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Page 29 text:
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light and adjustments aro only one of the last-minute worries directors Jebke and Plut face as a part of their production. he orchestra, situated backstage rather than in the orchestra pit, added the total musical effect of The Boy Friend. j,Set construction demands skill, patience, and hours of hard work from all backstage workers. JWith arms and legs flying. Charleston dancers revive that razzle-dazzle spirit of the Roaring Twenties. «— Maisie, (Kathy Kremer), contemplates an offer to spend the entire evening with Bobby, (Steve Broin).
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Page 28 text:
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Despite the chaos of last-minute rehearsals and weeks of frenzied preparation, the musical THE BOY FRIEND was finally performed with ease to sell-out crowds on March 8, 9, 10, 15, 16 and 17. Working side by side with directors Plut and Luebke were technical and musical specialists Mr. Fedje, Mr. Schirmacher, Mr. Berg and Ms. Chapman. Because of the unusually small cast and the cost of renting costumes, Mr. Luebke and his wife agreed to undertake the task of sewing all of the costumes, a project never before tackled in RHS drama. Their efforts, plus the work of the cast and crews, added up to The Boyfriend, a product that helped preserve Robbinsdale’s reputation for fine musicals. fPinning a dress for Pierrette Mrs. and Mr. Luebke work long hours at home on costumes. TSynchronization of dancers, singers and the orchestra is a massive job requiring perseverance from director, Mr. Berg. . . . acting with heart and SOUL . . .
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Page 30 text:
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-♦Beach balls and bathing suits set a lively scene in the afternoon for colorful fun on the beach. fHortense, (Sue Peleaux) lectures on how to be a lady to the girls at Madame Dubonnet’s finishing school. —♦Lady Brockhurst, (Daina Lahtinen) is bored with keeping Lord Brock-hurst, (Doug Hanson) out of the sun and away from the girls. —♦When they perform the tango at the Carnival Ball, Pepe, (Mike Boike) and Lolita (Barb Plant) are the rage of Nice. . . . Boyfriend performances all SOUL-ed out . . .
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