get myself back up to feeling blue. — Dale C. Waldt SYMPOSIUM lilMHlMl1 1 UJ.LUUUJJULU .. - I am assigned to the 101st Airborne Division and I fly north to my unit. When we land we encounter a small group of men on the way home. They all have a certain look on their faces that I have not seen since the war. The flesh on their faces had evaporated, leaving what seemed to be only skin tightly drawn over a skull. The skin itself had a sickly jaundice color; either o yellow-black, or a yellow-red-white, depending on the man's race. But the most peculiar facial feature was their eyes. Their eyes possessed a weary yet intense quality. Looking in their eyes revealed a weariness that went beyond exhaustion; a weariness that comes from pushing oneself to the physical, mental, and spiritual limits of strength. The intensity in their eyes was animal-like, and they carried the look of a starving predator closing in on his cornered prey. And both the ferocity of the predator and the desperation of the prey were mirrored in their eyes. June-September 1968; I arrive at the Division base camp. It is located on the site of a Vietnamese cemetery that has been ploughed over. No one seems to know that the Vietnamese are ancestor worshipers. The local villagers let us know they are upset by shooting at us when they get a chance. (I later think that the choice of a graveyard for a camp was ironically prophetic.) I am amazed at how boring the war is, and how dirty. I have yet to see Sergeant Sadler or anyone like him, for that matter. We are dirty and no one sings at all. We spend our time filling sandbags, cleaning weapons, and going on make-work projects. It is almost as exciting as hoeing tomatoes. Every non-career enlisted man has adopted the expression There it is ' The saying is a catch-all phrase encompassing all the various emotions and thoughts associated with having to face unpleasant realities which one can do nothing about. No matter how often it is used it never becomes a cliche. A few of us are sent to the Division Headquarters to so some work. The Headquarters looks like a piece of an American Army post transported across the seas. There are conference rooms, sidewalks, and cute littie picket fences, It is all very quaint The most impressive structure is the Command Post, a fortress impervious to attack. This is where our general fights his war. On the wall is a huge map of our area of operations. The map has all sorts of pins stuck in it, each pin representing hundreds of men. If our general moves the pins around, men move around, in August he moves some pins and thousands of us assault the A Shau Valley. While in the Valley I become personally acquainted with every parasite in Vietnam. Mosquitoes, sand fleas, and leeches all seem to have a special affinity for my blood type. For a time I try to fight them off, but eventually I give in to their relentless attack. I decide to keep them for pets, especially the leeches, which are really attached to me. I give them names like Spot, Rover, and Sergeant Sadler. Both sides fight furiously. Two hundred twelve Americans are killed in seventeen days. No mercy is shown, as men who do not believe they will be given mercy do not grant any. One day during the operation, I meet three G.I.s who have surprised and killed some North Vietnamese while they were cooking their food. The Americans are sitting on the corpses, eating the food. I am not certain where I am. but I know I am no longer on the farm. In September we are flown back to the rear area. 1 go to the village to get some whiskey and then get drunk. The villagers have ingeniously cut the whiskey with river water and resealed the bottle, Drinking untreated river water is not good for G,l.s. I drink the whiskey and almost die of Fever, Unknown Origin, September-December 1968: J recover and am put on tight duty. Ironically, I am sent to guard a water purification unit. I do all my good deeds while I am stationed there, as there is a refugee camp inhabited by a lot of hungry people nearby. Part of my job is to radio in the food order for the day. On our first day, a little Vietnamese kid comes to watch us eat. He has eyes also, eyes that tell about his hunger without him having to say a word. 1 give him some of my food, and order extra food for the next day. The following day there are four children, and I increase the food order appropriately. Eventually I am feeding some thirty children, and become so popular in the village that I consider running for office. Fortunately I do not meet the residency requirements. If takes the bureaucracy quite some time to realize there are a tot of imaginary soldiers eating real meals at the water purification unit. I get caught feeding the children by my battalion commander, a kindly old colonel. He tells me that we mustn't feed the children, but not why we shouldn't. He forgives me for this breach of military conduct- an attitude which assures that he will never make general. I am sent back to the field. A tTuce is called for Christmas, but we are mortared by the enemy anyway. Two men are killed, but we have a nice turkey dinner, ' .LU JJJx JJJ . . . m m h o w l A h oM m m ' m + c omm sm cA o u m r 12. BethShirey A Self-As gnment Ink Photostats, Photographs W 13 Lillian Sung r oc4 Cover Focus on D.W. Griffith w ineociecrrvev.-asrocieo'eQ F Jes iiV3two bonaso 2 Jtmensanal Cube Lsing vor cus me nods cs d media A M ngrylighied, irem my birth ora eo y criianoodtoihebreserit _ LUJJJJdUUUJJJ L m A l m % A A on AAm o s m ' J.U.MJJ1 UJJ. L 'UMAAMAMAAAjCjC + m m m m l A A l A m m m m A 'AAAAAAAAAAAAAAAA rechmila 155 . JJ. AU UJJ. . L . ' UJJJJJJJJJJJJJJ. U JJJJJ JJJJJ. I . . ! ' UUU UUUUJ.L 'AAAAAAAAAAIAMAL n mL m n mf w m m m c o v o u Vp MALAMUAUiU • LUUAUAkkMAAAi p w oh fo ent b ? h L m L W 67. Robert Cocoer f Interstate 79 across Elk River below Sutton, . W.Va. A 66. Peter Nasri 35mm Infrared film ... mr :■ W sion aiKXjt ine sjdjecr 'ne j f rage some� of irve land- A M w ' merit Q rry ncn-'C- Iown end ne sutcunang a� ea j A Techmila 165 UJJJJJJJJcUU U 'AUAUAU LA . MA 75 76 75 Stefan Qberschelp isnevwoffcT W 76. Robert Boyer f Fantasylond I 8 W photograph tinted with oil colors. ■ w f A M £ 'ULAUUUUUUi 78. Hoss Dajani 'AAAAA AUUAUUA U h o UokUJJJJJ.LUJ m A AA oA —A AAAAAAA, ■88, (3. 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